Menu
The Mothman Prophecies Poster

The Mothman Prophecies

The future is not unknown.
2002 | 119m | English

(88296 votes)

TMDb IMDb

Popularity: 3 (history)

Details

Reporter John Klein is plunged into a world of impossible terror and unthinkable chaos when fate draws him to a sleepy West Virginia town whose residents are being visited by a great winged shape that sows hideous nightmares and fevered visions.
Release Date: Jan 25, 2002
Director: Mark Pellington
Writer: John A. Keel, Richard Hatem
Genres: Drama, Horror, Mystery
Keywords based on novel or book, small town, dreams, paranoia, motel, hallucination, bridge, omen, warning, tumor, west virginia, grief, urban legend, premonition, disaster, hospital, reporter, psychic, car wreck, police sergeant, phone call, christmas, death of wife, mothman, mysterious events, chemical plant
Production Companies Lakeshore Entertainment, Screen Gems
Box Office Revenue: $55,305,279
Budget: $32,000,000
Updates Updated: Jul 29, 2025
Entered: Apr 13, 2024
Trailers and Extras

Full Credits

Name Character
Richard Gere John Klein
Laura Linney Connie Mills
Will Patton Gordon Smallwood
Debra Messing Mary Klein
David Eigenberg Ed Fleischman
Alan Bates Alexander Leek
Lucinda Jenney Denise Smallwood
Nesbitt Blaisdell Chief Josh Jarrett
Bill Laing Indrid Cold
Dan Callahan C.J.
Yvonne Erickson Dr. McElroy
Tom Stoviak Real Estate Agent
Scott Nunnally Orderly
Harris Mackenzie TV Journalist
Zachary Mott Otto
Ann McDonough Lucy Griffin
Bob Tracey Cyrus Bills
Tom Tully Motel Manager
Ron Emanuel Washington Post Reporter
Shane Callahan Nat Griffin
Christin Frame Holly
Rohn Thomas Dr. Williams
Susan Nicholas News Anchor #1
Tim Hartman Sonny
Jennifer Martin Coffee Shop Cashier
Mark Pellington Bartender / Indrid Cold (voice)
Murphy Dunne Gov. Rob McCallum
Pete Handelman Aide #1
Matt Miller Aide #2
Josh Braun Aide #3
Doug Korstanje News Anchor #2
Betsy Zajko Tory Pherris
Elizabeth Cazenave Bellhop
Sam Nicotero Man on Bridge
Name Job
Fred Murphy Director of Photography
Susan Lyall Costume Design
Patricia A. Fullerton Script Supervisor
Pud Cusack Production Sound Mixer
Jimmy Romano Stunts
P.J. Wagner Stunts
Jeffery J. Tufano "A" Camera Operator
Brian S. Osmond First Assistant "B" Camera
Brian Gunter Chief Lighting Technician
Chris Muchow Lighting Technician
Michael Umble Unit Publicist
James A. Mahathey Assistant Location Manager
Buster Pile Construction Coordinator
Winnie Cheng Post Production Coordinator
Jim Heastings Special Effects Technician
Mike S. Huffman Special Effects Assistant
Kelly Cabral Supervising Sound Editor
Ann Scibelli Sound Effects Editor
Paul Flinchbaugh Assistant Sound Editor
James Bailey Foley Artist
David Altenau CG Supervisor
Karl Rumpf Visual Effects Coordinator
Brigitte Bourque Digital Compositor
Christopher Lance Digital Compositor
Oliver Moore 3D Artist
Brett Botula Location Manager
Christopher Peterson Assistant Costume Designer
Lauren Stephens Dialogue Editor
Mark Choi Sound Effects Editor
Ron Bedrosian ADR Mixer
Nick Neutra Foley Mixer
Mark Jan Wlodarkiewicz Music Editor
Matthew Adams Roto Supervisor
Theresa Repola Mohammed Negative Cutter
