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The Wailing Poster

The Wailing

Never be tempted.
2016 | 156m | Korean

(93943 votes)

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Popularity: 4 (history)

Director: Na Hong-jin
Writer: Na Hong-jin
Staring:
Details

A stranger arrives in a little village and soon after a mysterious sickness starts spreading. A policeman is drawn into the incident and is forced to solve the mystery in order to save his daughter.
Release Date: May 12, 2016
Director: Na Hong-jin
Writer: Na Hong-jin
Genres: Horror, Mystery
Keywords small town, exorcism, investigation, daughter, police, possession, murder, priest, curse, rural area, shaman, zombie, demon, shrine, occult, macabre, ghost, gluttony, shamanism, folk horror, acupuncture, divination, frightened
Production Companies Fox International Productions, Ivanhoe Pictures, 20th Century Fox Korea, Side Mirror
Box Office Revenue: $49,851,770
Budget: $10,951,000
Updates Updated: Sep 28, 2025
Entered: Sep 28, 2025
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Full Credits

Name Character
Kwak Do-won Jong-goo
Hwang Jung-min Il-gwang
Chun Woo-hee Moo-myeong
Jun Kunimura The Stranger
Kim Hwan-hee Hyo-jin
Heo Jin Mother-in-Law
Jang So-yeon Jong-goo's Wife
Kim Do-yoon Yang Yi-sam
Cho Han-cheul Detective
Son Kang-gook Oh Sung-bok
Park Seong-yeon Kwon Myung-joo
Bae Yong-geun Police Officer
Kim Ki-cheon Police Box Chief
Yoo Soon-woong Police Station Chief
Lee Yong-nyeo Jak-boo's Mother
Hwang Seok-jeong Merchant
Moon Chang-gil Doctor
Lee Jung-eun Deok-gi's Wife
Jeon Bae-soo Deok-gi
Song Min-seok Paramedic
Jo Yeon-hee Bar Woman
Lee Sun-hee Byeong-gyoo's Wife
Kim Chun-gi Oriental Doctor
Kim Ah-ra Dermatology Nurse
Choi Kyo-sik Police
Kil Chang-gyu Park Choon-bae
Name Job
Kim Dong-han Sound Designer
Kim Sin-yong Sound
Dalpalan Original Music Composer
Kim Jung-soo VFX Supervisor
Kim Jin-yeong Still Photographer
Na Hong-jin Director, Writer
Heo Seo-hyoung Set Supervisor
Lee Hwo-kyoung Production Design
Yoo Sang-seob Fight Choreographer
Lim Byeong-woo Sound Director
Kim Yu-jin Boom Operator
Yoo Il-seung Camera Operator
Jung Jae hun Visual Effects
Kim Ho-sik Special Effects Makeup Artist
Kim Gwang-su Special Effects Supervisor
Jeon Seung-hwan Grip
Park Yong-ki Sound
Kim Seo-young Makeup & Hair
Kevin Kang Digital Intermediate
Kwon Gwi-deok Fight Choreographer
Jung Jae-hoon VFX Supervisor
Song Min-seok Stunts
Hong Kyung-pyo Director of Photography
Kang Sang-hyup Grip
Jeong Min-kyung Art Direction
Kim Young-tak Art Direction
Kwak Tae-yong Special Effects Makeup Artist
Kim Gi-hyeon Assistant Camera
Ryu Yeon Digital Intermediate Producer
Choi Cha-won Assistant Director
Noh Nam-seok Stunts
Kim Sun-min Editor
Song Seung-hyun Boom Operator
Jang Young-gyu Original Music Composer
Chae Kyung-hwa Costume Design
Kim Chang-ho Lighting Director
You Cheong Props
Jeon Min Line Producer
Yang Jin-sun Costume Designer
Name Title
Robert Friedland Co-Executive Producer
Kim Ho-sung Executive Producer
Lim Min-sub Producer
John Penotti Co-Executive Producer
Suh Dong-hyun Executive Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 30 35 25
2024 5 39 53 30
2024 6 41 66 28
2024 7 55 85 36
2024 8 39 58 28
2024 9 30 45 20
2024 10 38 53 22
2024 11 37 58 24
2024 12 33 41 20
2025 1 35 48 26
2025 2 30 54 6
2025 3 12 40 3
2025 4 8 14 5
2025 5 12 22 7
2025 6 9 20 4
2025 7 6 7 5
2025 8 4 6 3
2025 9 4 6 4
2025 10 4 5 4

