Popularity: 4 (history)
| Director: | Merian C. Cooper, Ernest B. Schoedsack |
|---|---|
| Writer: | Ruth Rose, James Ashmore Creelman, Leon Gordon, Merian C. Cooper, Edgar Wallace |
| Staring: |
| Adventurous filmmaker Carl Denham sets out to produce a motion picture unlike anything the world has seen before. Alongside his leading lady Ann Darrow and his first mate Jack Driscoll, they arrive on an island and discover a legendary creature said to be neither beast nor man. Denham captures the monster to be displayed on Broadway as King Kong, the eighth wonder of the world. | |
| Release Date: | Mar 15, 1933 |
|---|---|
| Director: | Merian C. Cooper, Ernest B. Schoedsack |
| Writer: | Ruth Rose, James Ashmore Creelman, Leon Gordon, Merian C. Cooper, Edgar Wallace |
| Genres: | Fantasy, Adventure, Horror |
| Keywords | new york city, screenplay, movie business, exotic island, island, ship, great depression, unsociability, dinosaur, black and white, pre-code, sea voyage, damsel in distress, empire state building, giant ape, animal horror, great ape, king kong |
| Production Companies | RKO Radio Pictures |
| Box Office |
Revenue: $10,000,000
Budget: $672,000 |
| Updates |
Updated: Feb 01, 2025 Entered: Apr 13, 2024 |
| Name | Character |
|---|---|
| Robert Armstrong | Carl Denham |
| Fay Wray | Ann Darrow |
| Bruce Cabot | Jack Driscoll |
| Frank Reicher | Captain Englehorn |
| Victor Wong | Ship's Cook Charlie |
| James Flavin | Mate Briggs |
| Sam Hardy | Charles Weston |
| Noble Johnson | Skull Island Native Chief |
| Steve Clemente | Skull Island Witch Doctor |
| Roscoe Ates | Press Photographer (uncredited) |
| Merian C. Cooper | Pilot of Plane that Kills Kong (uncredited) |
| Frances Curry | Intended Sacrificial Bride for Kong (uncredited) |
| Paul Porcasi | Apple Vendor (uncredited) |
| Ernest B. Schoedsack | Machine-Gunner on Plane that Kills Kong (uncredited) |
| Harry Strang | Policeman at Headquarters (uncredited) |
| Bill Williams | Theatre Usher (uncredited) |
| Dick Curtis | Member of Ship's Crew (uncredited) |
| Reginald Barlow | Ship's Engineer (uncredited) |
| Roy Brent | Member of Ship's Crew (uncredited) |
| Edward Clark | Member of Ship's Crew (uncredited) |
| Harry Cornbleth | Member of Ship's Crew (uncredited) |
| James Dime | Member of Ship's Crew (uncredited) |
| Charlie Hall | Member of Ship's Crew (uncredited) |
| Allen Jenkins | Member of Ship's Crew (uncredited) |
| George Magrill | Member of Ship's Crew (uncredited) |
| John Northpole | Member of Ship's Crew (uncredited) |
| Gil Perkins | Member of Ship's Crew (uncredited) |
| Jack Perry | Member of Ship's Crew (uncredited) |
| Harry Tenbrook | Member of Ship's Crew (uncredited) |
| Sailor Vincent | Member of Ship's Crew (uncredited) |
| Blackie Whiteford | Member of Ship's Crew (uncredited) |
| Dorothy Gulliver | New York Theatergoer |
| Carlotta Monti | New York Theatergoer |
| Sandra Shaw | Woman Who Screams From Hotel Window |
| Louise Emmons | Old Woman in Line at Mission |
| Everett Brown | Native in Ape Costume |
| Onest Conley | Warrior (uncredited) |
| Odel Conley | Warrior (uncredited) |
| Madame Sul-Te-Wan | Native Handmaiden (uncredited) |
| Name | Job |
|---|---|
| J.O. Taylor | Director of Photography |
| Ruth Rose | Screenplay |
| James Ashmore Creelman | Screenplay |
| Edward Linden | Director of Photography |
| George Marquenie | Best Boy Electric |
| Ted Cheesman | Editor |
| Kenneth Peach | Director of Photography |
| Ernest Bachrach | Still Photographer |
| Sam Redding | Key Grip |
| Thomas Little | Set Decoration |
| Doran Cox | Assistant Director |
| Walter Daniels | Assistant Director |
| Ray Moyer | Set Decoration |
| Dotha Hippe | Hairstylist |
| Fred Schuessler | Casting |
| Carroll Clark | Settings, Production Design, Art Direction |
| Ivan Thomas | Assistant Director |
| Pauline Wagner | Stunt Double |
| Bert Willis | First Assistant "A" Camera |
| Buddy Mason | Stunt Double |
| George Gabe | Property Master |
| Harold E. Stine | Boom Operator |
| Aline Goodwin | Stunt Double |
| Cherie May | Stunt Double |
| Judy Malcolm | Stunt Double |
| Marcella Allen | Stunt Double |
| Betty Goode | Script Supervisor |
| Duke Krantz | Pilot |
| Lillian Jones | Stunt Double |
| Earl A. Wolcott | Sound Recordist |
| Leon Gordon | Writer |
| Alfred Herman | Settings, Art Direction |
| Mel Berns | Makeup Supervisor |
| John Cerisoli | Sculptor |
| Steve Rez | Paint Coordinator |
| Ernest Smythe | Additional Storyboarding |
| Murray Spivack | Sound Designer, Sound Effects |
