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Still Walking

EVEN WHEN PEOPLE DIE, THEY DON’T REALLY GO AWAY.
2008 | 114m | Japanese

(444 votes)

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Popularity: 3 (history)

Details

A family gathers together for a commemorative ritual whose nature only gradually becomes clear.
Release Date: Jun 28, 2008
Director: Hirokazu Kore-eda
Writer: Hirokazu Kore-eda
Genres: Drama, Family
Keywords generations conflict, bereavement, family relationships, family reunion, family gathering, blended family, father son conflict, father son relationship, mother son relationship, loss of child, memorial day
Production Companies Bandai Visual, Eisei Gekijo, TV Man Union, Cinequanon, Engine Film Group
Box Office Revenue: $3,511,120
Budget: $0
Updates Updated: May 23, 2026
Entered: May 23, 2026
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Full Credits

Name Character
Hiroshi Abe Ryota Yokoyama
Yui Natsukawa Yukari Yokoyama
YOU Chinami Yokoyama
Kazuya Takahashi Nobuo Kataoka
Shohei Tanaka Atsushi Yokoyama
Hotaru Nomoto Satsuki Kataoka
Ryôga Hayashi Mutsu Kataoka
Susumu Terajima Sushi Deliverer
Kirin Kiki Toshiko Yokoyama
Yoshio Harada Kyohei Yokoyama
Name Job
Hirokazu Kore-eda Screenplay, Director, Editor, Original Story
Toshihiro Isomi Art Direction
Akihiko Okase Sound Effects
Keiko Mitsumatsu Art Direction
Tsugihiko Sasaki Music Producer
Gontiti Original Music Composer
Yutaka Tsurumaki Sound Recordist
Yutaka Yamazaki Director of Photography
Kazuko Kurosawa Costume Design
Eiji Oshita Gaffer
Name Title
Yoshihiro Kato Producer
Satoshi Kono Producer
Lee Bong-ou Producer
Hijiri Taguchi Producer
Masahiro Yasuda Producer
Organization Category Person
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Popularity History


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Reviews

Geronimo1967
7.0

At times I felt quite uncomfortable watching this film. It is set in the home of an elderly couple whose grown up son and daughter - and their own respective families - are coming for a reunion dinner in order to commemorate the drowning of their eldest son some years earlier when he was a youth. Wh ... ilst there is the traditional deference you'd expect from children to parents, it soon becomes clear that the mother - especially - is no stickler for protocol, and her questioning of her son and his wife (whose own relationship is at times quite strained) about their own baby plans soon leads us to further exploration of all the aspirations and demons of those gathered around the table. It has been probably twenty years since my family had any sort of cross-generational repast, and there are certainly parts of this that ring true as the personalities of all concerned - even the youngsters - start to impose themselves on the ordinarily structured lives of all gathered together. That brings an authenticity to the scenario. There are no fights, tantrums, or squabbles - but it is clear from our observations that there are soft, vulnerable, points in each of their characters and that all of them are looking to the future in differing (and shorter-term) ways. Kirin Kiki - the mother - probably steals this for me, but the remainder of the ensemble cast deliver a touching, challenging and personal story with surety and delicacy. That's not to say this is in any way soporific, or slow - it isn't; it just allows the story to breathe and for us to appreciate the carefully crafted characterisations as the forty-eight hours, or so, of the visit unfolds. A slow burn - definitely - but well worth watching.

Dec 26, 2022