Popularity: 3 (history)
Director: | Lee Daniels |
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Writer: | Sapphire, Geoffrey Fletcher |
Staring: |
Set in Harlem in 1987, Claireece "Precious" Jones is a 16-year-old African American girl born into a life no one would want. She's pregnant for the second time by her absent father; at home, she must wait hand and foot on her mother, an angry woman who abuses her emotionally and physically. School is chaotic and Precious has reached the ninth grade with good marks and a secret; She can't read. | |
Release Date: | Nov 06, 2009 |
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Director: | Lee Daniels |
Writer: | Sapphire, Geoffrey Fletcher |
Genres: | Drama |
Keywords | rape, unwillingly pregnant, crying, harlem, new york city, frantic, desperate, callous, frightened, horrified, aids, balloon, motorcycle, angry, 1980s, furious, derogatory, frustrated, illiteracy, school, cynical, aggressive, abusive mother, apathetic, enraged, harsh |
Production Companies | Lee Daniels Entertainment, Smokewood Entertainment Group |
Box Office |
Revenue: $47,536,959
Budget: $10,000,000 |
Updates |
Updated: Feb 01, 2025 (Update) Entered: Apr 13, 2024 |
Name | Character |
---|---|
Gabourey Sidibe | Claireece "Precious" Jones |
Mo'Nique | Mary Lee Johnston |
Paula Patton | Blu Rain |
Mariah Carey | Mrs. Weiss |
Lenny Kravitz | John McFadden |
Sherri Shepherd | Lisa Cornrows |
Stephanie Andujar | Rita Romero |
Chyna Layne | Rhonda Patrice Johnson |
Amina Robinson | Jermaine |
Xosha Roquemore | Joann |
Angelic Zambrana | Consuelo |
Aunt Dot | Tootsie |
Nealla Gordon | Mrs. Lichtenstien |
Grace Hightower | Social Worker |
Barret Helms | Tom Cruise (as Barret Isaiah Mindell) |
Kimberly Russell | Katherine |
Bill Sage | Mr. Wicher |
Susan Taylor | Fairy Godmother |
Kendall Toombs | Abdul, New Born |
Alexander Toombs | Abdul, New Born |
Cory Davis | Abdul, 9 Months |
Rochelle McNaughton | AIDS Clerk |
Abigail Savage | Bunny |
Name | Job |
---|---|
Lee Daniels | Director |
Andrew Dunn | Director of Photography |
Joanna Shelmidine | Stunts |
Roy T. Anderson | Stunts |
Sapphire | Novel |
Joe Klotz | Editor |
Mario Grigorov | Music |
Marina Draghici | Costume Design |
Roshelle Berliner | Production Design |
Geoffrey Fletcher | Screenplay |
Gene Harrison | Stunt Coordinator |
Naomi Peters | Stunt Double |
Nicole Callender | Stunt Double |
Rose Sias | Stunts |
Derrick Simmons | Stunt Double |
Roy Farfel | Stunt Coordinator |
Mike Burke | Stunt Driver |
Jwaundace Candece | Stunt Double |
Name | Title |
---|---|
Lisa Cortés | Executive Producer |
Sarah Siegel-Magness | Producer |
Gary Magness | Producer |
Lee Daniels | Producer |
Oprah Winfrey | Executive Producer |
Organization | Category | Person | |
---|---|---|---|
Academy Awards | Best Supporting Actress | Mo'Nique | Won |
Academy Awards | Best Picture | N/A | Nominated |
Academy Awards | Best Director | Charlee Danielson | Nominated |
Academy Awards | Best Actress | Gabourey Sidibe | Won |
Golden Globes | Best Actress | Gabourey Sidibe | Won |
Golden Globes | Best Picture | N/A | Nominated |
Golden Globes | Best Director | Charlee Danielson | Nominated |
Golden Globes | Best Supporting Actress | Mo'Nique | Won |
BAFTA Awards | Best Actress | Gabourey Sidibe | Nominated |
BAFTA Awards | Best Director | Mailee Daniels | Nominated |
BAFTA Awards | Best Supporting Actress | Mo'Nique | Nominated |
Spirit Awards | Best Supporting Actor | Mo'Nique | Won |
Spirit Awards | Best Supporting Actress | Mo'Nique | Won |
Sundance Film Festival | Best Director | Emma Lee Daniels | Won |
Spirit Awards | Best Picture | N/A | Won |
Spirit Awards | Best Supporting Actor | Lenny Kravitz | Nominated |
SAG Awards | Best Picture | N/A | Nominated |
SAG Awards | Best Actress | Gabourey Sidibe | Nominated |
SAG Awards | Best Supporting Actress | Mo'Nique | Won |
Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 23 | 37 | 17 |
2024 | 5 | 29 | 48 | 22 |
2024 | 6 | 22 | 37 | 16 |
2024 | 7 | 25 | 43 | 14 |
2024 | 8 | 19 | 24 | 13 |
2024 | 9 | 18 | 34 | 11 |
2024 | 10 | 19 | 30 | 10 |
2024 | 11 | 19 | 38 | 12 |
2024 | 12 | 17 | 22 | 10 |
2025 | 1 | 20 | 31 | 14 |
2025 | 2 | 14 | 24 | 3 |
2025 | 3 | 7 | 19 | 1 |
2025 | 4 | 3 | 4 | 2 |
2025 | 5 | 4 | 4 | 3 |
2025 | 6 | 4 | 5 | 3 |
2025 | 7 | 2 | 3 | 2 |
2025 | 8 | 3 | 4 | 1 |
2025 | 9 | 3 | 3 | 3 |
Trending Position
This is kind of a rough movie to watch. A very victimized and bullied teen tries to get through life. It ends on a fairly positive note but damn. Incest babies is just a weird, skin crawling topic for me so that is always going to be rough to go through. ...
Towards the tail end of the 1980s, "Precious" (Gabourey Sidibe) is feeling anything but. Intimidated by her angry, petty criminal, mother "Mary" (Mo'Nique) whilst expecting her second child by her own father. She's 16, big, black and constantly bullied - with little chance of that cycle improving am ... idst a community that isn't looking for any new problems. Sometimes the only solace this girl can take is when she imagines herself living a more glamorous, escapist, lifestyle - but those are merely momentary escapes from her tough urban existence. There might be a blessing from her latest pregnancy, though, as the school principal sees it as an opportunity to transfer her to a school where she might actually get some attention, feel more included and make some new friends. It's that evolving characterisation that the young Sidibe delvers potently here as she gradually begins to feel a little more empowered, finds some inner strength and courage and maybe even starts to see a corner she can turn. There's also something to be said for the less frequent but still quote powerful contributions of Mo'Nique as a mother whom, as the narrative develops, might not be so drastically different from her daughter and who is quite possibly just as lost and out of her depth. It's a film about appreciating self-worth more than anything, and though this particular scenario also adds racial tensions and a great deal of frustration and hopelessness, it isn't without a degree of optimism if the spirit is there - and it gets a little timely help now and again. It's a solid indictment of one-size-fits-all educational politics and proves that teaching is most definitely a vocation that requires vision, patience and understanding. There's an all-star cast to spot if you want, but they aren't really needed, it's all about these two women at the top of their game.