Still Walking
EVEN WHEN PEOPLE DIE, THEY DON’T REALLY GO AWAY.
2008 | 114m | Japanese
Popularity: 3 (history)
| Director: | Hirokazu Kore-eda |
|---|---|
| Writer: | Hirokazu Kore-eda |
| Staring: |
| A family gathers together for a commemorative ritual whose nature only gradually becomes clear. | |
| Release Date: | Jun 28, 2008 |
|---|---|
| Director: | Hirokazu Kore-eda |
| Writer: | Hirokazu Kore-eda |
| Genres: | Drama, Family |
| Keywords | generations conflict, bereavement, family relationships, family reunion, family gathering, blended family, father son conflict, father son relationship, mother son relationship, loss of child, memorial day |
| Production Companies | Bandai Visual, Eisei Gekijo, TV Man Union, Cinequanon, Engine Film Group |
| Box Office |
Revenue: $3,511,120
Budget: $0 |
| Updates |
Updated: May 23, 2026 Entered: May 23, 2026 |
| Name | Character |
|---|---|
| Hiroshi Abe | Ryota Yokoyama |
| Yui Natsukawa | Yukari Yokoyama |
| YOU | Chinami Yokoyama |
| Kazuya Takahashi | Nobuo Kataoka |
| Shohei Tanaka | Atsushi Yokoyama |
| Hotaru Nomoto | Satsuki Kataoka |
| Ryôga Hayashi | Mutsu Kataoka |
| Susumu Terajima | Sushi Deliverer |
| Kirin Kiki | Toshiko Yokoyama |
| Yoshio Harada | Kyohei Yokoyama |
| Name | Job |
|---|---|
| Hirokazu Kore-eda | Screenplay, Director, Editor, Original Story |
| Toshihiro Isomi | Art Direction |
| Akihiko Okase | Sound Effects |
| Keiko Mitsumatsu | Art Direction |
| Tsugihiko Sasaki | Music Producer |
| Gontiti | Original Music Composer |
| Yutaka Tsurumaki | Sound Recordist |
| Yutaka Yamazaki | Director of Photography |
| Kazuko Kurosawa | Costume Design |
| Eiji Oshita | Gaffer |
| Name | Title |
|---|---|
| Yoshihiro Kato | Producer |
| Satoshi Kono | Producer |
| Lee Bong-ou | Producer |
| Hijiri Taguchi | Producer |
| Masahiro Yasuda | Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 14 | 20 | 11 |
| 2024 | 5 | 16 | 23 | 10 |
| 2024 | 6 | 19 | 32 | 9 |
| 2024 | 7 | 20 | 32 | 11 |
| 2024 | 8 | 14 | 21 | 9 |
| 2024 | 9 | 13 | 19 | 9 |
| 2024 | 10 | 16 | 27 | 6 |
| 2024 | 11 | 12 | 28 | 7 |
| 2024 | 12 | 11 | 21 | 7 |
| 2025 | 1 | 11 | 16 | 8 |
| 2025 | 2 | 10 | 16 | 3 |
| 2025 | 3 | 5 | 15 | 1 |
| 2025 | 4 | 1 | 1 | 1 |
| 2025 | 5 | 1 | 2 | 1 |
| 2025 | 6 | 3 | 3 | 2 |
| 2025 | 7 | 1 | 3 | 1 |
| 2025 | 8 | 1 | 2 | 1 |
| 2025 | 9 | 2 | 4 | 1 |
| 2025 | 10 | 3 | 5 | 2 |
| 2025 | 11 | 3 | 5 | 2 |
| 2025 | 12 | 3 | 5 | 1 |
| 2026 | 1 | 3 | 7 | 1 |
| 2026 | 2 | 1 | 2 | 1 |
| 2026 | 3 | 2 | 4 | 1 |
| 2026 | 5 | 3 | 3 | 3 |
Trending Position
At times I felt quite uncomfortable watching this film. It is set in the home of an elderly couple whose grown up son and daughter - and their own respective families - are coming for a reunion dinner in order to commemorate the drowning of their eldest son some years earlier when he was a youth. Wh ... ilst there is the traditional deference you'd expect from children to parents, it soon becomes clear that the mother - especially - is no stickler for protocol, and her questioning of her son and his wife (whose own relationship is at times quite strained) about their own baby plans soon leads us to further exploration of all the aspirations and demons of those gathered around the table. It has been probably twenty years since my family had any sort of cross-generational repast, and there are certainly parts of this that ring true as the personalities of all concerned - even the youngsters - start to impose themselves on the ordinarily structured lives of all gathered together. That brings an authenticity to the scenario. There are no fights, tantrums, or squabbles - but it is clear from our observations that there are soft, vulnerable, points in each of their characters and that all of them are looking to the future in differing (and shorter-term) ways. Kirin Kiki - the mother - probably steals this for me, but the remainder of the ensemble cast deliver a touching, challenging and personal story with surety and delicacy. That's not to say this is in any way soporific, or slow - it isn't; it just allows the story to breathe and for us to appreciate the carefully crafted characterisations as the forty-eight hours, or so, of the visit unfolds. A slow burn - definitely - but well worth watching.