Popularity: 2 (history)
Director: | Russell Crowe |
---|---|
Writer: | Andrew Anastasios, Andrew Knight |
Staring: |
In 1919, Australian farmer Joshua Connor travels to Turkey to discover the fate of his three sons, reported missing in action. Holding on to hope, Joshua must travel across the war-torn landscape to find the truth and his own peace. | |
Release Date: | Dec 25, 2014 |
---|---|
Director: | Russell Crowe |
Writer: | Andrew Anastasios, Andrew Knight |
Genres: | Drama, War |
Keywords | australia, farmer, gallipoli campaign, based on true story, missing in action, post world war i, missing son |
Production Companies | Hopscotch Features, Fear of God Films |
Box Office |
Revenue: $15,520,023
Budget: $22,500,000 |
Updates |
Updated: Feb 01, 2025 (Update) Entered: Apr 13, 2024 |
Name | Character |
---|---|
Russell Crowe | Joshua Connor |
Olga Kurylenko | Ayshe |
Yılmaz Erdoğan | Major Hasan |
Cem Yılmaz | Sgt. Jemal |
Jai Courtney | Lt. Colonel Hughes |
Ryan Corr | Arthur "Art" Connor |
James Fraser | Edward Connor |
Ben O'Toole | Henry Connor |
Steve Bastoni | Omer |
Salih Kalyon | Dr. Ibrahim |
Dylan Georgiades | Orhan |
Megan Gale | Fatma |
Dan Wyllie | Captain Brindley |
Michael Dorman | Greeves |
Christopher Sommers | Sgt. Tucker |
Benedict Hardie | Dawson |
Jacqueline McKenzie | Eliza |
Isabel Lucas | Natalia |
Damon Herriman | Father McIntyre |
Robert Mammone | Colonel Demergelis |
Deniz Akdeniz | Imam |
Aidan Liam Smith | Young Edward |
Jack Douglas Patterson | Young Art |
Ben Norris | Young Henry |
Name | Job |
---|---|
Andrew Anastasios | Writer |
Chris Kennedy | Production Design |
Mark Rogers | Still Photographer |
Andrew Knight | Writer |
Matt Villa | Editor |
Barbara Gibbs | Line Producer |
Pinar Celik | Casting |
Peter Purcell | Sound Re-Recording Mixer |
David Booth | Visual Effects Supervisor |
Reg Garside | Gaffer |
Tuesday Stone | Assistant Art Director |
Mario Gabrieli | Sound Effects Editor |
Wendy De Waal | Makeup Artist, Hairstylist |
Tayman Tekin | Camera Operator |
Fabian Sanjurjo | Sound Effects Editor |
Guntis Sics | Sound Recordist |
Wayne Pashley | Sound Designer, Sound Re-Recording Mixer, Supervising Sound Editor |
Christine Cheung | First Assistant Editor |
Tess Schofield | Costume Design |
Greg P. Fitzgerald | Sound Re-Recording Mixer |
Cagri Aydin | Art Direction |
Nick Forster | Assistant Camera, Additional Camera |
Robyn Elliott | Costume Supervisor |
Tony Wall | Music Editor |
Marita Mussett | Supervising Art Director |
Prue Fletcher | Post Production Supervisor |
Anna Gray | Key Hair Stylist, Key Makeup Artist |
Jennifer Lamphee | Hair Supervisor, Makeup Supervisor |
Ernie Clark | Camera Operator |
Jo-Ann Beikoff | Property Master |
Derryn Pasquill | ADR Editor |
Scott Dolan | First Assistant Camera |
Grant Wilson | Best Boy Electric |
Imogen Trowell | Construction Coordinator |
Brendan Tolley | Storyboard |
Shay Lawrence | Makeup Artist, Hairstylist |
Natalie Wall | Casting Associate |
Emre Cosar | Production Accountant |
Frank Hruby | First Assistant Camera |
Scott Lovelock | Second Assistant Director |
Lorelle Adamson | Production Manager |
Gerard Mahony | Rigging Grip |
Greg Tynan | Third Assistant Director |
Vicki Niehus | Location Manager |
Fiona Nix | Unit Publicist |
Jackie Wallington | Makeup Artist |
Mahmut Terzi | Hairstylist |
David Nichols | Key Grip |
Melisa Kurtay | First Assistant Director |
Ali Akdeniz | Production Supervisor |
Jen Rossiter | Makeup Artist |
Murat Şengül | Special Effects Supervisor |
Jo Weeks | Script Supervisor |
Hannah Andrews | Production Coordinator |
Chris Webb | First Assistant Director |
Gerry Nucifora | Boom Operator |
Zeljka Stanin | Makeup Artist |
Gavin Aubrey | Location Manager |
Rebecca Cohen | Set Decoration |
Christina Norman | Art Department Coordinator |
Umut Ozdemirci | Second Assistant Director |
