Popularity: 3 (history)
| Director: | Mark Pellington |
|---|---|
| Writer: | John A. Keel, Richard Hatem |
| Staring: |
| Reporter John Klein is plunged into a world of impossible terror and unthinkable chaos when fate draws him to a sleepy West Virginia town whose residents are being visited by a great winged shape that sows hideous nightmares and fevered visions. | |
| Release Date: | Jan 25, 2002 |
|---|---|
| Director: | Mark Pellington |
| Writer: | John A. Keel, Richard Hatem |
| Genres: | Drama, Horror, Mystery |
| Keywords | based on novel or book, small town, dreams, paranoia, motel, hallucination, bridge, omen, warning, tumor, west virginia, grief, urban legend, premonition, disaster, hospital, reporter, psychic, car wreck, police sergeant, phone call, christmas, death of wife, mothman, mysterious events, chemical plant |
| Production Companies | Lakeshore Entertainment, Screen Gems |
| Box Office |
Revenue: $55,305,279
Budget: $32,000,000 |
| Updates |
Updated: Jul 29, 2025 Entered: Apr 13, 2024 |
| Name | Character |
|---|---|
| Richard Gere | John Klein |
| Laura Linney | Connie Mills |
| Will Patton | Gordon Smallwood |
| Debra Messing | Mary Klein |
| David Eigenberg | Ed Fleischman |
| Alan Bates | Alexander Leek |
| Lucinda Jenney | Denise Smallwood |
| Nesbitt Blaisdell | Chief Josh Jarrett |
| Bill Laing | Indrid Cold |
| Dan Callahan | C.J. |
| Yvonne Erickson | Dr. McElroy |
| Tom Stoviak | Real Estate Agent |
| Scott Nunnally | Orderly |
| Harris Mackenzie | TV Journalist |
| Zachary Mott | Otto |
| Ann McDonough | Lucy Griffin |
| Bob Tracey | Cyrus Bills |
| Tom Tully | Motel Manager |
| Ron Emanuel | Washington Post Reporter |
| Shane Callahan | Nat Griffin |
| Christin Frame | Holly |
| Rohn Thomas | Dr. Williams |
| Susan Nicholas | News Anchor #1 |
| Tim Hartman | Sonny |
| Jennifer Martin | Coffee Shop Cashier |
| Mark Pellington | Bartender / Indrid Cold (voice) |
| Murphy Dunne | Gov. Rob McCallum |
| Pete Handelman | Aide #1 |
| Matt Miller | Aide #2 |
| Josh Braun | Aide #3 |
| Doug Korstanje | News Anchor #2 |
| Betsy Zajko | Tory Pherris |
| Elizabeth Cazenave | Bellhop |
| Sam Nicotero | Man on Bridge |
| Name | Job |
|---|---|
| Fred Murphy | Director of Photography |
| Susan Lyall | Costume Design |
| Patricia A. Fullerton | Script Supervisor |
| Pud Cusack | Production Sound Mixer |
| Jimmy Romano | Stunts |
| P.J. Wagner | Stunts |
| Jeffery J. Tufano | "A" Camera Operator |
| Brian S. Osmond | First Assistant "B" Camera |
| Brian Gunter | Chief Lighting Technician |
| Chris Muchow | Lighting Technician |
| Michael Umble | Unit Publicist |
| James A. Mahathey | Assistant Location Manager |
| Buster Pile | Construction Coordinator |
| Winnie Cheng | Post Production Coordinator |
| Jim Heastings | Special Effects Technician |
| Mike S. Huffman | Special Effects Assistant |
| Kelly Cabral | Supervising Sound Editor |
| Ann Scibelli | Sound Effects Editor |
| Paul Flinchbaugh | Assistant Sound Editor |
| James Bailey | Foley Artist |
| David Altenau | CG Supervisor |
| Karl Rumpf | Visual Effects Coordinator |
| Brigitte Bourque | Digital Compositor |
| Christopher Lance | Digital Compositor |
| Oliver Moore | 3D Artist |
| Brett Botula | Location Manager |
| Christopher Peterson | Assistant Costume Designer |
| Lauren Stephens | Dialogue Editor |
| Mark Choi | Sound Effects Editor |
| Ron Bedrosian | ADR Mixer |
| Nick Neutra | Foley Mixer |
| Mark Jan Wlodarkiewicz | Music Editor |
