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Secret in Their Eyes Poster

Secret in Their Eyes

The truth lies in the most unexpected places.
2015 | 111m | English

(54260 votes)

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Popularity: 2 (history)

Details

A tight-knit team of FBI investigators, along with their District Attorney supervisor, is suddenly torn apart when they discover that one of their own teenage daughters has been brutally murdered.
Release Date: Oct 14, 2015
Director: Billy Ray
Writer: Billy Ray, Eduardo Sacheri, Juan José Campanella
Genres: Crime, Mystery, Thriller
Keywords fbi, missing child, mischievous, tense
Production Companies Ingenious Media, Gran Via Productions, IM Global, STXfilms, Route One Entertainment, Union Investment Partners, SITE Productions, Willie's Movies
Box Office Revenue: $34,854,990
Budget: $19,500,000
Updates Updated: Feb 01, 2025
Entered: Apr 13, 2024
Trailers and Extras

Full Credits

Name Character
Chiwetel Ejiofor Ray
Nicole Kidman Claire
Julia Roberts Jess
Dean Norris Bumpy
Alfred Molina Martin Morales
Michael Kelly Siefert
Joe Cole Marzin / Beckwith
Zoe Graham Carolyn
Patrick Davis Alarcón Luis
Eileen Fogarty Angie - Receptionist
Lyndon Smith Kit
Kim Yarbrough Nan
Mark Famiglietti Duty Sergeant Jacobs
Amir Malaklou Aban Ghazala
Niko Nicotera Hammer / Chop Shop Thug
David Israel Angry Dodger Fan
Dennis Keiffer Chop Shop Thug
Don Harvey Fierro
Glenn Davis Stadium Cop
Walter Tabayoyong Photographer
Michael Tennant Arriving Cop
John Pirruccello Duct Tape Salesman
Noel Gugliemi Garbed-Out Fan
Pak Ho-Sung Peanut Vendor
Laurence Todd Rosenthal Popcorn Guy
Carrick O'Quinn Protective Detail #1
C.C. Taylor Protective Detail #2
Ross Partridge Ellis
Carlos Zapata Dave
Erik Solky Panicked Man
Vin Scully Voice of the Dodgers (voice)
Name Job
Daniel Moder Director of Photography
John Janusek Key Grip
Shay Cunliffe Costume Design
Peter Staubli Sound Designer
Thomas M. Dangcil Lighting Technician
Karen Ballard Still Photographer
Jules Carideo Production Coordinator
Jason Hindman Electrician
Martin Charles Graphic Designer
Jonathan Jost ADR Mixer
Creighton Larson Propmaker
Andrea Joel Set Decoration
Nelson Coates Production Design
Matt Horochowski Dolly Grip
Mark Carlile Lighting Technician
Michael Allen Glover Assistant Art Director
Colin De Rouin Art Direction
Jim Page Editor
Gabrielle McKenna-Elliott Scenic Artist
Ann Scibelli Sound Designer
John Heller Visual Effects Supervisor
Jeremiah Samuels Unit Production Manager
Tony Negrete Foley Editor
Teressa Hill Hair Department Head
Brent Rice Leadman
Anna MacKenzie Supervising ADR Editor
Chris Cuevas Camera Operator
Kathleen Walker Art Department Coordinator
Aaron C. Fitzgerald Second Assistant Director
Elliot Tyson Sound Re-Recording Mixer
Terry Baliel Key Hair Stylist
Michael Miller ADR Mixer
Alyson Dee Moore Foley Artist
Mike Bonnaud Best Boy Electric
David Schulhof Music Supervisor
Katie Saunders Costume Supervisor
Karen Baker Landers Supervising Sound Editor
Michael Lantieri Special Effects Supervisor
Tom Davies First Assistant Director
Timothy Vierra Construction Foreman
Michael C. Biddle Set Designer
Benjamin Spek Steadicam Operator
Neil Gahm Propmaker
Sarah McMurdo Visual Effects Producer
Robert J. Carlyle Construction Coordinator
Frederick H. Stahly Dialogue Editor
Michael Bauman Gaffer
Diego Mariscal Dolly Grip
Lesa Nielsen Key Makeup Artist
Matt Willard First Assistant Editor
Nick Jimenez ADR Recordist
Andy DePung First Assistant Camera
Chris Jargo ADR Editor
Chloe Weaver First Assistant "A" Camera
Tim W. Walker Set Medic
Robert Jackson Boom Operator
Sherry Thomas Casting
Hope M. Parrish Property Master
Adam Cuthbert Second Second Assistant Director
Shelley Roden Foley Artist
Elizabeth Himelstein Dialect Coach
Ellen King Graphic Designer
Valerie Laven-Cooper Key Costumer
John Beran Rigging Grip
Thomas S. Drescher Music Editor
Gohar Gazazyan Casting Associate
George 'Skip' Henfling Production Accountant
Mary Jo Lang Foley Mixer
Paul Sonski Set Designer
Ralph Coleman Location Manager
Jeffrey D. Stevens Set Medic
Michael A. Casey Assistant Property Master
D. Chris Smith Sound Effects Editor
Wilma Garscadden-Gahret Continuity
Spooky Stevens Unit Publicist
Billy Ray Screenplay, Director
Eduardo Sacheri Screenplay
Juan José Campanella Screenplay
Emilio Kauderer Original Music Composer
Sharon Bialy Casting
Ron Bartlett Sound Re-Recording Mixer
Chris Navarro ADR Mixer
Dennis Fitzgerald Stunt Coordinator
Tim Garris Utility Stunts
Alisa Hensley Stunt Double
Mark Miscione Stunt Double
Craig Hosking Pilot
Gui DaSilva-Greene Stunts
Name Title
Russell Levine Executive Producer
Steven Squillante Co-Executive Producer
Matt Berenson Executive Producer
Deborah Zipser Executive Producer
Jeremiah Samuels Executive Producer
Samuel Yeunju Ha Associate Producer
Matt Jackson Producer
Lee Jae Woo Executive Producer
Juan Antonio García Peredo Co-Producer
John Ufland Co-Producer
Cari-Esta Albert Co-Producer
Mark Johnson Producer
Stuart Ford Executive Producer
Robert Simonds Executive Producer
Juan José Campanella Executive Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 23 36 16
2024 5 28 41 15
2024 6 22 37 14
2024 7 26 51 14
2024 8 16 25 11
2024 9 16 25 12
2024 10 19 35 12
2024 11 24 91 7
2024 12 16 40 10
2025 1 17 29 12
2025 2 12 21 3
2025 3 5 15 1
2025 4 3 6 1
2025 5 2 7 1
2025 6 2 3 1
2025 7 2 3 1
2025 8 2 3 1
2025 9 3 5 2
2025 10 4 5 2

