 
  Popularity: 3 (history)
| Director: | Mark Burton, Richard Starzak | 
|---|---|
| Writer: | Mark Burton, Richard Starzak | 
| Staring: | 
| When Shaun decides to take the day off and have some fun, he gets a little more action than he bargained for. A mix up with the Farmer, a caravan and a very steep hill lead them all to the Big City and it's up to Shaun and the flock to return everyone safely to the green grass of home. | |
| Release Date: | Feb 05, 2015 | 
|---|---|
| Director: | Mark Burton, Richard Starzak | 
| Writer: | Mark Burton, Richard Starzak | 
| Genres: | Animation, Family, Comedy, Adventure | 
| Keywords | countryside, amnesia, sheep, villain, stop motion, memory loss, hospital, best friend, big city, dog, disguise, farmer, hospitalization, claymation, hairstylist, sheep farm, plasticine, lighthearted, witty, brisk, comforting | 
| Production Companies | Aardman, StudioCanal, Anton Capital Entertainment | 
| Box Office | Revenue: $106,209,378 Budget: $25,000,000 | 
| Updates | Updated: Feb 01, 2025 Entered: Apr 13, 2024 | 
| Name | Character | 
|---|---|
| Justin Fletcher | Shaun / Timmy (voice) | 
| John Sparkes | Bitzer / The Farmer (voice) | 
| Omid Djalili | Trumper (voice) | 
| Rich Webber | Shirley (voice) | 
| Kate Harbour | Timmy's Mum / Meryl (voice) | 
| Tim Hands | Slip (voice) | 
| Simon Greenall | Twins (voice) | 
| Andy Nyman | Nuts (voice) | 
| Emma Tate | Hazel (voice) | 
| Jack Paulson | Celebrity with Hair Trouble (voice) | 
| Sean Connolly | Maitre D / Golfer / Stylists / Angry Panto Horse / Hospital Characters (voice) | 
| Henry Burton | Junior Doctor / Animal Containment Visitor (voice) | 
| Dhimant Vyas | Hospital Consultant (voice) | 
| Sophie Laughton | Animal Containment Visitor (voice) | 
| Nia Medi James | Operatic Sheep (voice) | 
| Stanley Unwin | Bus Station Announcer / Hospital Announcer (voice) (archive footage) | 
| Nick Park | Himself (voice) (uncredited) | 
| Name | Job | 
|---|---|
| Sim Evan-Jones | Editor | 
| Chris Laurence | Musician | 
| Simon Farrell | Set Dresser | 
| Nick Park | Characters | 
| Rob Done | Epk Producer | 
| Phill Jupitus | Thanks | 
| Peter Serafinowicz | Thanks | 
| Rob Sprackling | Thanks | 
| Johnny Smith | Thanks | 
| Mark Thomas | Thanks | 
| Jessica Dannheisser | Orchestrator | 
| John Warhurst | Music Editor | 
| Nick Angel | Music Supervisor | 
| Dave Alex Riddett | Director of Photography | 
| Kelly Barker | Production Coordinator | 
| Kirsty Whalley | Music Editor | 
| Tom Doggart | First Assistant Editor | 
| Richard Beek | Production Manager | 
| James Parkyn | Modeling | 
| Alfred Llupiá | Concept Artist | 
| Charles Copping | Director of Photography | 
| Arthur Sheriff | Unit Publicist | 
| Beth MacDonald | Assistant Camera | 
| Begoсa Lopez | Digital Intermediate Producer | 
| Moira Brophy | Project Manager | 
| Toby Chilcott | Systems Administrators & Support | 
| Adam Vernon | Electrician | 
| Chris Johnson | Still Photographer, Assistant Camera | 
| Andy Spradbery | Sculptor | 
| Jack Paulson | Additional Editor | 
| Leigh Manning | Second Assistant Director | 
| Harriet Thomas | Senior Modeller | 
| Vanessa Baker | ADR Voice Casting | 
| John Quarrell | Assistant Camera | 
| Joe Maxwell | Assistant Camera | 
| Kate Berry | Modeling | 
| David Vinicombe | Storyboard Artist | 
| Eli Donovan | Executive Assistant | 
| Claire Rolls | Animation | 
| Peter Gleaves | ADR Mixer | 
| Charlotte Curran | Visual Effects Production Assistant | 
| Antony Bayman | Sound Effects Editor, Sound Re-Recording Mixer | 
| Andy Symanowski | Animation | 
| Molly Van Den Brink | Executive Assistant | 
| Paul Saunderson | Music Arranger | 
| Mark Keightley | Systems Administrators & Support | 
| Kenny Dickenson | Musician | 
| Zena Allen | Executive Assistant | 
| Chris Domaille | ADR Recording Engineer | 
| Owen Revell | Digital Compositor | 
| Dan Efergan | Creative Director | 
| Fionn Higgins | ADR Recordist | 
| Johnathan Rush | Sound Mix Technician | 
| Rob Hardcastle | Assistant Sound Editor | 
| William Fuller | Systems Administrators & Support | 