Serdegul Erdogan | Casting Assistant |
Dilek Zengin | Makeup Artist |
Menderes Demir | Production Manager |
Ebru Kiziltan | Makeup Artist |
Peter Stubbs | Special Effects Supervisor |
Colin Deane | First Assistant Camera |
Sarah Abbey | Location Manager |
Micharne Cloughley | Casting Assistant |
Funda Buyuktunalioglu | Costume Supervisor |
Beth Bezzina | Assistant Sound Editor |
Andrew Miller | Sound Effects Editor |
Erhan Alpdundar | Location Manager |
Umut Alkan | Location Manager |
Libby Villa | Supervising Sound Editor |
Mustafa Kemal Olcer | Art Department Assistant |
Rick Lisle | Sound Effects Editor |
Sharelle Starr | Stunt Double |
Dean Gould | Stunt Double |
Emma Mitchell | Dialogue Editor |
Sonal Joshi | Dialogue Editor |
Russell Crowe | Director |
Andrew Lesnie | Director of Photography |
David Hirschfelder | Original Music Composer |
Nikki Barrett | Casting |
Peter McCaffrey | Steadicam Operator, Camera Operator |
Ludovico Einaudi | Additional Music |
Richard Tognetti | Additional Music |
Lisa Gerrard | Additional Music |
Doug Coleman | Stunt Coordinator |
Zev Eleftheriou | Stunt Coordinator |
Victoria Mielewska | Dialect Coach |
Sedef Ecer | Dialect Coach |
Tim Evans | Storyboard |
Jason Baird | Makeup Effects Designer |
Name | Title |
---|---|
Andrew Mason | Producer |
Keith Rodger | Producer |
Troy Lum | Producer |
James Packer | Executive Producer |
Kerry Stokes | Executive Producer |
Tim Worner | Executive Producer |
Andrew Anastasios | Executive Producer |
Andrew Knight | Executive Producer |
Angus Ross | Executive Producer |
John Collee | Executive Producer |
Brett Ratner | Executive Producer |
Organization | Category | Person |
---|
Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 21 | 27 | 14 |
2024 | 5 | 27 | 38 | 15 |
2024 | 6 | 19 | 31 | 12 |
2024 | 7 | 29 | 61 | 14 |
2024 | 8 | 19 | 24 | 13 |
2024 | 9 | 16 | 25 | 9 |
2024 | 10 | 17 | 25 | 9 |
2024 | 11 | 15 | 27 | 8 |
2024 | 12 | 15 | 27 | 10 |
2025 | 1 | 15 | 20 | 11 |
2025 | 2 | 11 | 21 | 3 |
2025 | 3 | 5 | 16 | 1 |
2025 | 4 | 3 | 7 | 1 |
2025 | 5 | 2 | 7 | 1 |
2025 | 6 | 1 | 3 | 1 |
2025 | 7 | 1 | 2 | 1 |
2025 | 8 | 2 | 2 | 1 |
Trending Position
Year | Month | High | Avg |
---|---|---|---|
2024 | 12 | 993 | 993 |
> A father with a hope to find his missing sons. A fictional narration with the backdrop of the World War I. Precisely the story begins after the end of the war, about a father who goes after look for his sons who were last seen on the battlefield of Gallipoli, Turkey. The rest is the mix of dram ... a, war, romance, flashbacks, and whether his mission is accomplished or not is the climax that decide. Frankly, I was a little disappointed. The story was not based on the real, but looked like one. The point is it was a wonderful and inspiring theme, but direction was not convincing along with bad editing. If you look at who's that, it was a direction debut for Russell Crowe, who played the main character in the film as well. Some of the historical facts were wrong, especially showing the Greeks in the bad light was the negativity of the film. Visually the films do not give the impression of the pre 1920s where the story set in. Instead, it looks more of the late 40s or the early 50s. Since it was set after the war, most of the characters were in a guilt attitude. Can't say whole film was predictable, but the scenes were. The performances were the only things that tried to lift the movie, as well as the music and screenplay in some parts. This, book based movie should have been directed by any top director, not for the freshers to try-out their skills in direction field, because of the powerful stuffs like anti-war elements. One time watchable, but disappointment is ahead of you if you expect greatness from it. Anyway, it was Australia's top gross movie last year in Australia. 6.5/10