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An Ideal Husband Poster

An Ideal Husband

He just doesn't know it yet.
1999 | 97m | English

(17502 votes)

TMDb IMDb

Popularity: 4 (history)

Director: Oliver Parker
Writer: Oliver Parker
Staring:
Details

Sir Robert Chiltern is a successful government minister, well-off and with a loving wife. All this is threatened when Mrs Cheveley appears in London with damning evidence of a past misdeed. Sir Robert turns for help to his friend Lord Goring, an apparently idle philanderer and the despair of his father. Goring knows the lady of old, and, for him, takes the whole thing pretty seriously.
Release Date: Apr 15, 1999
Director: Oliver Parker
Writer: Oliver Parker
Genres: Comedy, Drama, Romance
Keywords blackmail, securities, stocks and bonds , based on play or musical, british politics, house of commons, commerce without conscience
Production Companies Icon Productions, Arts Council of England, Fragile Films, Pathé
Box Office Revenue: $18,500,000
Budget: $14,000,000
Updates Updated: Feb 01, 2025
Entered: Apr 13, 2024
Trailers and Extras

International Posters

Full Credits

Name Character
Cate Blanchett Lady Gertrude Chiltern
Minnie Driver Miss Mabel Chiltern
Rupert Everett Lord Arthur Goring
Julianne Moore Mrs. Laura Cheveley
Jeremy Northam Sir Robert Chiltern
Peter Vaughan Phipps
Ben Pullen Tommy Trafford
Marsha Fitzalan Countess
Lindsay Duncan Lady Markby
John Wood Lord Caversham
Simon Russell Beale Sir Edward
Charles Edwards Jack
Oliver Ford Davies Sir Hugo Danforth
Susannah Wise Young Mother
John Thompson The Speaker
Anna Patrick Miss Danvers
Delia Lindsay Miss Basilton
Denise Stephenson Gwendolen
Jeroen Krabbé Baron Arnheim
Michael Culkin Oscar Wilde
Nickolas Grace Vicounte de Nanjac
Name Job
Oscar Wilde Theatre Play
Oliver Parker Screenplay, Director
David Johnson Director of Photography
Caroline Harris Costume Design
Christopher Ackland Sound Effects Editor
Adrian Rhodes Sound Re-Recording Mixer
Tamsin Dorling Hairstylist
Veronica McAleer Makeup Artist
Liz Tagg Makeup Artist
Michael Howells Production Design
Rod McLean Art Direction
Paul Gooch Hairstylist
Jamie Pritchard Hairstylist
Charlie Mole Original Music Composer
Andie Derrick Foley Artist
Peter Lindsay Sound
Katie Lee Set Decoration
Celestia Fox Casting
Guy Bensley Editor
Kirstie Stanway Hairstylist
Peter Burgis Foley Artist
Mark DeSimone ADR Mixer
Peter Swords King Makeup Designer
Name Title
Nicky Kentish Barnes Co-Producer
Susan B. Landau Executive Producer
Uri Fruchtmann Producer
Andrea Calderwood Executive Producer
Paul Tucker Co-Producer
Bruce Davey Producer
Ralph Kamp Executive Producer
Barnaby Thompson Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 13 18 9
2024 5 16 22 11
2024 6 13 20 7
2024 7 18 34 9
2024 8 12 19 8
2024 9 11 17 5
2024 10 15 36 7
2024 11 10 20 6
2024 12 9 15 6
2025 1 10 18 7
2025 2 8 11 3
2025 3 4 11 0
2025 4 1 1 1
2025 5 1 1 1
2025 6 1 1 0
2025 7 1 1 0
2025 8 1 1 0
2025 9 2 2 1
2025 10 2 4 2

Trending Position


Year Month High Avg
2025 6 967 970
Year Month High Avg
2025 3 875 875

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Reviews

Geronimo1967
6.0

"Sir Robert Chiltern" (Jeremy Northam) is a British cabinet minister with a secret! He is determined that it remain exactly that - from his wife (Cate Blanchett) and from his political masters. Perhaps not too shrewdly, he turns to his rather underwhelming pal "Lord Goring" (Rupert Everett) whom he ... knows is well acquainted with his new found nemesis "Mrs. Cheveley" (Julianne Moore). With a parliamentary debate fast looming, and "Sir Robert" - in his role as a junior minister having a crucial role in a substantial government investment in Argentina - having to endorse or not, he finds himself in quite a quandary. Meantime, of course, "Goring" must try to help his friend whilst dealing with issues of his own with a disapproving father (John Wood) and poor old "Mabel" (Minnie Driver). What ensues here now is a lovely piece of Oscar Wilde satire that shines a light on a flawed political establishment with which he was probably quite well acquainted, and in which Rupert Everett shines. Though featuring only sparingly, he deftly portrays this outwardly lazy and spoilt gent with quite an engaging skill as we discover he is nowhere near as much of the hapless rake as he would have folks believe. His night of the visitors - when he must jig from room to room adopting a differing persona each time is really quite good fun to watch - and quite plausible too. The problem here is the rest of the ensemble. It's one of these sum of the parts scenarios. The big names are there, but the characters aren't. Moore really doesn't exude the Machiavellian nastiness I wanted from her and there's only so many times I can watch Blanchett do that thing with her eyes that is meant to suggest a myriad of emotions. Northam was only ever really adequate and here he fares no better, despite having a strong character to work with. I still think Wilde works best on the stage - there's a spontaneity there that makes his works sing. Here, it really only sort of murmurs with the odd potent spluttering of humour now and again. Looks splendid, though.

Feb 15, 2024