| Steve Box | Story Consultant | 
| Poppy Kavanagh | Sound Engineer | 
| Mathias Schuster | Foley Editor, Foley Mixer | 
| Rhodri Lovett | Animation | 
| Nicholas Bucknall | Musician | 
| Laurie Sitzia | Lead Animator | 
| Emily Metcalfe | Executive Assistant | 
| Josine Cohen | Music Coordinator | 
| Georgina Reynolds | Third Assistant Director | 
| Hugh Brazier | VFX Artist | 
| Peter Marshall | Electrician | 
| Jay Clarke | Storyboard Artist | 
| Matt Perry | Production Design | 
| Richard Hosken | Gaffer | 
| Ellie Weston | Senior Modeller | 
| Nigel Leach | Senior Modeller | 
| Cormac McKee | Modeling | 
| Helen Javes | Assistant Art Director | 
| Anne King | Senior Modeller | 
| Becky Redhead | Modeling | 
| Justin Krish | Additional Editor | 
| Diego Fernández Goberna | Matte Painter | 
| Clive Scott | Electrician | 
| Laura Howie | Lighting Camera | 
| Gary Roberts | Senior Modeller | 
| Luis Zamora Pueyo | Storyboard Artist | 
| Kelly Lappin | Production Coordinator | 
| Mark Appleby | ADR Recordist | 
| Gareth Love | Animation | 
| Julian Kershaw | Orchestrator | 
| James H. Fisher | Still Photographer | 
| Jason Comley | Animation | 
| Jo Fenton | Animation | 
| Albert Testani | Production Assistant | 
| Paul Bolger | Storyboard Artist | 
| Karen Walter | Production Accountant | 
| Ivelina Dobreva | Compositing Artist | 
| Simon Diggins | ADR Recordist | 
| Grant Maisey | Animation | 
| Terry Brain | Animation | 
| Raul G. Eguia | Animation | 
| Marli Wren | Musician | 
| Ricardo Musch | Digital Compositor | 
| Jake Walker | Musician | 
| Grant Hewlett | CG Supervisor | 
| Alison Evans | Animation | 
| Nancy Jones | Thanks | 
| Djordje Milasinovic | Digital Compositor | 
| Sagat Guirey | Musician | 
| Cyrille Gohier | Digital Compositor | 
| Peter Warnock | Assistant Sound Editor | 
| Steve Cox | Animation | 
| Michael Crusz | Online Editor | 
| Richard Bowen | First Assistant Director | 
| Rob Slagter | Set Dresser | 
| Hanna Habermann | Modeling | 
| Sophie Nguyen-Thomas | Data Management Technician | 
| Rosa Dodd | Set Dresser | 
| Tom Barnes | Post Production Supervisor | 
| Will Harding | Modeling | 
| Richard Edmunds | Assistant Art Director | 
| Ben Barrowman | Second Assistant Director | 
| Claire Drewett | Senior Modeller | 
| Ashley Boddy | Storyboard Artist | 
| Jay Smart | Modeling | 
| Kevin Wright | Senior Modeller | 
| Laura Savage | Prop Maker | 
| Will Becher | Lead Animator | 
| Luke Padfield | Systems Administrators & Support | 
| Sam J. Green | Systems Administrators & Support | 
| Julien Pirrie | Foley Artist | 
| Angie Last | Executive Assistant | 
| Ella Askew | Visual Effects Coordinator | 
| Gregory Perler | Thanks | 
| Fran Hawley | Executive Assistant | 
| Howard Jones | Visual Effects Supervisor | 
| Sally Heath | Musician | 
| Val Wardlaw | Visual Effects | 
| Joanna Cave | Finance | 
| Dave Osmand | Animation | 
| Melanie Byrne | Visual Effects Producer | 
| Loyd Price | Animation Supervisor | 
| Adrian Rhodes | Sound Designer | 
| Miles Bullough | Thanks | 
| Max Horton | Colorist | 
| Andrew Brown | Conductor | 
| Neil Scholes | Visual Effects Compositor | 
| Ali Cook | Executive Assistant | 
| Simon Hill | Sound Mix Technician | 
| Andrew 'Bloxy' Bloxham | Modelling Supervisor | 
| Lee Wilton | Animation | 
| Steve Wright | Music Arranger | 
| Mark Burton | Writer, Director | 
| Ilan Eshkeri | Original Music Composer | 
| Richard Starzak | Writer, Director | 
| Stephen McLaughlin | Music Producer | 
| Name | Title | 
|---|---|
| Kerry Lock | Co-Executive Producer | 
| Paul Kewley | Producer | 
| Carla Shelley | Co-Executive Producer | 
| Sean Clarke | Co-Executive Producer | 
| Alicia Gold | Co-Executive Producer | 
| Julie Lockhart | Producer | 
| Olivier Courson | Executive Producer | 
| Ron Halpern | Executive Producer | 
| David Sproxton | Executive Producer | 
| Peter Lord | Executive Producer | 
| Nick Park | Executive Producer | 
| Organization | Category | Person | |
|---|---|---|---|
| Golden Globes | Best Animated Feature | N/A | Nominated | 