| Matthew Adams | Roto Supervisor |
| Theresa Repola Mohammed | Negative Cutter |
| Joseph J. Kontra | Second Assistant Director |
| Smith Harper Hutchings | Concept Artist |
| Robert E. Bupp | Graphic Designer |
| Peter J. Dacey | Second Assistant "C" Camera |
| Steve Rhee | Visual Effects Editor |
| Chris Regan | Color Timer |
| Greg Tash | Stunts |
| Paul Mulcahy | Art Department Coordinator |
| Alexander Andres | Second Assistant "B" Camera |
| Jeff Vandermolen | Lighting Technician |
| Dennis Antosik | Lighting Technician |
| John A. Evans | Lighting Technician |
| Nick Tallo | Grip |
| Jeff Becker | Rigging Gaffer |
| Robert Bender | Set Dresser |
| Fred 'Fredo' Donatelli | Set Dresser |
| Derek Dalzell | Swing |
| Roderic Duff | Special Effects |
| Ray Pivirotto | Set Dresser |
| Mark Johnston | Swing |
| Dennis Weis | Swing |
| Sarah Higgins | Special Effects |
| Jude R. Berrick | Special Effects Technician |
| Peter Chesney | Special Effects Technician, Special Effects Supervisor |
| John A. Keel | Novel |
| Richard Hoover | Production Design |
| Sheila Jaffe | Casting |
| Melissa Moseley | Still Photographer |
| John S. Moyer | Steadicam Operator, "B" Camera Operator |
| tomandandy | Music, Original Music Composer |
| Liza Richardson | Music Supervisor |
| Debbie Lynn Ross | Stunts |
| Dan Kuchar | Assistant Art Director |
| Robert C. Carlson | First Assistant "A" Camera |
| Steve Drellich | "C" Camera Operator |
| Stephen Crowley | Assistant Chief Lighting Technician |
| Jon D. Morrison | Lighting Technician |
| Glen Engels | Second Company Grip |
| Bart Flaherty | Grip |
| Douglas Fox | Property Master |
| Barbara Hause | Wardrobe Supervisor |
| Richard Hatem | Screenplay |
| Georgianne Walken | Casting |
| Troy Sizemore | Art Direction |
| Joe Dishner | Unit Production Manager |
| Richard S. Wright | Unit Production Manager |
| Cinda-Lin James | Stunts |
| Jason Silvis | Stunts |
| Anja Stadelmann | Production Supervisor |
| Jeffrey Thorin | Second Assistant "A" Camera |
| Benjamin Spek | First Assistant "C" Camera |
| Jarrett Buba | Lighting Technician |
| Sean Murray | Lighting Technician |
| Richard C. Kerekes | Dolly Grip |
| Keith Seymour | Grip |
| Diane Collins | Costumer |
| Steve Cainas | Production Coordinator |
| Mike Richer | Construction Foreman |
| Colleen Nybo | Post Production Accountant |
| Diana Stoughton | Set Decoration |
| John Hockridge | First Assistant Director |
| Claude Letessier | Sound Designer |
| Richard Guinness Jr. | First Company Grip |
| Brian 'Buzz' Buzzelli | Grip |
| Ross Simpson | Boom Operator |
| Laurie Dodsworth | Payroll Accountant |
| Nancy Mosser | Extras Casting |
| Marc Scott | Transportation Coordinator |
| Tom Chesney | Special Effects Technician |
| Raymond M. Tasillo | Special Effects Technician |
| David Reale | First Assistant Editor |
| Rich E. Cordobes | Special Effects Technician |
| Paul Taglianetti | Visual Effects Producer |
| David Robinson | Visual Effects Coordinator |
| Tim Gibbons | Digital Compositor |
| David Lingenfelser | Digital Compositor |
| Dane Picard | 3D Artist |
| Frederick H. Stahly | Dialogue Editor |
| Robert Batha | Assistant Sound Editor |
| Brian Basham | ADR Recordist |
| Anthony Wolberg | Second Unit Director of Photography |
| Lubo Hristov | Visual Effects Art Director |
| Sean O'Connor | Digital Compositor |
| Martin Hilke | Digital Compositor |
| Maxx Okazaki | 3D Artist |
| Brian Ripley | 3D Artist |
| Paul Howarth | Visual Effects Editor |
