 
  Popularity: 14 (history)
| Director: | Tim Burton | 
|---|---|
| Writer: | Andrew Kevin Walker, Washington Irving | 
| Staring: | 
| Skeptical young detective Ichabod Crane gets transferred to the hamlet of Sleepy Hollow, New York, where he is tasked with investigating the decapitations of three people – murders the townsfolk attribute to a legendary specter, The Headless Horseman. | |
| Release Date: | Nov 19, 1999 | 
|---|---|
| Director: | Tim Burton | 
| Writer: | Andrew Kevin Walker, Washington Irving | 
| Genres: | Fantasy, Horror, Mystery, Thriller | 
| Keywords | small town, steampunk, police detective, new york state, skeptic, autumn, 19th century, headless horseman | 
| Production Companies | Paramount Pictures, American Zoetrope, Scott Rudin Productions, Mandalay Pictures, Tim Burton Productions, Karol Film Productions | 
| Box Office | Revenue: $206,071,526 Budget: $100,000,000 | 
| Updates | Updated: Sep 18, 2025 Entered: Apr 13, 2024 | 
| Name | Character | 
|---|---|
| Johnny Depp | Ichabod Crane | 
| Christina Ricci | Katrina Van Tassel | 
| Miranda Richardson | Lady Mary Van Tassel / Crone Witch | 
| Michael Gambon | Baltus Van Tassel | 
| Casper Van Dien | Brom Van Brunt | 
| Jeffrey Jones | Reverend Steenwyck | 
| Richard Griffiths | Bürgermeister Phillipse | 
| Ian McDiarmid | Dr. Lancaster | 
| Michael Gough | Notary Hardenbrook | 
| Christopher Walken | Hessian Horseman | 
| Marc Pickering | Young Masbath | 
| Lisa Marie | Lady Crane | 
| Steven Waddington | Kilian | 
| Claire Skinner | Beth Killian | 
| Christopher Lee | Burgomaster | 
| Alun Armstrong | High Constable | 
| Mark Spalding | Jonathan Masbath | 
| Jessica Oyelowo | Sarah | 
| Peter Guinness | Lord Crane | 
| Tony Maudsley | Van Ripper | 
| Jamie Foreman | Constable | 
| Philip Martin Brown | Constable | 
| Orlando Seale | Theodore | 
| Sean Stephens | Thomas Killian | 
| Gabrielle Lloyd | Doctor Lancaster's Wife | 
| Robert Sella | Dirk Van Garrett | 
| Michael Feast | Spotty Man | 
| Sam Fior | Young Ichabod | 
| Paul Brightwell | Rifleman | 
| Layla Alexander | Widow (uncredited) | 
| Kelley Costigan | Townswoman (uncredited) | 
| Martin Landau | Peter Van Garrett (uncredited) | 
| Kevin Hudson | New Yorker (uncredited) | 
| Name | Job | 
|---|---|
| Rowley Irlam | Stunt Double | 
| Ray Park | Stunts | 
| Emmanuel Lubezki | Director of Photography | 
| Danny Elfman | Original Music Composer | 
| Andrew Kevin Walker | Screenplay, Screenstory | 
| Chris Lebenzon | Editor | 
| Washington Irving | Novel | 
| Susie Figgis | Casting | 
| Ilene Starger | Casting | 
| Colleen Atwood | Costume Design | 
| Colleen Callaghan | Key Hair Stylist | 
| Mauro Borrelli | Conceptual Illustrator | 
| Conrad W. Hall | Second Unit Director of Photography | 
| Richard L. Anderson | Sound Effects Editor | 
| Craig Berkey | Sound Effects Editor | 
| Frank Morrone | Sound Re-Recording Mixer | 
| Skip Lievsay | Supervising Sound Editor, Sound Re-Recording Mixer | 
| Rob Inch | Stunt Double | 
| Nick Gillard | Stunt Coordinator | 
| Dominic Preece | Stunt Double | 
| Rick Heinrichs | Production Design | 
| Christopher Newman | First Assistant Director | 
| Celia D. Costas | Line Producer | 
| John Bailie | First Assistant Camera | 
| Michael Anthony Jackson | Storyboard Artist | 
| Jo McLaren | Stunts | 
| Suzi Turnbull | Costume Supervisor | 
