Popularity: 6 (history)
Director: | John Erick Dowdle |
---|---|
Writer: | John Erick Dowdle, Drew Dowdle |
Staring: |
When a team of explorers ventures into the uncharted maze of bones that lies beneath the streets of Paris, they embark on a journey into madness and terror. | |
Release Date: | Aug 14, 2014 |
---|---|
Director: | John Erick Dowdle |
Writer: | John Erick Dowdle, Drew Dowdle |
Genres: | Horror, Thriller |
Keywords | paris, france, loss of loved one, treasure, catacombs, female protagonist, scientist, archaeologist, subjective camera, found footage, adventurer, archeology, female archeologist, philosopher's stone, suspenseful, ominous |
Production Companies | Universal Pictures, Legendary Pictures, Brothers Dowdle Productions |
Box Office |
Revenue: $41,900,000
Budget: $5,000,000 |
Updates |
Updated: Feb 01, 2025 (Update) Entered: Apr 13, 2024 |
Name | Character |
---|---|
Perdita Weeks | Scarlett |
Ben Feldman | George |
Edwin Hodge | Benji |
François Civil | Papillon |
Marion Lambert | Souxie |
Ali Marhyar | Zed |
Cosme Castro | La Taupe |
Hamid Djavadan | Reza |
Théo Cholbi | Gloomy Teenager |
Emy Lévy | Tour Guide |
Roger Van Hool | Scarlett's Father |
Olivia Csiky Trnka | Strange Young Woman |
Hellyette Bess | Strange Old Woman |
Aryan Rahimian | Iranian Armed Guard |
Samuel Aouizerate | Danny |
Kaya Blocksage | Female Curator |
Name | Job |
---|---|
Laurence Wayser | Casting Assistant |
Eric Canto | Digital Intermediate |
Daniel Hawley | Digital Intermediate Producer |
Adèle Belliot | Electrician |
Rowan Maher | Additional Editor |
Xavier Longuet | Construction Buyer |
John Erick Dowdle | Writer, Director |
Pascal Le Guellec | Art Direction |
Joe Barnett | Sound Re-Recording Mixer |
Beau Borders | Sound Re-Recording Mixer |
Jean-Christophe Magnaud | Special Effects Coordinator |
Philippe Guégan | Stunt Coordinator |
Sarah Halley Finn | Casting |
Juliette Ménager | Casting |
Suzanne Smith Crowley | Casting |
Mathieu Chatagnon | Construction Buyer |
Drew Dowdle | Writer |
Elliot Greenberg | Editor |
Frank Pitussi | Property Master |
Bruno Calvo | Still Photographer |
Laurent Bourgeat | Gaffer |
Louise Marzaroli | Production Design |
Arnaud Dutarte | Best Boy Electric |
Eric Viellerobe | Set Decoration |
Gautier Isern | Boom Operator |
Arnaud Kaiser | Location Manager |
Augustin Collet | Assistant Art Director |
Gary Marullo | Foley |
Chloé Rudolf | Script Supervisor |
Annie Bloom | Costume Design |
Tim Walston | Sound Designer |
Michelle Eisenreich | Visual Effects Producer |
Frédéric Cambon | Assistant Art Director |
Karen Vassar Triest | Sound Designer |
Léo Hinstin | Director of Photography |
Jake Rice | Post Production Supervisor |
Kelly Oxford | Supervising Sound Editor |
Dan Wilcox | Music Supervisor |
Ségolène Amice Lagny | Production Coordinator |
Brian Wensel | Production Controller |
Darren Sunny Warkentin | Foley Editor |
Jamie Dixon | Visual Effects Supervisor |
Isaac Lipstadt | Visual Effects Coordinator |
Philippe Hubin | Special Effects Supervisor |
Keefus Ciancia | Original Music Composer |
Martinus Van Lunen | Construction Coordinator |
William Pruss | First Assistant Director |
Katrina Kim | Visual Effects Coordinator |
Anouk Grédoire-Colombel | Hair Assistant |
Grégori Gajéro | Second Assistant Camera |
Marie Lévy | Casting Assistant |
Aurélie Avram | Extras Casting |
Isabelle Saintive | Makeup Department Head |
Nicolas Rapin | Electrician |
Pierluigi De Palo | First Assistant Camera |
Emmanuelle Balestrieri | Production Accountant |
Victor Nataf | Extras Casting Assistant |
Miguel Santos | Hair Assistant |
Frédéric Garrone | Construction Buyer |
Moïra Douguet | Key Costumer |
Claire Koonce | Casting Associate |
Vahe Giragol | Digital Intermediate |
Ashleigh Falls | Editorial Production Assistant |
Kay Philips | Hair Department Head |
Fabien Raymondaud | Construction Buyer |
François Tille | Key Grip |
Aaron Becker | Title Designer |
Yeonsoo Kim | 3D Artist |
Ken Pellegrino | 3D Artist |
Samir Moundy | Construction Grip |
Bertrand Terreyre | Construction Grip |
Matthieu Van Lunen | Dressing Prop |
Émilie Mériot | Casting Assistant |
Amador Valenzuela | Title Designer |
Pierre Farinole | Assistant Property Master |
Alexa Marie-Jeanne | First Assistant Editor |
Miguel Dos Santos | Construction Grip |
Adail Viveiros | Construction Grip |
David Foquin | Second Assistant Camera |
