 
  Popularity: 8 (history)
| Director: | Christian Alvart | 
|---|---|
| Writer: | Ray Wright | 
| Staring: | 
| In her many years as a social worker, Emily Jenkins believes she has seen it all, until she meets 10-year-old Lilith and the girl's cruel parents. Emily's worst fears are confirmed when the parents try to harm the child, and so Emily assumes custody of Lilith while she looks for a foster family. However, Emily soon finds that dark forces surround the seemingly innocent girl, and the more she tries to protect Lilith, the more horrors she encounters. | |
| Release Date: | Aug 13, 2009 | 
|---|---|
| Director: | Christian Alvart | 
| Writer: | Ray Wright | 
| Genres: | Horror, Mystery, Thriller | 
| Keywords | child abuse, detective, office, social worker, supernatural, murder, mental institution, cityscape, drawn, falling elevator, pier, super power, deadly | 
| Production Companies | Paramount Vantage, Anonymous Content, Misher Films, Case 39 Productions | 
| Box Office | Revenue: $29,000,000 Budget: $27,000,000 | 
| Updates | Updated: Feb 01, 2025 Entered: Apr 13, 2024 | 
| Name | Job | 
|---|---|
| Christian Alvart | Director | 
| Mark Goldblatt | Editor | 
| Trevor Cole | Set Dresser | 
| Ray Wright | Writer | 
| Dillard Brinson | First Company Grip | 
| Monique Prudhomme | Costume Design | 
| Andrea French | Set Decoration | 
| Peter Grace | Construction Coordinator | 
| Jason Claridge | Lead Painter | 
| Ronald Eng | Supervising Sound Editor, Sound Designer | 
| Daniel J. Leahy | Sound Re-Recording Mixer | 
| Paul Furminger | Visual Effects Editor | 
| Chris Roff | Visual Effects Producer | 
| David Sosalla | Visual Effects Supervisor | 
| Craig Calvert | CG Supervisor | 
| Karl Herrmann | Second Unit Director of Photography, Camera Operator | 
| Jim Van Dijk | Steadicam Operator | 
| Lisa Jaime | Music Editor | 
| Julia Frittaion | Unit Publicist | 
| Susan Boyd | Assistant Hairstylist | 
| Donna Bis | Hairstylist | 
| Toby Lindala | Special Effects Makeup Artist | 
| Hagen Bogdanski | Director of Photography | 
| Randi Hiller | Casting | 
| Ross Dempster | Art Direction | 
| Carie Wallis | Art Department Coordinator | 
| Steve Reintjes | Scenic Artist | 
| Steve Tushar | Sound Effects Editor | 
| Shauna Bryn | Visual Effects Producer | 
| Collette Nunes | Visual Effects Editor | 
| Chris Watts | Visual Effects Supervisor | 
| Steven Hodgson | Visual Effects Supervisor | 
| David Crone | Steadicam Operator | 
| Steve Ansell | First Assistant Editor | 
| Danielle de Smit | Script Supervisor | 
| Grant Swain | Property Master | 
| Nancy Steyns | Hairstylist | 
| Brad Wilder | Makeup Artist | 
| Tracey Poirier | Second Assistant Director | 
| Greg Milton | Second Unit First Assistant Director | 
| Nevin Swain | Assistant Property Master | 
| Darryl Tifenbach | Lead Painter | 
| Hans Bjerno | Aerial Director of Photography | 
| Andrew Capicik | Camera Trainee | 
| Mike West | Dolly Grip | 
| Bill Dawson | Electrician | 
| Randy Stamhuis | First Company Grip | 
| Ken Hemphill | Grip | 
| Michael Lemmers | Rigging Grip | 
| J. Norman Earle | Second Company Grip | 
| Nancy Bryant | Assistant Costume Designer | 
| Angela Bright | Costumer | 
| Heike Brandstatter | Casting | 
| Leah Nelson | Casting Assistant | 
| Yvonne Valdez | Additional Editor | 
| John Brandon | Dailies Operator | 
| Dana LeBlanc Frankley | Assistant Sound Editor | 
| Robin Harlan | Foley Artist | 
| Willard Overstreet | Foley Supervisor | 
| Gary Summers | Sound Re-Recording Mixer | 
| Luis Carlos Aguilar | Animation | 
| Mark Pullyblank | Animation | 
| Bryan Davies | CG Artist | 
| Hans Heymans | CG Artist | 
| Peter Scott | CG Artist | 
| Chad L. Fox | CG Artist | 
| Abel Milanes | Compositing Supervisor | 
| Mark Aisbett | Stunts | 
| Michl Britsch | Original Music Composer | 
| John Willett | Production Design | 
| Wayne Bennett | Production Manager | 
| John Burke | Assistant Art Director | 
| Travis J. Brooks | Greensman | 
| Doug Jackson | Sound Effects Editor | 
| Bob Comer | Special Effects Coordinator | 
| Thomas Nittmann | Visual Effects Producer | 
| Edson Williams | Visual Effects Supervisor | 
