Popularity: 6 (history)
| Director: | Andrew Dominik |
|---|---|
| Writer: | Andrew Dominik, Joyce Carol Oates |
| Staring: |
| From her volatile childhood as Norma Jeane, through her rise to stardom and romantic entanglements, this reimagined fictional portrait of Hollywood legend Marilyn Monroe blurs the lines of fact and fiction to explore the widening split between her public and private selves. | |
| Release Date: | Sep 16, 2022 |
|---|---|
| Director: | Andrew Dominik |
| Writer: | Andrew Dominik, Joyce Carol Oates |
| Genres: | Drama |
| Keywords | suicide, rape, based on novel or book, husband wife relationship, psychological stress, overdose, pregnancy, biography, celebrity, psychological abuse, fame, domestic violence, hollywood, los angeles, california, reality vs fantasy, substance abuse, starlet, traumatic childhood, mother daughter relationship, absent father |
| Production Companies | Plan B Entertainment |
| Box Office |
Revenue: $0
Budget: $22,000,000 |
| Updates |
Updated: Feb 01, 2025 Entered: Apr 13, 2024 |
| Name | Character |
|---|---|
| Ana de Armas | Norma Jeane / Marilyn Monroe |
| Adrien Brody | The Playwright |
| Bobby Cannavale | The Ex-Athlete |
| Sara Paxton | Miss Flynn |
| Lucy DeVito | Ex-Athlete's Niece |
| Julianne Nicholson | Gladys |
| Scoot McNairy | Tommy Ewell / Richard Sherman |
| Xavier Samuel | Cass Chaplin |
| Caspar Phillipson | The President |
| Evan Williams | Eddy G. Robinson Jr. |
| Rebecca Wisocky | Yvet |
| Toby Huss | Whitey |
| Catherine Dent | Jean |
| Haley Webb | Brooke (Flight Attendant) |
| Dan Butler | I.E. Shinn |
| Tygh Runyan | Norma Jeane's Father |
| David Warshofsky | Mr. Z |
| Michael Masini | Tony Curtis / Josephine |
| Chris Lemmon | Jack Lemmon / Daphne |
| Ned Bellamy | Doc Fell |
| Sonny Valicenti | Casting Director |
| Tatum Shank | Dick Tracy |
| Andrew Thacher | Jiggs |
| Dominic Leeder | Bugs Bunny |
| Skip Pipo | Dr. Bender |
| Ravil Isyanov | Billy Wilder |
| Tim Ransom | Rudy |
| Rob Brownstein | Acting Coach |
| Rob Nagle | Radio Announcer |
| Ethan Cohn | Assistant to the Director |
| Mike Ostroski | The Writer |
| Christopher Kriesa | Joe E. Brown |
| Eric Matheny | Joseph Cotten |
| Kiva Jump | Ward Nurse at Norwalk |
| Patrick Brennan | Joe (Photo Shoot Photographer) |
| Ryan Vincent | Uncle Clive |
| Vanessa Lemonides | Marilyn Singing Voice (voice) |
| Michael Drayer | Deputy Will Bonnie |
| Claudia Smith | Dee-Dee |
| Mary-Pat Green | Tracey |
| Ron West | Dr. Spindel (Abortion Doctor) |
| Flynn Platt | Actor in Play |
| Scott Wilder | Chloroform Man #1 |
| Sal Landi | Chloroform Man #2 |
| Seth Meriwether | 5th Helena Messenger |
| Darrin M. Schlie | Assistant Camera Man |
| Julián Rebolledo | Trailer Announcer / Newsreel Announcer |
| Allan Havey | Dr. Greenson |
| Tereza Rizzardi | Ex-Athlete's Momma |
| Lily Fisher | Young Norma Jeane |
| Spencer Taylor | Assistant Director |
| Denna Thomsen | Choreographer |
| Parker Harris | Diamonds Dancer |
| Ryan Kanfer | Diamonds Dancer |
| Scott Hislop | Diamonds Dancer |
| Parker Blakely | Diamonds Dancer |
| Chris Moss | Diamonds Dancer |
| Cris Cangero | Diamonds Dancer |
| Brandon Beltran | Diamonds Dancer |
| Patrick Ellis | Diamonds Dancer |
| Luke Kamppila | Diamonds Dancer |
| Richard Biglia | Diamonds Dancer |
| Arne Gjelten | Diamonds Dancer |
| Russell Ridgeway | Diamonds Dancer |
| Jake Brandorff | Diamonds Dancer |
| Bryan Anthony | Diamonds Dancer |
| Jeremy Shouldis | Tuxedo #2 (uncredited) |
| Steve Bannos | Brentwood Doctor (uncredited) |
| Dieterich Gray | Photographer's Assistant (uncredited) |
| Mia McGovern Zaini | Young Norma Jeane (voice) (uncredited) |
| Garret Dillahunt | Producer (uncredited) |
| Eden Riegel | Esther (uncredited) |
| Judy Kain | Severe Woman (uncredited) |
| Name | Job |
|---|---|
| Andrew Dominik | Writer, Director |
| Joyce Carol Oates | Novel |
| Laray Mayfield | Casting |
| Liv Banks | Production Supervisor |
| Chayse Irvin | Director of Photography |
| Nick Cave | Original Music Composer |
| Warren Ellis | Original Music Composer |
| Chris Navarro | ADR Mixer |
| Lisa Pinero | Sound Mixer |
| Gary Archer | Prosthetics |
| Jennifer Johnson | Costume Design |
| Denna Thomsen | Choreographer |
