 
  Popularity: 3 (history)
| Director: | Michael Gordon | 
|---|---|
| Writer: | William Bowers, Harry Kurnitz, Bertram Millhauser | 
| Staring: | 
| A brash young lawyer takes a short-term, high-paying job as bodyguard for a slick business exec being threatened by a former partner, and quickly realizes he may be in over his head. | |
| Release Date: | Jun 04, 1947 | 
|---|---|
| Director: | Michael Gordon | 
| Writer: | William Bowers, Harry Kurnitz, Bertram Millhauser | 
| Genres: | Drama, Crime, Thriller | 
| Keywords | film noir, framed | 
| Production Companies | Universal International Pictures | 
| Box Office | Revenue: $0 Budget: $0 | 
| Updates | Updated: Aug 03, 2024 Entered: Apr 13, 2024 | 
| Name | Character | 
|---|---|
| Ella Raines | Noel Faraday | 
| Edmond O'Brien | Bob Regan | 
| William Bendix | Lt. Damico | 
| Vincent Price | Andrew Colby | 
| Maria Palmer | Martha Kroner | 
| John Abbott | Charles Murdock | 
| Fritz Leiber | Leopold Kroner | 
| Howland Chamberlain | James Nolan (as Howard Chamberlin) | 
| Tito Vuolo | Emilio Canepa | 
| Wilton Graff | District Attorney | 
| Robin Raymond | Newspaper Librarian | 
| Patricia Alphin | Secretary | 
| Name | Job | 
|---|---|
| William Bowers | Screenplay | 
| Michael Gordon | Director | 
| Bud Westmore | Makeup Artist | 
| Harry Kurnitz | Story | 
| Irving Glassberg | Director of Photography | 
| Bertram Millhauser | Screenplay | 
| Russell F. Schoengarth | Editor | 
| Charles Carroll | Sound | 
| James W. Sullivan | Art Direction | 
| Yvonne Wood | Costume Design | 
| Bernard Herzbrun | Art Direction | 
| William Stevens | Set Decoration | 
| Russell A. Gausman | Set Decoration | 
| Carmen Dirigo | Hairstylist | 
| Charles Felstead | Sound | 
| F.O. Collings | Assistant Director | 
| Hans J. Salter | Music | 
| David Tamkin | Orchestrator | 
| Name | Title | 
|---|---|
| Jerry Bresler | Producer | 
| Organization | Category | Person | 
|---|
Popularity History
| Year | Month | Avg | Max | Min | 
|---|---|---|---|---|
| 2024 | 4 | 8 | 15 | 3 | 
| 2024 | 5 | 10 | 18 | 4 | 
| 2024 | 6 | 9 | 16 | 4 | 
| 2024 | 7 | 8 | 17 | 3 | 
| 2024 | 8 | 6 | 11 | 4 | 
| 2024 | 9 | 5 | 7 | 3 | 
| 2024 | 10 | 5 | 9 | 2 | 
| 2024 | 11 | 8 | 26 | 3 | 
| 2024 | 12 | 4 | 12 | 2 | 
| 2025 | 1 | 4 | 11 | 2 | 
| 2025 | 2 | 3 | 5 | 1 | 
| 2025 | 3 | 2 | 4 | 1 | 
| 2025 | 4 | 1 | 1 | 1 | 
| 2025 | 5 | 1 | 1 | 1 | 
| 2025 | 6 | 1 | 1 | 1 | 
| 2025 | 7 | 0 | 0 | 0 | 
| 2025 | 8 | 0 | 1 | 0 | 
| 2025 | 9 | 0 | 1 | 0 | 
| 2025 | 10 | 1 | 3 | 1 | 
Trending Position
I'm a lawyer not a bodyguard. The Web is directed by Michael Gordon and collectively written by William Bowers, Bertram Millhauser and Harry Kurnitz. It stars Edmond O'Brien, Ella Raines, William Bendix and Vincent Price. Music is by Hans J. Salter and cinematography by Irving Glassberg. A goo ... d and solid film noir from one of the golden years of the film making style. Plot pitches O'Brien as a small time lawyer, who after impressing crafty businessman Vincent Price with his commitment to his work, gets hired as a minder since Price is worried about an old associate who has apparently issued a death threat. Sure enough all is not as it seems and before long O'Brien finds himself under scrutiny for the death of the associate. The writing isn't great as per the twists and turns, they are all signposted and lit up in bold letters, yet this is a small complaint because the fun is in the characterisations and the scripted dialogue. O'Brien has the quips and bravado, Raines the sexy smoulder and Price the weasel machinations. Bendix as a good cop is a little too out in the periphery of things to truly impact on the narrative in the way his fans would like, but his scenes with O'Brien are a joy and sparkle with prickly sarcasm, while Gordon and Glassberg bring the film noir style via the requisite amount of shadow play and camera tilts (love those slats and balustrades). Nifty noir tech credits cosy up with a likable hero, a sassy femme, a slimy villain and big bad Billy Bendix = Score! 7/10