| BAFTA Awards | Best Animated Feature | N/A | Nominated | 
Popularity History
| Year | Month | Avg | Max | Min | 
|---|---|---|---|---|
| 2024 | 4 | 26 | 37 | 18 | 
| 2024 | 5 | 30 | 36 | 19 | 
| 2024 | 6 | 24 | 41 | 15 | 
| 2024 | 7 | 33 | 56 | 14 | 
| 2024 | 8 | 24 | 60 | 13 | 
| 2024 | 9 | 18 | 31 | 12 | 
| 2024 | 10 | 21 | 31 | 13 | 
| 2024 | 11 | 22 | 37 | 16 | 
| 2024 | 12 | 22 | 42 | 14 | 
| 2025 | 1 | 23 | 33 | 18 | 
| 2025 | 2 | 16 | 31 | 3 | 
| 2025 | 3 | 7 | 24 | 1 | 
| 2025 | 4 | 3 | 4 | 1 | 
| 2025 | 5 | 2 | 3 | 1 | 
| 2025 | 6 | 2 | 3 | 2 | 
| 2025 | 7 | 2 | 3 | 2 | 
| 2025 | 8 | 2 | 3 | 1 | 
| 2025 | 9 | 2 | 4 | 1 | 
| 2025 | 10 | 2 | 4 | 2 | 
Trending Position
| Year | Month | High | Avg | 
|---|---|---|---|
| 2024 | 12 | 725 | 725 | 
> Losing that you love makes you realise its value. The only reason to I go to Nick is to watch 'Shaun the Sheep'. This show was watched by many adults as well, a popular one among all the ages. As the fan of this series, we have been waiting very long to get a movie version. I was excited to see ... it and of course enjoyed it completely. Its impossible one to get disappointed with the movie/show when the narration is led by one of the awesome characters, Shaun. The promotional posters were also created some extra curiosity that imitated the famous Hollywood films like 'Boyhood', 'Wild', 'Birdman' and many others. Stop-motion is a very-very hard and outdated concept of the animation format, but still loved by many. Every year only one or two get released, sometimes none. The technical sides were upgraded, including bluescreens for backgrounds and other special effects. Still the hard work remains, but qualities are improved. It made significant contributions to the live-shot movies in the old days when there was no CGI. So when we see a movie like this, the product reveals in each and every frames the real vision from the artist and writer's perspective. Every detail, every corner of the screen tells the story. It was so good as a television show, because of short and sweetness. The filmmaker intended to create the same magic, except the credits its just a below 80 minute movie. Had a good storyline and a couple of new characters were introduced. Because the new adventure extended its area volume and so the antagonist was needed. Shaun and his buddies set foot outside their barn to find their lost farmer. The journey begins towards the big city and the movie discloses their risky and dangerous undertaking. They go pass lots of stages to accomplish their quest and only the last quarter reveals result with a thrilling chase scene. Unlike the series, it was not completely a fun movie. There are some emotions involved, and I was amazed by those exhibitions. Because of some kind of childhood connection between Shaun and Co and their owner. That was unexpected, but was really very nice to see the other side of them. We know Shaun is a curious character, he always wants to learn and try new things. So when he has to make an unexpected decision, it does not go as planned and the fun begins with their mischievous adventure in an unfamiliar territory. As usual without the dialogues, that can be understandable by everyone without a language barrier. A true family movie, from grandparents to grandchildren together watchable flick. Almost a masterpiece, offers a lot of great moments to give ourselves to it. And for the fans its a celebration time for sure. Definitely this movie would get into the final shortlist for the upcoming (2016) Oscars, if not, that would be a shame for the entire ceremony. But for winning, we have to wait till how good 'The Good Dinosaur' going to be. In the meantime, don't miss this little cute flick. 8½/10