| Julie D'Antoni | Visual Effects Coordinator, VFX Production Coordinator | 
| Ken Court | Art Direction | 
| John Dexter | Art Direction | 
| Andy Nicholson | Art Direction | 
| Kevin Phipps | Art Direction | 
| Leslie Tomkins | Supervising Art Director | 
| Peter Young | Set Decoration | 
| Bernadette Mazur | Key Makeup Artist | 
| Don Kozma | Makeup Artist | 
| Paul Gooch | Makeup & Hair | 
| Liz Tagg | Makeup & Hair | 
| Kirstie Stanway | Makeup & Hair | 
| Tamsin Dorling | Makeup & Hair | 
| Astrid Schikorra | Makeup & Hair | 
| Susan Parkinson | Makeup & Hair | 
| Peter Owen | Makeup Designer, Hair Designer | 
| Kirstin Mooney | Art Department Coordinator | 
| Lavinia Waters | Art Department Coordinator | 
| Tina Khayat | Art Department Coordinator | 
| Julian Ashby | Assistant Art Director | 
| Stephen Dobric | Assistant Art Director | 
| Nick Navarro | Assistant Art Director | 
| Gary Tomkins | Assistant Art Director | 
| Sue Whitaker | Assistant Art Director | 
| Ravi Bansal | Conceptual Illustrator | 
| Adam Brockbank | Conceptual Illustrator | 
| Martin Charles | Conceptual Illustrator | 
| Simon Murton | Conceptual Illustrator | 
| Jonathon Rosen | Conceptual Illustrator | 
| Raymond M. Samitz | Construction Coordinator | 
| Terry Wells Sr. | Property Master | 
| Daniel Boxer | Property Master | 
| Nigel Willoughby | Camera Operator | 
| Bruce MacCallum | Camera Operator | 
| Patrick Capone | Camera Operator | 
| Bob Smith | Camera Operator | 
| Kevin Edland | Assistant Chief Lighting Technician | 
| Brian Martin | Assistant Chief Lighting Technician | 
| Gene Engels | Chief Lighting Technician | 
| Miles Proudfoot | Clapper Loader | 
| Oliver Loncraine | Clapper Loader | 
| Peter Hannan | Second Unit Director of Photography | 
| David Morgan | Focus Puller | 
| John Ferguson | Focus Puller | 
| Micky Wilson | Gaffer | 
| Paul Stewart | Rigging Gaffer | 
| William Hines | Rigging Gaffer | 
| Billy Patsos | Rigging Grip | 
| Clive Coote | Still Photographer | 
| Richard Clarke | 3D Animator | 
| Chris Monks | 3D Animator | 
| Stephen Murphy | 3D Animator | 
| Dominic Parker | 3D Animator | 
| Dan Glass | Visual Effects Designer | 
| Mark Nelmes | Visual Effects Designer | 
| Kat Szuminska | Visual Effects Designer | 
| Gavin Toomey | Visual Effects Designer | 
| Jon Thum | Visual Effects Designer | 
| Richard Friedlander | Visual Effects Editor | 
| Bill Kimberlin | Visual Effects Editor | 
| Mark S. Miller | Visual Effects Producer | 
| Drew Jones | Visual Effects Producer | 
| Eleanor Jones | Visual Effects Production Assistant | 
| Jim Mitchell | Visual Effects Supervisor | 
| Ron Ottesen | Special Effects Supervisor | 
| Joss Williams | Special Effects Supervisor | 
| Jason Reed | Mechanical Designer | 
| David Miner Jr. | Mechanical Designer | 
| Johnnie Spence | Mechanical Designer | 
| Evan Brainard | Mechanical Designer | 
| Lisa J. Levine | ADR Editor | 
| Marissa Littlefield | ADR Editor | 
| Bob Baron | ADR Mixer | 
| David Boulton | ADR Mixer | 
| Ted Swanscott | ADR Mixer | 
| Chris Fielder | Assistant Sound Editor | 
| Ruth Hernandez | Assistant Sound Editor | 
| Bill Orrico | Assistant Sound Editor | 
| Dave Flynch | Assistant Sound Editor | 
| Chris Gurney | Boom Operator | 
| Todd Milner | Dialogue Editor | 
| Fred Rosenberg | Dialogue Editor | 
| Robin Harlan | Foley Artist | 