| Trevor Ward | Dolby Consultant |
| Tal Meirson | Production Supervisor |
| Eva Kamienska-Carter | Assistant Art Director |
| J. Todd Anderson | Storyboard Artist |
| Laura Mae Sutherland-Bobick | Camera Loader |
| Alex Nutini | Lighting Technician |
| Nathaniel Kendrick Jr. | Lighting Technician |
| Tom Pellegrini | Lighting Technician |
| Michael Booker | Rigging Grip |
| Ian Middleton | Rigging Grip |
| Joseph Viano | Rigging Grip |
| Tom Nelson | Sound Mixer |
| Kenneth J. Kellers | Leadman |
| John Alan Champion | Set Dresser |
| Jeffery Husser | Lighting Technician |
| Billy Kerwick | Rigging Grip |
| Ray 'Chazz' Edwards | Rigging Grip |
| Andrew Taylor | Rigging Grip |
| Andrew Lapierre | 24 Frame Playback |
| Thomas J. Garrigan | Assistant Property Master |
| L.J. Steele | Lighting Technician |
| Regis Donehue | Rigging Grip |
| Lee Nagle | Rigging Grip |
| Daniel Casey | Video Assist Operator |
| George Simpson | Boom Operator |
| Barbie Pastorik | Set Buyer |
| Bill Dalzell | Set Dresser |
| Mike Benzing | Swing |
| Ralph Roger Pivirotto | Special Effects |
| Kevin C. Brady | Special Effects Technician |
| Brent Peelor | Special Effects Technician |
| Kristen Strittmatter | Special Effects Assistant |
| Monte Cholmeley-Jones | Costumer |
| Teresa Alvis | Second Assistant Accountant |
| Timothy B. Graham | Special Effects |
| Barry Beaulac | Special Effects Technician |
| John Butler | Special Effects Technician |
| Clifford B. Rohal | Special Effects Technician |
| Mindy Hall | Makeup Supervisor |
| Lyndell Quiyou | Hairstylist |
| Annie Loeffler | Second Second Assistant Director |
| Judy Sepich | Assistant Accountant |
| Jerrell Skinner | Production Secretary |
| Greg Bell | Location Assistant |
| Christopher Nickerson | Location Assistant |
| Dave Hoffman | Extras Casting Assistant |
| Denny Braun | Transportation Co-Captain |
| Daniel Stafford | Special Effects Assistant |
| LuAnn Claps | Makeup Artist |
| Tommy Boyer | Costumer |
| Kirsten Stevens | First Assistant Accountant |
| Grant Grabowski | Production Coordinator |
| Danielle Baker | Location Coordinator |
| Craig T. Brown | Location Assistant |
| Kristen McTigue | Casting Assistant |
| Eileen Garrigan | Charge Scenic Artist |
| Andrew Scheps | Scoring Mixer |
| Diane Sunderlin | Assistant Production Coordinator |
| Joshua A. Baker | Location Assistant |
| Stephen Hough | Location Assistant |
| Donna M. Belajac | Local Casting |
| Donald A. Kraus | Transportation Captain |
| Megan Graham | Set Dresser |
| Mark Pellington | Director |
| Brian Berdan | Editor |
| Dick Ziker | Stunt Coordinator |
| Eddy Donno | Stunts |
| Kenny Endoso | Stunts |
| Tom Harper | Stunts |
| Matthew Taylor | Stunts |
| Russell Towery | Stunts |
| Scott Wilder | Stunts |
| Glenn R. Wilder | Stunts |
| China Iwata Fox | Assistant Property Master |
| Katharina Eggmann | Casting Associate |
| David Parker | Sound Re-Recording Mixer |
| Michael Semanick | Sound Re-Recording Mixer |
| Jean-Pierre Nutini | Lighting Technician |
| Robert Grasmere | Visual Effects Supervisor, Second Unit Director |
| Andy Milburn | Original Music Composer |
| Tom Hajdu | Original Music Composer |
| Jennifer Bell | Key Hair Stylist |
| Name | Title |
|---|---|
| Gary Lucchesi | Producer |
| Adrienne Gruben | Associate Producer |
| Jason Free | Associate Producer |
| Rachel Hudgins | Associate Producer |
| Richard Hatem | Co-Producer |
| Terry McKay | Executive Producer |