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Reviews

Rangan
6.0

**How long one's eyes can keep secret!** My confession is I haven't seen the original film. I had several opportunities, but for various reasons I stayed unwatched till now. Firstly, I won't consider it a remake since both the films were adapted from a novel. Yet no one can stop the people compar ... ing between the two, just to find out which one is true to the book. In my perspective, I think the original source was written keeping the Argentinian society, because that dark tone narration suits them. I have seen many Argentinian films, but for the American kind of storytelling, it does not appeal. Even though it was not a bad film, I somewhat enjoyed, maybe because I haven't seen the other version. The actors were great, but it was Chiwetel Ejiofor's film, He dominated the screenspace, and Nicole Kidman and Julia Roberts were slightly disappointed with their small roles. But overall, they all made it a decent film, particularly the direction impressed me for handling neatly knowing it is already once made a film. The story was suspenseful, yet it feels familiar and lets you predict the each scene before its commencement. Yes, I thought it was holding something big for the end part, and then it gives out all clues leading that way. So I kind of assumed what the end twist might be and that happened, but a bit differently. This kind of screenplay totally works for a Korean style filmmaking, but Hollywood is expert in a different field. Wherever it comes the film, a film is a film, so I won't blame it on a regional ground for lacking of something. But it should have been a bit better, maybe more thrilling and making the characters more stronger with emotionally appealing could have worked, particularly for a certain group of audience. If you're watching this story for the first time, then you might enjoy it, but for the other reasons you might not. Whatever, not a bad film for watching it once. 6/10

May 16, 2024