 
  Popularity: 2 (history)
| Director: | Peter Hall, John Barton, Robin Midgley, Michael Hayes | 
|---|---|
| Writer: | William Shakespeare, John Barton | 
| Staring: | 
| A 1965 BBC adaptation of William Shakespeare's first historical tetralogy (1 Henry VI, 2 Henry VI, 3 Henry VI and Richard III), which deals with the conflict between the House of Lancaster and the House of York over the throne of England, a conflict known as the Wars of the Roses. It was based on the 1963 theatre adaptation by John Barton, and directed by Peter Hall for the Royal Shakespeare Company. | |
| Release Date: | Apr 08, 1965 | 
|---|---|
| Director: | Peter Hall, John Barton, Robin Midgley, Michael Hayes | 
| Writer: | William Shakespeare, John Barton | 
| Genres: | Drama, History | 
| Keywords | tudor, based on play or musical, british history, king of england, war of the roses, 15th century | 
| Production Companies | Royal Shakespeare Company | 
| Box Office | Revenue: $0 Budget: $0 | 
| Updates | Updated: Aug 03, 2024 Entered: Apr 27, 2024 | 
| Name | Character | 
|---|---|
| David Warner | King Henry VI | 
| Janet Suzman | Joan la Pucelle | 
| Peggy Ashcroft | Queen Margaret | 
| Donald Sinden | Duke of York | 
| Paul Hardwick | Duke of Gloucester | 
| Roy Dotrice | King Edward IV | 
| Ian Holm | King Richard III | 
| Susan Engel | Queen Elizabeth | 
| John Normington | Duke of Bedford | 
| Donald Burton | Duke of Exeter | 
| Nicholas Selby | Duke of Winchester | 
| David Waller | Captain to Talbot | 
| William Squire | Duke of Suffolk | 
| Brewster Mason | Duke of Warwick | 
| Stephen Hancock | Bassett | 
| Clive Morton | Lord Talbot | 
| Madoline Thomas | Margery Jourdain | 
| Charles Kay | The Dauphine | 
| Jeffery Dench | Sir Humphrey Stafford | 
| David Hargreaves | Duke of Norfolk | 
| Derek Waring | Earl of Rivers | 
| Colette O'Neil | Lady Bona | 
| Eric Porter | Henry VII | 
| Name | Job | 
|---|---|
| Peter Hall | Director | 
| William Shakespeare | Original Story | 
| John Barton | Director, Writer | 
| Robin Midgley | Director | 
| Michael Hayes | Director | 
| Name | Title | 
|---|
| Organization | Category | Person | 
|---|
Popularity History
| Year | Month | Avg | Max | Min | 
|---|---|---|---|---|
| 2024 | 4 | 3 | 7 | 1 | 
| 2024 | 5 | 5 | 7 | 3 | 
| 2024 | 6 | 4 | 8 | 1 | 
| 2024 | 7 | 5 | 14 | 1 | 
| 2024 | 8 | 7 | 14 | 2 | 
| 2024 | 9 | 3 | 8 | 1 | 
| 2024 | 10 | 2 | 5 | 1 | 
| 2024 | 11 | 2 | 6 | 1 | 
| 2024 | 12 | 3 | 5 | 1 | 
| 2025 | 1 | 3 | 5 | 1 | 
| 2025 | 2 | 2 | 4 | 1 | 
| 2025 | 3 | 1 | 1 | 1 | 
| 2025 | 4 | 2 | 3 | 1 | 
| 2025 | 5 | 2 | 3 | 1 | 
| 2025 | 6 | 1 | 2 | 1 | 
| 2025 | 7 | 0 | 0 | 0 | 
| 2025 | 8 | 0 | 1 | 0 | 
| 2025 | 9 | 1 | 2 | 0 | 
| 2025 | 10 | 1 | 3 | 1 | 
Trending Position
Peter Hall really has worked these four plays together well and building on a really convincing performance from David Warner offers us a grand amalgam of Shakespeare's Henry VI and Richard III plays. There's history, tragedy, and comedy a-plenty as the tale starts amidst the Hundred Years War betwe ... en England and France. Ostensibly, Henry VI (Warner) was king of both territories but that did little for the unity or stability of either. It is fair to say that the bard made the King into something a little lacking in politics or sharpness and with his increasingly conniving and vengeful wife Margaret of Anjou (Peggy Ashcroft) at his side we follow a story of manipulation, intrigue, betrayal, murder - indeed just about every vice known to humankind - all elements for which the King was ill-equipped to adequately or forcefully deal... Thus the white rose and the white rose vie for the throne creating a marvellously turbulent setting for the remainder of this drama to play out. Yes, it is presented in a very theatrical style with little by way of outdoor photography, but that dimly lit intensity coupled with plenty of tightly close photography delivers the story compellingly pretty much from the start. The abridgement misses little of substance as the scenario unfolds and the assembled ensemble of experienced and versatile RSC thespians delivers the gist of the dialogue passionately throughout. The visual standard of the production was never going to be great - but the quality of the acting delivery and the sheer vibrancy of the whole enterprise makes it a surprisingly easy compendium of human nature and nurture to watch.