 
  Popularity: 4 (history)
| Director: | Marco Tullio Giordana | 
|---|---|
| Writer: | Claudio Fava, Marco Tullio Giordana, Monica Zapelli | 
| Staring: | 
| Peppino Impastato is a quick-witted lad growing up in 1970s Sicily. Despite hailing from a family with Mafia ties and living just one hundred steps from the house of local boss Tano Badalamenti, Peppino decides to expose the Mafia by using a pirate radio station to broadcast his political pronouncements in the form of ironic humour. | |
| Release Date: | Sep 01, 2000 | 
|---|---|
| Director: | Marco Tullio Giordana | 
| Writer: | Claudio Fava, Marco Tullio Giordana, Monica Zapelli | 
| Genres: | Drama, History | 
| Keywords | sicily, italy, biography, pirate radio, based on true story, counter-culture, political activist, sicilian mafia, anti-mafia, few against many | 
| Production Companies | Titti Film, Tele+, RAI Cinema | 
| Box Office | Revenue: $1,805,884 Budget: $0 | 
| Updates | Updated: Jul 04, 2025 Entered: Jul 04, 2025 | 
| Name | Character | 
|---|---|
| Luigi Lo Cascio | Peppino Impastato | 
| Luigi Maria Burruano | Luigi Impastato | 
| Lucia Sardo | Felicia Impastato | 
| Paolo Briguglia | Giovanni Impastato | 
| Tony Sperandeo | Tano Badalamenti | 
| Andrea Tidona | Stefano Venuti | 
| Claudio Gioè | Salvo Vitale | 
| Domenico Centamore | Vito | 
| Antonino Bruschetta | Anthony | 
| Paola Pace | Cosima | 
| Pippo Montalbano | Cesare Manzella | 
| Aurora Quattrocchi | Moglie di Cesare Manzella | 
| Gaspare Cucinella | Zù Gasparo | 
| Dario Veca | Paolino Schillirò | 
| Lorenzo Randazzo | Peppino Bambino | 
| Luigi Billeci | Giovani Bambino | 
| Name | Job | 
|---|---|
| Claudio Fava | Screenplay | 
| Marco Tullio Giordana | Screenplay, Director | 
| Fulgenzio Ceccon | Sound | 
| Guido Simonetti | Line Producer | 
| Fabiola Banzi | Casting | 
| Maurizio Nicolosi | Casting | 
| Antonio Bellia | Second Assistant Director | 
| Cinzia Liberati | Script Supervisor | 
| Massimo De Angelis | Unit Manager | 
| Roberto Romoli | Unit Manager | 
| Matteo Ortolani | Second Assistant Camera | 
| Stefano Paradiso | Steadicam Operator | 
| Nicola Console | Assistant Production Design | 
| Cristian Meniconi | Assistant Production Design | 
| Sandro Perigli | Property Master | 
| Alessandro Borgese | Stunt Coordinator | 
| Zaira Ruffini | Makeup Artist | 
| Alessandra Carta | Assistant Costume Designer | 
| Ennio Picconi | Key Grip | 
| Maria Elvira Castagnolo | Assistant Editor | 
| Mimmo Granata | Sound Editor | 
| Danilo Moroni | Sound Mixer | 
| Elisabetta Montaldo | Costume Design | 
| Decio Trani | Boom Operator | 
| Barbara Melega | First Assistant Director | 
| Nicola Conticello | Casting | 
| Gerardo Panichi | Second Assistant Director | 
| Giacomo Iuculano | Second Assistant Director | 
| Marcantonio Borghese | Unit Manager | 
| Marco Galatioto | Unit Manager | 
| Vincenzo Carpineta | Camera Operator | 
| Matteo Ceccarelli | First Assistant Camera | 
| Angelo Turetta | Still Photographer | 
| Marcello Di Carlo | Assistant Production Design | 
| Antonella Di Marco | Set Decoration | 
| Sal Borgese | Stunt Coordinator | 
| Enrico Iacoponi | Makeup Department Head | 
| Samankta Mura | Hair Department Head | 
| Beniamino Fadda | Seamstress | 
| Mauro Pescetelli | Gaffer | 
| Patrizia Innocenzi | Assistant Editor | 
| Franco Galiano | Special Effects | 
| Roberto Forza | Director of Photography | 
| Monica Zapelli | Screenplay | 
| Franco Ceraolo | Production Design | 
| Roberto Missiroli | Editor | 
| Name | Title | 
|---|---|
| Fabrizio Mosca | Producer | 
| Organization | Category | Person | 
|---|
Popularity History
| Year | Month | Avg | Max | Min | 
|---|---|---|---|---|
| 2024 | 4 | 12 | 16 | 8 | 
| 2024 | 5 | 14 | 19 | 8 | 
| 2024 | 6 | 14 | 26 | 9 | 
| 2024 | 7 | 14 | 28 | 8 | 
| 2024 | 8 | 11 | 19 | 7 | 
| 2024 | 9 | 9 | 14 | 6 | 
| 2024 | 10 | 13 | 28 | 6 | 
| 2024 | 11 | 12 | 44 | 6 | 
| 2024 | 12 | 9 | 15 | 7 | 
| 2025 | 1 | 9 | 13 | 7 | 
| 2025 | 2 | 8 | 11 | 3 | 
| 2025 | 3 | 4 | 11 | 1 | 
| 2025 | 4 | 1 | 3 | 1 | 
| 2025 | 5 | 1 | 3 | 1 | 
| 2025 | 6 | 1 | 2 | 1 | 
| 2025 | 7 | 1 | 1 | 0 | 
| 2025 | 8 | 1 | 3 | 0 | 
| 2025 | 9 | 4 | 7 | 2 | 
| 2025 | 10 | 5 | 6 | 4 | 
Trending Position
| Year | Month | High | Avg | 
|---|---|---|---|
| 2025 | 7 | 328 | 502 | 
This has quite a poignant underlying message of complicity and compliance as it tells the true story of firebrand young man Peppino Impastato (Luigi Lo Cascio). He lives on a mafia-dominated Sicily in a family led by his acquiescing father Luigi (Luigi Maria Burruano). It's not that his dad is cowar ... dly, far from it, but he has a wife (Lucia Sardo) and another son, Giovanni (Paolo Briguglia), so is constantly conscious that any resistance to the established order could prove perilous. Peppino has all the vigour and irresponsibility of his age and together with some friends sets up a local radio station that mixes a contemporary mix of classic rock music with some fairly direct rantings about the local "don" - comparing him to legendary Sioux chief Sitting Bull holding court over a tribe full of drug users and sleazy hookers. This isn't a gun-toting organisation. It doesn't need to be. It gets it's way by a combination of carrot and stick approaches. If the population co-operate then life can be good, but if they stray from the arbitrary control of "Tano" (Tony Sperandeo) then they might find themselves starring in their own personal version of a Buster Keaton film. Cascio is on strong form here offering us quite a compelling presentation of a young man who genuinely believed that his on-air protestations could elicit change for good and when his family warn him of the risks - to them and to him - that just seems to galvanise him. The conclusion is history; a sad and depressing history that rather well illustrated the extent of the collusion that existed between the authorities and the "authorities" and the disposability of an inconvenient life. Briguglia also contributes well as does Sardo as his strong-willed but increasingly wary mother whilst the writing offers us a lively bedrock for characters that mingled passion with prescience in an entertaining and engaging fashion. The production looks good and it's well worth a watch.