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Tale of Tales Poster

Tale of Tales

Desire. Envy. Obsession.
2015 | 134m | Italian

(1701 votes)

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Popularity: 2 (history)

Details

The Queen of Selvascura risks everything to be a mother; the King of Roccaforte falls in love with the voice of a mysterious girl; the King of Altomonte becomes obsessed with a flea and neglects his daughter.
Release Date: May 14, 2015
Director: Matteo Garrone
Writer: Giambattista Basile, Edoardo Albinati, Matteo Garrone, Massimo Gaudioso, Ugo Chiti
Genres: Fantasy, Romance, Horror
Keywords witch, queen, castle, king, twins, ogre, flea, mother son relationship, father daughter relationship, sister sister relationship, intense, ambivalent, audacious
Production Companies RAI, HanWay Films, Le Pacte, Recorded Picture Company, Archimede, New Sparta Films
Box Office Revenue: $5,500,277
Budget: $12,000,000
Updates Updated: Jan 14, 2026
Entered: Jan 14, 2026
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Full Credits

Name Character
Salma Hayek Pinault Queen of Longtrellis
Vincent Cassel King of Strongcliff
Toby Jones King of Highhills
Shirley Henderson Imma
Hayley Carmichael Dora
Bebe Cave Violet
Stacy Martin Young Dora
Christian Lees Elias
Jonah Lees Jonah
Guillaume Delaunay Ogre
Alba Rohrwacher Mother Circus Performer
Massimo Ceccherini Father Circus Performer
John C. Reilly King of Longtrellis
Laura Pizzirani Jonah's Mother
Franco Pistoni Necromancer
Jessie Cave Fenizia
Michael Martini 1st Circus Boy
Alessandro Campagna 2nd Circus Boy
Lorenzo Bernardi Contortionist
Giselda Volodi Lady-in-Waiting
Giuseppina Cervizzi Lady-in-Waiting
Luisa Ragusa Lady-in-Waiting
Giovanni Calcagno Court Knights
Stefano Strufaldi Court Cardinal
Giuseppe Carnemolla Court Astrologer
Diego Parenti Baby Elias
Gherardo Toccafondi Baby Elias
Lorenzo Mastronardi Baby Jonah
Paolo Risi Court Jester
Giuliano Del Taglia Court Jester
Betty La Padula Court Jester
Kathryn Hunter Witch
Ryan McParland Lackey
Kenneth Collard Knife Sharpener
Renato Scarpa Barber
Guenda Goria 1st Maid of Honour
Catrinel Marlon 2nd Maid of Honour
Talita Bartoli Courtesan
Cristiana Vaccaro Courtesan
Elizabeth Kinnear Courtesan
Andrea Rodriguez Courtesan
Sabrina La Torre Courtesan
Eric MacLennan Doctor
Nicola Sloane Violet's Handmaiden
Davide Campagna Circus Performer
Giulio Beranek Circus Performer
Vincenzo Nemolato Circus Performer
Martina Laticignola Young Violet
Andrea Loreni Tightrope Walker
Vincenzo Pellegrini Suitor
Francesco Lo Mascolo Suitor
Maxence Dinant Suitor
Tiziana Buldini Dead Queen of Longtrellis (uncredited)
Name Job
Alexandre Desplat Original Music Composer
Marco Furbatto Art Direction
Gianpaolo Rifino Supervising Art Director
Eleonora Patriarca First Assistant Camera
Jon Flores Sound Effects Editor
Biasi Pierangela Makeup Artist
Maricetta Lombardo Sound Recordist
Jina Jay Casting Director
Gennaro Aquino Location Manager
Peter Suschitzky Director of Photography
Massimo Pauletto Art Direction
Patrizia Barbera Assistant Costume Designer
Amedeo Califano Visual Effects Coordinator
Leslie Bloome Foley Artist
Joanna Fang Foley Artist
Ryan Collison Foley Mixer
Daniel Ward Foley Editor
Xavier Forcioli Music Coordinator
Giambattista Basile Book
Edoardo Albinati Screenplay, Story
Andrea Tagliaferri First Assistant Director
Nunzia De Stefano Other
Matteo Garrone Director, Screenplay, Story
Marco Spoletini Editor
Alessia Anfuso Set Decoration
Alessandro Contenta Animation
Marco Streccioni Sound Engineer
Diego Prestopino Makeup Artist
Monica Verzolini Post Production Supervisor
Massimo Gaudioso Screenplay, Story
Massimo Cantini Parrini Costume Design
Leslie Shatz Sound Designer, Sound Mixer
Marina Angela Ruiz Seamstress
Bruno Albi Marini Visual Effects Supervisor
Francesco Pegoretti Hair Designer
Gino Tamagnini Makeup Designer
Sebastiano Murer Property Master
Ugo Chiti Screenplay, Story
Leonardo Cruciano VFX Supervisor, Special Effects Supervisor
Gianluca Chiaretti Line Producer
Dimitri Capuani Production Design
Veronica Spadaro Seamstress
Nicola Sganga Visual Effects Supervisor
Novella Borghi Makeup Artist
Valter Casotto Prosthetic Supervisor
Davide D'Onofrio Boom Operator
Michela Rossi Unit Production Manager
Paolo Trotta First Assistant Director
Nicola Deorsola First Assistant Director
Chiara Polizzi Casting
Alessandro Brambilla Camera Operator
Marta Billingsley Sound Editor
Alessandro Feletti Sound Editor
Francesca Di Giamberardino Title Designer
Stefano Pajetta Title Graphics
Name Title
Jeremy Thomas Producer
Anne Sheehan Executive Producer
Paolo Del Brocco Co-Producer
Jean Labadie Producer
Alessio Lazzareschi Executive Producer
Anne-Laure Labadie Producer
Matteo Garrone Producer
Nicki Hattingh Executive Producer
Peter Watson Executive Producer
Sheryl Crown Executive Producer
Organization Category Person
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Popularity History


