Popularity: 8 (history)
| Director: | Mark Osborne |
|---|---|
| Writer: | Mark Osborne, Irena Brignull, Bob Persichetti, Antoine de Saint-Exupéry |
| Staring: |
| Based on the best-seller book 'The Little Prince', the movie tells the story of a little girl that lives with resignation in a world where efficiency and work are the only dogmas. Everything will change when accidentally she discovers her neighbor that will tell her about the story of the Little Prince that he once met. | |
| Release Date: | Jul 29, 2015 |
|---|---|
| Director: | Mark Osborne |
| Writer: | Mark Osborne, Irena Brignull, Bob Persichetti, Antoine de Saint-Exupéry |
| Genres: | Animation, Family, Fantasy, Adventure |
| Keywords | philosophy, parent child relationship, utopia, airplane, dystopia, little boy, growing up, stop motion, neighbor, school, old man, little girl, based on children's book, social differences |
| Production Companies | Lucky Red, M6 Films, Orange Studio, ON Animation Studios, LPPTV |
| Box Office |
Revenue: $97,571,250
Budget: $64,000,000 |
| Updates |
Updated: Feb 01, 2025 Entered: Apr 13, 2024 |
| Name | Character |
|---|---|
| Riley Osborne | The Little Prince (voice) |
| Mackenzie Foy | The Little Girl (voice) |
| Jeff Bridges | The Aviator (voice) |
| Rachel McAdams | The Mother (voice) |
| Marion Cotillard | The Rose (voice) |
| James Franco | The Fox (voice) |
| Benicio del Toro | The Snake (voice) |
| Bud Cort | The King (voice) |
| Ricky Gervais | The Conceited Man (voice) |
| Albert Brooks | The Businessman (voice) |
| Paul Rudd | Mr. Prince (voice) |
| Paul Giamatti | The Academy Teacher (voice) |
| Jacquie Barnbrook | The Nurse / The Worried Neighbor / The Snooty Panelist (voice) |
| Marcel Bridges | The Concerned Neighbor (voice) |
| Jeffy Branion | The Policeman (voice) |
| Maddie Osborne | The Little Muse (voice) |
| Name | Job |
|---|---|
| Mark Berrow | Musician |
| Hans Zimmer | Original Music Composer |
| Sarah Halley Finn | Casting |
| Lou Romano | Production Design |
| Jake Eberts | In Memory Of |
| Tim Nielsen | Additional Sound Re-Recording Mixer, Supervising Sound Editor, Sound Designer |
| Christopher Barnett | Supervising Sound Editor, Sound Re-Recording Mixer |
| Ed Buller | Additional Music |
| Thurop Van Orman | Concept Artist |
| Mark Osborne | Director, Writer |
| Tom Knott | Other |
| Amanda ZIma | Animation |
| Irena Brignull | Screenplay |
| Blandine Masseron | Legal Services |
| Moritz Borman | Thanks |
| Sebastien Bruneau | Lead Animator |
| Brice Picard | Sound Mixer |
| Bertrand Dupuis | Grip |
| Jacques Desanlis | Lighting Artist |
| Philip Eddolls | Animation |
| Joan Marc Fuentes Iglesias | Animation |
| Nadine Lavoie | Animation |
| Andrew Perez | Animation |
| Jean-François Barthélémy | Lead Animator |
| Thibaut Claeys | Modeling |
| Aurélien Predal | Visual Development |
| Jean-Bernard Marinot | Line Producer |
| Nick DeMartino | Compositors |
| Céline Roz-Locatelli | Animation Manager |
| Alexandra Gunter | Production Manager |
| Geoff Foster | Score Engineer |
| Bill Connor | Orchestrator |
| Adam Langston | Orchestrator |
| Tania Simeons | Animation |
| Jason Boose | Animation Director |
| Ludovic Roz | Lead Animator |
| Glenn Curry | VFX Artist |
| Arliss Gammill | Compositors |
| Philippe Lockerby | Opening/Ending Animation |
| Claire Koonce | Casting Associate |
| Astrid Gomez-Montoya | Music Supervisor |
| Boris Maras | Animation |
| David Rouxel | Animation |
| Maxime Le Guil | Mixing Engineer |
| Nathan Stornetta | Additional Music |
| Anthony Scott | Lead Animator |
| Pierre Nicolas Bayle | Set Designer |
| Pantazidis Panagiotis | Still Photographer |
| Jason Bone | Set Designer |
| Patrick Magnin | Grip |
| Daniel Laroc | Carpenter |
| Erin Pomerantz | Production Coordinator |
| Guilbaud Vincent | Production Coordinator |
| Julie Bernier Gosselin | Animation |
| Jocelyn Cofer | Animation |
| Callum LaPrairie | Animation |
| J. David Everhart | Visual Effects Producer |
| Michel St-Martin | Lighting Camera |
| Kathy Ann Thomas | Production Coordinator |
| Alexandre Grynagier | Set Designer |
| Ivy Buirette | Assistant Editor |
| Benoit Salin | Assistant Editor |
| Christophe Maunier | Production Accountant |
| Stephen Coleman | Orchestrator |
| Tania Simeons | Animation |
| Ryan Yee | Lead Animator |
| Kris Kapp | Director of Photography |
| Lynne Kamm | Production Director |
| Jocelyne Perrier | Production Supervisor |
| Guy Madore | Systems Administrators & Support |
| Rebecca Delannet | Music Supervisor |
| Nathalie Tremblay | Digital Compositors |
