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As Above, So Below Poster

As Above, So Below

The only way out is down.
2014 | 93m | English

(124953 votes)

TMDb IMDb

Popularity: 6 (history)

Details

When a team of explorers ventures into the uncharted maze of bones that lies beneath the streets of Paris, they embark on a journey into madness and terror.
Release Date: Aug 14, 2014
Director: John Erick Dowdle
Writer: John Erick Dowdle, Drew Dowdle
Genres: Horror, Thriller
Keywords paris, france, loss of loved one, treasure, catacombs, female protagonist, scientist, archaeologist, subjective camera, found footage, adventurer, archeology, female archeologist, philosopher's stone, suspenseful, ominous
Production Companies Universal Pictures, Legendary Pictures, Brothers Dowdle Productions
Box Office Revenue: $41,900,000
Budget: $5,000,000
Updates Updated: Feb 01, 2025 (Update)
Entered: Apr 13, 2024
Trailers and Extras

Full Credits

Name Character
Perdita Weeks Scarlett
Ben Feldman George
Edwin Hodge Benji
François Civil Papillon
Marion Lambert Souxie
Ali Marhyar Zed
Cosme Castro La Taupe
Hamid Djavadan Reza
Théo Cholbi Gloomy Teenager
Emy Lévy Tour Guide
Roger Van Hool Scarlett's Father
Olivia Csiky Trnka Strange Young Woman
Hellyette Bess Strange Old Woman
Aryan Rahimian Iranian Armed Guard
Samuel Aouizerate Danny
Kaya Blocksage Female Curator
Name Job
Laurence Wayser Casting Assistant
Eric Canto Digital Intermediate
Daniel Hawley Digital Intermediate Producer
Adèle Belliot Electrician
Rowan Maher Additional Editor
Xavier Longuet Construction Buyer
John Erick Dowdle Writer, Director
Pascal Le Guellec Art Direction
Joe Barnett Sound Re-Recording Mixer
Beau Borders Sound Re-Recording Mixer
Jean-Christophe Magnaud Special Effects Coordinator
Philippe Guégan Stunt Coordinator
Sarah Halley Finn Casting
Juliette Ménager Casting
Suzanne Smith Crowley Casting
Mathieu Chatagnon Construction Buyer
Drew Dowdle Writer
Elliot Greenberg Editor
Frank Pitussi Property Master
Bruno Calvo Still Photographer
Laurent Bourgeat Gaffer
Louise Marzaroli Production Design
Arnaud Dutarte Best Boy Electric
Eric Viellerobe Set Decoration
Gautier Isern Boom Operator
Arnaud Kaiser Location Manager
Augustin Collet Assistant Art Director
Gary Marullo Foley
Chloé Rudolf Script Supervisor
Annie Bloom Costume Design
Tim Walston Sound Designer
Michelle Eisenreich Visual Effects Producer
Frédéric Cambon Assistant Art Director
Karen Vassar Triest Sound Designer
Léo Hinstin Director of Photography
Jake Rice Post Production Supervisor
Kelly Oxford Supervising Sound Editor
Dan Wilcox Music Supervisor
Ségolène Amice Lagny Production Coordinator
Brian Wensel Production Controller
Darren Sunny Warkentin Foley Editor
Jamie Dixon Visual Effects Supervisor
Isaac Lipstadt Visual Effects Coordinator
Philippe Hubin Special Effects Supervisor
Keefus Ciancia Original Music Composer
Martinus Van Lunen Construction Coordinator
William Pruss First Assistant Director
Katrina Kim Visual Effects Coordinator
Anouk Grédoire-Colombel Hair Assistant
Grégori Gajéro Second Assistant Camera
Marie Lévy Casting Assistant
Aurélie Avram Extras Casting
Isabelle Saintive Makeup Department Head
Nicolas Rapin Electrician
Pierluigi De Palo First Assistant Camera
Emmanuelle Balestrieri Production Accountant
Victor Nataf Extras Casting Assistant
Miguel Santos Hair Assistant
Frédéric Garrone Construction Buyer
Moïra Douguet Key Costumer
Claire Koonce Casting Associate
Vahe Giragol Digital Intermediate
Ashleigh Falls Editorial Production Assistant
Kay Philips Hair Department Head
Fabien Raymondaud Construction Buyer
François Tille Key Grip
Aaron Becker Title Designer
Yeonsoo Kim 3D Artist
Ken Pellegrino 3D Artist
Samir Moundy Construction Grip
Bertrand Terreyre Construction Grip
Matthieu Van Lunen Dressing Prop
Émilie Mériot Casting Assistant
Amador Valenzuela Title Designer
Pierre Farinole Assistant Property Master
Alexa Marie-Jeanne First Assistant Editor
Miguel Dos Santos Construction Grip
Adail Viveiros Construction Grip
David Foquin Second Assistant Camera
Dustin Chow Assistant Editor
Jean-Claude Waeyaert Construction Grip
Pierre-Emmanuel Chatiliez Storyboard Artist
Floriane Gaudin Costumer
Stéphane Brisset Swing
Jason Modica Digital Intermediate
Patrick Inzerillo Hair Assistant
Didier Roussel Construction Grip
Fabrice Mignot Electrician
Tamara Hunter Casting
Name Title
Patrick Aiello Producer
Drew Dowdle Producer
Dan Chuba Co-Producer
Jamie Dixon Co-Producer
Jon Jashni Producer
Thomas Tull Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 44 54 30
2024 5 48 64 34
2024 6 54 90 38
2024 7 58 90 43
2024 8 43 60 30
2024 9 38 78 28
2024 10 59 93 41
2024 11 48 100 30
2024 12 39 55 32
2025 1 40 54 29
2025 2 35 59 6
2025 3 11 46 3
2025 4 6 9 4
2025 5 5 6 4
2025 6 5 5 4
2025 7 5 8 3
2025 8 7 8 6

