Popularity: 3 (history)
| Director: | Martin Scorsese |
|---|---|
| Writer: | Paul D. Zimmerman |
| Staring: |
| Aspiring comic Rupert Pupkin attempts to achieve success in show business by stalking his idol, a late night talk-show host who craves his own privacy. | |
| Release Date: | Dec 18, 1982 |
|---|---|
| Director: | Martin Scorsese |
| Writer: | Paul D. Zimmerman |
| Genres: | Comedy, Drama |
| Keywords | new york city, prison, show business, entertainer, fbi, blackmail, studio, receptionist, zealous, cautionary, hilarious, audacious, mean spirited |
| Production Companies | 20th Century Fox, Embassy International Pictures |
| Box Office |
Revenue: $2,536,000
Budget: $19,000,000 |
| Updates |
Updated: Feb 01, 2025 Entered: Apr 13, 2024 |
| Name | Character |
|---|---|
| Robert De Niro | Rupert Pupkin |
| Jerry Lewis | Jerry Langford |
| Diahnne Abbott | Rita |
| Sandra Bernhard | Masha |
| Shelley Hack | Cathy Long |
| Frederick de Cordova | Bert Thomas |
| Ed Herlihy | Ed Herlihy |
| Lou Brown | Band Leader |
| Loretta Tupper | Stage Door Fan |
| Peter Potulski | Stage Door Fan |
| Vinnie Gonzales | Stage Door Fan |
| Whitey Ryan | Stage Door Guard |
| Doc Lawless | Chauffeur |
| Marta Heflin | Young Girl |
| Katherine Wallach | Autograph Seeker |
| Charles Kaleina | Autograph Seeker |
| Richard Baratz | Caricaturist |
| Catherine Scorsese | Rupert's Mom (voice) |
| Cathy Scorsese | Dolores |
| Chuck Low | Man in Chinese Restaurant |
| Liza Minnelli | Liza Minnelli |
| Leslie Levinson | Roberta Posner |
| Alan Potashnick | Man at Telephone |
| Michael Kolba | Man at Telephone |
| Robert Colston | Man at Telephone |
| Ramon Rodriguez | Man at Telephone |
| Chuck Coop | Man at Telephone |
| Sel Vitella | Man at Telephone |
| Margo Winkler | Receptionist |
| Tony Boschetti | Mr. Gangemi |
| Mick Jones | Street Scum |
| Joe Strummer | Street Scum |
| Paul Simonon | Street Scum |
| Kosmo Vinyl | Street Scum |
| Ellen Foley | Street Scum |
| Pearl Harbour | Street Scum |
| Gaby Salter | Street Scum |
| Jerry Baxter-Worman | Street Scum |
| Don Letts | Street Scum |
| Matt Russo | Cabbie |
| Thelma Lee | Woman in Telephone Booth |
| Joyce Brothers | Dr. Joyce Brothers |
| George Kapp | Mystery Guest |
| Victor Borge | Victor Borge |
| Ralph Monaco | Raymond Wirtz |
| Rob-Jamere Wess | Security Guard |
| Kim Chan | Jonno |
| Audrey Dummett | Cook |
| June Prud'Homme | Audrey |
| Edgar J. Scherick | Wilson Crockett |
| Thomas M. Tolan | Gerrity |
| Ray Dittrich | Giardello |
| Richard Dioguardi | Captain Burke |
| Jay Julien | Langford's Lawyer |
| Harry J. Ufland | Langford's Agent |
| Scotty Bloch | Crockett's Secretary |
| Jim Lyness | Ticket Taker |
| Bill Minkin | McCabe |
| Diane Rachell | McCabe's Wife |
| Dennis Mulligan | Plainclothesman |
| Tony Devon | Plainclothesman |
| Peter Fain | Plainclothesman |
| Michael F. Stodden | Plainclothesman |
| Gerard Murphy | Plainclothesman |
| Jimmy Raitt | Stage Manager |
| Martin Scorsese | TV Director |
| Tony Randall | Tony Randall |
| Charles Scorsese | First Man at Bar |
| Mardik Martin | Second Man at Bar |
| William Jorgensen | Newsman (voice) |
| Marvin Scott | Newsman (voice) |
| Chuck Stevens | Newsman (voice) |
| William Littauer | Newsman (voice) |
| Jeff David | Announcer (voice) |
| Name | Job |
|---|---|
| Fred Schuler | Director of Photography |
| Cis Corman | Casting |
| Richard Bruno | Costume Design |
| Edward Pisoni | Art Direction |
| Lawrence Miller | Art Direction |
| Paul D. Zimmerman | Writer |
| Lewis Gould | Second Assistant Director |
| Frank E. Warner | Supervising Sound Editor |
| Tom Fleischman | Sound Re-Recording Mixer |
| Vito L. Ilardi | Boom Operator |
| Donah Bassett | Negative Cutter |
| William Ward | Gaffer |
| James Fitzpatrick | Best Boy Electric |
| Harold 'Whitey' McEvoy | Transportation Captain |
| Les Lazarowitz | Sound Mixer |
| Edward Garzero | Scenic Artist |
| Jimmy Raitt | Property Master |
| Norman Buck | Key Grip |
| George DeTitta Sr. | Set Decoration |
| Daniel Robert | Set Decoration |
| Roberta Hodes | Script Supervisor |
| Dick Mingalone | Camera Operator |
| Sandy Brooke | First Assistant Camera |
| Ricki-Ellen Brooke | Second Assistant Camera |
| Lorey Sebastian | Still Photographer |
| Garrett Brown | Steadicam Operator |
| Ted Churchill | Steadicam Operator |
| Carlos Quiles | Carpenter |
| Joe Williams Sr. | Construction Grip |
| Mary Ellen Winston | Assistant Costume Designer |
| William Loger | Costume Supervisor |
| Philip Goldblat | Makeup Artist |
| Richard Candib | First Assistant Editor |
| Dick Vorisek | Sound Re-Recording Mixer |
| Amy Sayres | Location Coordinator |
| Sylvia Fay | Extras Casting |
| Robert Raring | Color Timer |
| Lyndell Quiyou | Hairstylist |
| Shelley Houis | Production Office Coordinator |
| Scott Maitland | First Assistant Director |