| Vincent McCrindle | Modeling |
| Steve Mair | Musician |
| Eric Toubal | Compositors |
| Melody Alasset | Production Coordinator |
| Sajmun Sachdev | Production Coordinator |
| Jacques Daigle | Animation |
| Daniel Pozo | Animation |
| Dimos Vrysellas | Animation |
| Laure Miard | Visual Effects Coordinator |
| Cedric Schmitt | CGI Director |
| Clément Ducol | Orchestrator |
| François Moret | Set Designer |
| Jared Curtis | Assistant Editor |
| Catherine Wilson | Music Editor |
| Claire Deberle | Animation |
| Emily Döhler-Knox | Animation |
| Emilie Goulet | Animation |
| David Wesch | Animation |
| Tanya Lyon | Modeling |
| Catia Chien | Visual Development |
| François Beaupré-Goulet | Assistant Editor |
| Adel Abada | Lighting Supervisor |
| Anthony De Francesco | Assistant Sound Editor |
| Andrew Kinney | Orchestrator |
| Andrew Kin Fun Chan | Modeling |
| Corinne Merrell | Art Direction |
| Nicolas Houle | Digital Compositors |
| Fabien Charbonnier | Systems Administrators & Support |
| Leonard B. Rosman | Legal Services |
| Marie Bois | Animation |
| Stéphanie Mercier | Character Designer |
| John Silander | Modeling |
| Guillaume Duchaussoy | VFX Artist |
| Barth Maunoury | Character Designer |
| Timothy Taylor | Lighting Camera |
| William J. Saunders | Production Manager |
| Shibo Xiao | Lighting Artist |
| Massimo Meo | Production Coordinator |
| Ken Fischer | Sound Effects Editor |
| François Bonneville | Animation |
| Stephanie Hyun-joo Lee | Animation |
| Marc-André Baron | Lead Animator |
| Trevor Deane-Freeman | Lead Animator |
| Doug Winningham | Foley Editor |
| Erik Daniel | Post Production Supervisor |
| Yves Paquette | Electrician |
| Nick Glennie-Smith | Conductor |
| Gabriel Bégin | Animation |
| Mitch Yager | Animation |
| Celine Desrumaux | Production Design |
| Matt Zell | Compositors |
| Chloé Proulx | Animation |
| Julien Buisseret | Compositors |
| Graham Preskett | Musician |
| Frederic Vicaire | Set Designer |
| Aneesah Marie | Assistant Editor |
| Stephen Lipson | Scoring Mixer |
| Sven Holcomb | Sound |
| Donald Chan | Animation |
| Omar García | Digital Compositors |
| Aaron Steadman | Modeling |
| Christelle Lassort | Musician |
| Nicolas Stretta | Associate Editor |
| Tucker Bodine | Sound Recordist |
| Behram Khoshroo | Animation |
| Camille Cellucci | Line Producer |
| Helder Sun | Lighting Camera |
| Tom Pigott-Smith | Musician |
| Alexandre de Broca | Set Designer |
| Rachid Chikh | CG Supervisor |
| Aleksandra Bjelica | Production Coordinator |
| Izabela Bzymek | Animation |
| Axel Digoix | Animation |
| Grant Harris | Animation |
| Bianca Siercke | Animation |
| Kingsley Rothwell | Digital Compositors |
| Peter DeSève | Character Designer |
| Winston Hacking | Assistant Art Director |
| Paul Duchesne | Grip |
| Gordon Hashimoto | Assistant Editor |
| Daniel Kearney | Sound Recordist |
| Roy Stein | Animation |
| Bessaguet Eléonore | Digital Compositors |
| Pascal Bertrand | Visual Effects Supervisor |
| Frédéric Côté | Senior Animator |
| Marlène Poulin | First Assistant Editor |
| Bob Persichetti | Screenplay |
| Antoine de Saint-Exupéry | Novel |
| Vincent Maraval | Thanks |
| Richard Harvey | Original Music Composer |
| Carole Kravetz Aykanian | Editor |
| Matthew Landon | Editor |
| Jackson Sze | Conceptual Design |
| Stephen Hillenburg | Thanks |
| Rachel Bolt | Musician |
| Dominic Lewis | Additional Music |
| Czarina Russell | Additional Music |
| Benjamin Wallfisch | Additional Music |
| Jonathan Borland | Sound Effects Editor |
| Benjamin Massoubre | Assistant Editor |
| Frédérick Neegan Siouï Trudel | Lighting Artist |
| Tamara Hunter | Casting Associate |
| Jason B. Stamey | Casting Associate |
| Heikki Kossi | Foley |
| Philip Klein | Orchestrator |
| Stéphane Soubiran | VFX Artist |
| Name | Title |
|---|---|
| Paul Rassam | Executive Producer |
| Frédérique Dumas-Zajdela | Producer |
| Aton Soumache | Producer |
| Thierry Pasquet | Executive Producer |
| Chip Flaherty | Executive Producer |
| Micheal Flaherty | Executive Producer |
| Brice Garnier | Associate Producer |
| Moritz Borman | Executive Producer |
| Alexis Vonarb | Producer |
| Olivier Rakoto | Associate Producer |
| Jinko Gotoh | Executive Producer |
| Dimitri Rassam | Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 43 | 61 | 24 |
| 2024 | 5 | 61 | 74 | 46 |
| 2024 | 6 | 49 | 72 | 35 |
| 2024 | 7 | 49 | 80 | 26 |
| 2024 | 8 | 28 | 42 | 21 |
| 2024 | 9 | 23 | 34 | 17 |
| 2024 | 10 | 31 | 56 | 19 |
| 2024 | 11 | 31 | 52 | 19 |
| 2024 | 12 | 26 | 32 | 20 |