| Gary W. Goldstein | Producer |
| James McQuaide | Co-Producer |
| Ted Tannebaum | Executive Producer |
| Richard S. Wright | Executive Producer |
| Tom Rosenberg | Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 38 | 55 | 24 |
| 2024 | 5 | 33 | 48 | 25 |
| 2024 | 6 | 31 | 41 | 22 |
| 2024 | 7 | 33 | 50 | 19 |
| 2024 | 8 | 25 | 60 | 15 |
| 2024 | 9 | 21 | 41 | 17 |
| 2024 | 10 | 24 | 35 | 16 |
| 2024 | 11 | 23 | 40 | 15 |
| 2024 | 12 | 18 | 31 | 10 |
| 2025 | 1 | 19 | 30 | 12 |
| 2025 | 2 | 15 | 24 | 3 |
| 2025 | 3 | 7 | 21 | 1 |
| 2025 | 4 | 2 | 2 | 1 |
| 2025 | 5 | 2 | 2 | 1 |
| 2025 | 6 | 2 | 3 | 2 |
| 2025 | 7 | 2 | 4 | 1 |
| 2025 | 8 | 2 | 3 | 2 |
| 2025 | 9 | 3 | 6 | 1 |
| 2025 | 10 | 2 | 3 | 1 |
Trending Position
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 5 | 489 | 635 |
***Haunting Mystery with Supernatural Elements – Reverent, Beautiful, Brilliant*** RELEASED IN 2002 and directed by Mark Pellington, "The Mothman Prophecies" details some of the strange events that occurred in Point Pleasant, West Virginia, from November 15, 1966, to December 15, 1967 (13 months) ... . The movie, however, transplants the events to the year 2001. PLOT: Richard Gere plays John Klein, a journalist for The Washington Post trying to come to grips with the sudden death of his wife, Mary (Debra Messing). He mysteriously shows up in Point Pleasant, West Virginia, where he develops a relationship with the sympathetic police sergeant, Connie (Laura Linney). Many of the town's residents have sighted an eerie mothman-like entity, similar to the one Mary saw before she died. A researcher (Alan Bates) believes that the ‘mothmen’ exist on a sphere beyond human comprehension and that they can foresee impending calamities. Is the ‘mothman’ sighted in Point Pleasant warning the citizens of one? If so, what is it? This is not a monster movie or a slasher horror flick; if you want that see “Mothman” (2010), which is actually pretty good for a TV creature feature (and interestingly links the mothman to the unjust slaying of Cornstalk, aka Hokoleskwa, in 1777). “The Mothman Prophecies,” by contrast, is a supernatural/mystery story with cogent creepy mood. Every element skillfully works: acting, story, editing, score, cinematography, locations, effects, etc. Underneath the film’s eeriness there’s an undeniable reverent, beautiful quality while the ending is strangely touching. One critic claimed that the mysteries presented in the story are not supposed to be figured out and, indeed, CANNOT be figured out. But this is untrue. The film is intricate and respects the intelligence of the viewer. Questions are raised with varying possibilities. The answers are there, but you may have to watch it a few times to discover them. I appreciate the fact that the director and writer refused to spell everything out for the viewer, even allowing room for complete misinterpretation. If the viewer wants answers s/he must have "ears to hear" and be willing to work for them. My initial interpretation was that the ‘mothmen’ are good spiritual beings that are trying to help humanity by predicting great calamities but can be misunderstood because they are so far superior to humans. In a nutshell, my interpretation was that the mothman somehow brought Klein to Point Pleasant to meet and save the future replacement for his dead wife, who died due to a pre-existing condition that only the mothman knew about. This explanation obviously suggests that the mothmen are good in