Popularity: 3 (history)
| Director: | David Allen |
|---|---|
| Writer: | Charles Band, David Pabian |
| Staring: |
| A new team of paranormal researchers has come to the hotel to investigate its murder-soaked past; the puppets -- led by a new member, Torch -- shed some light on the matter, as they tunnel, burn, strangle and hook to survive. | |
| Release Date: | Feb 07, 1990 |
|---|---|
| Director: | David Allen |
| Writer: | Charles Band, David Pabian |
| Genres: | Science Fiction, Horror, Mystery |
| Keywords | hotel, puppet, sequel, flashback, zombie |
| Production Companies | Full Moon Entertainment |
| Box Office |
Revenue: $0
Budget: $780,000 |
| Updates |
Updated: Feb 01, 2025 Entered: Apr 13, 2024 |
| Name | Character |
|---|---|
| Elizabeth Maclellan | Carolyn Bramwell / Elsa |
| Collin Bernsen | Michael Kenney |
| Steve Welles | Andre Toulon / Eriquee Chaneé |
| Greg Webb | Patrick Bramwell |
| Charlie Spradling | Wanda |
| Jeff Celentano | Lance (as Jeff Weston) |
| Nita Talbot | Camille |
| Sage Allen | Martha |
| George Buck Flower | Matthew |
| Sean Ryan | Billy |
| Ivan J. Rado | Cairo Merchant |
| Michael Todd | Puppet Toulon |
| Julianne Mazziotti | Puppet Camille / Elsa |
| Taryn Band | Cairo Child |
| Alex Band | Cairo Child |
| Name | Job |
|---|---|
| Charles Band | Story |
| David Schmoeller | Characters |
| Richard Band | Original Music Composer |
| David Allen | Visual Effects Supervisor, Director |
| Chuck Borden | Stunt Coordinator |
| Bert Glatstein | Editor |
| Thomas F. Denove | Director of Photography |
| Lorelei Loverde | Key Makeup Artist |
| David P. Barton | Makeup Designer |
| King Wilder | Second Unit Director |
| Dyanna Lynn | Stunts |
| James Lawrence Spencer | Gaffer |
| Peter Teschner | Editor |
| Kathleen Coates | Production Design |
| Lauren Gifford | Set Decoration |
| Perry Bullington | Casting |
| Hal Olofsson | Second Assistant Director |
| Joe Viskocil | Pyrotechnician |
| Howard Wexler | Second Unit Director of Photography |
| David Pabian | Screenplay |
| Justin Kohn | Animation |
| Miye 'Mimi' Matsumoto | Costume Design |
| Robert MacDonald | Casting |
| Fred Kennamer | First Assistant Director |
| Melissa Moseley | Still Photographer |
| Name | Title |
|---|---|
| Charles Band | Executive Producer |
| John Schouweiler | Producer |
| David DeCoteau | Producer |
| King Wilder | Co-Producer |
| Juliet Avola | Co-Producer |
| Fred Kennamer | Associate Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 11 | 15 | 8 |
| 2024 | 5 | 15 | 21 | 10 |
| 2024 | 6 | 12 | 21 | 8 |
| 2024 | 7 | 15 | 30 | 7 |
| 2024 | 8 | 12 | 26 | 7 |
| 2024 | 9 | 9 | 13 | 6 |
| 2024 | 10 | 12 | 24 | 7 |
| 2024 | 11 | 10 | 16 | 6 |
| 2024 | 12 | 9 | 17 | 5 |
| 2025 | 1 | 10 | 17 | 6 |
| 2025 | 2 | 8 | 11 | 3 |
| 2025 | 3 | 6 | 11 | 1 |
| 2025 | 4 | 1 | 2 | 1 |
| 2025 | 5 | 1 | 2 | 1 |
| 2025 | 6 | 1 | 1 | 1 |
| 2025 | 7 | 0 | 1 | 0 |
| 2025 | 8 | 1 | 1 | 0 |
| 2025 | 9 | 0 | 1 | 0 |
| 2025 | 10 | 1 | 3 | 1 |
Trending Position
_A worthy sequel, a worthy odyssey_. This film sort of picks up where the first left off (a few months later, so you have to fill in a few blanks), as a group of paranormal investigators can't help but pay the old hotel a visit. Directing this one is David Allen, the hand behind the puppet-effect ... s of Puppetmaster. Andre Toulon makes an appearance here (in fact he appears throughout the entire film), and has his previously-deceased eyes on Carolyn, who resembles his long-dead wife. But what does he plan to do if he abducts her, and will it be in accordance with the puppets' plans? These are the questions that will be answered, per se. The puppets have been killing not only people, but animals as well, and Toulon seems displeased with the latter. The newest puppet in this one is Torch, and he wastes no time exterminating members of the human race. Two of the puppets die in this one (they shall remain nameless), the first of which is dissected immediately afterward. Unlike the original, this one's shot almost exclusively in daylight, but it doesn't seem to hurt the film, as the performances are adequate (and Toulon's appearance, suitably grotesque). In this sequel: Toulon claims he "knows how to get into things", and if you have any sense at all, you'll get into watching this film. 7/10