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King Kong Poster

King Kong

A Monster of Creation's Dawn Breaks Loose in Our World Today!
1933 | 104m | English

(94724 votes)

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Popularity: 4 (history)

Details

Adventurous filmmaker Carl Denham sets out to produce a motion picture unlike anything the world has seen before. Alongside his leading lady Ann Darrow and his first mate Jack Driscoll, they arrive on an island and discover a legendary creature said to be neither beast nor man. Denham captures the monster to be displayed on Broadway as King Kong, the eighth wonder of the world.
Release Date: Mar 15, 1933
Director: Merian C. Cooper, Ernest B. Schoedsack
Writer: Ruth Rose, James Ashmore Creelman, Leon Gordon, Merian C. Cooper, Edgar Wallace
Genres: Fantasy, Adventure, Horror
Keywords new york city, screenplay, movie business, exotic island, island, ship, great depression, unsociability, dinosaur, black and white, pre-code, sea voyage, damsel in distress, empire state building, giant ape, animal horror, great ape, king kong
Production Companies RKO Radio Pictures
Box Office Revenue: $10,000,000
Budget: $672,000
Updates Updated: Feb 01, 2025
Entered: Apr 13, 2024
Trailers and Extras

International Posters

Full Credits

Name Character
Robert Armstrong Carl Denham
Fay Wray Ann Darrow
Bruce Cabot Jack Driscoll
Frank Reicher Captain Englehorn
Victor Wong Ship's Cook Charlie
James Flavin Mate Briggs
Sam Hardy Charles Weston
Noble Johnson Skull Island Native Chief
Steve Clemente Skull Island Witch Doctor
Roscoe Ates Press Photographer (uncredited)
Merian C. Cooper Pilot of Plane that Kills Kong (uncredited)
Frances Curry Intended Sacrificial Bride for Kong (uncredited)
Paul Porcasi Apple Vendor (uncredited)
Ernest B. Schoedsack Machine-Gunner on Plane that Kills Kong (uncredited)
Harry Strang Policeman at Headquarters (uncredited)
Bill Williams Theatre Usher (uncredited)
Dick Curtis Member of Ship's Crew (uncredited)
Reginald Barlow Ship's Engineer (uncredited)
Roy Brent Member of Ship's Crew (uncredited)
Edward Clark Member of Ship's Crew (uncredited)
Harry Cornbleth Member of Ship's Crew (uncredited)
James Dime Member of Ship's Crew (uncredited)
Charlie Hall Member of Ship's Crew (uncredited)
Allen Jenkins Member of Ship's Crew (uncredited)
George Magrill Member of Ship's Crew (uncredited)
John Northpole Member of Ship's Crew (uncredited)
Gil Perkins Member of Ship's Crew (uncredited)
Jack Perry Member of Ship's Crew (uncredited)
Harry Tenbrook Member of Ship's Crew (uncredited)
Sailor Vincent Member of Ship's Crew (uncredited)
Blackie Whiteford Member of Ship's Crew (uncredited)
Dorothy Gulliver New York Theatergoer
Carlotta Monti New York Theatergoer
Sandra Shaw Woman Who Screams From Hotel Window
Louise Emmons Old Woman in Line at Mission
Everett Brown Native in Ape Costume
Onest Conley Warrior (uncredited)
Odel Conley Warrior (uncredited)
Madame Sul-Te-Wan Native Handmaiden (uncredited)
Name Job
J.O. Taylor Director of Photography
Ruth Rose Screenplay
James Ashmore Creelman Screenplay
Edward Linden Director of Photography
George Marquenie Best Boy Electric
Ted Cheesman Editor
Kenneth Peach Director of Photography
Ernest Bachrach Still Photographer
Sam Redding Key Grip
Thomas Little Set Decoration
Doran Cox Assistant Director
Walter Daniels Assistant Director
Ray Moyer Set Decoration
Dotha Hippe Hairstylist
Fred Schuessler Casting
Carroll Clark Settings, Production Design, Art Direction
Ivan Thomas Assistant Director
Pauline Wagner Stunt Double
Bert Willis First Assistant "A" Camera
Buddy Mason Stunt Double
George Gabe Property Master
Harold E. Stine Boom Operator
Aline Goodwin Stunt Double
Cherie May Stunt Double
Judy Malcolm Stunt Double
Marcella Allen Stunt Double
Betty Goode Script Supervisor
Duke Krantz Pilot
Lillian Jones Stunt Double
Earl A. Wolcott Sound Recordist
Leon Gordon Writer
Alfred Herman Settings, Art Direction
Mel Berns Makeup Supervisor
John Cerisoli Sculptor
Steve Rez Paint Coordinator
Ernest Smythe Additional Storyboarding
Murray Spivack Sound Designer, Sound Effects
Eddie Harman Sound Recordist
Clem Portman Sound Re-Recording Mixer
Richard Van Hessen Boom Operator
Harry Redmond Jr. Special Effects
Harry Redmond Sr. Special Effects
Merian C. Cooper Idea, Director, Story
Ernest B. Schoedsack Camera Operator, Director
Max Steiner Original Music Composer
Vernon L. Walker Director of Photography
Edgar Wallace Idea, Story
Walter Plunkett Costume Design
Sam Kaufman Makeup Artist
William H. Clothier First Assistant "B" Camera
Willis H. O'Brien Visual Effects
Van Nest Polglase Supervising Art Director
Frank D. Williams Special Effects Technician
Name Title
Walter Daniels Producer
David O. Selznick Executive Producer
Merian C. Cooper Producer
Ernest B. Schoedsack Producer
Organization Category Person
Venice Film Festival Best Picture N/A Won
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 43 60 31
2024 5 48 73 34
2024 6 40 63 24
2024 7 39 60 24
2024 8 39 80 22
2024 9 27 42 20
2024 10 31 51 17
2024 11 27 52 19
2024 12 23 32 15
2025 1 28 54 15
2025 2 17 35 3
2025 3 8 24 2
2025 4 3 5 2
2025 5 6 12 3
2025 6 5 12 2
2025 7 3 4 2
2025 8 3 5 2
2025 9 3 3 2
2025 10 3 4 2

