 
  Popularity: 6 (history)
| Director: | Joel Anderson | 
|---|---|
| Writer: | Joel Anderson | 
| Staring: | 
| After 16-year-old Alice Palmer drowns at a local dam, her family experiences a series of strange, inexplicable events centered in and around their home. Unsettled, the Palmers seek the help of a psychic and parapsychologist, who discovers that Alice led a secret, double life. At Lake Mungo, Alice's secret past emerges. | |
| Release Date: | Jul 30, 2009 | 
|---|---|
| Director: | Joel Anderson | 
| Writer: | Joel Anderson | 
| Genres: | Horror, Thriller | 
| Keywords | drowning, hypnosis, australia, supernatural, paranormal phenomena, mockumentary, death, ghost, found footage, séance, creepy, docufiction, search and rescue, spirit photography, awestruck, strange events | 
| Production Companies | SBS Independent, Mungo Productions, Screen Australia | 
| Box Office | Revenue: $0 Budget: $2,000,000 | 
| Updates | Updated: Aug 09, 2025 Entered: Apr 13, 2024 | 
| Name | Character | 
|---|---|
| Rosie Traynor | June Palmer | 
| David Pledger | Russell Palmer | 
| Martin Sharpe | Mathew Palmer | 
| Talia Zucker | Alice Palmer | 
| Tania Lentini | Georgie Ritter | 
| Cameron Strachan | Leith Ritter | 
| Judith Roberts | Iris Long | 
| Robin Cuming | Garret Long | 
| Marcus Costello | Jason Whittle | 
| Chloe Armstrong | Kim Whittle | 
| Carole Patullo | Sargent Drouin | 
| John Dunn | Funeral Director | 
| Laurie Dunn | Funeral Director | 
| Kirsty McDonald | Genevieve Trudeau | 
| James Lawson | Frederick Rosskamp | 
| Phillip Boltin | Dr. Kenin Slatter | 
| Glenn Luck | Steve Wilkie | 
| Simon Wilton | Clive Roy Best | 
| Charles Armytage | Bob Smeet | 
| Helen Bath | Helen Bath | 
| Steve Jodrell | Ray Kemeny | 
| Tammy McCarthy | Annie | 
| Natasha Herbert | Cathy Withers | 
| Michael Ormond Robinson | Douglas Withers | 
| Tamara Donnellan | Marissa Toohey | 
| Scott Terrill | Brett Toohey | 
| Stephanie Capiron | Kylie Connor | 
| Courtney Te'ray | Kate Hepnell | 
| Kimberley Bumpstead | Meredith Grbic | 
| Jason Ball | Police Diver | 
| Barney Wursthorn | Police Diver | 
| Scott Dower | Police Diver | 
| Frank Nyhuis | Police Diver | 
| Anika Steel | Alice Double | 
| Claire Astbury | Girl In Cinema | 
| Roberto J. Salvatore | Emergency Call Operator | 
| Richard Kelly | Richard Brooks | 
| Sara Moroney | Nadia | 
| Jida | Buttons | 
| Name | Job | 
|---|---|
| Chris Dewhurst | Gaffer | 
| Joel Anderson | Writer, Director | 
| Larry Van Duynhoven | Special Effects Makeup Artist | 
| Jason Hancock | Foley Recordist | 
| Penny Southgate | Production Design | 
| Chris Goodes | ADR Recordist | 
| Jo Fletcher | Makeup Artist, Hairstylist, Prosthetics, Special Effects Makeup Artist | 
| Iain Pirret | First Assistant Director | 
| John Simpson | Foley Artist | 
| Michael Chisholm | Costume Designer | 
| Ann Aucote | Boom Operator, Sound Recordist | 
| David Paterson | Original Music Composer | 
| Dina Mann | Casting Director | 
| Bill Murphy | Editor | 
| Peter Blackwood | Props | 
| Craig Carter | Music Supervisor, Sound Designer | 
| Chris Jackson | Compositor | 
| Rita Walsh | Production Coordinator | 
| Michael Madigan | Location Manager | 
| Rebecca Macpherson | Assistant Editor | 
| Melanie Brunt | Production Manager | 
| Tom Weinzieher | Runner Art Department | 
| Bruce Emery | Dolby Consultant | 
| Paul Steiner | Second Assistant Director | 
| Jayne Russell | Set Dresser, Set Buyer | 
| Fernando Corona | Additional Music | 
| Adrian Hauser | Digital Intermediate Colorist | 
