31
Welcome to hell.
2016 | 102m | English
Popularity: 5 (history)
| Director: | Rob Zombie |
|---|---|
| Writer: | Rob Zombie |
| Staring: |
| Five carnival workers are kidnapped and held hostage in an abandoned, Hell-like compound where they are forced to participate in a violent game, the goal of which is to survive twelve hours against a gang of sadistic clowns. | |
| Release Date: | Sep 15, 2016 |
|---|---|
| Director: | Rob Zombie |
| Writer: | Rob Zombie |
| Genres: | Horror, Thriller |
| Keywords | 1970s, texas, nazi, satanism, clown, halloween, carnival, sadism, psychopath, murder, survival, chainsaw, maniac, game, carny, betting, killer clown, midget, ax, death game |
| Production Companies | Spectacle Entertainment Group, Windy Hill Pictures, Protagonist Pictures, PalmStar Media, Bow + Arrow Entertainment |
| Box Office |
Revenue: $850,419
Budget: $1,500,000 |
| Updates |
Updated: Feb 01, 2025 Entered: Apr 13, 2024 |
| Name | Character |
|---|---|
| Sheri Moon Zombie | Charly |
| Richard Brake | Doom-Head |
| Meg Foster | Venus Virgo |
| Malcolm McDowell | Father Murder |
| Daniel Roebuck | Pastor Victor |
| Lawrence Hilton-Jacobs | Panda Thomas |
| Jeff Daniel Phillips | Roscoe Pepper |
| Andrea Dora | Trixie |
| Ginger Lynn Allen | Cherry Bomb |
| Jane Carr | Sister Serpent |
| Judy Geeson | Sister Dragon |
| Kevin Jackson | Levon Wally |
| Pancho Moler | Sick-Head |
| David Ury | Schizo-Head |
| Lew Temple | Psycho-Head |
| Torsten Voges | Death-Head |
| E. G. Daily | Sex-Head |
| Tracey Walter | Lucky Leo |
| Michael 'Red Bone' Alcott | Fat Randy |
| Esperanza América | Snoopy |
| Devin Sidell | Georgina |
| Gabriel Pimentel | Brumaire |
| W.F. Bell | Goon #2 |
| Butch Von Dreaux | Goon #3 |
| Caleb West | Goon #4 |
| Alyssa Perper | Mechanic |
| Megan Albertus | Murder Lounge Girl |
| Kara Gibson | Murder Lounge Girl |
| Sandra Rosko | Murder Lounge Girl |
| Shawn Rougeron | Murder Lounge Girl |
| Jermain Hollman | Goon |
| Name | Job |
|---|---|
| Rob Zombie | Music, Writer, Original Music Composer, Director |
| Bob Marlette | Music, Original Music Composer |
| Chris Harris | Music |
| David Daniel | Director of Photography |
| Glenn Garland | Editor |
| Nicole Arbusto | Casting |
| Rodrigo Cabral | Production Design |
| Siobhan O'Brien | Set Decoration |
| Carrie Grace | Costume Design |
| Renetta G. Amador | Script Supervisor |
| Tom Rowland | Music Supervisor |
| Tara Sanovich | Costume Supervisor |
| Alicia Ast | Set Costumer |
| Fredrick Faith | Set Costumer |
| Brad Grimmett | Camera Operator |
| Gene Page | Still Photographer |
| David Leite | Key Grip |
| Josh Spooner | Visual Effects Coordinator |
| Steven Addair | Visual Effects Producer |
| Peter M. Green | Visual Effects Producer |
| Jeff Cummings | Visual Effects Editor |
| Eugene Armencha | Visual Effects Supervisor |
| Xander Lott | Dialogue Editor |
| Michael Kaleta | Boom Operator |
| Micaela Cain | Foley Editor |
| Eric Offin | Sound Effects Editor |
| Chris David | Sound Re-Recording Mixer |
| Steven Iba | Supervising Sound Editor |
| Thomas Spence | Property Master |
| Matt Donaldson | Assistant Property Master |
| Traci E. Smithe | Hair Department Head |
| Pavy Olivarez | Hairstylist |
| Germicka Barclay | Hairstylist |
| Michelle Chung | Makeup Department Head |
| Liz Mendoza | Key Makeup Artist |
| Jen Singleton | Key Hair Stylist |
| Matt Blackshear | Digital Intermediate |
| Monique Eissing | Digital Intermediate |
| Zara Park | Digital Intermediate |
| Ian Vertovec | Digital Intermediate |
| Albert T. Dickerson III | Unit Production Manager |
| Jan Kikumoto | Post Production Supervisor |
| William Clark Coit III | Location Manager |
| Lucas Cotterman | Location Manager |
| Charissa McLain | Production Coordinator |
| Danny Park | Production Coordinator |
| Adrienne Lynn | Special Effects Makeup Artist |
| Blake Hooks | Second Assistant "B" Camera |
| Zeuss | Original Music Composer |
| John 5 | Music, Original Music Composer |
| Kevin Houlihan | Art Direction |
| BJ McDonnell | Steadicam Operator |
| Wayne Toth | Special Effects Makeup Artist |
| Bart Mixon | Special Effects Makeup Artist |
| James Parnell | Assistant Sound Editor |
| Lauren Shaw | Stunt Double |
| Renae Moneymaker | Stunt Double |
