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The Little Prince

Growing up isn't the problem... forgetting is.
2015 | 108m | English

(70174 votes)

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Popularity: 8 (history)

Details

Based on the best-seller book 'The Little Prince', the movie tells the story of a little girl that lives with resignation in a world where efficiency and work are the only dogmas. Everything will change when accidentally she discovers her neighbor that will tell her about the story of the Little Prince that he once met.
Release Date: Jul 29, 2015
Director: Mark Osborne
Writer: Mark Osborne, Irena Brignull, Bob Persichetti, Antoine de Saint-Exupéry
Genres: Animation, Family, Fantasy, Adventure
Keywords philosophy, parent child relationship, utopia, airplane, dystopia, little boy, growing up, stop motion, neighbor, school, old man, little girl, based on children's book, social differences
Production Companies Lucky Red, M6 Films, Orange Studio, ON Animation Studios, LPPTV
Box Office Revenue: $97,571,250
Budget: $64,000,000
Updates Updated: Feb 01, 2025
Entered: Apr 13, 2024
Trailers and Extras

Full Credits

Name Character
Riley Osborne The Little Prince (voice)
Mackenzie Foy The Little Girl (voice)
Jeff Bridges The Aviator (voice)
Rachel McAdams The Mother (voice)
Marion Cotillard The Rose (voice)
James Franco The Fox (voice)
Benicio del Toro The Snake (voice)
Bud Cort The King (voice)
Ricky Gervais The Conceited Man (voice)
Albert Brooks The Businessman (voice)
Paul Rudd Mr. Prince (voice)
Paul Giamatti The Academy Teacher (voice)
Jacquie Barnbrook The Nurse / The Worried Neighbor / The Snooty Panelist (voice)
Marcel Bridges The Concerned Neighbor (voice)
Jeffy Branion The Policeman (voice)
Maddie Osborne The Little Muse (voice)
Name Job
Mark Berrow Musician
Hans Zimmer Original Music Composer
Sarah Halley Finn Casting
Lou Romano Production Design
Jake Eberts In Memory Of
Tim Nielsen Additional Sound Re-Recording Mixer, Supervising Sound Editor, Sound Designer
Christopher Barnett Supervising Sound Editor, Sound Re-Recording Mixer
Ed Buller Additional Music
Thurop Van Orman Concept Artist
Mark Osborne Director, Writer
Tom Knott Other
Amanda ZIma Animation
Irena Brignull Screenplay
Blandine Masseron Legal Services
Moritz Borman Thanks
Sebastien Bruneau Lead Animator
Brice Picard Sound Mixer
Bertrand Dupuis Grip
Jacques Desanlis Lighting Artist
Philip Eddolls Animation
Joan Marc Fuentes Iglesias Animation
Nadine Lavoie Animation
Andrew Perez Animation
Jean-François Barthélémy Lead Animator
Thibaut Claeys Modeling
Aurélien Predal Visual Development
Jean-Bernard Marinot Line Producer
Nick DeMartino Compositors
Céline Roz-Locatelli Animation Manager
Alexandra Gunter Production Manager
Geoff Foster Score Engineer
Bill Connor Orchestrator
Adam Langston Orchestrator
Tania Simeons Animation
Jason Boose Animation Director
Ludovic Roz Lead Animator
Glenn Curry VFX Artist
Arliss Gammill Compositors
Philippe Lockerby Opening/Ending Animation
Claire Koonce Casting Associate
Astrid Gomez-Montoya Music Supervisor
Boris Maras Animation
David Rouxel Animation
Maxime Le Guil Mixing Engineer
Nathan Stornetta Additional Music
Anthony Scott Lead Animator
Pierre Nicolas Bayle Set Designer
Pantazidis Panagiotis Still Photographer
Jason Bone Set Designer
Patrick Magnin Grip
Daniel Laroc Carpenter
Erin Pomerantz Production Coordinator
Guilbaud Vincent Production Coordinator
Julie Bernier Gosselin Animation
Jocelyn Cofer Animation
Callum LaPrairie Animation
J. David Everhart Visual Effects Producer
Michel St-Martin Lighting Camera
Kathy Ann Thomas Production Coordinator
Alexandre Grynagier Set Designer
Ivy Buirette Assistant Editor
Benoit Salin Assistant Editor
Christophe Maunier Production Accountant
Stephen Coleman Orchestrator
Tania Simeons Animation
Ryan Yee Lead Animator
Kris Kapp Director of Photography
Lynne Kamm Production Director
Jocelyne Perrier Production Supervisor