| Thelma Schoonmaker | Editor, Production Supervisor |
| Boris Leven | Production Design |
| Robbie Robertson | Music Producer, Original Music Composer |
| Robert F. Colesberry | Production Manager |
| Dan Perri | Title Designer |
| Barbara De Fina | Post Production Supervisor |
| Martin Scorsese | Director |
| Name | Title |
|---|---|
| Arnon Milchan | Producer |
| Robert F. Colesberry | Associate Producer |
| Robert Greenhut | Executive Producer |
| Organization | Category | Person | |
|---|---|---|---|
| Academy Awards | Best Supporting Actor | Drena De Niro | Nominated |
| Cannes Film Festival | Best Picture | N/A | Nominated |
| BAFTA Awards | Best Actress | N/A | Nominated |
| BAFTA Awards | Best Actor | Robert De Niro | Nominated |
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 28 | 46 | 19 |
| 2024 | 5 | 42 | 57 | 27 |
| 2024 | 6 | 29 | 46 | 13 |
| 2024 | 7 | 28 | 71 | 16 |
| 2024 | 8 | 24 | 51 | 14 |
| 2024 | 9 | 18 | 38 | 12 |
| 2024 | 10 | 21 | 37 | 12 |
| 2024 | 11 | 21 | 41 | 13 |
| 2024 | 12 | 18 | 34 | 11 |
| 2025 | 1 | 19 | 31 | 14 |
| 2025 | 2 | 15 | 23 | 3 |
| 2025 | 3 | 6 | 16 | 1 |
| 2025 | 4 | 4 | 8 | 2 |
| 2025 | 5 | 3 | 9 | 2 |
| 2025 | 6 | 3 | 6 | 2 |
| 2025 | 7 | 2 | 3 | 2 |
| 2025 | 8 | 3 | 4 | 2 |
| 2025 | 9 | 4 | 5 | 2 |
Trending Position
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 8 | 795 | 876 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 5 | 895 | 934 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 3 | 799 | 885 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 2 | 774 | 853 |
**De Niro as yet another deluded psycho** De Niro is Rupert Pitkin, a comedian who seeks to be as famous as his hero, Jerry Lewis. Pupkin could be Travis Bickle's equally disturbed brother - both of them living in New York and both of them losing their minds in unison. After much rejection, th ... e crazed Pupkin decides to kidnap his hero and hold him for ransom until a studio gives him a big break. Jerry Lewis is impressive as the total bastard that Pupkin so admires. A disturbing movie that is more relevant nowadays than ever since the advent of the Big Brother tv show which places national attention on people with no talent. - Ian Beale
Martin Scorsese's THE KING OF COMEDY was the lowest-grossing major studio film of 1982. It isn't difficult to see why: It's loaded with uncomfortable situations; there is no obvious protagonist; no sympathetic characters (the one that could potentially get our sympathy turns out to be a thief); and ... everyone is grating and/or unpleasant (even Tony Randall plays 𝙝𝙞𝙢𝙨𝙚𝙡𝙛 as a demanding prick). This lack of popularity was the audience's loss, as Paul Zimmerman graced Scorsese with a screenplay which was just as prescient on the topic of fame as Paddy Chayefsky's NETWORK (1976) was on the future of television. In a day and age where television reality shows and online video platforms allow talent-bereft fame-seekers to offer their wares to an anesthetized public, De Niro's Rupert Pupkin displays an uncanny ambition just by leaving his mother's basement, much less his willingness to use crime as a means to his end.
Robert De Niro is great in this enjoyable comedy about the aspiring comedian "Pupkin" who is prepared to go to great lengths to get his moment in the sun. To that end he doorsteps acclaimed chat-show host "Jerry" (the entirely convincing Jerry Lewis) and, not exactly lacking in self-confidence, conv ... inces him to listen to his material. Anything for a peaceable life thinks the star and agrees clearly just to be rid of the man. "Pupkin", though, isn't so easily deterred and what ensues now are a rather darkly comedic series of escapades as the little man determines to get that spotlight - even if he has to turn to lying, housebreaking - even kidnapping. The writing here is taut and entertaining; the characters - especially that of the rather pompous "Jerry" are well crafted by the actors who really seem to be enjoying their roles. Martin Scorsese manages to skilfully keep this on the right side of what could easily have become far-fetched farce. It's the ultimate speculate to accumulate film poking fun at the whole television "opportunity" system, and with the odd sight of an almost unrecognisable Ed Herlihy it all adds up to a fun film to watch and I challenge anyone not have a laugh here.
A bit long-winded, but undoubtedly a very good movie. <em>'The King of Comedy'</em> has a sturdy Robert De Niro lead performance, as well as solid support from Jerry Lewis and Sandra Bernhard. I enjoyed seeing the split from what actually happens and how De Niro's Rupert Pupkin views things via h ... is dreams; especially with how merged they become by the end. Absolutely zero surprise to now learn that Todd Phillips and Scott Silver used this and <em>'Taxi Driver'</em> as inspiration when writing <em>'Joker'</em>. Quite cool though!