| Chris Schwarze | Post Production Supervisor | 
| Jo Kasch | Script Supervisor | 
| Dee McClelland | Telecine Colorist | 
| Dalia Bluzer | Driver | 
| Annabel McPhee | Driver, Production Assistant | 
| Sara Moroney | Production Accountant | 
| Mathew Mackereth | Visual Effects Supervisor, Compositor | 
| Chris Barret | Driver | 
| Marc Collister | Online Editor, Digital Intermediate Editor | 
| Simon Ferlazzo | Driver | 
| Pete Best | Sound Re-Recording Mixer | 
| John Brawley | Director of Photography, Post Production Supervisor | 
| Rob Dewhurst | Electrician | 
| Justin Dix | Prosthetics | 
| Mark Bortolotto | Title Designer | 
| Margot McCartney | Costumer | 
| Aquiles Sanda Espinosa | Assistant Camera | 
| Scott Zietara | Electrician | 
| Matt Timson | Additional Visual Effects | 
| Geoff Skilbeck | Assistant Camera | 
| Eszter Faradi | Assistant Camera | 
| Dean Garro | Key Grip | 
| Kerri Schwarze | Digital Producer | 
| Greg Wallace | Key Grip | 
| Heather McCallum | Costume Assistant | 
| Sally Pritchard | Costume Standby | 
| Angela McNiece | Graphic Designer | 
| Jason Glenfield | Compositor | 
| Jeff Jaffers | Digital Producer | 
| Andrew Niel | ADR Recordist | 
| Simon Wright | Digital Intermediate Editor | 
| Nicholas Bitar | Compositor | 
| Steve Diffey | Still Photographer | 
| Roberto J. Salvatore | Dialogue Editor | 
| Tim Fleming | Epk Camera Operator | 
| Simon Callow-Wright | Visual Effects Editor | 
| Name | Title | 
|---|---|
| John Brawley | Associate Producer | 
| Joel Anderson | Associate Producer | 
| Gilbert George | Executive Producer | 
| William Coleman | Executive Producer | 
| Georgie Nevile | Producer | 
| Robert George | Executive Producer | 
| David Rapsey | Producer | 
| Organization | Category | Person | 
|---|
Popularity History
| Year | Month | Avg | Max | Min | 
|---|---|---|---|---|
| 2024 | 4 | 17 | 26 | 11 | 
| 2024 | 5 | 22 | 38 | 14 | 
| 2024 | 6 | 25 | 43 | 18 | 
| 2024 | 7 | 23 | 40 | 12 | 
| 2024 | 8 | 21 | 33 | 14 | 
| 2024 | 9 | 15 | 21 | 11 | 
| 2024 | 10 | 23 | 59 | 9 | 
| 2024 | 11 | 19 | 31 | 12 | 
| 2024 | 12 | 17 | 36 | 12 | 
| 2025 | 1 | 17 | 23 | 10 | 
| 2025 | 2 | 13 | 22 | 3 | 
| 2025 | 3 | 6 | 17 | 1 | 
| 2025 | 4 | 4 | 7 | 1 | 
| 2025 | 5 | 3 | 7 | 2 | 
| 2025 | 6 | 3 | 5 | 2 | 
| 2025 | 7 | 2 | 3 | 2 | 
| 2025 | 8 | 2 | 3 | 1 | 
| 2025 | 9 | 3 | 4 | 2 | 
| 2025 | 10 | 5 | 6 | 3 | 
Trending Position
| Year | Month | High | Avg | 
|---|---|---|---|
| 2025 | 10 | 436 | 781 | 
| Year | Month | High | Avg | 
|---|---|---|---|
| 2025 | 8 | 540 | 736 | 
| Year | Month | High | Avg | 
|---|---|---|---|
| 2025 | 7 | 689 | 689 | 
| Year | Month | High | Avg | 
|---|---|---|---|
| 2025 | 5 | 916 | 916 | 
| Year | Month | High | Avg | 
|---|---|---|---|
| 2025 | 1 | 754 | 754 | 
This review contains spoilers. A documentary style film, as the director visualised in his mind, and a cheap belief of what it is based upon. I absolutely lost my patience while watching this movie, because I wanted to see a good movie and all it had is how it wanted to be, which I appreciate but un ... fortunately I hatred it because I was thinking why is it not in some informative channel's stupid shows than a movie? I thought about Häxan - 1922. A film, I love so much because not only it is entertaining but also very well shot and represented. I also thought about "it follows" which I believe is another great horror film in the history of cinema. While watching this Australian director's film, I could not see what else it