| Sarah Monat | Foley Artist | 
| Dan O'Connell | Foley Artist | 
| John T. Cucci | Foley Artist | 
| Scott Curtis | Foley Editor | 
| Michael Dressel | Foley Editor | 
| Tammy Fearing | Foley Editor | 
| Matthew Harrison | Foley Editor | 
| James Ashwill | Foley Mixer | 
| Linda Lew | Foley Recordist | 
| Sean Garnhart | Sound Effects Editor | 
| Lewis Goldstein | Sound Effects Editor | 
| John Pospisil | Sound Effects Editor | 
| Paul Urmson | Sound Effects Editor | 
| Gary Alper | Sound Mixer | 
| Harry Higgins | Sound Recordist | 
| Bob Olari | Sound Recordist | 
| Lee Dichter | Sound Re-Recording Mixer | 
| Robert Fernandez | Sound Re-Recording Mixer | 
| Shawn Murphy | Sound Re-Recording Mixer | 
| Bradford L. Hohle | Dolby Consultant | 
| Thomas W. Small | Foley | 
| Morgan Elliott | Assistant Costume Designer | 
| Anthony Brookman | Wardrobe Master | 
| Joanna Brett | Wardrobe Supervisor | 
| Ingrid Price | Wardrobe Supervisor | 
| Kate Bryden | Casting Assistant | 
| Janice Wilde | Casting Assistant | 
| Kim Miscia | Casting Associate | 
| Sue Bodnar | Assistant Editor | 
| Ray Lau | Assistant Editor | 
| Nadia Naimi | Assistant Editor | 
| Jim Passon | Color Timer | 
| Dana L. Marker | Negative Cutter | 
| Keith Hatcher | Location Manager | 
| Ellen Segal | Music Editor | 
| Michael Culling | Animal Wrangler | 
| Richard Hooper | Armorer | 
| Jayne-Ann Tenggren | Script Supervisor | 
| Natasha Coombs | Script Supervisor | 
| Narges Takesh | Story Editor | 
| Robert Dawson | Title Designer | 
| Joel Negron | Editor | 
| Carmila Gittens | Special Effects Coordinator | 
| Lorraine Fennell | Production Coordinator | 
| Ben Howarth | Second Assistant Director | 
| Dusty Symonds | Unit Production Manager | 
| Terry Apsey | Construction Manager | 
| Simon Burgess | Assistant Location Manager | 
| Brian Gibbs | Production Accountant | 
| David Dresher | Post Production Supervisor | 
| Glenn Allen | First Assistant Editor | 
| Edward Brett | Second Unit First Assistant Director | 
| Barbara Brennan | Digital Compositor | 
| Cathy Burrow | Digital Compositor | 
| Tami Carter | Digital Compositor | 
| Ben Link | Unit Manager | 
| Laurie Kerr | Carpenter | 
| Nicholas Eiloart | Greensman | 
| James Hunt | Scenic Artist | 
| Mario Torres Jr. | Sculptor | 
| Shannon Canfield | Set Dresser | 
| Michael Weaver | Standby Painter | 
| Ramona Diaz Sanchez | Production Supervisor | 
| Joel Aron | Sequence Supervisor | 
| Tony Cridlin | Grip | 
| Julie Andrews | Musician | 
| James Fanning | Transportation Captain | 
| Paul Hearn | Props | 
| Phillip Fuller | Sound Mix Technician | 
| Lauren Beth Strogoff | Publicist | 
| Tony Dawe | Production Sound Mixer | 
| John Horn | Software Engineer | 
| Tony Costanzo | Thanks | 
| Kevin Fraser | Key Grip | 
| Conrad Pope | Orchestrator | 
| Philip Goldsworthy | Costumer | 
| Riky Ash | Stunts | 
| Janet Nielsen | Third Assistant Director | 
| Michael King | Property Buyer | 
| Jonathan Angell | Special Effects Technician | 
| George Patsos | First Company Grip | 
| Allan Wilson | Conductor | 
| Helen Seery | Assistant Accountant | 
| Samantha Black | Assistant Production Coordinator | 
| Raul Essig | CG Artist | 
| Gary J. Tunnicliffe | Visual Effects Supervisor | 
| Richard Goodwin | Production Assistant | 
| Sarah Franzl | Stunts | 
| Kelly Dent | Stunts | 
