The Moonraker
1958 | 82m | English
Popularity: 0.7 (history)
| Director: | David MacDonald |
|---|---|
| Writer: | Robert Hall, Alistair Bell, Wilfred Eades |
| Staring: |
| After the battle of Worcester at the end of the Civil War, the main aim of Oliver Cromwell's Commonwealth is to capture Charles Stuart. The future king's escape depends on the intrepid Earl of Dawlish, who as the Moonraker has already spirited away many Royalists. Dawlish travels to the Windwhistle Inn on the south coast to prepare the escape, where he meets Anne Wyndham, the fiancée of a top Roundhead colonel. | |
| Release Date: | Aug 02, 1958 |
|---|---|
| Director: | David MacDonald |
| Writer: | Robert Hall, Alistair Bell, Wilfred Eades |
| Genres: | Action, War, Adventure, Drama |
| Keywords | based on play or musical, swashbuckler, english civil war, highwayman, 17th century |
| Production Companies | Associated British Picture Corporation |
| Box Office |
Revenue: $0
Budget: $0 |
| Updates |
Updated: Jan 29, 2026 Entered: Apr 24, 2024 |
| Name | Character |
|---|---|
| George Baker | Anthony, Earl of Dawlish/The Moonraker |
| Sylvia Syms | Anne Wyndham |
| Marius Goring | Colonel John Beaumont |
| Peter Arne | Major Gregg/Edmund Tyler |
| Clive Morton | Lord Harcourt |
| Gary Raymond | Charles Stuart |
| Richard Leech | Henry Strangeways |
| Iris Russell | Judith Strangeways |
| Michael Anderson Jr. | Martin Strangeways |
| Paul Whitsun-Jones | Parfitt |
| John Le Mesurier | Cromwell |
| Patrick Troughton | Captain Wilcox |
| Julian Somers | Captain Foster |
| Sylvia Bidmead | Meg |
| Patrick Waddington | Lord Dorset |
| Fanny Rowe | Lady Dorset |
| George Woodbridge | Captain Lowry |
| Leslie Linder | Trooper Bell |
| Jennifer Browne | Henrietta Dorset |
| Name | Job |
|---|---|
| David MacDonald | Director |
| Mutz Greenbaum | Director of Photography |
| Richard Best | Editor |
| Robert Hall | Screenplay |
| Alistair Bell | Screenplay |
| Wilfred Eades | Screenplay |
| Arthur Watkyn | Theatre Play |
| Laurie Johnson | Original Music Composer |
| G. B. Walker | Casting |
| Robert Jones | Art Direction |
| Eric Aylott | Makeup Artist |
| R. E. Dearing | Production Manager |
| Arthur Bradburn | Sound Recordist |
| A. W. Lumkin | Sound Recordist |
| Len Shilton | Sound Recordist |
| Eric Besche | Camera Operator |
| Eileen Sullivan | Wardrobe Master |
| Cynthia Tingey | Costume Design |
| Name | Title |
|---|---|
| Hamilton G. Inglis | Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 5 | 12 | 1 |
| 2024 | 5 | 7 | 13 | 3 |
| 2024 | 6 | 8 | 26 | 2 |
| 2024 | 7 | 5 | 8 | 2 |
| 2024 | 8 | 5 | 10 | 2 |
| 2024 | 9 | 3 | 5 | 1 |
| 2024 | 10 | 4 | 8 | 1 |
| 2024 | 11 | 4 | 10 | 2 |
| 2024 | 12 | 3 | 7 | 2 |
| 2025 | 1 | 4 | 9 | 1 |
| 2025 | 2 | 2 | 4 | 1 |
| 2025 | 3 | 2 | 3 | 1 |
| 2025 | 4 | 1 | 1 | 1 |
| 2025 | 5 | 1 | 1 | 1 |
| 2025 | 6 | 1 | 1 | 1 |
| 2025 | 7 | 0 | 0 | 0 |
| 2025 | 8 | 0 | 1 | 0 |
| 2025 | 9 | 1 | 1 | 0 |
| 2025 | 10 | 1 | 2 | 0 |
| 2025 | 11 | 4 | 6 | 1 |
| 2025 | 12 | 3 | 6 | 1 |
| 2026 | 1 | 3 | 6 | 0 |
Trending Position
I always enjoyed this adventure yarn when I was a kid, and despite George Baker being about as wooden as a picket fence, I think it’s still an entertaining Cavalier/Roundhead story. With King Charles I now dead, the forces of the Commonwealth are focussing on catching his heir, the new King Charles ... II who is being helped by a few loyal royalists to make it to the safety of France. Hot on his heels, though, are the tenacious “Col. Beaumont” (Marius Goring) and the master of disguises “Maj, Greig”. We know all along who the mysterious “Moonraker” is, and for the next eighty minutes we follow his escapades as he tries to smuggle his very valuable cargo out of harms way. It all comes to an head in a seaside inn where a coach party are gathered and where you just know the swords are going to be flourishing. Sylvia Syms, whose “Anne” just happens to be the fiancée of the pursuing Colonel is also amongst their number, though her role is reduced to one of a rather simpering character and there is a great deal of script for us to wade through here but Paul Whitsun-Jones raises his game as the amiably pompous “Parfitt” who manages to make “nincompoop” sound a great deal nastier than we are used to. It moves along nicely with plenty happening until an exciting cliff top denouement that might have come from Daphné du Maurier, and if you like your derring-do done Hammer style, then you ought to like this. I did.