Guy Madore Systems Administrators & Support
Rebecca Delannet Music Supervisor
Nathalie Tremblay Digital Compositors
Vincent McCrindle Modeling
Steve Mair Musician
Eric Toubal Compositors
Melody Alasset Production Coordinator
Sajmun Sachdev Production Coordinator
Jacques Daigle Animation
Daniel Pozo Animation
Dimos Vrysellas Animation
Laure Miard Visual Effects Coordinator
Cedric Schmitt CGI Director
Clément Ducol Orchestrator
François Moret Set Designer
Jared Curtis Assistant Editor
Catherine Wilson Music Editor
Claire Deberle Animation
Emily Döhler-Knox Animation
Emilie Goulet Animation
David Wesch Animation
Tanya Lyon Modeling
Catia Chien Visual Development
François Beaupré-Goulet Assistant Editor
Adel Abada Lighting Supervisor
Anthony De Francesco Assistant Sound Editor
Andrew Kinney Orchestrator
Andrew Kin Fun Chan Modeling
Corinne Merrell Art Direction
Nicolas Houle Digital Compositors
Fabien Charbonnier Systems Administrators & Support
Leonard B. Rosman Legal Services
Marie Bois Animation
Stéphanie Mercier Character Designer
John Silander Modeling
Guillaume Duchaussoy VFX Artist
Barth Maunoury Character Designer
Timothy Taylor Lighting Camera
William J. Saunders Production Manager
Shibo Xiao Lighting Artist
Massimo Meo Production Coordinator
Ken Fischer Sound Effects Editor
François Bonneville Animation
Stephanie Hyun-joo Lee Animation
Marc-André Baron Lead Animator
Trevor Deane-Freeman Lead Animator
Doug Winningham Foley Editor
Erik Daniel Post Production Supervisor
Yves Paquette Electrician
Nick Glennie-Smith Conductor
Gabriel Bégin Animation
Mitch Yager Animation
Celine Desrumaux Production Design
Matt Zell Compositors
Chloé Proulx Animation
Julien Buisseret Compositors
Graham Preskett Musician
Frederic Vicaire Set Designer
Aneesah Marie Assistant Editor
Stephen Lipson Scoring Mixer
Sven Holcomb Sound
Donald Chan Animation
Omar García Digital Compositors
Aaron Steadman Modeling
Christelle Lassort Musician
Nicolas Stretta Associate Editor
Tucker Bodine Sound Recordist
Behram Khoshroo Animation
Camille Cellucci Line Producer
Helder Sun Lighting Camera
Tom Pigott-Smith Musician
Alexandre de Broca Set Designer
Rachid Chikh CG Supervisor
Aleksandra Bjelica Production Coordinator
Izabela Bzymek Animation
Axel Digoix Animation
Grant Harris Animation
Bianca Siercke Animation
Kingsley Rothwell Digital Compositors
Peter DeSève Character Designer
Winston Hacking Assistant Art Director
Paul Duchesne Grip
Gordon Hashimoto Assistant Editor
Daniel Kearney Sound Recordist
Roy Stein Animation
Bessaguet Eléonore Digital Compositors
Pascal Bertrand Visual Effects Supervisor
Frédéric Côté Senior Animator
Marlène Poulin First Assistant Editor
Bob Persichetti Screenplay
Antoine de Saint-Exupéry Novel
Vincent Maraval Thanks
Richard Harvey Original Music Composer
Carole Kravetz Aykanian Editor
Matthew Landon Editor
Jackson Sze Conceptual Design
Stephen Hillenburg Thanks
Rachel Bolt Musician
Dominic Lewis Additional Music
Czarina Russell Additional Music
Benjamin Wallfisch Additional Music
Jonathan Borland Sound Effects Editor
Benjamin Massoubre Assistant Editor
Frédérick Neegan Siouï Trudel Lighting Artist
Tamara Hunter Casting Associate
Jason B. Stamey Casting Associate
Heikki Kossi Foley
Philip Klein Orchestrator
Stéphane Soubiran VFX Artist
Name Title
Paul Rassam Executive Producer
Frédérique Dumas-Zajdela Producer
Aton Soumache Producer
Thierry Pasquet Executive Producer
Chip Flaherty Executive Producer
Micheal Flaherty Executive Producer
Brice Garnier Associate Producer
Moritz Borman Executive Producer
Alexis Vonarb Producer
Olivier Rakoto Associate Producer
Jinko Gotoh Executive Producer
Dimitri Rassam Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 43 61 24
2024 5 61 74 46
2024 6 49 72 35
2024 7 49 80 26
2024 8 28 42 21
2024 9 23 34 17
2024 10 31 56 19
2024 11 31 52 19
2024 12 26 32 20
2025 1 28 41 20
2025 2 22 34 5
2025 3 10 32 2
2025 4 5 7 4
2025 5 5 5 4
2025 6 4 6 3
2025 7 4 8 4
2025 8 5 8 3
2025 9 6 8 4
2025 10 7 9 5