| Eddie Harman | Sound Recordist |
| Clem Portman | Sound Re-Recording Mixer |
| Richard Van Hessen | Boom Operator |
| Harry Redmond Jr. | Special Effects |
| Harry Redmond Sr. | Special Effects |
| Merian C. Cooper | Idea, Director, Story |
| Ernest B. Schoedsack | Camera Operator, Director |
| Max Steiner | Original Music Composer |
| Vernon L. Walker | Director of Photography |
| Edgar Wallace | Idea, Story |
| Walter Plunkett | Costume Design |
| Sam Kaufman | Makeup Artist |
| William H. Clothier | First Assistant "B" Camera |
| Willis H. O'Brien | Visual Effects |
| Van Nest Polglase | Supervising Art Director |
| Frank D. Williams | Special Effects Technician |
| Name | Title |
|---|---|
| Walter Daniels | Producer |
| David O. Selznick | Executive Producer |
| Merian C. Cooper | Producer |
| Ernest B. Schoedsack | Producer |
| Organization | Category | Person | |
|---|---|---|---|
| Venice Film Festival | Best Picture | N/A | Won |
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 43 | 60 | 31 |
| 2024 | 5 | 48 | 73 | 34 |
| 2024 | 6 | 40 | 63 | 24 |
| 2024 | 7 | 39 | 60 | 24 |
| 2024 | 8 | 39 | 80 | 22 |
| 2024 | 9 | 27 | 42 | 20 |
| 2024 | 10 | 31 | 51 | 17 |
| 2024 | 11 | 27 | 52 | 19 |
| 2024 | 12 | 23 | 32 | 15 |
| 2025 | 1 | 28 | 54 | 15 |
| 2025 | 2 | 17 | 35 | 3 |
| 2025 | 3 | 8 | 24 | 2 |
| 2025 | 4 | 3 | 5 | 2 |
| 2025 | 5 | 6 | 12 | 3 |
| 2025 | 6 | 5 | 12 | 2 |
| 2025 | 7 | 3 | 4 | 2 |
| 2025 | 8 | 3 | 5 | 2 |
| 2025 | 9 | 3 | 3 | 2 |
| 2025 | 10 | 3 | 4 | 2 |
Trending Position
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 10 | 529 | 715 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 5 | 680 | 680 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 4 | 526 | 724 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 3 | 891 | 932 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 2 | 709 | 868 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 1 | 947 | 947 |
In watching this movie, and I'm talking about actually scrutinizing it intently, I was shocked at the amount and the extremity of the violence that was in the picture. Natives were being bitten, swallowed and purposely stepped upon by Kong. The sailors were chased, trampled and eaten by the dinosaur ... s and then we have all the New York City violence on top of it all where Kong tosses a woman to her death and bites on a bystander. Also, for it being an 85+ year old movie, the special effects STILL stand up rather well and STILL look convincingly realistic. In fact, I believe these FX are of a better quality than the 1976 remake and even comes close to the 2005 CGI version. If you've never seen this classic, mostly because "who would want to watch that old-style claymation" or you can't watch anything not "in Living Color," you really need to give this one a try. For those of you that have seen it, let me urge you to rewatch it, possibly with some newly-opened eyes.
Shown recently by the BBC and wow, how fantastically this has stood the test of time. I can see why there have been so many remakes of this iconic tale of ambition, power and true love but none that shine a candle to this - even after over 80 years. Robert Armstrong and Fay Wray do their bit as the ... producer and the starlet, but the true stars are lighting, photography and special effects which are masterful as we visit this ancient island divided by a great wall (how on earth did the natives ever manage to build it?) that keeps the prehistoric monsters at bay. This is adventure cinema at it's absolute best; and even the writing is reasonable. If you don't feel sympathy for Kong at the end then where is your heart?
So this is the bar, and this is the reason that people don't like any of the remakes... except the 2005 remake, people don't like that because it stinks. But this shot for the moon. It promised the audience a giant ape, it gave the audience a giant ape... and a sort of love story that was really ... cute and relatable that brought it all together. It reached for the stars visually, it grabbed one, and it told an amazing story along with it. It was a win on every front. So, now, when people watch King Kong remakes, they look at them and they don't live up to the effort that this movie put into itself. They all look better, but they don't feel as well crafted as the original, because they aren't. They are all a little lazy in comparison because it's easier to do it now. In 11 years its going to be 100 years old and people are still going to marvel at the work put into it.