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Reviews

Rangan
8.0

**The flea, the flay and an offspring.** It's shocking to find how much this film was underrated. Certainly it is not a fairytale like from the Disney production. That mean not for the children, but for the adults. Based on the collections of tales by some 17th century Italian poet. All the tales ... blended together so well, You won't even feel the familiarity with the original tale, because the modifications were at its best. So I appreciate the writer first, and then the director, followed by the actors. Since the film has a multiple story narrative layer, like three, the opening and the ending was common to all. But soon after the initiative, the tales go separate ways with its own twists and turns and conclusion, till again falling back in the line to finish it off the film. First a royal couple tend to do anything to have their own child. After many years, having no luck with the pregnancy, they now follow the instruction given by a necromancer. The result is most certain, but not without a negative effect. The desperate couple sacrifices greater to have a child. The remaining story takes place in the few years later where a royal born child and his mother have differences. A fresh complication arises that puts the mother again in a tight spot. How it is going to be solved narrated in the following parts. In the second story, the king of a hill castle is obsessed with his new insect pet. That leads him to neglect his own daughter who is dreaming of getting married and have a great life. But the things are not going well between father and daughter with her mother's absence. When the king comes to realise that, he comes with an agenda to achieve two things in one shot. That does not please his daughter, and soon she ends up in the hands of an ogre. The remaining is to tell us what happens to her in a thrilling way. This is the story of a father's responsibility. If his wife was alive, their daughter would have been taken care at best. Compared to the others, this tale gets more exciting and edgy, even the locations. Of course they have used blue/green screens, but still beautiful like the one from the top of the castle scene. I liked the casting for this, particularly the princess part. > "The equilibrium of the world must be maintained." The third tale is about a lustful king. One day when he hears a woman singing in a beautiful voice, the next minutes he lands on her home's front door, not knowing the woman is aged and has the wrinkle skin. But she and her sisters play along hiding behind the door and asks for a favour in order to win them back, I mean one of them. So how the rest of the story develops and who gets what, followed by a twist, it comes to an end. It is a spectacular film. But not visually as the fairy tales told in the present Hollywood films. Particularly, it minimised the computer related special effects. So it was more realistic, yet you will get that fantasy feel with how the tales shape up. It's a black comedy, and that's an absolutely well done part. You know designing the dark humours are not an easy task and this film has three layers, though not all of them has them. The conclusions were so perfect, reminds us the happy and sad are the parts of our life. Over two hours long film, there's no drag in the narration. The length is because of the three tales and each one was narrated with a pretty good pace. But still it gives the impression the film is slow and that's for being silent like less background score in the most of the parts. From Salma Hayek to Toby Jones, Vincent Cassel, all were so good. The casting was the advantage for the film to shape up well. Since it is an international project, that will help the global audience to their comfort. The director's first English language film and I think I'm going to keep an eye on his future projects. Certainly I have not seen such film like this, not in the todays cinema. The film was like in the old days. It does not deliver a couple of quick jokes and/or breathtaking visual effects, but the depth of the tale was good. The writers, director did not hesitate to add extra minutes to get what they wanted. I would have liked it if another layer of the tale was included and extended for another 30 or more minutes. For the grown ups, I suggest it not to miss, you won' get a film like this often. _8/10_

May 16, 2024