Trending Position


Year Month High Avg
2025 7 790 790
Year Month High Avg
2025 6 998 998
Year Month High Avg
2025 5 299 588
Year Month High Avg
2025 4 628 792
Year Month High Avg
2025 3 157 603
Year Month High Avg
2025 1 934 934
Year Month High Avg
2024 11 680 737
Year Month High Avg
2024 10 831 914
Year Month High Avg
2024 9 841 914

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Reviews

Ditendra
10.0

I'm giving this movie 10/10. It became one of my favorite movie & below are reasons why: First, it's original, different from other horror movies, which brings interesting story, where crowd of few people seek historic relic & treasure. Movie was very eerie & creepy, especially when they go deeper & ... deeper close to hell. Some very strong & intense moments. Atmosphere was also eerie cause whole movie happens in damn catacombs. If you have Claustrophobia I don't recommend to watch it. If you're fan of movies like The Tunnel(2011) or The Devil's pass, you gonna like it.

Jun 23, 2021
Kamurai
8.0

Great watch, would watch again, and can recommend. It is found footage in the catacombs of France so in addition to shaky cam and odd angles, it does feel really claustrophobic at points. If you were okay with "The Descent", then you're likely fine. This is based off of a real thing that peop ... le do, exploring existing structures, some lost through history, others unused, and even more that are assumed inaccessible from the the layman. Personally, instead of making these places a crime, people should be able to add infrastructure as needed, but it is the primer for the events of the actual movie. Chased down into the catacombs, they basically just keep going towards insanity. There are so many good points in the psychological horror of it all, and the great unknown of the caves plus random acts of terror makes a great formula for the events of this movie. Probably the best "philosopher's stone" story I've ever seen.

Jun 23, 2021
AhmadZQ
7.0

Expected very little going in and was pleasantly surprised by how much I liked it. “As Above, So Below” will keep you on the edge of your seat from start to finish. The attention to detail in this film is impressive, with each scene meticulously crafted to create a sense of unease and tension while ... maintaining an internal consistency unusual in the horror genre. There’s a chance that this was lost on some viewers. Perhaps it’s just the found-footage fatigue. It’s a shame that the ratings fail to reflect the film’s merits; it’s one of the more inventive entries in the found-footage horror subgenre. The frights are expertly staged, with little reliance on cheap jump scares, instead creating a foreboding mood that keeps you on the edge of your seat until the very end. The setting, an underground maze of catacombs beneath the streets of Paris, adds to the film’s eerie atmosphere and gives it a unique twist on the typical haunted house tale. As a thriller, “As Above, So Below” succeeds on most fronts and should please audiences. It’s a must-watch for fans of the genre because of its meticulous attention to detail and expertly constructed suspense. Rating: 7.2/10 (Good)

Dec 08, 2022