Popularity: 2 (history)
Director: | Tate Taylor |
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Writer: | John-Henry Butterworth, Jez Butterworth, Steven Baigelman |
Staring: |
A chronicle of James Brown's rise from extreme poverty to become one of the most influential musicians in history. | |
Release Date: | Aug 01, 2014 |
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Director: | Tate Taylor |
Writer: | John-Henry Butterworth, Jez Butterworth, Steven Baigelman |
Genres: | Drama, Music |
Keywords | 1970s, vietnam war, biography, south carolina, singer, breaking the fourth wall, domestic violence, songwriter, 1980s, 1950s, soul music, non linear, african american entertainer |
Production Companies | Imagine Entertainment, Universal Pictures, Jagged Films |
Box Office |
Revenue: $33,448,971
Budget: $30,000,000 |
Updates |
Updated: Feb 01, 2025 Entered: Apr 13, 2024 |
Name | Job |
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John-Henry Butterworth | Screenplay |
Tate Taylor | Director |
Jez Butterworth | Screenplay |
Michael McCusker | Editor |
Stephen Goldblatt | Director of Photography |
Chuck Picerni Jr. | Stunts |
Thomas Newman | Original Music Composer |
Danny Epper | Stunts |
Steven Baigelman | Screenplay |
Jesse Rosenthal | Art Direction |
Kerry Barden | Casting |
Paul Schnee | Casting |
D. Stevens | Still Photographer |
Will Arnot | Camera Operator, Steadicam Operator |
Cate Hardman | Script Supervisor |
Greg P. Russell | Sound Re-Recording Mixer |
Craig Dollinger | Boom Operator |
Daniel Saxlid | Dialogue Editor |
Robin Mulcahy Fisichella | Production Supervisor |
Steven A. Morrow | Sound mixer |
Jason King | Sound Effects Editor, Sound Designer |
Margaret Yen | Music Supervisor |
Bill Bernstein | Music Editor |
Rickley W. Dumm | Sound Effects Editor |
Sharen Davis | Costume Design |
Mark Ricker | Production Design |
Robert L. Sephton | Sound Effects Editor, Sound Designer |
Jordan Corngold | Music Editor |
Gary Trentham | Production Coordinator |
Scott Millan | Sound Re-Recording Mixer |
Curt Sobel | Music Editor |
Colin J. Campbell | Gaffer |
Budd Carr | Music Supervisor |
Rena DeAngelo | Set Decoration |
Cleta Elaine Ellington | First Assistant Director |
Steven Ritzi | Stunts |
Lex D. Geddings | Stunt Coordinator |
Tony Donno | Stunt Driver |
Michael Endoso | Stunt Driver |
Jeff Brockton | Stunt Driver |
Tim Bell | Stunts |
William Scharpf | Stunts |
Mark Yawn | Stunt Driver |
Carl Anthony Nespoli | Stunt Driver |
Philip Fornah | Stunts |
Sean Paul Braud | Stunts |
Name | Title |
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John Norris | Executive Producer |
John-Henry Butterworth | Executive Producer |
Brian Grazer | Producer |
Mick Jagger | Producer |
Jez Butterworth | Executive Producer |
Erica Huggins | Producer |
Victoria Pearman | Producer |
Peter Afterman | Executive Producer |
Trish Hofmann | Executive Producer |
Anna Culp | Executive Producer |
Tate Taylor | Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 16 | 27 | 10 |
2024 | 5 | 20 | 33 | 13 |
2024 | 6 | 16 | 32 | 9 |
2024 | 7 | 24 | 56 | 8 |
2024 | 8 | 14 | 23 | 7 |
2024 | 9 | 11 | 16 | 6 |
2024 | 10 | 18 | 38 | 8 |
2024 | 11 | 11 | 26 | 7 |
2024 | 12 | 11 | 15 | 8 |
2025 | 1 | 12 | 20 | 8 |
2025 | 2 | 9 | 16 | 3 |
2025 | 3 | 6 | 15 | 1 |
2025 | 4 | 1 | 1 | 1 |
2025 | 5 | 2 | 6 | 1 |
2025 | 6 | 2 | 3 | 2 |
2025 | 7 | 2 | 3 | 1 |
2025 | 8 | 1 | 2 | 1 |
2025 | 9 | 2 | 3 | 2 |
2025 | 10 | 2 | 3 | 2 |
Trending Position
Year | Month | High | Avg |
---|---|---|---|
2025 | 6 | 575 | 789 |
Chadwick Boseman is terrific, but <em>'Get on Up'</em> is missing something that would make it a great biopic. I still very much enjoyed it, I always tend to find biographical films interesting - especially when I don't know too much about the person(s) in question, as is the case with James Brow ... n here; I've always known of him and his major songs, but that's about it. Boseman leads strongly, carrying the film really. That's not to say he's alone in terms of the onscreen talent, as there are others who I liked. Dan Aykroyd is solid, while Octavia Spencer and Viola Davis are welcomed cast members. The brilliant Lennie James is also involved, admittedly in a relatively small role. With all that noted, I just felt there was something missing. I can't exactly pinpoint what that is. One of the things I felt from the start was the lack of likeability I had for the lead character, perhaps that was intentional though. The 'breaking the fourth wall' stuff is iffy, too. The 139 run time probably comes into it as well, while the ageing for Boseman & Co. isn't the best I've seen - which isn't good, given the film opens with a scene that requires ageing so it naturally stuck in my memory more. As also mentioned at the top, I didn't come into this knowing all about James Brown and his music/life so that likely plays a part - though I've seen other biopics under similar circumstances and it hasn't affected my enjoyment. There are still other positives, aside from the cast, of course. I actually liked the non-linear structure of how the story is told, while the cinematography is pleasant. The music is also worked in well. All in all, it's a film that I would recommend. It had all the ingredients to be grander though.