Popularity: 4 (history)
Director: | Rodrigo Cortés |
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Writer: | Chris Sparling |
Staring: |
Paul is a U.S. truck driver working in Iraq. After an attack by a group of Iraqis he wakes to find he is buried alive inside a coffin. With only a lighter and a cell phone it's a race against time to escape this claustrophobic death trap. | |
Release Date: | Sep 24, 2010 |
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Director: | Rodrigo Cortés |
Writer: | Chris Sparling |
Genres: | Drama, Mystery, Thriller |
Keywords | isolation, coffin, race against time, buried alive, survival, terrorism, cell phone, desert, survival horror, aftercreditsstinger, captivity, confined |
Production Companies | Studio 37, Canal+ España, Versus Entertainment, The Safran Company, Dark Trick Films, Kinology, ICO, Atresmedia |
Box Office |
Revenue: $19,152,480
Budget: $1,987,650 |
Updates |
Updated: Feb 01, 2025 (Update) Entered: Apr 13, 2024 |
Name | Character |
---|---|
Ryan Reynolds | Paul Conroy |
José Luis García Pérez | Jabir (voice) |
Robert Paterson | Dan Brenner (voice) |
Stephen Tobolowsky | Alan Davenport (voice) |
Samantha Mathis | Linda Conroy (voice) |
Ivana Miño | Pamela Lutti (voice) |
Warner Loughlin | Maryanne Conroy / Donna Mitchell / Rebecca Browning (voice) |
Erik Palladino | Special Agent Harris (voice) |
Kali Rocha | 911 Operator (voice) |
Chris William Martin | State Department Rep. (voice) |
Cade Dundish | Shane Conroy (voice) |
Mary Birdsong | 411 Female Operator (voice) |
Kirk Baily | 411 Male Operator (voice) |
Anne Lockhart | CRT Operator (voice) |
Robert Clotworthy | CRT Spokesman (voice) |
Michalla Petersen | Nursing Home Nurse (voice) |
Juan Hidalgo | Kidnapper (voice) |
Abdelilah Ben Massou | Kidnapper (voice) |
Joe Guarneri | Additional Voice (voice) |
Heath Centazzo | Additional Voice (voice) |
Name | Job |
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Rodrigo Cortés | Editor, Director, Music Producer, Music Editor |
Víctor Reyes | Original Music Composer |
Chris Sparling | Writer |
Mónica Alarcón | Makeup Artist |
Oriol Maymó | Line Producer |
James Muñoz | Sound Designer |
Marc Orts | Sound Re-Recording Mixer |
Susana García Díez | Assistant Director |
Eduard Grau | Director of Photography |
Àlex Villagrasa | Visual Effects Supervisor |
Name | Title |
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Adrián Guerra | Producer |
Miki Nadal | Producer |
Víctor Reyes | Producer |
Peter Safran | Producer |
Rodrigo Cortés | Executive Producer |
Tom Drumm | Producer |
Ken Hirsh | Producer |
Alejandro Miranda | Executive Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 27 | 44 | 14 |
2024 | 5 | 44 | 60 | 36 |
2024 | 6 | 31 | 61 | 17 |
2024 | 7 | 22 | 42 | 12 |
2024 | 8 | 21 | 55 | 12 |
2024 | 9 | 17 | 24 | 11 |
2024 | 10 | 21 | 40 | 10 |
2024 | 11 | 19 | 30 | 12 |
2024 | 12 | 18 | 31 | 12 |
2025 | 1 | 21 | 39 | 14 |
2025 | 2 | 14 | 21 | 4 |
2025 | 3 | 7 | 21 | 1 |
2025 | 4 | 3 | 5 | 2 |
2025 | 5 | 3 | 4 | 2 |
2025 | 6 | 2 | 3 | 2 |
2025 | 7 | 2 | 3 | 2 |
2025 | 8 | 3 | 5 | 1 |
Trending Position
Interesting and entertaining movie getting the maximum from just an actor and a coffin. However, you will feel cheated every now and then when you see how the coffin seems to enlarge and shrink. ...
I really LOVE this movie ! I love films like this and “Entrapped . A Day of Terror” , entirely shooted inside one claustrophobic location :-) only a perfect screenplay can make the film Adrenalinic and not annoying, as of course the set is on few square mq2 ! ...
Despite the fact that there are quite a few plot holes in this quite tautly put together drama, Ryan Reynolds might actually have turned in one of the best performances of his career, here. Perhaps that's because he awakens to find he's been buried in a big wooden box with only an hip flask, torch a ... nd his phone. He's been in Iraq driving for an American truck company when it was attacked and he's now the subject of a $5millions ransom demand. Over the next ninety minutes he has to use the phone and his wits to try to track down some phone numbers who can help find his particular hole in the ground. This, bear in mind, is before we all had GPS on our telephones - so it's quite a frantic affair as he begins to realise the dangers of his predicament. There's also quite possibly one of the most obnoxious phone calls I've ever heard between him and his ass-covering personnel director that really did have me shouting "lie, for God's sake" at the screen. This gives Reynolds a chance to ditch his pretty boy image and try to imbue his character with a degree of claustrophobic frenzy from a staring start - and I think he does it quite well. It has a sinister plausibility to it, and as to the denouement - well there's nothing straightforward about that, either. Worth a watch, I'd say.