| Name | Title |
|---|---|
| Eddie Vaisman | Producer |
| Mike Elliott | Producer |
| Andy Gould | Producer |
| Matthew Perniciaro | Producer |
| Kathryn Robson | Co-Producer |
| Glenn Garland | Co-Producer |
| Matt Mandarino | Co-Producer |
| Sarah Martin | Co-Producer |
| Joe Aliberti | Executive Producer |
| Robert Ogden Barnum | Executive Producer |
| Bradley Curneal | Executive Producer |
| Patrick DePeters | Executive Producer |
| Albert T. Dickerson III | Executive Producer |
| Blayne Fender | Executive Producer |
| Kevin Scott Frakes | Executive Producer |
| Greg Holstein | Executive Producer |
| Chris Woody McElroy | Executive Producer |
| Buddy Patrick | Executive Producer |
| Brian Slagel | Executive Producer |
| Michael Sherman | Producer |
| Rob Zombie | Producer |
| Matthew Helderman | Executive Producer |
| Robert Rhine | Executive Producer |
| Luke Taylor | Executive Producer |
| Alice Xandra Thirteen | Executive Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 16 | 22 | 12 |
| 2024 | 5 | 18 | 24 | 11 |
| 2024 | 6 | 15 | 24 | 10 |
| 2024 | 7 | 24 | 56 | 8 |
| 2024 | 8 | 16 | 28 | 7 |
| 2024 | 9 | 12 | 17 | 8 |
| 2024 | 10 | 13 | 21 | 8 |
| 2024 | 11 | 15 | 31 | 8 |
| 2024 | 12 | 11 | 17 | 7 |
| 2025 | 1 | 14 | 27 | 9 |
| 2025 | 2 | 11 | 18 | 3 |
| 2025 | 3 | 5 | 12 | 1 |
| 2025 | 4 | 2 | 6 | 1 |
| 2025 | 5 | 2 | 6 | 1 |
| 2025 | 6 | 2 | 4 | 1 |
| 2025 | 7 | 1 | 2 | 0 |
| 2025 | 8 | 1 | 2 | 1 |
| 2025 | 9 | 3 | 4 | 2 |
| 2025 | 10 | 3 | 5 | 2 |
Trending Position
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 2 | 924 | 944 |
_31_ was made very quickly on a shoestring budget, and it shows in Rob Zombie's worst film to date. Bizarrely though, it also features what might just be the best performance of Richard Brake's career. And that is no small feat, the man is a proven talent. Still probably skippable for the movi ... egoing community at large, but worth the time of a hardcore devotee. _Final rating:★★½ - Had a lot that appealed to me, didn’t quite work as a whole._
_31_ was made very quickly on a shoestring budget, and it shows in Rob Zombie's worst film to date. Bizarrely though, it also features what might just be the best performance of Richard Brake's career. And that is no small feat, the man is a proven talent. Still probably skippable for the movi ... egoing community at large, but worth the time of a hardcore devotee. _Final rating:★★½ - Had a lot that appealed to me, didn’t quite work as a whole._
By this point in his career, there's not much mystery left to Zombie. From his days of White Zombie to his latest musical outpourings and films, he's made his desire to have fun and his love for the grittier horror of the past well known. Zombie fans know this. We go into each new project knowing th ... ere's little chance of being surprised but hoping that it's going to be a hell of a ride of full of homages. <i>31</i> is no exception. The film opens with a scratchy, shaky cam and proceeds to introduce us to a lot of the same cast we've seen before playing the same trashy and foul-mouthed character types we've seen before. The acting is intentionally full of cheese and the setting is once again his favourite decade. If you didn't enjoy <i>House of 1000 Corpses</i>, <i>The Devil's Rejects</i>, or <i>The Lords of Salem</i>, there's little chance that <i>31</i> will be your cup of tea. On one hand, I'm not disappointed. <i>31</i> is pretty much exactly what I expected it to be. On the other hand, it's clear that Zombie is capable of doing something more unique and at this point it really feels like it's time for him to -- for at least one film -- take his horror a different direction. Sure, I'm tired of the boring cleancut CGI films of the mainstream, but if anyone can make one of these that is truly gorey and scary, Zombie's the guy. I'm not saying he should stop doing what's fun for him, but some variety would be nice. Quick notes: <br>- Richard Brake (Doom-Head) was perfection. <br>- Malcolm McDowell was underused. <br>- Sherri Moon Zombie wasn't the best casting choice for Charly, though I'd love to have her kicking ass here in a different capacity. <br>- Zombie really should make a full release of <i>Werewolf Women of the SS</i>.