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Shaun the Sheep Movie Poster

Shaun the Sheep Movie

Moving on to Pastures New.
2015 | 85m | English

(45997 votes)

TMDb IMDb

Popularity: 3 (history)

Details

When Shaun decides to take the day off and have some fun, he gets a little more action than he bargained for. A mix up with the Farmer, a caravan and a very steep hill lead them all to the Big City and it's up to Shaun and the flock to return everyone safely to the green grass of home.
Release Date: Feb 05, 2015
Director: Mark Burton, Richard Starzak
Writer: Mark Burton, Richard Starzak
Genres: Animation, Family, Comedy, Adventure
Keywords countryside, amnesia, sheep, villain, stop motion, memory loss, hospital, best friend, big city, dog, disguise, farmer, hospitalization, claymation, hairstylist, sheep farm, plasticine, lighthearted, witty, brisk, comforting
Production Companies Aardman, StudioCanal, Anton Capital Entertainment
Box Office Revenue: $106,209,378
Budget: $25,000,000
Updates Updated: Feb 01, 2025
Entered: Apr 13, 2024
Trailers and Extras

Full Credits

Name Character
Justin Fletcher Shaun / Timmy (voice)
John Sparkes Bitzer / The Farmer (voice)
Omid Djalili Trumper (voice)
Rich Webber Shirley (voice)
Kate Harbour Timmy's Mum / Meryl (voice)
Tim Hands Slip (voice)
Simon Greenall Twins (voice)
Andy Nyman Nuts (voice)
Emma Tate Hazel (voice)
Jack Paulson Celebrity with Hair Trouble (voice)
Sean Connolly Maitre D / Golfer / Stylists / Angry Panto Horse / Hospital Characters (voice)
Henry Burton Junior Doctor / Animal Containment Visitor (voice)
Dhimant Vyas Hospital Consultant (voice)
Sophie Laughton Animal Containment Visitor (voice)
Nia Medi James Operatic Sheep (voice)
Stanley Unwin Bus Station Announcer / Hospital Announcer (voice) (archive footage)
Nick Park Himself (voice) (uncredited)
Name Job
Sim Evan-Jones Editor
Chris Laurence Musician
Simon Farrell Set Dresser
Nick Park Characters
Rob Done Epk Producer
Phill Jupitus Thanks
Peter Serafinowicz Thanks
Rob Sprackling Thanks
Johnny Smith Thanks
Mark Thomas Thanks
Jessica Dannheisser Orchestrator
John Warhurst Music Editor
Nick Angel Music Supervisor
Dave Alex Riddett Director of Photography
Kelly Barker Production Coordinator
Kirsty Whalley Music Editor
Tom Doggart First Assistant Editor
Richard Beek Production Manager
James Parkyn Modeling
Alfred Llupiá Concept Artist
Charles Copping Director of Photography
Arthur Sheriff Unit Publicist
Beth MacDonald Assistant Camera
Begoсa Lopez Digital Intermediate Producer
Moira Brophy Project Manager
Toby Chilcott Systems Administrators & Support
Adam Vernon Electrician
Chris Johnson Still Photographer, Assistant Camera
Andy Spradbery Sculptor
Jack Paulson Additional Editor
Leigh Manning Second Assistant Director
Harriet Thomas Senior Modeller
Vanessa Baker ADR Voice Casting
John Quarrell Assistant Camera
Joe Maxwell Assistant Camera
Kate Berry Modeling
David Vinicombe Storyboard Artist
Eli Donovan Executive Assistant
Claire Rolls Animation
Peter Gleaves ADR Mixer
Charlotte Curran Visual Effects Production Assistant
Antony Bayman Sound Effects Editor, Sound Re-Recording Mixer
Andy Symanowski Animation
Molly Van Den Brink Executive Assistant
Paul Saunderson Music Arranger
Mark Keightley Systems Administrators & Support
Kenny Dickenson Musician
Zena Allen Executive Assistant
Chris Domaille ADR Recording Engineer
Owen Revell Digital Compositor
Dan Efergan Creative Director
Fionn Higgins ADR Recordist
Johnathan Rush Sound Mix Technician
Rob Hardcastle Assistant Sound Editor
William Fuller Systems Administrators & Support
Steve Box Story Consultant
Poppy Kavanagh Sound Engineer
Mathias Schuster Foley Editor, Foley Mixer
Rhodri Lovett Animation
Nicholas Bucknall Musician
Laurie Sitzia Lead Animator
Emily Metcalfe Executive Assistant
Josine Cohen Music Coordinator
Georgina Reynolds Third Assistant Director
Hugh Brazier VFX Artist
Peter Marshall Electrician
Jay Clarke Storyboard Artist
Matt Perry Production Design
Richard Hosken Gaffer
Ellie Weston Senior Modeller
Nigel Leach Senior Modeller
Cormac McKee Modeling
Helen Javes Assistant Art Director
Anne King Senior Modeller
Becky Redhead Modeling
Justin Krish Additional Editor
Diego Fernández Goberna Matte Painter
Clive Scott Electrician
Laura Howie Lighting Camera
Gary Roberts Senior Modeller
Luis Zamora Pueyo Storyboard Artist
Kelly Lappin Production Coordinator
Mark Appleby ADR Recordist
Gareth Love Animation
Julian Kershaw Orchestrator
James H. Fisher Still Photographer
Jason Comley Animation
Jo Fenton Animation
Albert Testani Production Assistant
Paul Bolger Storyboard Artist
Karen Walter Production Accountant
Ivelina Dobreva Compositing Artist
Simon Diggins ADR Recordist
Grant Maisey Animation
Terry Brain Animation
Raul G. Eguia Animation
Marli Wren Musician
Ricardo Musch Digital Compositor
Jake Walker Musician
Grant Hewlett CG Supervisor
Alison Evans Animation
Nancy Jones Thanks
Djordje Milasinovic Digital Compositor
Sagat Guirey Musician
Cyrille Gohier Digital Compositor
Peter Warnock Assistant Sound Editor
Steve Cox Animation
Michael Crusz Online Editor
Richard Bowen First Assistant Director
Rob Slagter Set Dresser
Hanna Habermann Modeling
Sophie Nguyen-Thomas Data Management Technician
Rosa Dodd Set Dresser
Tom Barnes Post Production Supervisor
Will Harding Modeling
Richard Edmunds Assistant Art Director
Ben Barrowman Second Assistant Director
Claire Drewett Senior Modeller
Ashley Boddy Storyboard Artist
Jay Smart Modeling
Kevin Wright Senior Modeller
Laura Savage Prop Maker
Will Becher Lead Animator
Luke Padfield Systems Administrators & Support
Sam J. Green Systems Administrators & Support
Julien Pirrie Foley Artist
Angie Last Executive Assistant
Ella Askew Visual Effects Coordinator
Gregory Perler Thanks
Fran Hawley Executive Assistant
Howard Jones Visual Effects Supervisor
Sally Heath Musician
Val Wardlaw Visual Effects
Joanna Cave Finance
Dave Osmand Animation
Melanie Byrne Visual Effects Producer
Loyd Price Animation Supervisor
Adrian Rhodes Sound Designer
Miles Bullough Thanks
Max Horton Colorist
Andrew Brown Conductor
Neil Scholes Visual Effects Compositor
Ali Cook Executive Assistant
Simon Hill Sound Mix Technician
Andrew 'Bloxy' Bloxham Modelling Supervisor
Lee Wilton Animation
Steve Wright Music Arranger
Mark Burton Writer, Director
Ilan Eshkeri Original Music Composer
Richard Starzak Writer, Director
Stephen McLaughlin Music Producer
Name Title
Kerry Lock Co-Executive Producer
Paul Kewley Producer
Carla Shelley Co-Executive Producer
Sean Clarke Co-Executive Producer
Alicia Gold Co-Executive Producer
Julie Lockhart Producer
Olivier Courson Executive Producer
Ron Halpern Executive Producer
David Sproxton Executive Producer
Peter Lord Executive Producer
Nick Park Executive Producer
Organization Category Person
Golden Globes Best Animated Feature N/A Nominated
BAFTA Awards Best Animated Feature N/A Nominated
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 26 37 18
2024 5 30 36 19
2024 6 24 41 15
2024 7 33 56 14
2024 8 24 60 13
2024 9 18 31 12
2024 10 21 31 13
2024 11 22 37 16
2024 12 22 42 14
2025 1 23 33 18
2025 2 16 31 3
2025 3 7 24 1
2025 4 3 4 1
2025 5 2 3 1
2025 6 2 3 2
2025 7 2 3 2
2025 8 2 3 1
2025 9 2 4 1
2025 10 2 4 2