| Erik Liles | Visual Effects Supervisor | 
| Joshua Cordes | Animation Supervisor | 
| Harvey LaRocque | Camera Operator | 
| Kimberly French | Still Photographer | 
| John O'Toole | Transportation Coordinator | 
| Danny McWilliams | Location Manager | 
| Rebecca Lee | Assistant Makeup Artist | 
| Lisa Love | Makeup Artist | 
| Patrice Leung | First Assistant Director | 
| Eric Partridge | Assistant Property Master | 
| Mike Lilley | Graphic Designer | 
| Mark N. Tompkins | Painter | 
| Shelley Surette | Set Dresser | 
| Katie Matheson | Camera Trainee | 
| Gil Forrester | Dolly Grip | 
| Dustin Allen | Electrician | 
| Scott J. Ateah | Second Unit Director | 
| Warren Hanna | Second Assistant Director | 
| Janice Chiu | Art Department Assistant | 
| Mike Sorochuk | Construction Foreman | 
| Herminio Kam | Paint Coordinator | 
| Miya Dube | Set Dresser | 
| Paul Bougie | Assistant Chief Lighting Technician | 
| Peter G. Capadouca | Chief Lighting Technician | 
| Zane Rossouw | Dolly Grip | 
| Patrick Stepien | First Assistant Camera | 
| Mike Stroman | Generator Operator | 
| Aaron Wik | Grip | 
| Artino Ahmadi | Second Assistant Camera | 
| Christine Coutts | Costume Supervisor | 
| Summer Eves | Costumer | 
| Coreen Mayrs | Casting | 
| Jason Dale | Assistant Editor | 
| Mary Nelson-Duerrstein | Negative Cutter | 
| Jon Lavender | Boom Operator | 
| Sarah Monat | Foley Artist | 
| Pete Dawood | Sound Editor | 
| David A. Cohen | Supervising ADR Editor | 
| Chris Derochie | Animation | 
| Greg Winhall | Animation | 
| Sally Goldberg | CG Artist | 
| Amy Lee | CG Artist | 
| Karl Sisson | CG Artist | 
| Karl Rogovin | CG Supervisor | 
| Bob Neve | Aerial Coordinator | 
| Dean Choe | Stunts | 
| Ryan Ennis | Stunts | 
| Donnie Armstrong | Grip | 
| Jeff Bonny | Rigging Grip | 
| Rick Stadder | Second Company Grip | 
| Ian Seabrook | Underwater Director of Photography | 
| Paul Lavigne | Costume Supervisor | 
| Taylor Jenkins | Casting Assistant | 
| Trica Thompson | Casting Associate | 
| Stephen R. Sheridan | Color Timer | 
| Bob Baron | ADR Mixer | 
| Cameron Foodikoff | Cableman | 
| Randy Singer | Foley Mixer | 
| Darren Brisker | Sound Mixer | 
| Robert Troy | Supervising Dialogue Editor | 
| Agata Matuszak | Animation | 
| Michael Amasio | CG Artist | 
| Mark Harrison | CG Artist | 
| Dan Mayer | CG Artist | 
| Mark Stewart | CG Artist | 
| Bill Kunin | Compositing Supervisor | 
| Kathleen Whelan | Production Coordinator | 
| Mike Desabrais | Stunts | 
| Caroline Field | Stunts | 
| Matt Phillips | Stunts | 
| David Halliday | Transportation Captain | 
| Chris Wells | CG Supervisor | 
| Mike Crestejo | Stunts | 
| Kim Howey | Stunts | 
| Clay Virtue | Stunts | 
| Shelley Maclean | Visual Effects Editor | 
| Joshua Cordes | Animation Supervisor | 
| Michael Langlois | Stunts | 
| Bryan Arenas | Dolby Consultant | 
| Yasamin Ismaili | Visual Effects Coordinator | 
| Sarah Halley Finn | Casting | 
| Marny Eng | Stunt Coordinator | 
| Caitlin McKenna | ADR Voice Casting | 
| Tamara Hunter | Casting Associate | 
| Ed Anders | Stunts | 
| Doug Chapman | Stunts | 
| Lauro David Chartrand-DelValle | Stunts | 
| Laura Lee Connery | Stunts | 
| Crystal Dalman | Stunts | 
| Duane Dickinson | Stunts | 
| Corry Glass | Stunts | 
| Tom Glass | Stunts | 
| Rob Hayter | Stunts | 
| Ernie Jackson | Stunts | 
| David Jacox | Stunts | 
| Jon Kralt | Stunts | 
| Terrance Leigh | Stunts | 
| John MacDonald | Stunts | 
| Gaston Morrison | Stunts | 
| Scott Nicholson | Stunts | 
| Gerald Paetz | Stunts | 
| Rick Pearce | Stunts | 
| Justin Sain | Stunts | 
| Darryl Scheelar | Stunts | 
| Kimani Ray Smith | Stunts | 
| Name | Title | 
|---|---|
| Steve Golin | Producer | 
| Lisa Bruce | Producer | 
| Kevin Misher | Producer | 
| Scott Thaler | Producer | 
| Alix Madigan | Producer | 
| Organization | Category | Person | 
|---|
Popularity History
| Year | Month | Avg | Max | Min | 
|---|---|---|---|---|
| 2024 | 4 | 33 | 54 | 20 | 
| 2024 | 5 | 33 | 54 | 20 | 
| 2024 | 6 | 33 | 71 | 20 | 
| 2024 | 7 | 29 | 57 | 17 | 
| 2024 | 8 | 27 | 65 | 15 | 
| 2024 | 9 | 18 | 26 | 10 | 
| 2024 | 10 | 22 | 56 | 11 | 
