 
  Popularity: 4 (history)
| Director: | Frank Borzage | 
|---|---|
| Writer: | Charles F. Haas, Ted Strauss | 
| Staring: | 
| Stigmatized from infancy by the fate of his criminal father, a man is bruised and bullied until one night, in a fit of rage, he kills his most persistent tormentor. As the police close in around him, he makes a desperate bid for the love of the dead man’s fiancée, a schoolteacher who sees the wounded soul behind his aggression. | |
| Release Date: | Oct 01, 1948 | 
|---|---|
| Director: | Frank Borzage | 
| Writer: | Charles F. Haas, Ted Strauss | 
| Genres: | Drama | 
| Keywords | swamp, film noir, guilt | 
| Production Companies | Republic Pictures | 
| Box Office | Revenue: $0 Budget: $0 | 
| Updates | Updated: Feb 01, 2025 Entered: Apr 13, 2024 | 
| Name | Character | 
|---|---|
| Dane Clark | Danny Hawkins | 
| Gail Russell | Gilly Johnson | 
| Ethel Barrymore | Grandma | 
| Allyn Joslyn | Clem Otis | 
| Rex Ingram | Mose | 
| Harry Morgan | Billy Scripture | 
| David Street | Ken Williams | 
| Selena Royle | Aunt Jessie | 
| Harry Carey, Jr. | Jimmy Biff | 
| Irving Bacon | Judd Jenkins | 
| Lloyd Bridges | Jerry Sykes | 
| Houseley Stevenson | Uncle Joe Jingle | 
| Phil Brown | Elmer - Soda Jerk | 
| Harry Cheshire | J.B. Sykes | 
| Lila Leeds | Julie | 
| Virginia Mullen | Miss Simpkins | 
| Oliver Blake | Ed Conlon | 
| Tom Fadden | Homer Blackstone | 
| Charles Lane | Mr. Chandler | 
| Clem Bevans | Coroner | 
| George Backus | |
| William A. Boardway | |
| Bill Borzage | |
| Johnny Calkins | |
| Donald Chaffin | |
| Jimmy Crane | |
| Roy Damron | |
| John Harmon | |
| Jimmy Hawkins | |
| Timmy Hawkins | |
| Robert "Buzz" Henry | |
| Bob Hoffman | |
| Shep Houghton | |
| Tommy Ivo | |
| Jimmy Kelly | |
| Harry Lauter | |
| Linda Lombard | |
| Casey MacGregor | |
| Doreen McCann | |
| Joel McGinnis | |
| Lee Miller | |
| Monte Montague | |
| Frank O'Connor | |
| Stephen Peck | |
| Ed Rees | |
| Amzie Strickland | |
| Candy Toxton | |
| Archie Twitchell | |
| Helen Wallace | |
| Renee Donatt | Ticket Seller (uncredited) | 
| Name | Job | 
|---|---|
| Frank Borzage | Director | 
| William Lava | Original Music Composer | 
| Charles F. Haas | Screenplay | 
| Ted Strauss | Novel | 
| John L. Russell | Director of Photography | 
| Harry Keller | Editor | 
| Lionel Banks | Art Direction | 
| John McCarthy Jr. | Set Decoration | 
| George Sawley | Set Decoration | 
| Adele Palmer | Costume Design | 
| Virgil Hart | Production Manager | 
| Peggy Gray | Hairstylist | 
| Bob Mark | Makeup Supervisor | 
| Name | Title | 
|---|---|
| Charles F. Haas | Producer | 
| Marshall Grant | Executive Producer | 
| Organization | Category | Person | 
|---|
Popularity History
| Year | Month | Avg | Max | Min | 
|---|---|---|---|---|
| 2024 | 4 | 10 | 19 | 5 | 
| 2024 | 5 | 13 | 23 | 6 | 
| 2024 | 6 | 12 | 50 | 4 | 
| 2024 | 7 | 9 | 18 | 5 | 
| 2024 | 8 | 9 | 18 | 5 | 
| 2024 | 9 | 7 | 11 | 4 | 
| 2024 | 10 | 8 | 16 | 3 | 
| 2024 | 11 | 12 | 39 | 4 | 
| 2024 | 12 | 7 | 22 | 4 | 
| 2025 | 1 | 7 | 14 | 4 | 
| 2025 | 2 | 5 | 13 | 2 | 
| 2025 | 3 | 3 | 7 | 1 | 
| 2025 | 4 | 2 | 4 | 1 | 
| 2025 | 5 | 2 | 5 | 1 | 
| 2025 | 6 | 1 | 3 | 1 | 
| 2025 | 7 | 1 | 2 | 0 | 
| 2025 | 8 | 1 | 3 | 0 | 
| 2025 | 9 | 4 | 5 | 2 | 
| 2025 | 10 | 4 | 5 | 4 | 
Trending Position
