 
  Popularity: 1 (history)
| Director: | Roy Ward Baker | 
|---|---|
| Writer: | Nigel Kneale | 
| Staring: | 
| A mysterious artifact unearthed below a London subway station proves to have powerful psychic effects on the people around. | |
| Release Date: | Nov 09, 1967 | 
|---|---|
| Director: | Roy Ward Baker | 
| Writer: | Nigel Kneale | 
| Genres: | Science Fiction, Horror, Mystery | 
| Keywords | london, england, spacecraft, paleontology, professor, riot, london underground, martian, scientist, based on tv series | 
| Production Companies | Hammer Film Productions | 
| Box Office | Revenue: $0 Budget: $0 | 
| Updates | Updated: Feb 01, 2025 Entered: Apr 13, 2024 | 
| Name | Character | 
|---|---|
| Andrew Keir | Prof. Bernard Quatermass | 
| James Donald | Dr. Mathew Roney | 
| Barbara Shelley | Barbara Judd | 
| Julian Glover | Colonel Breen | 
| Bryan Marshall | Captain Potter | 
| Maurice Good | Sergeant Cleghorn | 
| Duncan Lamont | Sladden | 
| Peter Copley | Howell | 
| Edwin Richfield | Minister | 
| Grant Taylor | Police Sergeant Ellis | 
| Noel Howlett | Abbey Librarian | 
| Thomas Heathcote | Vicar | 
| Robert Morris | Jerry Watson | 
| Bee Duffell | Miss Dobson | 
| Sheila Steafel | Journalist | 
| Hugh Futcher | Sapper West | 
| Hugh Morton | Elderly Journalist | 
| Hugh Manning | Pub Customer | 
| June Ellis | Blonde | 
| Keith Marsh | Johnson | 
| James Culliford | Corporal Gibson | 
| Roger Avon | Electrician | 
| Brian Peck | Technical Officer | 
| John Graham | Inspector | 
| Charles Lamb | Newsvendor | 
| David Savile | Army Officer | 
| William Ellis | Journalist | 
| Gareth Thomas | Workman (uncredited) | 
| Elroy Josephs | Black Workman (uncredited) | 
| Michael Poole | Older Workman (uncredited) | 
| Albert Shepherd | Loader (uncredited) | 
| Name | Job | 
|---|---|
| Roy Ward Baker | Director | 
| Nigel Kneale | Screenplay, Original Story | 
| Tristram Cary | Original Music Composer | 
| Les Bowie | Special Effects | 
| Arthur Grant | Director of Photography | 
| Pearl Tipaldi | Hairstylist | 
| Roy Hyde | Sound Editor | 
| James Needs | Supervising Film Editor | 
| Bert Batt | Assistant Director | 
| Sash Fisher | Sound Recordist | 
| Bernard Robinson | Supervising Art Director | 
| Irene Lamb | Casting | 
| Kenneth Ryan | Art Direction | 
| Michael Morris | Makeup Artist | 
| Spencer Reeve | Editor | 
| Philip Martell | Music Supervisor | 
| Moray Grant | Camera Operator | 
| Ian Lewis | Production Manager | 
| Rosemary Burrows | Wardrobe Supervisor | 
| Doreen Dearnaley | Continuity | 
| Name | Title | 
|---|---|
| Anthony Nelson Keys | Producer | 
| Organization | Category | Person | 
|---|
Popularity History
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Creepy, interesting, above all else...intelligent. Whilst excavating at the site of a new underground tube station, workers unearth a mysterious object. On to the case comes Professor Quatermass who deduces that the object is Martian in origin. Initially viewed with scorn and disbelief, it becom ... es apparent that the Martian race have been involved in the human race before, and now they have been awoken again. This was the third Hammer film adaptation of Nigel Kneale's BBC-TV Quatermass serial, with previous entries being The Quatermass Experiment & Quatermass 2. This to me, tho, is undoubtedly the shining light of the bunch. Chiefly what works the best in this one is the wonderful fusion of mystery and intelligence, the eerie sense of dread only off set by a yearning to find out just what has happened? And more crucially, what will happen? Building up perfectly, courtesy of Roy Ward Baker's astutely paced direction, Quatermass And The Pit is a film that just begs you to pay attention to every little detail, each conversation is fully fleshing out this most intriguing story. Then there is the finale that pays off handsomely, to hint at what is involved would result in a spoiler of sorts, and really it would be stupid of me to prepare you for the film's closure. See it because it's one of the best genre entries of the 60s, a must for sci-fi enthusiasts that like a bit of brains to go with their genre persuasion. 8.5/10