Trending Position


Year Month High Avg
2024 12 725 725

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Reviews

Rangan
9.0

> Losing that you love makes you realise its value. The only reason to I go to Nick is to watch 'Shaun the Sheep'. This show was watched by many adults as well, a popular one among all the ages. As the fan of this series, we have been waiting very long to get a movie version. I was excited to see ... it and of course enjoyed it completely. Its impossible one to get disappointed with the movie/show when the narration is led by one of the awesome characters, Shaun. The promotional posters were also created some extra curiosity that imitated the famous Hollywood films like 'Boyhood', 'Wild', 'Birdman' and many others. Stop-motion is a very-very hard and outdated concept of the animation format, but still loved by many. Every year only one or two get released, sometimes none. The technical sides were upgraded, including bluescreens for backgrounds and other special effects. Still the hard work remains, but qualities are improved. It made significant contributions to the live-shot movies in the old days when there was no CGI. So when we see a movie like this, the product reveals in each and every frames the real vision from the artist and writer's perspective. Every detail, every corner of the screen tells the story. It was so good as a television show, because of short and sweetness. The filmmaker intended to create the same magic, except the credits its just a below 80 minute movie. Had a good storyline and a couple of new characters were introduced. Because the new adventure extended its area volume and so the antagonist was needed. Shaun and his buddies set foot outside their barn to find their lost farmer. The journey begins towards the big city and the movie discloses their risky and dangerous undertaking. They go pass lots of stages to accomplish their quest and only the last quarter reveals result with a thrilling chase scene. Unlike the series, it was not completely a fun movie. There are some emotions involved, and I was amazed by those exhibitions. Because of some kind of childhood connection between Shaun and Co and their owner. That was unexpected, but was really very nice to see the other side of them. We know Shaun is a curious character, he always wants to learn and try new things. So when he has to make an unexpected decision, it does not go as planned and the fun begins with their mischievous adventure in an unfamiliar territory. As usual without the dialogues, that can be understandable by everyone without a language barrier. A true family movie, from grandparents to grandchildren together watchable flick. Almost a masterpiece, offers a lot of great moments to give ourselves to it. And for the fans its a celebration time for sure. Definitely this movie would get into the final shortlist for the upcoming (2016) Oscars, if not, that would be a shame for the entire ceremony. But for winning, we have to wait till how good 'The Good Dinosaur' going to be. In the meantime, don't miss this little cute flick. 8½/10