Trending Position


Year Month High Avg
2025 10 529 715
Year Month High Avg
2025 5 680 680
Year Month High Avg
2025 4 526 724
Year Month High Avg
2025 3 891 932
Year Month High Avg
2025 2 709 868
Year Month High Avg
2025 1 947 947

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Reviews

tmdb27219454
10.0

In watching this movie, and I'm talking about actually scrutinizing it intently, I was shocked at the amount and the extremity of the violence that was in the picture. Natives were being bitten, swallowed and purposely stepped upon by Kong. The sailors were chased, trampled and eaten by the dinosaur ... s and then we have all the New York City violence on top of it all where Kong tosses a woman to her death and bites on a bystander. Also, for it being an 85+ year old movie, the special effects STILL stand up rather well and STILL look convincingly realistic. In fact, I believe these FX are of a better quality than the 1976 remake and even comes close to the 2005 CGI version. If you've never seen this classic, mostly because "who would want to watch that old-style claymation" or you can't watch anything not "in Living Color," you really need to give this one a try. For those of you that have seen it, let me urge you to rewatch it, possibly with some newly-opened eyes.

Jun 23, 2021
Geronimo1967
8.0

Shown recently by the BBC and wow, how fantastically this has stood the test of time. I can see why there have been so many remakes of this iconic tale of ambition, power and true love but none that shine a candle to this - even after over 80 years. Robert Armstrong and Fay Wray do their bit as the ... producer and the starlet, but the true stars are lighting, photography and special effects which are masterful as we visit this ancient island divided by a great wall (how on earth did the natives ever manage to build it?) that keeps the prehistoric monsters at bay. This is adventure cinema at it's absolute best; and even the writing is reasonable. If you don't feel sympathy for Kong at the end then where is your heart?

Jun 13, 2022
GenerationofSwine
10.0

So this is the bar, and this is the reason that people don't like any of the remakes... except the 2005 remake, people don't like that because it stinks. But this shot for the moon. It promised the audience a giant ape, it gave the audience a giant ape... and a sort of love story that was really ... cute and relatable that brought it all together. It reached for the stars visually, it grabbed one, and it told an amazing story along with it. It was a win on every front. So, now, when people watch King Kong remakes, they look at them and they don't live up to the effort that this movie put into itself. They all look better, but they don't feel as well crafted as the original, because they aren't. They are all a little lazy in comparison because it's easier to do it now. In 11 years its going to be 100 years old and people are still going to marvel at the work put into it.

Jan 10, 2023