| 2025 | 1 | 28 | 41 | 20 |
| 2025 | 2 | 22 | 34 | 5 |
| 2025 | 3 | 10 | 32 | 2 |
| 2025 | 4 | 5 | 7 | 4 |
| 2025 | 5 | 5 | 5 | 4 |
| 2025 | 6 | 4 | 6 | 3 |
| 2025 | 7 | 4 | 8 | 4 |
| 2025 | 8 | 5 | 8 | 3 |
| 2025 | 9 | 6 | 8 | 4 |
| 2025 | 10 | 7 | 9 | 5 |
Trending Position
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 10 | 868 | 907 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 3 | 44 | 104 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2024 | 11 | 737 | 737 |
> Growing up is not the problem. Forgetting is. I usually love the French animations, because unlike American, the stories, musics, characters that influences the thousands of year cultural history. Definitely not comparable to the Hollywood standards, but it had its own technical brilliance. All ... I wondered was why this film was in English language. It deserves to be on the upcoming's big occasion (2016 February), if it is eligible for the American Academy Awards. From the director of 'Kung Fu Panda' original movie, which was partially based on the children's novel. The book adaptation is the stop-motion animation and the remaining story's the regular 3D animation. Just remember the movies like 'What Dreams May Come' and 'The Lovely Bones', those magical worlds and breathtaking landscapes. Usually animations are associated with comedy genre, especially when a child character attached to it. This film was not even a comedy, more like those two titles I mentioned. The screenplay wise it was a very 'Neverwas' type, except this one was an animation. But appropriate for people of all ages. The kids can realise the importance of their childhood and the older people can become kids again. The film compressed the gap and erected a bridge between the two hoods, the childhood and the adulthood. > "What is essential is invisible to the eye." I did not know what to expect from it, but I highly satisfied with the final product. The film characters had no names, but called, the Little Girl, Mother, Fox, Rose, Snake, King et cetera as what their role is and species. Barely there are only 3-4 characters where the story was focused. Obviously it had a villain, but very unusual existence time and in a crucial part of the story. I don't remember how the 100 minutes went so fast like a ray of the light beam flashed away. The pace of narration was not a rushy, except the opening part. But once the old man character, the Aviator, voiced by Jeff Bridge was introduced, the movie turned into completely different and awesome. Yes, Jeff Bridge's voice was so good for the background narration. This story is about an old man who refused to grow up mentally and believes the existence of the magical stars and planets. The whole neighborhood stayed away from him and his troubles, until a new girl arrives at the next door. The little girl befriends him and falls for all his stories discarding her daily routines, but later it complicates their relationship after her mother finds out what they're up to. What happens to them and how the story concludes is the remaining part. > "She was not a common rose. > She was the only one of her kind in the whole universe." This story was finely fused between the reality and fantasy. Most essential storyline for the present world. In the name of education how the children were enforced by their parents to mechanical life with less time to play out and make their own friends. Especially as they were lacking the creativity to make up their own fictional worlds with their toys like the kids from a century ago were. It might psychologically affect their characters while becoming an adult like the Aviator in this film, but as one of lines from the movie say 'Growing up is not the problem. Forgetting is', the children are losing their innocence over the adult's reality world. Who knows, someday those kids may become the greatest writer inspired by their childhood days. If you ask me, I strongly recommend it for all. It is very encouraging film for the parents how not to raise their children and for the grown ups how not to get lost is the adult world. Most elegant flick of the year, along with a very few others. You don't have to ignore it because you have read the book, like I said it was not completely borrowed from the original material. Instead, two-third of the film was freshly established out of the same name masterpiece. I'm not familiar with the book, so I've no thoughts that differentiate between these two formats. But definitely the film deserved all the appreciation from critics and movie 9½/10