has that there never have been before or is it important as long as the film is good at it. Does this movie show us anything we have never seen? I absolutely hated the poor direction of how the characters were told to talk about the tragedy! What I hated the most is the blend of dialogues and music. The cheap creepy background music was so high, that you absolutely have to feel the poor suspense the director forces us to feel so desperately, but it was so painful and disgusting far from disturbing. I only felt bad about the privacy of the family involved in the film, if it is based upon the real story which I don't wish to research on. I will tell you my analysis about the first creepy photo of the dead body and last same living video of the creepy faced body: A saddist murdered or psychopath did the horrible things to her face, who had all her possessions, and before killing her, he/she recorded her sadism and buried it in the ground so nobody could find it. Maybe he has been giving her drugs and raping her, which caused her to go through anxiety or depression of death and all those nightmare. Maybe the sadist is not anymore than the Hungarian hypnotiser. Now irrational but dumb people would like it, and some cheap people would spend some bucks to turn it to the most horrible horror film. I want to explain here - a lot of people like the end creepy footage - I found it absolutely horrible because again the cheap creepy sound gave me a headache
_**Docudrama concerning the possible ghost of an Australian girl**_ A 16 year-old girl disappears in the water in a rural area of Australia and family members & others claim they see apparitions of her while various secrets are slowly unveiled. “Lake Mungo” (2008) is a mystery Indie with a ... bit ’o horror, but in the style of a mockumentary, aka fake documentary. Like "Curse of the Blair Witch,” which was released three weeks before the found footage hit “The Blair Witch Project” in 1999, “Lake Mungo” consists of fake interviews with several people about the central topic, as well as examination of some found footage. "Curse of the Blair Witch” worked because it only ran 44 minutes whereas this one is twice as long and the fact that it’s all an act pretending to be a documentary can’t sustain interest. I suppose if you thought it was real it might be more compelling. The brother’s revelation (no spoilers) is odd in that it takes away from what the docudrama is trying to do. For me, the first 53 minutes of constant phony interviews is pretty tedious. Thankfully things perk up in the final 34 minutes. Although the first revelation thereof goes nowhere, the second one (the one that occurs at the titular lake) is well done and certainly creepy, not to mention an intriguing concept. I’m sure everything ties together if you reflect on it, but IMHO it’s not worth the effort because the flick just isn’t compelling for the bulk of the first hour. And the payoff isn’t enough to make it worth the investment UNLESS maybe you’re a devotee of mockumentaries or found footage flicks. Add to this the aggravation of the pendulum swinging back-and-forth regarding the nature of the paranormal happenings (she is a ghost; she isn’t a ghost, ad nauseam). That said, the movie is well made for what it is, the actors are convincing and I enjoyed seeing that part of southeast Australia. The film runs 1 hour, 27 minutes, and was shot in Ararat, which is a 2 hours’ drive west of Melbourne, and Mildura, which is 3.5 hours north of Ararat. GRADE: C-/C (4.5/10)