Popularity: 3 (history)
| Director: | Lone Scherfig |
|---|---|
| Writer: | Lynn Barber, Nick Hornby |
| Staring: |
| Despite her sheltered upbringing, Jenny is a teen with a bright future; she's smart, pretty, and has aspirations of attending Oxford University. When David, a charming but much older suitor, motors into her life in a shiny automobile, Jenny gets a taste of adult life that she won't soon forget. | |
| Release Date: | Oct 29, 2009 |
|---|---|
| Director: | Lone Scherfig |
| Writer: | Lynn Barber, Nick Hornby |
| Genres: | Drama, Romance |
| Keywords | adolescence, age difference, parent child relationship, self-discovery, love, coming of age, based on memoir or autobiography, love affair, family, woman director, teenage life, cautionary |
| Production Companies | BBC Film, Endgame Entertainment, Wildgaze Films |
| Box Office |
Revenue: $26,100,000
Budget: $7,500,000 |
| Updates |
Updated: Feb 01, 2025 Entered: Apr 13, 2024 |
| Name | Character |
|---|---|
| Carey Mulligan | Jenny Mellor |
| Peter Sarsgaard | David Goldman |
| Dominic Cooper | Danny |
| Rosamund Pike | Helen |
| Olivia Williams | Miss Stubbs |
| Alfred Molina | Jack Mellor |
| Cara Seymour | Majorie |
| Sally Hawkins | Sarah Goldman |
| Emma Thompson | Headmistress |
| James Norton | Student |
| Amanda Fairbank-Hynes | Hattie |
| William Melling | Small Boy #1 |
| Connor Catchpole | Small Boy #2 |
| Matthew Beard | Graham |
| Ellie Kendrick | Tina |
| Nick Sampson | Auctioneer |
| Bel Parker | Small Girl |
| Luis Soto | Rachman |
| Olenka Wrzesniewski | Shakespeare Girl #1 |
| Bryony Wadsworth | Shakespeare Girl #2 |
| Ashley Taylor-Rhys | Petrol Attendant |
| Beth Rowley | Nightclub Singer |
| Ben Castle | Nightclub Band |
| Mark Edwards | Nightclub Band |
| Tom Rees-Roberts | Nightclub Band |
| Arne Somogyi | Nightclub Band |
| Paul Pilot | Nightclub Band |
| Phil Wilkinson | Nightclub Band |
| Kate DuchĂȘne | Latin Teacher |
| Name | Job |
|---|---|
| John de Borman | Director of Photography |
| Andrew McAlpine | Production Design |
| Terry Woods | Property Master |
| Anna Lynch-Robinson | Set Decoration |
| Kerry Brown | Still Photographer |
| Caroline O'Reilly | Script Supervisor |
| Kle Savidge | Music Supervisor |
| Camilla Stephenson | Location Manager |
| Caroline Levy | Line Producer |
| Nina Hartstone | Dialogue Editor |
| Gillian Dodders | Dialogue Editor |
| Amanda Keable | Costume Supervisor |
| Natalie Humphries | Costume Supervisor |
| Richard Straker | Sound Re-Recording Mixer |
| Gareth Bull | Sound Re-Recording Mixer |
| Andrew Felton | Boom Operator |
| Joe Geary | First Assistant Director |
| Jack Stew | Foley Artist |
| Andrea King | Foley Artist |
| Lynn Barber | Author |
| Lone Scherfig | Director |
| Nick Hornby | Screenplay |
| Barney Pilling | Editor |
| Lucy Bevan | Casting |
| Paul Englishby | Original Music Composer |
| Ben Smith | Art Direction |
| Glenn Freemantle | Sound Supervisor |
| Odile Dicks-Mireaux | Costume Design |
| Adam Mendez | Sound Re-Recording Mixer |
| Simon J. Willis | Sound Recordist |
| Elizabeth Yianni-Georgiou | Makeup & Hair |
| Tom Whitehead | Assistant Art Director |
| Name | Title |
|---|---|
| Amanda Posey | Producer |
| Finola Dwyer | Producer |
| James D. Stern | Executive Producer |
| Jamie Laurenson | Executive Producer |
| Douglas Hansen | Executive Producer |
| Wendy Japhet | Executive Producer |
| David M. Thompson | Executive Producer |
