Popularity: 1 (history)
Director: | Jeff Nichols |
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Writer: | Jeff Nichols |
Staring: |
A father and son go on the run after the dad learns his child possesses special powers. | |
Release Date: | Feb 18, 2016 |
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Director: | Jeff Nichols |
Writer: | Jeff Nichols |
Genres: | Adventure, Science Fiction, Drama |
Keywords | helicopter, parent child relationship, gas station, texas, hostage, fbi, motel, ranch, chase, meteor, government, on the run, shootout, military, religious cult, child kidnapping, goggles |
Production Companies | Warner Bros. Pictures, FilmNation Entertainment, Faliro House Productions, RatPac Entertainment, Tri-State Pictures |
Box Office |
Revenue: $7,112,282
Budget: $18,000,000 |
Updates |
Updated: Aug 09, 2025 (Update) Entered: Apr 13, 2024 |
Name | Character |
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Michael Shannon | Roy Tomlin |
Jaeden Martell | Alton Meyer |
Joel Edgerton | Lucas |
Kirsten Dunst | Sarah Tomlin |
Adam Driver | Agent Sevier |
David Jensen | Elden |
Sam Shepard | Calvin Meyer |
Scott Haze | Levi |
Dana Gourrier | Sharon Davison |
Paul Sparks | Agent Miller |
Kerry Cahill | Linda (NSA Staffer) |
Bill Camp | Doak |
Billy Slaughter | Agent Cole |
Lucy Faust | Caroline (Ranch Member) |
Sean Bridgers | Fredrick (Ranch Member) |
Allison Gabriel | Hannah (Ranch Member) |
Sharon Landry | Merrianne (Doak's Wife) |
Sharon Garrison | Jane Adams (Sarah's Mother) |
James Moses Black | Military Officer |
Yvonne Landry | Motel Clerk |
Maureen Brennan | Woman at Truckstop |
Ann Mahoney | FBI Agent #1 |
Garrett Hines | FBI Agent #2 |
Wayne Pére | Prison FBI Agent |
Dane Rhodes | Oil Worker |
Lee Zurik | Local Newscaster #1 |
Nicondra Norwood | Local Newscaster #2 |
Sam Malone | Soldier at Roadblock |
Sean Kaplan | Texas State Trooper |
James DuMont | Base Commander |
Nancy Grace | Nancy Grace |
Lynn Berry | Lynn Berry |
Alexander Eldimiati | Stand in (uncredited) |
D'Arcy Allen | FBI Agent (uncredited) |
John L. Armijo | National Guardsman (uncredited) |
Michelle Benet | Car Crash Victim (uncredited) |
Name | Job |
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Jeff Nichols | Screenplay, Director |
Scott Rogers | Stunt Coordinator |
Francine Maisler | Casting |
Joel Dougherty | Dialogue Editor |
Tony Ward | Hair Department Head |
Sarah Green | Unit Production Manager |
Leigh Hennessy | Stunts |
Jeremy Fry | Stunts |
David Wingo | Original Music Composer |
Austin Gorg | Art Direction |
Mark Edward Wright | Visual Effects Editor |
Chad Keith | Production Design |
Eric A. Kohler | Visual Effects Producer |
Will Files | Supervising Sound Editor |
Amy Wood | Key Hair Stylist |
Venessa De Anda | Art Department Coordinator |
Hans Bjerno | Helicopter Camera |
Chuck Stringer | Construction Coordinator |
CJ Cole | Visual Effects Coordinator |
Ben Rothstein | Still Photographer |
Jonathan Guggenheim | Assistant Art Director |
Matthew A. Petrosky | Steadicam Operator |
Jeremy Bowker | Sound Designer |
Julie Monroe | Editor |
Erin Benach | Costume Design |
Joel Sevilla | CG Supervisor |
Jonny Pray | Costume Supervisor |
Jean-Paul Chreky | Script Supervisor |
Samuel Craven | First Assistant Editor |
Lindsay McKay | Assistant Costume Designer |
Scott Guitteau | Sound Effects Editor |
Meagan Lewis | Casting |
Kenneth Neil Moore | Camera Operator |
Frank Rinella | Foley |
Jay B. Richardson | Music Editor |
Caroline Labrie | Animation |
Adam Stone | Director of Photography |
Erik Foreman | Sound Effects Editor |
Stacy Kelly | Makeup Department Head |
Paige Reeves | Makeup Artist |
Rachel Jacob | Casting Associate |
Richard B. Molina | First Assistant Editor |
Robert E. Phillips | Digital Intermediate |
Pascal Garneau | Sound Effects Editor |
Kate Evans | Casting Associate |
Michael Roy | Gaffer |
Adam Willis | Set Decoration |
Alex McDowell | Conceptual Design |
Trey Edward Shults | Camera Production Assistant |
Chelsea Bruland | Stunts |
Name | Title |
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Brian Kavanaugh-Jones | Producer |
Sarah Green | Producer |
Christos V. Konstantakopoulos | Executive Producer |
Steven Mnuchin | Executive Producer |
Kristin Mann | Associate Producer |
Darius Shahmir | Associate Producer |
Hans Graffunder | Executive Producer |
Rian Cahill | Associate Producer |
Eric Heffron | Co-Producer |