Dustin Chow | Assistant Editor |
Jean-Claude Waeyaert | Construction Grip |
Pierre-Emmanuel Chatiliez | Storyboard Artist |
Floriane Gaudin | Costumer |
Stéphane Brisset | Swing |
Jason Modica | Digital Intermediate |
Patrick Inzerillo | Hair Assistant |
Didier Roussel | Construction Grip |
Fabrice Mignot | Electrician |
Tamara Hunter | Casting |
Name | Title |
---|---|
Patrick Aiello | Producer |
Drew Dowdle | Producer |
Dan Chuba | Co-Producer |
Jamie Dixon | Co-Producer |
Jon Jashni | Producer |
Thomas Tull | Producer |
Organization | Category | Person |
---|
Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 44 | 54 | 30 |
2024 | 5 | 48 | 64 | 34 |
2024 | 6 | 54 | 90 | 38 |
2024 | 7 | 58 | 90 | 43 |
2024 | 8 | 43 | 60 | 30 |
2024 | 9 | 38 | 78 | 28 |
2024 | 10 | 59 | 93 | 41 |
2024 | 11 | 48 | 100 | 30 |
2024 | 12 | 39 | 55 | 32 |
2025 | 1 | 40 | 54 | 29 |
2025 | 2 | 35 | 59 | 6 |
2025 | 3 | 11 | 46 | 3 |
2025 | 4 | 6 | 9 | 4 |
2025 | 5 | 5 | 6 | 4 |
2025 | 6 | 5 | 5 | 4 |
2025 | 7 | 5 | 8 | 3 |
2025 | 8 | 7 | 8 | 6 |
Trending Position
Year | Month | High | Avg |
---|---|---|---|
2025 | 7 | 790 | 790 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 6 | 998 | 998 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 5 | 299 | 588 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 4 | 628 | 792 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 3 | 157 | 603 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 1 | 934 | 934 |
Year | Month | High | Avg |
---|---|---|---|
2024 | 11 | 680 | 737 |
Year | Month | High | Avg |
---|---|---|---|
2024 | 10 | 831 | 914 |
Year | Month | High | Avg |
---|---|---|---|
2024 | 9 | 841 | 914 |
I'm giving this movie 10/10. It became one of my favorite movie & below are reasons why: First, it's original, different from other horror movies, which brings interesting story, where crowd of few people seek historic relic & treasure. Movie was very eerie & creepy, especially when they go deeper & ... deeper close to hell. Some very strong & intense moments. Atmosphere was also eerie cause whole movie happens in damn catacombs. If you have Claustrophobia I don't recommend to watch it. If you're fan of movies like The Tunnel(2011) or The Devil's pass, you gonna like it.
Great watch, would watch again, and can recommend. It is found footage in the catacombs of France so in addition to shaky cam and odd angles, it does feel really claustrophobic at points. If you were okay with "The Descent", then you're likely fine. This is based off of a real thing that peop ... le do, exploring existing structures, some lost through history, others unused, and even more that are assumed inaccessible from the the layman. Personally, instead of making these places a crime, people should be able to add infrastructure as needed, but it is the primer for the events of the actual movie. Chased down into the catacombs, they basically just keep going towards insanity. There are so many good points in the psychological horror of it all, and the great unknown of the caves plus random acts of terror makes a great formula for the events of this movie. Probably the best "philosopher's stone" story I've ever seen.
Expected very little going in and was pleasantly surprised by how much I liked it. “As Above, So Below” will keep you on the edge of your seat from start to finish. The attention to detail in this film is impressive, with each scene meticulously crafted to create a sense of unease and tension while ... maintaining an internal consistency unusual in the horror genre. There’s a chance that this was lost on some viewers. Perhaps it’s just the found-footage fatigue. It’s a shame that the ratings fail to reflect the film’s merits; it’s one of the more inventive entries in the found-footage horror subgenre. The frights are expertly staged, with little reliance on cheap jump scares, instead creating a foreboding mood that keeps you on the edge of your seat until the very end. The setting, an underground maze of catacombs beneath the streets of Paris, adds to the film’s eerie atmosphere and gives it a unique twist on the typical haunted house tale. As a thriller, “As Above, So Below” succeeds on most fronts and should please audiences. It’s a must-watch for fans of the genre because of its meticulous attention to detail and expertly constructed suspense. Rating: 7.2/10 (Good)