| Danielle da Costa | Stunts | 
| Tim Burton | Director | 
| Bill Boes | Assistant Art Director | 
| Adrian De Wet | Visual Effects Designer | 
| Alan Munro | Second Unit Director | 
| George Cottle | Stunt Double | 
| Kevin Yagher | Screenstory | 
| John Higgins | Chief Lighting Technician | 
| Scott Leberecht | Visual Effects Art Director | 
| Randy K. Singer | Foley Mixer | 
| Name | Title | 
|---|---|
| Scott Rudin | Producer | 
| Andrew Kevin Walker | Co-Producer | 
| Adam Schroeder | Producer | 
| Mark Roybal | Associate Producer | 
| Dieter Geissler | Associate Producer | 
| Francis Ford Coppola | Executive Producer | 
| Larry Franco | Executive Producer | 
| Kevin Yagher | Co-Producer | 
| Organization | Category | Person | |
|---|---|---|---|
| SAG Awards | Best Supporting Actor | Michael Gambon | Nominated | 
Popularity History
| Year | Month | Avg | Max | Min | 
|---|---|---|---|---|
| 2024 | 4 | 47 | 71 | 26 | 
| 2024 | 5 | 45 | 62 | 34 | 
| 2024 | 6 | 46 | 77 | 32 | 
| 2024 | 7 | 47 | 70 | 31 | 
| 2024 | 8 | 53 | 90 | 34 | 
| 2024 | 9 | 38 | 54 | 31 | 
| 2024 | 10 | 58 | 97 | 37 | 
| 2024 | 11 | 53 | 101 | 31 | 
| 2024 | 12 | 36 | 82 | 28 | 
| 2025 | 1 | 40 | 79 | 26 | 
| 2025 | 2 | 30 | 43 | 6 | 
| 2025 | 3 | 14 | 49 | 3 | 
| 2025 | 4 | 7 | 10 | 5 | 
| 2025 | 5 | 6 | 7 | 5 | 
| 2025 | 6 | 6 | 8 | 5 | 
| 2025 | 7 | 6 | 7 | 5 | 
| 2025 | 8 | 6 | 9 | 5 | 
| 2025 | 9 | 9 | 12 | 7 | 
| 2025 | 10 | 11 | 15 | 8 | 
Trending Position
| Year | Month | High | Avg | 
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| 2025 | 10 | 283 | 593 | 
| Year | Month | High | Avg | 
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| 2025 | 9 | 347 | 679 | 
| Year | Month | High | Avg | 
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| 2025 | 3 | 816 | 840 | 
| Year | Month | High | Avg | 
|---|---|---|---|
| 2024 | 11 | 411 | 686 | 
et us get this over with right away. I do not think Johnny Depp was the right person for playing Ichabod Crane. Maybe I am too influenced by seeing him in Pirates of The Caribbean but I just do not think he was the right person for this role. He really did not work for me. He is to whimsical and ges ... ticulating to be taken seriously as a scientifically inclined crime investigator as far as I am concerned. Too bad since the story itself and the movie was quite promising. As is often the case with Tim Burton’s work the movie has quite dark tone which I quite like. The various scruffy and suspicious characters that Ichabod meets right away as he enters the village inn fits right into the eerie atmosphere. Unfortunately Ichabod’s inclination for science clashes with the rest of the story which is undoubtedly supernatural. It makes the movie not really have a distinct direction but instead waddle with one foot in each camp. I would have preferred if the movie either had gone all science and in the end Ichabod had exposed an evil but perfectly human adversary by scientific means or if it had gone all supernatural and Ichabod was an adept at exposing (exorcising) supernatural beings rather than a scientist. Having said that, the movie was still a decent enough evening flick and fairly enjoyable. The footage and scenery are well done as one would expect from Tim Burton. It is not exactly a special effects loaded movie but what is there is fairly okay, at least for a movie from 1999.