Trending Position


Year Month High Avg
2025 9 955 955

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Reviews

Rangan
8.0

**A father's struggle to see his daughter to get well.** A new film from the writer, director of 'The Chaser' and 'The Yellow Sea'. This time its a horror-thriller that focused on a rural police officer who witnesses a series of strange events escalating fears among its people. The original title ... was 'Goksung', which means the name of the village where this story takes place. This film is specially for those who like Korean films. But I'm sure that everyone would enjoy it equally. Very typical Korean film yet an engaging theme and thrilling, particularly towards the final quarter. The opening, and almost the first act were like a black comedy. That does remain same after sometime. Because they wanted to give an impression what kind of person is this story's lead man. He's a cop, but feared of supernatural stuffs. So one day, he gets an early morning call to head where a family was slaughtered by one of its members. In his small village, with a small population, events like this are very rare, but when another similar incident was reported, ruled out what it was considered, but something else beyond humans. After the strange dreams, he comes to know his family too got affected by it, particularly his young daughter. Followed by when it gets serious issue, the family decides to bring in a shaman and so the ceremony begins to free her from whatever possessed. This is where the film turns more aggressive in revealing following event with twists and turns. The rest of the film should be watched to know how it all ends. The first thing was the film length. It was too long, nearly 150 minutes, but the screenplay filled with many enthralling scenes and dialogues. So I don't think sitting for that long would be an issue for most of the people. Surely you will be on your seat edge most of the time on your watch. Good story, but very confusing. I mean not puzzling way, but the events and its characters, especially the conclusion which is not exactly a perfect one with proper detail. So you might look for some clarifications after watching the film. > "If you go fishing, do you know what you'll catch? He's just fishing. Not even he knows what he'll catch." The concept was a little confusing like what kind of horror is this. At one stage there comes a zombie, but it follows right after an exorcism on a girl possessed by a ghost. The writer used the time as long as he wants to develop them. So the narration was slow, but very steady on its direction going deep. If you are good at Korean films, the style they make, you might predict some of the scenes correctly. Like I said the final few minutes might confuse you, but really well done part if you understand that clearly. The film characters wise, I liked how it all connected at the end. But as a story, the solution did not seem right. I think not the fitting one or more convincing. I know who would you root, I mean most of you back what character, so from that perspective, feels it compromised a bit after put up a stern fight with what they had believed. I liked how culturally this story was narrated. I mean as its set in a small village, the ceremonies to fight the evil spirit was conducted traditional way, not the western style, except it opened with a quote from the bible. The actors were perfect, particularly I liked where it was shot. A fine location to mix horror and cop themes. The suspense keeps the film alive, but you won't always looking at that, because the theme expands quite bigger than you expect. There are some unexpected turns, you might find yourself scratching your head for how deep it could go. Don't worry, in the end, it all comes together, or maybe watching it twice could help you with that. As I said the runtime might not favour you for the second viewing. Besides, pay a good attention while watching it for the first time, then you will get everything. Particularly if you are an animal lover, that's a biggest clue you could get in this film. I think it will be one of the best horror you would find around the world this year. It might get remade elsewhere, but the chances are less and it could remain as one of the Korean classics in the line of many others like 'Memories of Murder'. You don't have to be a Korean film fan or this director's, but if you do, surely you will have an advantage in understanding it clearly and like it more than the others. Definitely it is one of the best Korean films, but I don't think so a must see, not according to me. Though I won't conclude my review without recommending it to you. So I say watch it. _7.5/10_

May 16, 2024
Key-Si
5.0

Watching "The Wailing" is quite an undertaking. With a runtime of almost 3 hours this Korean Horror-Triller is a shear beast. Unfortunately I feel like pretty much more than half the runtime should have been cut. "The Wailing" circles around in a seemingly endless "who done it" or, to be more precis ... e, "who is it" and even though the acting of our lead Do-won Kwak was not too bad, the dialogues bothered me constantly. I find myself repeating this for about every Asian movie and I assume it must be a cultural thing. I mostly find the talk so generic and pointless, that you could reduce some movies to 5-10 important lines and let them be quiet for the entire rest of the runtime. And this movie is no different. The best acting performance was delivered by Jun Kunimura, who not only presented a great play with mimic, but also refused to talk much (I bet he knew I would appreciate that). The cinematography was pretty good and I liked the realistic appearing gore effects. Not so much on the "possessed zombies" but therefore on the crime scenes and such. With that many pro's and con's "The Wailing" ends up somewhere in the middle and can therefore be labeled average.

Jun 23, 2021
etherealtaekibum
10.0

I don't often use the word masterpiece. I've seen 1,040 films in my life, totalling 1,549 hours of filmography. There's maybe 7 I would label a masterpiece with full usage and definition of the word. The Wailing is the eighth film of one thousand and forty films I very willingly, gladly and witho ... ut hesitation give the title of Masterpiece to. I'm not too big of a fan of Asian supernatural horror. Whilst I very much enjoy it and give most films a pretty decent average rating, I find a lot of them bleed into one another with similar plots and a very safe view on the supernatural. In Japan it tends to be curses that have people die in mysterious ways, South Korea, a cursed object that has people murder each other are the most common ones I come across. When I clicked The Wailing was supernatural, I prepared myself for a 6 or maybe 7 out of 10 movie that was good but wouldn't hold its own too well in the vast expanse of horror. The Wailing gave me some stunning frames. The cinematography in this is beautiful. The gore frames are gruesome, unadulterated and unapologetic. The ritualism and belief of South Korea are shown in their full glory without fear. Na Hong Jin doesn't shy away from racial tension between the Japanese and South Koreans with a slightly historical take with a beautiful twisting story that left me with my mouth gaping open but still feeling just slightly uncomfortable - something I believe Hong Jin did on purpose. I was shown acting that was so well done, no matter what I watch these actors in from now on, I will always know them from The Wailing. The varying supernatural aspects were unique, something that stunned me, unafraid to step out of genre restrictions and lead the way with something new. With a story line that is intriguing, stunning and just raw, this two and a half hour journey was worth watching. This is a film deserving of the hype that numerous other Asian horrors got but turned out to be predictable messed. THIS is the Korean horror of 2016, the one that should have lead the forefront of South Korean, or even Asian, horror into 2017. This is a film that shows prowess, promise and skill. Hong Jin treats us to such wonderful skills from not just himself but his script writer, his cast, his editing team, his make up team, etc, everyone involved. You can feel the passion and love and pure dedication that went into this movie. A full 10/10 is just not enough for this film. A twisting, numbing, horrifying masterpiece.

Jun 23, 2021
Agustttt
7.0

The runtime is a grueling 2 hours and 36 minutes. A warning that there is a good amount of **animal abuse**. The first half is pretty light hearted compared to the last half. It's a really befuddling piece. It's hard to tell who is bad or good and it feels like parts are gone over too frequently ... . If you like Korean films and portrayals of shamanism you will enjoy it for sure. As far as horror goes, it's not very scary in a slasher type of way and is more of a psychological one.

Sep 20, 2025