I was never really into Shaun the Sheep when I was kid and I also didn't enjoy this movie as much as I would if I was. I probably had the same problem with this film as I had with Minions. It isn't bad idea but it's too much minutes for too little words. Shaun the Sheep is great idea but much mor ... e enjoyable when it's in seven minutes instead of 85. I think that story had too slow tempo for how long it was and I also felt like I already saw it because the story wasn't really original when it comes to it and also gags in this movie weren't really that funny. I think that even 5-years-old are already full of this same kind of jokes. I personally enjoyed "emotional part" of this movie more, than I enjoyed the "funny part". On the other hand I really loved animation and soundtrack of this film which was truly briliant and one of the factors why I had energy to finish this movie because without it I wouldn't do that and for me, the last 15 minutes of this movie was the best part. The idea was great but they should have worked on it more.
'Shaun the Sheep Movie' is the spin-off feature film of a spin-off television series of 'Wallace and Gromit: The Wrong Trousers'. Boasting the same crew that brought us 'Chicken Run' and 'Wallace and Gromit', it promised a lot. The film is made by the Aardman production company and so boasts a pl ... easant stop-start animation style. This "old-school" way of creating a cartoon is refreshing in the modern world of overused computer imagery and 3D effects. There is no dialogue whatsoever in this film and so it feels like watching an old cartoon such as 'Tom and Jerry'. There are subtle nods to other television shows and films such as 'Breaking Bad', 'Hannibal' and 'Taxi Driver' so the parents are kept amused at times. The story is very easy to follow due to the characters very expressive faces and directions which, being a children's film, make it a lot more simple and universal. Overall, 'Shaun the Sheep Movie' is a good film for children. It has very cute characters and the animation is very fun. However, it doesn't have much for any other demographic unlike the company's previous work. But, saying that, it is an inoffensive and enjoyable film. ★★★
<em>'Shaun the Sheep Movie'</em> is pretty good. The stop-motion animation side of things is expectedly brilliant, though it's the humour that is most impressive about this film - it's nothing hilarious, but a lot of the gags are amusing. It also has a fairly endearing feel to it. I watched some ... episodes of the television series growing up and do recall enjoying them, so I had a feeling I'd like this too.
Right from the poor rooster trying to stay in shot at the start, this comedy adventure is riddled with subtle and detailed humour to complement the entertaining story that sees the eponymous sheep decide he needs a day off from the farm. He and his flock-mates go a-frolicking in the field and that's ... when disaster strikes. The farmer's caravan becomes unstuck and is soon a lethal missile travelling at great speed towards the big city - and there's nothing "Shaun" can do about it! Desperate, he concludes that he must board a bus and follow it. He sneaks aboard and makes it to the bus station, only to find the animal/pest control fella "Trumper" on alert! He might just be able to avoid him by himself, but when the next bus arrives replete with all his pals, it now becomes just as imperative that they avoid capture as it does that they find the farmer. Meantime, that poor gent is languishing in an hospital ward without the faintest clue whom or where he is! Now they must use all of their guile and a slew of disguises - even quite a provocative one - to get everyone back home safely. What ensues now is a series of genuinely quite funny scenarios with "Bitzer' the dog helping out as they must reunite with their erstwhile master and see if they can't jog his memory - ideally before his haircut craze takes off too completely. The standard of animation from Aardman is always great but they sometime struggle with full length screenplays. Not so here. This is a cleverly constructed piece of cinema with loads going on, a bit of slap-stick and an almost familial message of looking out for each other. There's not a great deal of dialogue, most of this is just left to the characters and our imagination and I think that worked well. I'm not sure "Shaun" will be taking any more days off anytime soon, though!