| Nick Hornby | Executive Producer |
| Organization | Category | Person | |
|---|---|---|---|
| Academy Awards | Best Picture | N/A | Nominated |
| Golden Globes | Best Actress | Carey Mulligan | Nominated |
| Golden Globes | Best Supporting Actress | Cara Seymour | Nominated |
| BAFTA Awards | Best Actress | Carey Mulligan | Won |
| BAFTA Awards | Best Supporting Actress | Carey Mulligan | Won |
| SAG Awards | Best Actress | Carey Mulligan | Nominated |
| BAFTA Awards | Best Director | Lone Scherfig | Nominated |
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 18 | 37 | 10 |
| 2024 | 5 | 24 | 42 | 14 |
| 2024 | 6 | 19 | 26 | 11 |
| 2024 | 7 | 21 | 37 | 10 |
| 2024 | 8 | 14 | 25 | 8 |
| 2024 | 9 | 13 | 21 | 8 |
| 2024 | 10 | 16 | 32 | 8 |
| 2024 | 11 | 13 | 24 | 8 |
| 2024 | 12 | 12 | 17 | 8 |
| 2025 | 1 | 15 | 29 | 10 |
| 2025 | 2 | 10 | 18 | 3 |
| 2025 | 3 | 5 | 14 | 1 |
| 2025 | 4 | 1 | 2 | 1 |
| 2025 | 5 | 1 | 2 | 1 |
| 2025 | 6 | 1 | 2 | 1 |
| 2025 | 7 | 1 | 2 | 1 |
| 2025 | 8 | 1 | 2 | 1 |
| 2025 | 9 | 4 | 5 | 2 |
| 2025 | 10 | 2 | 3 | 1 |
Trending Position
Sixteen year old "Jenny" (Carey Mulligan) lives with her aspiring, middle class, parents "Jack" (Alfred Molina) and "Marjorie" (Cara Seymour) whose only real desire in life is for her to study at Oxford University. This is and has been her sole focus throughout her childhood, until, that is - she en ... counters the dashing "David" (Peter Skarsgard). He's easily twice her age but is so much more stimulating than her schoolboy friend "Graham" (Matthew Beard). This isn't a sweep her off her feet relationship, he gradually engages her in conversation and finds they share common interests. He makes her feel special, interesting, grown up - and when he introduces her to his friends "Danny" (Dominic Cooper) and "Helen" (Rosamund Pike) she starts to feel like the proper fourth wheel on a social wagon that's truly exhilarating. Needless to say, her schoolwork starts to suffer - much to the chagrin of her teacher (Olivia Williams) and, like we all were at that age, there's no telling her that her short term path is not necessarily in her long term interests. As the film develops, we discover that though harmless enough, "David" and his pal are a pair of cads who make their living legally, but maybe just a little immorally - and when "Jenny" discovers that he has one whopping great (if predictable) skeleton in his closet, she has to put her new found maturity to good use. There's something very natural not just about Mulligan's performance here, but also about her burgeoning relationship with a man who knows just which buttons to press. He's not a nasty man, he has no agenda to get her straight into bed, indeed he seems just as dependent on having this young woman around to make him feel alive as she does him; and those characterisations proves quite effective. The star for me, though, was probably Molina. He portrays almost perfectly a father whose dreams for his daughter partnered with his own middle-class mores leaves him caught between his paternal instincts to protect his daughter and his ambitions that she live a better, more fulfilled, life than he. It does run out of steam a little at the end, but then again I'm not quite sure how I would have wanted it to conclude without copping out - one way or another, so maybe it is for the best. It looks classy, the 1960s cars, costumes and soundtrack see to that and it's well worth a watch,