May 16, 2024
minusha97
5.0

I was never really into Shaun the Sheep when I was kid and I also didn't enjoy this movie as much as I would if I was. I probably had the same problem with this film as I had with Minions. It isn't bad idea but it's too much minutes for too little words. Shaun the Sheep is great idea but much mor ... e enjoyable when it's in seven minutes instead of 85. I think that story had too slow tempo for how long it was and I also felt like I already saw it because the story wasn't really original when it comes to it and also gags in this movie weren't really that funny. I think that even 5-years-old are already full of this same kind of jokes. I personally enjoyed "emotional part" of this movie more, than I enjoyed the "funny part". On the other hand I really loved animation and soundtrack of this film which was truly briliant and one of the factors why I had energy to finish this movie because without it I wouldn't do that and for me, the last 15 minutes of this movie was the best part. The idea was great but they should have worked on it more.

Jun 23, 2021
mattwilde123
6.0

'Shaun the Sheep Movie' is the spin-off feature film of a spin-off television series of 'Wallace and Gromit: The Wrong Trousers'. Boasting the same crew that brought us 'Chicken Run' and 'Wallace and Gromit', it promised a lot. The film is made by the Aardman production company and so boasts a pl ... easant stop-start animation style. This "old-school" way of creating a cartoon is refreshing in the modern world of overused computer imagery and 3D effects. There is no dialogue whatsoever in this film and so it feels like watching an old cartoon such as 'Tom and Jerry'. There are subtle nods to other television shows and films such as 'Breaking Bad', 'Hannibal' and 'Taxi Driver' so the parents are kept amused at times. The story is very easy to follow due to the characters very expressive faces and directions which, being a children's film, make it a lot more simple and universal. Overall, 'Shaun the Sheep Movie' is a good film for children. It has very cute characters and the animation is very fun. However, it doesn't have much for any other demographic unlike the company's previous work. But, saying that, it is an inoffensive and enjoyable film. ★★★

Jun 23, 2021
r96sk
7.0

<em>'Shaun the Sheep Movie'</em> is pretty good. The stop-motion animation side of things is expectedly brilliant, though it's the humour that is most impressive about this film - it's nothing hilarious, but a lot of the gags are amusing. It also has a fairly endearing feel to it. I watched some ... episodes of the television series growing up and do recall enjoying them, so I had a feeling I'd like this too.

Apr 12, 2022
Geronimo1967
7.0

Right from the poor rooster trying to stay in shot at the start, this comedy adventure is riddled with subtle and detailed humour to complement the entertaining story that sees the eponymous sheep decide he needs a day off from the farm. He and his flock-mates go a-frolicking in the field and that's ... when disaster strikes. The farmer's caravan becomes unstuck and is soon a lethal missile travelling at great speed towards the big city - and there's nothing "Shaun" can do about it! Desperate, he concludes that he must board a bus and follow it. He sneaks aboard and makes it to the bus station, only to find the animal/pest control fella "Trumper" on alert! He might just be able to avoid him by himself, but when the next bus arrives replete with all his pals, it now becomes just as imperative that they avoid capture as it does that they find the farmer. Meantime, that poor gent is languishing in an hospital ward without the faintest clue whom or where he is! Now they must use all of their guile and a slew of disguises - even quite a provocative one - to get everyone back home safely. What ensues now is a series of genuinely quite funny scenarios with "Bitzer' the dog helping out as they must reunite with their erstwhile master and see if they can't jog his memory - ideally before his haircut craze takes off too completely. The standard of animation from Aardman is always great but they sometime struggle with full length screenplays. Not so here. This is a cleverly constructed piece of cinema with loads going on, a bit of slap-stick and an almost familial message of looking out for each other. There's not a great deal of dialogue, most of this is just left to the characters and our imagination and I think that worked well. I'm not sure "Shaun" will be taking any more days off anytime soon, though!

Feb 08, 2024