Popularity: 5 (history)
| Director: | Andrew Niccol |
|---|---|
| Writer: | Andrew Niccol |
| Staring: |
| In the shadowy world of drone warfare, combat unfolds like a video game–only with real lives at stake. After six tours of duty, Air Force pilot Tom Egan now fights the Taliban from an air-conditioned bunker in the Nevada desert. But as he yearns to get back in the cockpit of a real plane and becomes increasingly troubled by the collateral damage he causes each time he pushes a button, Egan’s nerves—and his relationship with his wife—begin to unravel. | |
| Release Date: | Apr 09, 2015 |
|---|---|
| Director: | Andrew Niccol |
| Writer: | Andrew Niccol |
| Genres: | Drama |
| Keywords | pilot, suspicion, drone, us military, air force base, combat drone |
| Production Companies | Voltage Pictures, Sobini Films, Dune Films |
| Box Office |
Revenue: $316,472
Budget: $0 |
| Updates |
Updated: Feb 01, 2025 Entered: Apr 13, 2024 |
| Name | Character |
|---|---|
| Ethan Hawke | Commandant Tom Egan |
| January Jones | Molly Egan |
| Zoë Kravitz | Airman Vera Suarez |
| Jake Abel | M.I.C. Joseph Zimmer |
| Bruce Greenwood | Lieutenant Colonel Jack Johns |
| Alma Sisneros | Emily James |
| Kristen DeVore Rakes | Iris |
| Dylan Kenin | Capt. Ed Christie |
| Michael Sheets | Danny |
| Peter Coyote | Langley |
| Fatima El Bahraquy | The Woman |
| El Khttabi Abdelouahab | The Boy |
| Colin Jones | Frank |
| Ryan Montano | Airman Roy Carlos |
| Stafford Douglas | Billy |
| Zion Rain Leyba | Travis Egan |
| Sachie Capitani | Jesse Egan |
| Ross Shaw | Lt. Drier |
| Kevin Wiggins | Trooper Morgan |
| Name | Job |
|---|---|
| Driss Marzak | Gaffer |
| Libby Umstead | Music Supervisor |
| Dana Sano | Music Supervisor |
| Guy Barnes | Production Design |
| Jennifer Josephson | Script Supervisor |
| Hamid Ait Timaghrit | Casting |
| Jo Edna Boldin | Casting |
| Cassidy Zachary | Costume Supervisor |
| Daniel C. Gold | Camera Operator |
| Shaun Garcia | Set Costumer |
| Michael Wortmann | Visual Effects Supervisor |
| Ethan Beigel | Sound Re-Recording Mixer |
| Gretchen Bright | Makeup Department Head |
| Jonas Jangvad | Digital Intermediate |
| Robert Scoville | Art Direction |
| Wendy Ozols-Barnes | Set Decoration |
| Craig Lyn | Visual Effects Supervisor |
| Jay Kemp | Gaffer |
| Stewart McAlpine | First Assistant Editor |
| Lisa Jensen | Costume Design |
| Liz Pecos | Set Costumer |
| Rachid Quiat | Set Decoration |
| Anneli Oscarsson | Digital Intermediate |
| Fernand Bos | Music Editor |
| Megan Daum | Hairstylist |
| Brian Austin Wenrich | Art Department Coordinator |
| Sebastian Leutner | Visual Effects Producer |
| Waylon Brady | Rigging Gaffer |
| Ryan Wassil | Foley Editor |
| Ryan Westheimer | Line Producer |
| Bonnie Masoner | Makeup Artist |
| Marjorie Ergas | Production Supervisor |
| Steven Willer | Boom Operator |
| James Swanson | Aerial Director of Photography |
| Aaron Levy | Sound Re-Recording Mixer |
| Paul Longstaffe | Dialogue Editor |
| Greg Davidson | Leadman |
| Mark Steinig | Rigging Grip |
| Duprelon Tizdale | Greensman |
| Melanie Kirk | Production Coordinator |
| Gérard Lesage | Stunt Coordinator |
| Reyna Robinson | Makeup Artist |
| Ahmed Abounouom | Production Manager |
| Kurt Kornemann | Key Grip |
| Mary Lampert | Hairstylist |
| Jennifer Gingery | Key Costumer |
| Larry Ferguson Jr. | Post Production Supervisor |
| Nicholas Mastandrea | First Assistant Director |
| Ian Hanna | Dolly Grip |
| Navya La Shay | Makeup Artist |
| Daniel Chavez | Visual Effects Producer |
| Mark Hansen | Property Master |
| Andrew Niccol | Writer, Director |
| Amir Mokri | Director of Photography, Camera Operator |
| Zach Staenberg | Editor |
| Avy Kaufman | Casting |
| Dylan Goss | Helicopter Camera |
| Christophe Beck | Original Music Composer |
| Dusty Dukatz | Production Supervisor |
| Ed Duran | Stunt Coordinator |
| Christian Diaz de Bedoya | Location Manager |
| Kyle Cooper | Title Designer |
| Frédéric North | Aerial Coordinator |
| Name | Title |
|---|---|
| Mark Amin | Producer |
| Nicolas Chartier | Producer |
| Zev Foreman | Producer |
| Andrew Niccol | Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 16 | 28 | 12 |
| 2024 | 5 | 19 | 28 | 12 |
| 2024 | 6 | 17 | 30 | 8 |
| 2024 | 7 | 19 | 40 | 11 |
| 2024 | 8 | 13 | 30 | 7 |
| 2024 | 9 | 12 | 18 | 6 |
| 2024 | 10 | 15 | 27 | 6 |
| 2024 | 11 | 12 | 30 | 7 |
| 2024 | 12 | 10 | 15 | 6 |
| 2025 | 1 | 13 | 23 | 9 |
| 2025 | 2 | 8 | 15 | 3 |
| 2025 | 3 | 4 | 12 | 1 |
| 2025 | 4 | 1 | 1 | 1 |
| 2025 | 5 | 1 | 1 | 1 |
| 2025 | 6 | 1 | 1 | 1 |
| 2025 | 7 | 1 | 1 | 0 |
| 2025 | 8 | 1 | 2 | 0 |
| 2025 | 9 | 2 | 3 | 1 |
| 2025 | 10 | 3 | 5 | 2 |
Trending Position
**A modern warfare and its effect on the family of a person who involved in it.** I like this director's films, because he writes the screenplay for all his films and each were so different with cleverness in narration. Sadly, this is the first one I didn't like. It was very similar to the 'Eye i ... n the Sky', but came before than that and with a stretched storyline. It centres on Thomas, a pilot for unmanned aerial vehicle (UAV) stationed at an air base in Las Vegas, but fighting combat in the middle-east. Every day he's bombing at the terrorist makes him quite uneasy when the innocents get killed. And on the other hand, failing to handle his family with his professional distress brings more complication and how it ends are the rest of the film. In my view I think the overly sentimentalised great film concept destroyed it. The emotions work fine in the war themes, but here it gives a wrong idea over battle against the terror outfits. Because of a combat officer with the sympathetic mind, that considered as the weakness of a soldier. So it all begins with the writing, if one wants to make a war film, a modern warfare, relying on this kind of storyline brings only anti sentiments from the soldier's perspective and we the people who love our nation. I understand when the main film characters are not physically present at the actual battleground, not easy to draw a good story out of it. And due to the complete absent of a soldier getting injured in a crossfire, they wend for different kind of emotional dealing. The only thing that made me sense was the sexual abuse parts and how it was taken care later. Good actors, good direction, but a weak story and shortfall of some good thrill moments makes it an average. 5/10