What I did was resign from the human race. Directed by Frank Borzage and adapted from the novel by Theodore Strauss, Moonrise sees Dane Clark playing Danny Hawkins, the son of a man who was hanged for his crimes. Tormented by his father's past and bullied about it as a child, Hawkins grows into a ... confused and resentful man. Striking out at anyone foolish enough to cross his fractured state of mind, tragedy is quick to strike, sending Hawkins deep into the Southern mire. Can solace come in the form of Gilly Johnson? (Gail Russell) or is it simply too late to rejoin the human race? We open with a hazy reflection that merges into the feet of walking men, men walking to the gallows as Danny Hawkins' father is hanged. The mood is well and truly set for Borzage's dreamy film noir. It's something of an oddity in many ways for it most assuredly is film noir, certainly in texture and on the technical issues it is, yet an overtly poetic heart and a distinctly less than broody ending almost steer it to being fanciful fluff. Borzage and his cinematographer, John L. Russell (in one of his first prominent assignments), do wonders with the atmosphere of the piece. Set in the steamy South, shadows and darkness are a constant and rewarding part of proceedings, while swinging lights and conversations filmed at midriffs further enhance the skew whiff state of Dane Clark's protagonist. Also of note is that some scenes showcase why Borzage was rightly held in high regard back in the day, a Ferris Wheel, a car crash and a Racoon tree top sequence (that upset and engrossed me simultaneously) are just some of the reasons why this is a must see for Borzage enthusiasts. Coming as it does out of the Republic Pictures house of "B" moviedom, it's natural to expect some low budgetary issues. However, this is a splendid production belying its "B" movie worth. The cast are fine, with Clark particularly doing well as his character battles with anger and warmth issues, and the sets and location work are effective and benefit the story greatly. Thankfully, and even though it has no restoration, the picture quality is very good, the sound mix is a bit down at times, but by and large this one has transfered well to prints being shown on British TV. With a support cast containing Ethel Barrymore, Allyn Joslyn (excellent), Henry Morgan, Harry Carey Jr and a brief Lloyd Bridges, this is a recommended film of course. But I can't, and will not, vouch for the ending appeasing all comers. 7/10
This is actually quite a complex psychological thriller which very much looks at the sins of the father being visited on the child. In this case Dane Clark is "Danny Hawkins" whose father was hanged for murder. Persecuted and shunned by his peers as a youth, he is finally starting to get his life in ... some sort of order when he accidentally gets into a fight and kills a man over a girl "Gilly" (Gail Johnson) in whom he confides. When she tries to get him to notify the police, he gets spooked and flees. The contours of the film offer a love story and a murder mystery along with some interesting observations - especially from Rex Ingram as the sagely old "Mose" about human dignity and integrity. On the downside, Clark is just a bit too lightweight for the lead - the part could really do with someone a bit more heavyweight, but overall it is an intriguing look at behaviour and judgement that is worth and hour and half of anyone's time.