Joseph J. Kontra Second Assistant Director
Smith Harper Hutchings Concept Artist
Robert E. Bupp Graphic Designer
Peter J. Dacey Second Assistant "C" Camera
Steve Rhee Visual Effects Editor
Chris Regan Color Timer
Greg Tash Stunts
Paul Mulcahy Art Department Coordinator
Alexander Andres Second Assistant "B" Camera
Jeff Vandermolen Lighting Technician
Dennis Antosik Lighting Technician
John A. Evans Lighting Technician
Nick Tallo Grip
Jeff Becker Rigging Gaffer
Robert Bender Set Dresser
Fred 'Fredo' Donatelli Set Dresser
Derek Dalzell Swing
Roderic Duff Special Effects
Ray Pivirotto Set Dresser
Mark Johnston Swing
Dennis Weis Swing
Sarah Higgins Special Effects
Jude R. Berrick Special Effects Technician
Peter Chesney Special Effects Technician, Special Effects Supervisor
John A. Keel Novel
Richard Hoover Production Design
Sheila Jaffe Casting
Melissa Moseley Still Photographer
John S. Moyer Steadicam Operator, "B" Camera Operator
tomandandy Music, Original Music Composer
Liza Richardson Music Supervisor
Debbie Lynn Ross Stunts
Dan Kuchar Assistant Art Director
Robert C. Carlson First Assistant "A" Camera
Steve Drellich "C" Camera Operator
Stephen Crowley Assistant Chief Lighting Technician
Jon D. Morrison Lighting Technician
Glen Engels Second Company Grip
Bart Flaherty Grip
Douglas Fox Property Master
Barbara Hause Wardrobe Supervisor
Richard Hatem Screenplay
Georgianne Walken Casting
Troy Sizemore Art Direction
Joe Dishner Unit Production Manager
Richard S. Wright Unit Production Manager
Cinda-Lin James Stunts
Jason Silvis Stunts
Anja Stadelmann Production Supervisor
Jeffrey Thorin Second Assistant "A" Camera
Benjamin Spek First Assistant "C" Camera
Jarrett Buba Lighting Technician
Sean Murray Lighting Technician
Richard C. Kerekes Dolly Grip
Keith Seymour Grip
Diane Collins Costumer
Steve Cainas Production Coordinator
Mike Richer Construction Foreman
Colleen Nybo Post Production Accountant
Diana Stoughton Set Decoration
John Hockridge First Assistant Director
Claude Letessier Sound Designer
Richard Guinness Jr. First Company Grip
Brian 'Buzz' Buzzelli Grip
Ross Simpson Boom Operator
Laurie Dodsworth Payroll Accountant
Nancy Mosser Extras Casting
Marc Scott Transportation Coordinator
Tom Chesney Special Effects Technician
Raymond M. Tasillo Special Effects Technician
David Reale First Assistant Editor
Rich E. Cordobes Special Effects Technician
Paul Taglianetti Visual Effects Producer
David Robinson Visual Effects Coordinator
Tim Gibbons Digital Compositor
David Lingenfelser Digital Compositor
Dane Picard 3D Artist
Frederick H. Stahly Dialogue Editor
Robert Batha Assistant Sound Editor
Brian Basham ADR Recordist
Anthony Wolberg Second Unit Director of Photography
Lubo Hristov Visual Effects Art Director
Sean O'Connor Digital Compositor
Martin Hilke Digital Compositor
Maxx Okazaki 3D Artist
Brian Ripley 3D Artist
Paul Howarth Visual Effects Editor
Trevor Ward Dolby Consultant
Tal Meirson Production Supervisor
Eva Kamienska-Carter Assistant Art Director
J. Todd Anderson Storyboard Artist
Laura Mae Sutherland-Bobick Camera Loader
Alex Nutini Lighting Technician
Nathaniel Kendrick Jr. Lighting Technician