Glen Basner | Executive Producer |
Organization | Category | Person |
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Popularity History
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2024 | 4 | 24 | 40 | 16 |
2024 | 5 | 28 | 76 | 14 |
2024 | 6 | 24 | 39 | 13 |
2024 | 7 | 29 | 63 | 14 |
2024 | 8 | 22 | 41 | 11 |
2024 | 9 | 14 | 23 | 8 |
2024 | 10 | 19 | 36 | 9 |
2024 | 11 | 15 | 24 | 9 |
2024 | 12 | 14 | 20 | 10 |
2025 | 1 | 17 | 35 | 11 |
2025 | 2 | 12 | 21 | 3 |
2025 | 3 | 6 | 19 | 1 |
2025 | 4 | 2 | 2 | 1 |
2025 | 5 | 1 | 2 | 1 |
2025 | 6 | 2 | 3 | 1 |
2025 | 7 | 1 | 2 | 1 |
2025 | 8 | 1 | 2 | 1 |
Trending Position
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2024 | 8 | 392 | 717 |
> A secret road adventure during the dark hours! So the Jeff Nichols and Micahel Shannon saga continues. This is theirs 4th film together in the last nine years and all of them were well accepted. Now they are into sci-fi for this, which is kind of a road movie that resembles hundreds of other fi ... lms. Only thematically, but in parts it looks different, especially for being too realistic as what the director is famous for. Finally, something is not a comedy or a full of CGI, yet still it is a wonderful sci-fi-drama with some thrill moments. It opened like the midway of the story. We obviously have to wait for a proper explanation to know what's going on, who is the child and where they're taking him. So it all begins with two armed men driving a young kid on the dark hours. Only we know is that they are protecting the boy from the government people, but the film took some time to give a clear picture of the condition. In the meantime, I started my prediction game, but I expected the film to clarify how it all began. It never cared about that part, only moved forward and that's how we're going to get some answers where a few might feel its a let down. The negative of the film is you won't fully understand it, but it is not an incomplete story, just designed that way that leaves for the viewer to add their own perspectives to where the writer left blank spaces. Like I said the people are comparing it with the similar films and I did not care about that, but I disappointed with the conclusion. It was neatly folded, I actually liked it, but it was not fresh, especially it totally mirrors 'Tomorrowland'. Now I know why Warner Bros moved it from last year to this year's release. It might be a coincident because the director who is also the writer has a good reputation, so I believe it is definitely not a steal, just a common creative that we've already seen many films like that. Overall, this film is worth, but might not satisfy the Jeff Nichols fans, because like I said plenty of times before in my reviews, now it the sci-fi era and every filmmaker and film-star want to board on that plane. So it did not spare Jeff Nichols as well. 7/10
It's like _Donnie Darko_ and _Looper_ had a baby. A less talented baby, but still, pretty impressive. _Final rating:★★★½ - I strongly recommend you make the time._ ...
Midnight Special is an entertaining Sci-fi flick that ultimately never reaches it's full potential. The father son on the run story is griping and well played with the talent of Michael Shannon who is believable as a father who will do anything to get his gifted son to where he needs to be. Dunst an ... d Edgerton do some fairly solid work also as Altons mother and I believe step father. The dialogue is believable, the action and Sci-fi elements are all well put together. The concept almost ET like is interesting. The CGI is acceptable if not spectacular. The music well scored if not memorable. I personally found this movie felt long at 1h52mins and for some reason I felt the movie should of been set in an earlier time period like the 70s or 80's. These are small personal gripes and you may ask why it does not achieve it's full potential. The answer is simply the way it ends, it felt small or empty. These characters had done so much, for this child and somehow the movie had left me with zero emotional connection to how the story played out. The father and son connection was the strongest element in the movie and this I felt needed a bigger part in the ending of this film, but for some reason they chose to pull back on this right at the buzzer. I would recommend this to anyone who likes Science fiction as a worthy watch. My final score 3.5 stars.