| 2024 | 11 | 30 | 83 | 13 | 
| 2024 | 12 | 18 | 35 | 13 | 
| 2025 | 1 | 23 | 46 | 14 | 
| 2025 | 2 | 17 | 32 | 3 | 
| 2025 | 3 | 7 | 24 | 1 | 
| 2025 | 4 | 5 | 9 | 2 | 
| 2025 | 5 | 3 | 9 | 2 | 
| 2025 | 6 | 7 | 27 | 2 | 
| 2025 | 7 | 5 | 13 | 3 | 
| 2025 | 8 | 3 | 4 | 2 | 
| 2025 | 9 | 5 | 6 | 4 | 
| 2025 | 10 | 5 | 8 | 4 | 
Trending Position
| Year | Month | High | Avg | 
|---|---|---|---|
| 2025 | 10 | 820 | 820 | 
| Year | Month | High | Avg | 
|---|---|---|---|
| 2025 | 7 | 880 | 920 | 
| Year | Month | High | Avg | 
|---|---|---|---|
| 2025 | 6 | 512 | 630 | 
| Year | Month | High | Avg | 
|---|---|---|---|
| 2025 | 5 | 501 | 643 | 
| Year | Month | High | Avg | 
|---|---|---|---|
| 2025 | 3 | 518 | 709 | 
| Year | Month | High | Avg | 
|---|---|---|---|
| 2025 | 1 | 781 | 883 | 
Keep Away From Children. Case 39 is directed by Christian Alvart and written by Ray Wright. It stars Renee Zellwegger, Jodelle Ferland, Ian McShane and Bradley Cooper. Music is by Michl Britsch and cinematography by Hagen Bodanski. Another in the long line of demonic/psycho children films, Cas ... e 39 sat on the shelf for a few years before finally seeing the light of day around 2009. Met with a whole bunch of negative reviews it is somewhat pleasing to find that while it’s not a misunderstood classic or anything, it actually works well within this sub-genre of horror. Story in short order form has Zellwegger as Emily Jenkins, a social worker who after rescuing young Lilly Sullivan from crazed parents, takes her in on a temporary foster basis and soon comes to regret it. Offering up a more supernatural slant than many other films of a similar ilk, German director Alvart does still follow the familiar formula for crazed child movies. Lillith (unsubtle name or what?!) serenely ingratiates herself into Emily’s world and that of the people around her, then of course things start happening, bad things. Having taken his time to build it up during the first half, Alvart then revels in unleashing demonic chaos, with young Ferland giving an unnervingly superb performance as Lilly. The shocks and psychological torments are tidily crafted, and it all builds to a suitably daft and frenetic finale. It’s too long at nearly two hours in length, it’s sometimes silly and it’s cliché heavy. However, some striking scenes, a mightily strong child performance and the decent chiller thriller fun factor, lifts this just above average status. 6/10
**Just do your job! Don't think above that like you can be a saviour!** It looked like some kind of thriller, that's what anybody would say if they read the title correctly. The story was suspense, well developed to keep that for a very long time. Though it had no major twist, just a revelation l ... ike clarifying our doubts. Because most of the storyline seems alike 'Orphan', the film that came just months before this one. But this is a horror theme, I mean real horror, not a terror-horror like 'Orphan'. The overall story relied on one big secret that revealed at some time in the final act. I have seen many films about the child abuse, and this one set in as a same kind of theme, but takes a turn during the end of the first act. So when a social worker, Emily, finds a ten year old Lilith was abused by her own parents, she takes her away from them, followed by theirs arrest. Later, Emily adopts Lilith, but soon finds some strange events around her circle. That leads to suspect Lilith, but could not prove anything. Finding the truth becomes her first priority, but how she's going to solve it is what leads us to the conclusion part. I haven't seen Renee Zellweger in any recent films, she looked so good in this. Jodelle Ferland too was good as a little girl, the most important role in the film. But Bradley Cooper was in a small part. I think it was a decent film, but not a fresh theme, except developed differently with a new cast. If you are a big horror film fan, you might disappoint with it. Because those parts were minimised and the suspense was maximised. Yet surely most of us can easily predict many scenes, event the ending. So I conclude my review saying it is a decent watch. _6.5/10_