Tom Pellegrini Lighting Technician
Michael Booker Rigging Grip
Ian Middleton Rigging Grip
Joseph Viano Rigging Grip
Tom Nelson Sound Mixer
Kenneth J. Kellers Leadman
John Alan Champion Set Dresser
Jeffery Husser Lighting Technician
Billy Kerwick Rigging Grip
Ray 'Chazz' Edwards Rigging Grip
Andrew Taylor Rigging Grip
Andrew Lapierre 24 Frame Playback
Thomas J. Garrigan Assistant Property Master
L.J. Steele Lighting Technician
Regis Donehue Rigging Grip
Lee Nagle Rigging Grip
Daniel Casey Video Assist Operator
George Simpson Boom Operator
Barbie Pastorik Set Buyer
Bill Dalzell Set Dresser
Mike Benzing Swing
Ralph Roger Pivirotto Special Effects
Kevin C. Brady Special Effects Technician
Brent Peelor Special Effects Technician
Kristen Strittmatter Special Effects Assistant
Monte Cholmeley-Jones Costumer
Teresa Alvis Second Assistant Accountant
Timothy B. Graham Special Effects
Barry Beaulac Special Effects Technician
John Butler Special Effects Technician
Clifford B. Rohal Special Effects Technician
Mindy Hall Makeup Supervisor
Lyndell Quiyou Hairstylist
Annie Loeffler Second Second Assistant Director
Judy Sepich Assistant Accountant
Jerrell Skinner Production Secretary
Greg Bell Location Assistant
Christopher Nickerson Location Assistant
Dave Hoffman Extras Casting Assistant
Denny Braun Transportation Co-Captain
Daniel Stafford Special Effects Assistant
LuAnn Claps Makeup Artist
Tommy Boyer Costumer
Kirsten Stevens First Assistant Accountant
Grant Grabowski Production Coordinator
Danielle Baker Location Coordinator
Craig T. Brown Location Assistant
Kristen McTigue Casting Assistant
Eileen Garrigan Charge Scenic Artist
Andrew Scheps Scoring Mixer
Diane Sunderlin Assistant Production Coordinator
Joshua A. Baker Location Assistant
Stephen Hough Location Assistant
Donna M. Belajac Local Casting
Donald A. Kraus Transportation Captain
Megan Graham Set Dresser
Mark Pellington Director
Brian Berdan Editor
Dick Ziker Stunt Coordinator
Eddy Donno Stunts
Kenny Endoso Stunts
Tom Harper Stunts
Matthew Taylor Stunts
Russell Towery Stunts
Scott Wilder Stunts
Glenn R. Wilder Stunts
China Iwata Fox Assistant Property Master
Katharina Eggmann Casting Associate
David Parker Sound Re-Recording Mixer
Michael Semanick Sound Re-Recording Mixer
Jean-Pierre Nutini Lighting Technician
Robert Grasmere Visual Effects Supervisor, Second Unit Director
Andy Milburn Original Music Composer
Tom Hajdu Original Music Composer
Jennifer Bell Key Hair Stylist
Name Title
Gary Lucchesi Producer
Adrienne Gruben Associate Producer
Jason Free Associate Producer
Rachel Hudgins Associate Producer
Richard Hatem Co-Producer
Terry McKay Executive Producer
Gary W. Goldstein Producer
James McQuaide Co-Producer
Ted Tannebaum Executive Producer
Richard S. Wright Executive Producer
Tom Rosenberg Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 38 55 24
2024 5 33 48 25
2024 6 31 41 22
2024 7 33 50 19
2024 8 25 60 15
2024 9 21 41 17
2024 10 24 35 16
2024 11 23 40 15
2024 12 18 31 10
2025 1 19 30 12
2025 2 15 24 3
2025 3 7 21 1
2025 4 2 2 1
2025 5 2 2 1
2025 6 2 3 2
2025 7 2 4 1
2025 8 2 3 2
2025 9 3 6 1
2025 10 2 3 1