Trending Position


Year Month High Avg
2025 10 868 907
Year Month High Avg
2025 3 44 104
Year Month High Avg
2024 11 737 737

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Reviews

Rangan
9.0

> Growing up is not the problem. Forgetting is. I usually love the French animations, because unlike American, the stories, musics, characters that influences the thousands of year cultural history. Definitely not comparable to the Hollywood standards, but it had its own technical brilliance. All ... I wondered was why this film was in English language. It deserves to be on the upcoming's big occasion (2016 February), if it is eligible for the American Academy Awards. From the director of 'Kung Fu Panda' original movie, which was partially based on the children's novel. The book adaptation is the stop-motion animation and the remaining story's the regular 3D animation. Just remember the movies like 'What Dreams May Come' and 'The Lovely Bones', those magical worlds and breathtaking landscapes. Usually animations are associated with comedy genre, especially when a child character attached to it. This film was not even a comedy, more like those two titles I mentioned. The screenplay wise it was a very 'Neverwas' type, except this one was an animation. But appropriate for people of all ages. The kids can realise the importance of their childhood and the older people can become kids again. The film compressed the gap and erected a bridge between the two hoods, the childhood and the adulthood. > "What is essential is invisible to the eye." I did not know what to expect from it, but I highly satisfied with the final product. The film characters had no names, but called, the Little Girl, Mother, Fox, Rose, Snake, King et cetera as what their role is and species. Barely there are only 3-4 characters where the story was focused. Obviously it had a villain, but very unusual existence time and in a crucial part of the story. I don't remember how the 100 minutes went so fast like a ray of the light beam flashed away. The pace of narration was not a rushy, except the opening part. But once the old man character, the Aviator, voiced by Jeff Bridge was introduced, the movie turned into completely different and awesome. Yes, Jeff Bridge's voice was so good for the background narration. This story is about an old man who refused to grow up mentally and believes the existence of the magical stars and planets. The whole neighborhood stayed away from him and his troubles, until a new girl arrives at the next door. The little girl befriends him and falls for all his stories discarding her daily routines, but later it complicates their relationship after her mother finds out what they're up to. What happens to them and how the story concludes is the remaining part. > "She was not a common rose. > She was the only one of her kind in the whole universe." This story was finely fused between the reality and fantasy. Most essential storyline for the present world. In the name of education how the children were enforced by their parents to mechanical life with less time to play out and make their own friends. Especially as they were lacking the creativity to make up their own fictional worlds with their toys like the kids from a century ago were. It might psychologically affect their characters while becoming an adult like the Aviator in this film, but as one of lines from the movie say 'Growing up is not the problem. Forgetting is', the children are losing their innocence over the adult's reality world. Who knows, someday those kids may become the greatest writer inspired by their childhood days. If you ask me, I strongly recommend it for all. It is very encouraging film for the parents how not to raise their children and for the grown ups how not to get lost is the adult world. Most elegant flick of the year, along with a very few others. You don't have to ignore it because you have read the book, like I said it was not completely borrowed from the original material. Instead, two-third of the film was freshly established out of the same name masterpiece. I'm not familiar with the book, so I've no thoughts that differentiate between these two formats. But definitely the film deserved all the appreciation from critics and movie 9½/10

May 16, 2024