 
  Popularity: 2 (history)
| Director: | Jacques Tourneur | 
|---|---|
| Writer: | Cornell Woolrich, Ardel Wray | 
| Staring: | 
| When a leopard escapes during a publicity stunt, it triggers a series of murders. | |
| Release Date: | May 19, 1943 | 
|---|---|
| Director: | Jacques Tourneur | 
| Writer: | Cornell Woolrich, Ardel Wray | 
| Genres: | Horror, Crime, Mystery | 
| Keywords | fortune teller, leopard, cult, psycho, publicity stunt, proto-slasher | 
| Production Companies | RKO Radio Pictures | 
| Box Office | Revenue: $0 Budget: $0 | 
| Updates | Updated: Feb 01, 2025 Entered: Apr 13, 2024 | 
| Name | Character | 
|---|---|
| Dennis O'Keefe | Jerry Manning | 
| Jean Brooks | Kiki Walker | 
| James Bell | Dr. Galbraith | 
| Abner Biberman | Charlie How-Come | 
| Ariel Heath | Eloise, cigarette girl | 
| Ben Bard | Police Chief Robles | 
| Margo | Gabriella, aka Clo-Clo | 
| Isabel Jewell | Maria the Fortune Teller | 
| Margaret Landry | Teresa Delgado | 
| Kate Lawson | Mother Delgado | 
| Tuulikki Paananen | (as Tula Parma) Consuelo Contreras | 
| Fely Franquelli | Rosita, her maid | 
| Brandon Hurst | The Cemetery Keeper | 
| Richard Martin | Raoul Belmonte | 
| Bobby Spindola | Pedro Delgado | 
| Belle Mitchell | Senora Calderon, grocer | 
| Eliso Gamboa | Juan Delgado | 
| John Dilson | The Coroner | 
| Mary MacLaren | The Nun | 
| John Piffle | The Flower Vendor | 
| Ottola Nesmith | Mother Contreras | 
| Jacques Lory | Phillipe, the chauffeur | 
| George Sherwood | Police Lieutenant at Cemetery | 
| William Halligan | Brunton | 
| Robert J. Anderson | Dwight Brunton | 
| Russell Wade | The Man in the Black Car | 
| Betty Roadman | Gabriella's Mother | 
| Rene Padrini | Injured Waiter (bit) | 
| Tom Orosco | Window Washer (bit) | 
| Rosa Rita Varella | Pepita, Gabriella's sister (bit) | 
| Jacqueline deWit | Helene (uncredited) | 
| Name | Job | 
|---|---|
| Jacques Tourneur | Director | 
| Edward Dein | Additional Dialogue | 
| Robert De Grasse | Director of Photography | 
| Walter E. Keller | Art Direction | 
| Cornell Woolrich | Novel | 
| Ardel Wray | Screenplay | 
| Val Lewton | Original Music Composer | 
| Mark Robson | Editor | 
| Albert S. D'Agostino | Art Direction | 
| Name | Title | 
|---|---|
| Val Lewton | Producer | 
| Organization | Category | Person | 
|---|
Popularity History
| Year | Month | Avg | Max | Min | 
|---|---|---|---|---|
| 2024 | 4 | 9 | 13 | 6 | 
| 2024 | 5 | 11 | 14 | 6 | 
| 2024 | 6 | 9 | 17 | 6 | 
| 2024 | 7 | 10 | 19 | 6 | 
| 2024 | 8 | 8 | 12 | 5 | 
| 2024 | 9 | 6 | 9 | 4 | 
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| 2024 | 11 | 10 | 30 | 4 | 
| 2024 | 12 | 6 | 8 | 4 | 
| 2025 | 1 | 6 | 10 | 5 | 
| 2025 | 2 | 5 | 8 | 3 | 
| 2025 | 3 | 4 | 6 | 1 | 
| 2025 | 4 | 1 | 2 | 1 | 
| 2025 | 5 | 1 | 2 | 1 | 
| 2025 | 6 | 1 | 1 | 1 | 
| 2025 | 7 | 0 | 0 | 0 | 
| 2025 | 8 | 0 | 1 | 0 | 
| 2025 | 9 | 1 | 1 | 0 | 
| 2025 | 10 | 1 | 3 | 1 | 
Trending Position
Someday you'll try on my coffin and I hope it fits you just perfect. Horror producer supreme Val Lewton teams up for the third and last time with director Jacques Tourneur to bring us The Leopard Man. Set in New Mexico, the story sees Jerry Manning (Dennis O'Keefe) hire a black leopard as a publi ... city stunt for his night-club performing partner, Kiki (Jean Brooks). Her rival, Clo Clo (Margo), is not impressed and promptly scares the animal into running away into the night. Pretty soon there is a panic looking as the cat appears to be mauling people to death. However, Manning & Kiki, driven by guilt, join the hunt for the rogue animal - but Manning is starting to believe the killings are not of the animal's doing... Based on the book "Black Alibi" written by Cornell Woolrich, The Leopard Man's only crime is that it's not as great as its two predecessors, Cat People & I Walked With A Zombie. Rest assured, though, this is still a quality Lewton/Tourneur production. As a story it's simple and straight, with a running time of just over one hour keeping it lean and devoid of pointless waffle, but the piece positively thrives on its atmosphere - dealing as it does in murky shadows and unease inducing periods of silence. It also boasts a number of sequences that linger long in the memory, be it blood seeping under a door, the bend of a tree branch, or the dark under belly of a railway bridge, for such a short sharp shock of a movie there's so much to enjoy. The work of cinematographer Robert De Grasse (Vivacious Lady/The Body Snatcher) is top class and worthy of indulgence from the film noir loving crowd. What you don't see is more effective on account of the eerie sense of dread that Messrs Lewton/Tourneur/De Grasse have built up. A fine film and proof positive that classic spookers could be made from relatively small budgets. 7/10