nature. I've come to see that this interpretation is false; a brilliantly implemented red herring. BOTTOM LINE: "The Mothman Prophecies" is a rare film that’s genuinely intriguing and filled with gems to mine, even if you’ve already seen it several times. It’s so artistic that it’s a pleasure to behold over and over. THE FILM RUNS 1 hour, 59 minutes and was shot in Kittanning, Pennsylvania (substituting for Point Pleasant), Pittsburgh (the factory and city scenes, etc.) and other Western PA towns. WRITERS: Richard Hatem wrote the screenplay from John Keel’s book. GRADE: A INSIGHTS ABOUT THE MOTHMEN *** SPOILER ALERT *** (Don’t read until you view the movie). The ‘mothmen’ are evil spirits or fallen angels (they're synonymous). This is clear when viewing eye-witness drawings of the creatures, which never show beautiful angel-like beings, but rather dark disturbing, obviously-malevolent winged-creatures. It’s the same thing with the actual appearances of the creature (freeze frame the images). A mothman CAUSED the auto accident that injured Debra Messing. Would a GOOD angelic being cause such a tragedy (regardless of the fact that she ultimately dies of a pre-existing problem)? The bible calls Satan the "prince of the power of the air;" hence, his filthy underlings (demons) are spiritual and electro-magnetic in nature. They can thus speak through a phone that's not plugged in or perhaps manipulate a traffic light. They can mimic the voices of dead loved ones or even take human form, like Indrid Cold, Mary or the male nurse who insists that Mary's drawings are of "angels" and then mysteriously vanishes. The researcher from Chicago reveals that the mothmen are from “hell” (the spiritual underworld that underpins the earth) and send out mixed messages to ruin people’s lives. They may seem to be benevolently warning humans but, at the same time, are obvious instigators of human suffering (the car crash, Gordon's job loss, insanity & ultimate demise and the researcher's loss of his family, career & respectable social life). Also, they refuse to reveal their true selves and intentions. They are highly skilled masqueraders. The reclusive researcher also points out that they have been around for millennia and therefore see things 2-3 moves ahead of humans; they use this vantage point to manipulate, deceive and destroy. Since their M.O. is to “kill, steal and destroy,” they feed on death, destruction and torment and therefore venture to the places where great tragedies will transpire, like the Silver Bridge collapse. The saved police woman at the end was number "37,” historically a numerical symbol of The Christ, which shows that her submersion in the river and figurative resurrection is a type of the Anointed One. Yet she is still a victim in that her previous views that the mothmen are destructive and manipulative could now flip-flop into the deception that they are somehow agents of good. Of course we never find out if this happens because the tale potently ends with Klein and Connie in shock sitting in an ambulance just glad to be alive. The film powerfully illustrates that humanity is caught in a cosmic war and that there are malevolent beings who purpose to ruin or destroy us. Failure to understand and tactically prepare can be fatal or lead to great suffering. The only true protection from these evil spiritual beings is reconciliation with the Creator through Jesus Christ's blood shield of atonement and utilizing the armor of light.