Trending Position


Year Month High Avg
2025 5 489 635

Return to Top

Reviews

Wuchak
9.0

***Haunting Mystery with Supernatural Elements – Reverent, Beautiful, Brilliant*** RELEASED IN 2002 and directed by Mark Pellington, "The Mothman Prophecies" details some of the strange events that occurred in Point Pleasant, West Virginia, from November 15, 1966, to December 15, 1967 (13 months) ... . The movie, however, transplants the events to the year 2001. PLOT: Richard Gere plays John Klein, a journalist for The Washington Post trying to come to grips with the sudden death of his wife, Mary (Debra Messing). He mysteriously shows up in Point Pleasant, West Virginia, where he develops a relationship with the sympathetic police sergeant, Connie (Laura Linney). Many of the town's residents have sighted an eerie mothman-like entity, similar to the one Mary saw before she died. A researcher (Alan Bates) believes that the ‘mothmen’ exist on a sphere beyond human comprehension and that they can foresee impending calamities. Is the ‘mothman’ sighted in Point Pleasant warning the citizens of one? If so, what is it? This is not a monster movie or a slasher horror flick; if you want that see “Mothman” (2010), which is actually pretty good for a TV creature feature (and interestingly links the mothman to the unjust slaying of Cornstalk, aka Hokoleskwa, in 1777). “The Mothman Prophecies,” by contrast, is a supernatural/mystery story with cogent creepy mood. Every element skillfully works: acting, story, editing, score, cinematography, locations, effects, etc. Underneath the film’s eeriness there’s an undeniable reverent, beautiful quality while the ending is strangely touching. One critic claimed that the mysteries presented in the story are not supposed to be figured out and, indeed, CANNOT be figured out. But this is untrue. The film is intricate and respects the intelligence of the viewer. Questions are raised with varying possibilities. The answers are there, but you may have to watch it a few times to discover them. I appreciate the fact that the director and writer refused to spell everything out for the viewer, even allowing room for complete misinterpretation. If the viewer wants answers s/he must have "ears to hear" and be willing to work for them. My initial interpretation was that the ‘mothmen’ are good spiritual beings that are trying to help humanity by predicting great calamities but can be misunderstood because they are so far superior to humans. In a nutshell, my interpretation was that the mothman somehow brought Klein to Point Pleasant to meet and save the future replacement for his dead wife, who died due to a pre-existing condition that only the mothman knew about. This explanation obviously suggests that the mothmen are good in nature. I've come to see that this interpretation is false; a brilliantly implemented red herring. BOTTOM LINE: "The Mothman Prophecies" is a rare film that’s genuinely intriguing and filled with gems to mine, even if you’ve already seen it several times. It’s so artistic that it’s a pleasure to behold over and over. THE FILM RUNS 1 hour, 59 minutes and was shot in Kittanning, Pennsylvania (substituting for Point Pleasant), Pittsburgh (the factory and city scenes, etc.) and other Western PA towns. WRITERS: Richard Hatem wrote the screenplay from John Keel’s book. GRADE: A INSIGHTS ABOUT THE MOTHMEN *** SPOILER ALERT *** (Don’t read until you view the movie). The ‘mothmen’ are evil spirits or fallen angels (they're synonymous). This is clear when viewing eye-witness drawings of the creatures, which never show beautiful angel-like beings, but rather dark disturbing, obviously-malevolent winged-creatures. It’s the same thing with the actual appearances of the creature (freeze frame the images). A mothman CAUSED the auto accident that injured Debra Messing. Would a GOOD angelic being cause such a tragedy (regardless of the fact that she ultimately dies of a pre-existing problem)? The bible calls Satan the "prince of the power of the air;" hence, his filthy underlings (demons) are spiritual and electro-magnetic in nature. They can thus speak through a phone that's not plugged in or perhaps manipulate a traffic light. They can mimic the voices of dead loved ones or even take human form, like Indrid Cold, Mary or the male nurse who insists that Mary's drawings are of "angels" and then mysteriously vanishes. The researcher from Chicago reveals that the mothmen are from “hell” (the spiritual underworld that underpins the earth) and send out mixed messages to ruin people’s lives. They may seem to be benevolently warning humans but, at the same time, are obvious instigators of human suffering (the car crash, Gordon's job loss, insanity & ultimate demise and the researcher's loss of his family, career & respectable social life). Also, they refuse to reveal their true selves and intentions. They are highly skilled masqueraders. The reclusive researcher also points out that they have been around for millennia and therefore see things 2-3 moves ahead of humans; they use this vantage point to manipulate, deceive and destroy. Since their M.O. is to “kill, steal and destroy,” they feed on death, destruction and torment and therefore venture to the places where great tragedies will transpire, like the Silver Bridge collapse. The saved police woman at the end was number "37,” historically a numerical symbol of The Christ, which shows that her submersion in the river and figurative resurrection is a type of the Anointed One. Yet she is still a victim in that her previous views that the mothmen are destructive and manipulative could now flip-flop into the deception that they are somehow agents of good. Of course we never find out if this happens because the tale potently ends with Klein and Connie in shock sitting in an ambulance just glad to be alive. The film powerfully illustrates that humanity is caught in a cosmic war and that there are malevolent beings who purpose to ruin or destroy us. Failure to understand and tactically prepare can be fatal or lead to great suffering. The only true protection from these evil spiritual beings is reconciliation with the Creator through Jesus Christ's blood shield of atonement and utilizing the armor of light.

Jun 23, 2021