| Leslie Shatz | Sound Designer, Sound Re-Recording Mixer |
| Andrea VanEpps | Stunts |
| Tracy Keehn-Dashnaw | Stunt Coordinator |
| Shauna Duggins | Stunt Coordinator |
| Kimberly Shannon Murphy | Stunt Double |
| Andrew Degryse | VFX Artist |
| Lynnae Duley | Key Hair Stylist |
| Aaron C. Fitzgerald | Second Assistant Director |
| Jaime Leigh McIntosh | Hair Department Head |
| Peter Andrus | Art Direction |
| Tina Roesler Kerwin | Makeup Department Head |
| Tracey Landon | Unit Production Manager |
| Adam Robinson | Editor |
| Jon Flores | Sound Effects Editor |
| Jindřich Červenka | Visual Effects Supervisor |
| Erin Fite | Set Decoration |
| Liz Briseno | Makeup Artist |
| Monica Caldera | Makeup Artist |
| Desiree Falcon | Makeup Artist |
| Claudia Humburg | Makeup Artist |
| Amy Lederman | Makeup Artist |
| Tracy Manzo | Makeup Artist |
| Cheri Minns | Makeup Artist |
| Rosanna Montes | Makeup Artist |
| Benjamin Robin | Makeup Artist |
| Annie Tagge | Makeup Artist |
| Lizbeth Williamson | Makeup Artist |
| Don Elliott | Set Dresser |
| Joseph Feld | Set Designer |
| Allison Isenberg | Set Decoration Buyer |
| Masako Masuda | Set Designer |
| Raoul Bolognini | Visual Effects Producer |
| Jon Campfens | Visual Effects Supervisor |
| Virginia Cefaly | Visual Effects Producer |
| Peter Denomme | Visual Effects Producer |
| Richard Ivan Mann | Visual Effects Producer |
| Christine McDermott | Visual Effects Producer |
| Phillip Moses | Visual Effects Supervisor |
| Beau Parsons | Visual Effects Supervisor |
| Luca Saviotti | Visual Effects Supervisor |
| Chris Wells | Visual Effects |
| Betsy Glick | Costume Supervisor |
| Marina Marit | Set Costumer |
| Felicia Molinari | Set Costumer |
| Ben Greaves | Boom Operator |
| Eva Rismanforoush | Utility Sound |
| Daniel Ward | Foley Editor |
| Erik Soderstrom | Set Dresser |
| Kristin Bree Calabrese | Script Supervisor |
| Jessica Jordan | Additional Script Supervisor |
| Andrea Norby | Additional Editor |
| John Paul Horstmann | Additional Editor |
| Travis McKay | ADR Mixer |
| Christopher Ferguson | Lighting Design |
| Michael Cutler | Set Dresser |
| Jameson Everett | Production Assistant |
| Florencia Martin | Production Design |
| Jennifer Lame | Additional Editor |
| Kristan Berona | Extras Casting |
| Name | Title |
|---|---|
| Dede Gardner | Producer |
| Jeremy Kleiner | Producer |
| Scott Robertson | Producer |
| Christina Oh | Executive Producer |
| Tracey Landon | Producer |
| Brad Pitt | Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 51 | 86 | 28 |
| 2024 | 5 | 85 | 146 | 68 |
| 2024 | 6 | 47 | 83 | 31 |
| 2024 | 7 | 34 | 57 | 22 |
| 2024 | 8 | 28 | 50 | 18 |
| 2024 | 9 | 23 | 28 | 17 |
| 2024 | 10 | 27 | 47 | 17 |
| 2024 | 11 | 35 | 93 | 18 |
| 2024 | 12 | 27 | 37 | 19 |
| 2025 | 1 | 32 | 68 | 20 |
| 2025 | 2 | 23 | 35 | 5 |
| 2025 | 3 | 9 | 28 | 2 |
| 2025 | 4 | 4 | 6 | 3 |
| 2025 | 5 | 11 | 33 | 4 |
| 2025 | 6 | 13 | 43 | 4 |
| 2025 | 7 | 4 | 5 | 3 |
| 2025 | 8 | 3 | 4 | 2 |
| 2025 | 9 | 3 | 4 | 3 |
| 2025 | 10 | 4 | 6 | 2 |
Trending Position
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 5 | 621 | 798 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 3 | 775 | 780 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 2 | 891 | 960 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2024 | 12 | 843 | 843 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2024 | 10 | 947 | 947 |
What a truly disappointing film this is. It offers us a really slow, sterile and disjointed - almost episodic - depiction of just how Marilyn Monroe's life might have panned out. For a start, I couldn't decide whether Ana de Armas was really Lady Gaga or Scarlett Johansson (both of whom would have a ... cquitted themselves better, I'd say) as she offers an admittedly intense, but remarkably uninvolved performance. We move along from chapter to chapter in her life hindered by some fairly weak and uninspiring dialogue and seriously intrusive scoring in what becomes an increasingly shallow and lacklustre fashion. The photography does try hard - it does offer us a sense of intimacy, but the whole thing is presented in such a stylised and un-natural manner that it is frequently difficult to tell whether she is/was a "real" woman. Her