It is you, Ichabod Crane, who is now put to the test. Sleepy Hollow is directed by Tim Burton and co-adapted to screenplay by Andrew Kevin Walker and Kevin Yagher from the The Legend of Sleepy Hollow written by Washington Irving. It stars Johnny Depp, Christina Ricci, Miranda Richardson, Marc Pic ... kering, Michael Gambon, Jeffrey Jones and Casper Van Dien. Music is scored by Danny Elfman and cinematography by Emmanuel Lubezki. 1799 New York, and Ichabod Crane, a timid but forward thinking detective, is sent to the way out village of Sleepy Hollow to investigate a number of decapitations. A perfect match of director and actor to the source material, Sleepy Hollow unfolds as a fun filled creeper of such visual and aural pleasures, it's a wonder nobody thought to put the combination together earlier than 1999. Story is familiar, though with a few changes, and although some of the comedy ends up a bit sillier than is tonally appropriate (really, Ichabod, stop pushing the effeminate angle to breaking point), film runs along at a fair old clip and never wants for period devilment. It's never really scary when Walken's headless horseman isn't part of the scene, but it's very unlikely that Burton or Depp were aiming to soil underwear anyway. More a case of charming you whilst caressing the tingler on your spine. A case of style of substance? Yes, to a degree, but the source story still comes through the lavish eye candy painting to reveal itself proudly. Burton had created a world of Gothic mysticism, a blend of Hammer horror values and Brothers Grimm bad dreams, a land of swirling mists and tall shadows, where black, red and purple are essential colours. From the quaint duck pond in the centre of the village, to a creaky old windmill, there are visual treats galore here - which are enhanced magnificently by Elfman's foreboding rumbles. Costuming is first rate (Colleen Atwood), as is Lubezki's colour lensing and Rick Heinrich's production design. The cast are led superbly by Depp and appear to be pitching performances at just the right tone, such is the director's want. Although Ricci is sadly underused in a key role, and we could have done with more Richardson since she is wonderfully catty and yummy in equal measure. But with bona fide thespian quality in the support ranks (joining Gambon and Jones are Michael Gough, Ian McDiarmid and Richard Griffiths), picture never falls short of scene enhancers. Period peril with a glint in its eye, Sleepy Hollow is a delightful nights entertainment by the fire. 8/10
Decent watch, might watch again, and can recommend. While Johnny Depp and Christina Ricci do carry quite a bit of the movie, there is quite a lot else going on here. The horseman does tend to dominate much of this story as the original does. I don't feel there was much to the original fable o ... f the Headless Horseman so pretty much any take you do on it seems fine: though maybe an Easter Bunny version would push some boundaries. This is about as weird, but more because it has to create a weird atmosphere, then add Depp doing weirder stuff than the weird people can handle, despite believing in ghosts which he all but fights with them about. Ichabod Crane being a smart, if cowardly, constable is interesting as he literally has the "hero" role painted on him. This is surprisingly more of a mystery than any other type of movie. The action is usually intense and brief when it happens, and much of the movie is spent looking for rational explanations until ocom's razor wins out. This is a good movie and a decent mystery, but I do feel it's just awkward in too many cases for most people to be on board. I expect Headless Horsemen and mystery fans to enjoy this though.