marriages are treated in an almost scant manner - and her relationship with JFK is reduced to something rather implausibly one-sided and sordid showing nothing of how their relationship might have come to be. It has no soul, this film. Aside from her glamour - which was, even then, hardly unique we are not really introduced to any of the nuances of her character, we are left guessing a lot of the time as to just how she did become such a superstar, and how she spiralled so inevitably into a maelstrom of booze and pills. It relies to a considerable extent on the viewer's existing knowledge of, and affection for, this flawed lady. Adrien Brody and Bobby Cannavale don't really have much chance to add anything as her husbands and the highly speculative relationship between her and Charlie Chaplin Jnr (Xavier Samuel) and his sexually ambiguous partner-in-crime Edward G Robinson Jr (Scoot McNairy) does suggest something of the rather profligate and debauched existence that some lived in Hollywood, but again their characters are also largely undercooked and again, we are largely left to use our own imagination. It is far, far too long and in a packed cinema, I could see people looking at the ceiling just once too often. Watchable, certainly, but a real missed opportunity to offer us something scintillating and tantalising about this most of iconic of women.
In the middle of 2022, the movie I was looking forward to the most was '**Blonde**', but... I'm really disappointed. The film has nowhere to hold on, it's just a fictional compilation of the supposed life of **Marilyn Monroe**, where we don't get context and it's easy to get lost through the scen ... es and the large number of characters (_which if you didn't know the story, you wouldn't really know who they are_) of a feature film of almost three hours. The direction is good, although quite experimental where sometimes elements that seem to come out of nowhere are combined. Not to mention the constant switching between color and black/white that doesn't seem to represent anything concrete. **Ana de Armas's** performance is brilliant, by far the best of the film, despite how poor her character is. I'm really disappointed, in these times we live in, designing a movie about **Marilyn Monroe** could have contained a much more powerful message. The story of a woman who went through the sexualization of the industry in the 50's. Instead the film only seems to add fuel to the fire by showing nudity at any time and sometimes for no reason. Based on a story in parts fictitious, with a vision, in my opinion, poorly focused, they make 'Blonde' a great disappointment.
This is a movie that shows no other side of Marylin than her being miserable. While watching this movie, if you try to fact-check stuff, you realize that many parts of it are fictitious. Then as you continue watching the movie, you wonder what you're watching. This movie is neither a good representa ... tion of reality nor a good work of fiction...
<em>'Blonde'</em> is a strange one. There is nothing about it that I'd scream from the rooftops about, yet the heavy run time of around 2hrs 47mins went by in an absolute flash - not once was I bored with what I was watching; I tend to check how long is left of a movie when I'm finding it dull, b ... ut with this I didn't check at all - as clear a sign as any that I obviously enjoyed it. I'm not fully convinced why, admittedly. I think it's just really interesting to watch from start-to-finish, the acting is very good and the film is put together well. I wasn't sure about having Ana de Armas as Marilyn Monroe during the first few scenes, though I quickly lost those thoughts as she gives a great performance. I get the criticisms (though how many biopics truly stick to reality?) but I predominantly judge films as films, and this is a very watchable one in my books. I'm not saying it's anything special, though for a near 3hr flick to fly by it evidently gave me what I require.
No wonder Marilyn Monroe overdosed on sleeping pills, I was suicidal well before this movie finished!! This movie is so depressing that it is hard to watch. I had to jump through numerous parts desperately looking for something even slightly uplifting. I failed. ...