_**Great Spooky Flick for the Fall Season!**_ "Sleepy Hollow" is Tim Burton's stylish 1999 take on Washington Irving's classic tale about Ichabod Crane and the Headless Horseman starring Johnny Depp as Crane and Christopher Walken as the Hessian horseman. The story is set in 1799 and involves Cra ... ne, a constable from New York City, going to the Dutch hamlet of Sleepy Hollow to investigate a series of gruesome murders where the victims are decapitated. Whether you like Burton's films or not, who can deny his talent for visuals and overall production? This guy knows how to make a film LOOK good, that's for sure. As for Depp, he portrays sleuth Ichabod in a very human manner, e.g. he's afraid of spiders and amusingly passes out on occasion. There are four things that really impress me about this picture besides Depp: (1) I love the spooky Fall atmosphere; it obviously takes place sometime in gloomy November. (2) I always thought the concept of the headless horseman was insipid, but "Sleepy Hollow" depicts him (it) in such a horrific/supernatural fashion that he's actually scary, not to mention skilled with weaponry and virtually unstoppable. I wouldn't want to run into him in a dark alley, or anywhere else for that matter! (3) Miranda Richardson was almost 41 at the time of filming, but -- man -- is she gorgeous! Nuff said. Christina Ricci also looks great and so does Claire Skinner in a small role. (4) "Sleepy Hollow" lacks the goofy vibe that some of Burton's films possess; the material is presented in a respectable, generally serious manner, albeit not as ultra-serious as, say, Hammer horror. Speaking of which, "Sleepy Hollow" strikes me as a modern Hammer film more than anything else. Perhaps that's why Burton gave Christopher Lee a cameo. Needless to say, if you love Hammer (and who doesn't?) you'll appreciate "Sleepy Hollow." The last half hour or so is packed with action so if your attention starts wandering, don't worry, it picks up big time. The plot's a whodunit and it gets kinda convoluted so you'll need to pay attention (or rewatch it). Not that you HAVE to because "Sleepy Hollow" is such a cinematic feast you can enjoy it even if the complications of the plot lose you. There's nothing else to say except to re-emphasize that "Sleepy Hollow" is definitely the ideal spooky flick for the autumn, or any time really. The film runs 105 minutes and was shot entirely in England with studio stuff done in Yonkers, New York. GRADE: A-/A
Well, it has a great cast, and they all do a great job. But, it's really Tim declaring to the world that he is too lazy to read...again. Much like he was with Batman and absolutely every other adaptation that he's made. I had a girlfriend when I was an undergrad that absolutely totally loved a ... lot of books...but only ever actually read "The Mists of Avalon."...she was an art major too. So, it turns into Tim Burton "artistically reinterpreting" something that he has never read and thus really doesn't know how to interpret in the first place.
This is probably my favourite role from Johnny Depp. Based on Irving Washington's wonderfully spooky tale, he is the scientifically minded Constable "Ichabod Crane" despatched by that other Tim Burton regular Christopher Lee to investigate a mysterious murder in the eponymous sleepy Dutch settlement ... . When he arrives, he discovers that the murders are being attributed by the seriously superstitious residents to the "Headless Horseman" who has returned from hell to seek vengeance upon those who betrayed him back when the United States was fighting for it's independence. It soon emerges that there are plenty of sordid and evil goings on amongst the Van Tassels - Michael Gambon, a super Miranda Richardson and Christina Ricci and their sleazy, creepy neighbours ably depicted with some great performances from Richard Griffiths, Ian McDiarmid and especially, though briefly, from Michael Gough. The story is cleverly layered and moves quickly, knitting the threads well and leading us down a path of jealousy, betrayal, witchery, and greed with the surroundings - an eerie, fogbound forest providing an excellent setting for this feature that is atmospheric and actually quite scary at times, too. I really enjoyed this - and it's still worth watching 20 years on....