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Brimstone Poster

Brimstone

Retribution is coming
2016 | 148m | English

(48112 votes)

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Popularity: 2 (history)

Details

In the menacing inferno of the old North-American West, Liz is a genuine survivor who is hunted by a vengeful preacher for a crime she didn’t commit.
Release Date: Mar 12, 2016
Director: Martin Koolhoven
Writer: Martin Koolhoven
Genres: Thriller, Western
Keywords suicide, prostitute, rape, gun, obsession, villain, mute, religion, brutality, church, religious fundamentalism, cowboy, misogyny, retribution, reverend, sign languages, abuse
Production Companies X Filme Creative Pool, Canal+, Film i Väst, Backup Media, Ciné+, Prime Time, Cine Tirol, Proton Cinema, Illusion Film, N279 Entertainment, New Sparta Films, FilmWave, Embankment Films, The Jokers Films, Paradiso Filmed Entertainment
Box Office Revenue: $0
Budget: $13,000,000
Updates Updated: Feb 01, 2025
Entered: Apr 13, 2024
Trailers and Extras

International Posters

Full Credits

Name Character
Guy Pearce The Reverend
Dakota Fanning Liz
Carice van Houten Anna
Kit Harington Samuel
Vera Vitali Sally
Emilia Jones Joanna
Paul Anderson Frank
William Houston Eli
Charlotte Croft Abigail
Ivy George Sam
Bill Tangradi Nathan
Jack Roth Wolf
Jack Hollington Matthew
Carla Juri Elizabeth Brundy
Frederick Schmidt Sheriff Zeke
Naomi Battrick Narrator
Tygo Gernandt Crawling Outlaw
Alexandra Guelff Working Girl
Adrian Sparks Eli's Father
Justin Salinger Doctor
Peter Blankenstein Man in Gunfight
Dorian Lough Street Preacher
Natascha Szabo Working Girl
Martha Mackintosh Pregnant Woman
Joe David Walters Sally's Customer
Sam Louwyck Marriage Broker
Dan van Husen Coach Driver
Joseph Kennedy Husband of Pregnant Woman
Bob Stoop Drunken Miner #2
Henry Buchmann Mine Worker
Fergus O'Donnell Fred Eastman
Hon Ping Tang Meng
Andrew Harwood Mills Man at Bar
Ad van Kempen Arie
Ellie Shenker Young Girl
Frieda Pittoors Agatha
Sid Van Oerle Drunken Miner #1
Amelie Ha Chinese Girl
Irene van Guin Working Girl
Judith Edixhoven Working Girl
Talizia Hoysang Working Girl
Paula Siu Meng's Wife
Griffin Stevens Customer
Lydia Pauley Working Girl
Isabella Depeweg Working Girl
Florentine Seuffert Working Girl
Sue Maund Abigail's Mother
Elizabeth Müller Working Girl
Alexandra Wirth Working Girl
Baely Saunders Jackie
Stephanie Andrzejewski Working Girl
Rebecca Theresa Schedler Working Girl
Danila Linzke Working Girl
Hans-Joachim van Wanrooij Blacksmith
Farren Morgan Mike
Julie Plitschke Working Girl
Raimond van Soest Dead Man #1
Katharina Frucht Working Girl
Leon van Waas Barman
Ian Xu Chinese Boy
Ninh Kerger Chinese Pedestrian
Name Job
Martin Koolhoven Director, Writer
Job ter Burg Editor
Rogier Stoffers Director of Photography
Ákos Baji Swing
Els Laar Van Tailor
Mieke de Jong Script Consultant
Antoin Cox Production Sound Mixer
Franco Ferrini Story Consultant
Tom Holkenborg Original Music Composer
Ellen Lens Costume Design
Zoltán Frank Set Decoration
Daniel Timm Unit Manager
Heike Wolf-Aury Set Decoration
Els Rastelli Script Supervisor
Sasi Bejczy Production Coordinator
Stephan Barth Line Producer
Thomas Fuchs Location Scout
Sian Bolland Production Manager
Lara Manwaring Casting
Jenny Dechene Seamstress
Ildikó Makk Hairstylist
Maria Juhász Seamstress
Katja Schulze Makeup Artist
Timea Szendrey Szábo Seamstress
Daan Dillo Key Grip
Theresa Anna Luther Set Costumer
Moritz Heinlin Property Master
Robert Eder Aerial Camera
Eva Stabo Seamstress
Cornelia Arnold Seamstress
Jens Döldissen Special Effects Supervisor
Christina Budnewski Tailor
Floris Vos Production Design
Maarten Piersma Art Direction, Construction Manager
Lucy Amos Casting Associate
Adam Heisler Unit Manager
Elan Jones Casting Associate
Gábor Csöge Production Manager
Dániel Gudmon Location Manager
Fabio Stoll Camera Operator
Henk Pelger Tailor
Linda Mester Art Department Coordinator
Marie-Therese Jacobse Tailor
Nadin Hollasch Set Costumer
Lisa Spengler Set Costumer
Lorena Eracle Makeup Artist
Tim Janssens Gaffer
Nina Düffort Hairstylist
Marjon Hoogendoorn Key Hair Stylist
Tom Langner Property Master
Milou van der Kolff Production Coordinator
Todd Van Hulzen Set Designer
Niko Post Line Producer
Marianne van Hardeveld Production Manager
Dennis Simonis Makeup Artist
Felix Ryckebusch Lighting Technician
Malin Leuchovius Visual Effects Producer
Hans van Helden Visual Effects Supervisor
Birgit Hofbauer Costume Supervisor
Petra Becker Tailor
Eszter Petneházy Seamstress
Annemarie Gerritsen Key Makeup Artist
Philippe Antonello Still Photographer
Monique Bredow Makeup Artist
Irene Prokopets Visual Effects Coordinator
Mattijs Van Doninck Lighting Technician
Dóra Papp Set Costumer
Lisa Folkens Art Department Coordinator
Gabriele Klinke Tailor
Gustav Törnroth Visual Effects Supervisor
Nadja März Hairstylist
Katharina Drescher Set Costumer
Dana Guerra Seamstress
Leendert van Nimwegen Makeup Designer
Ibolya Rudas Seamstress
Dörte Dobkowitz Makeup Artist
Bálint Seress Underwater Camera
Csuka Erzsébet Tailor
Freek Huijs Boom Operator
Antony Gray Dialogue Editor
Tamás Lindenberger Armorer
Florian Engelhardt First Assistant Director
Vera Várszegi Assistant Set Decoration
Daniel Lange Construction Manager
József Gál Painter
Zoltán Szabó Painter
Tokaji Zoltán Prop Maker
Saga Fermin Set Dresser
Christian Jess Set Dresser
Arnold Gerhát Set Dresser
Marc Hammel Set Dresser
Katja Larcher Set Painter
Ron Van Beusekom Set Painter
Purevsuren Ulziisaikhan Swing
Sándor Csali Electrician
Nora Pinter Costumer
Rosemoon Cunningham Wardrobe Assistant
Iris Müller Extras Casting
Veronika Varjasi Extras Casting
Andrea Eusebi Special Effects Makeup Artist
Robert Searl ADR Recordist
Julien Naudin Foley Artist
Alek Goosse Sound Re-Recording Mixer
Olivier Gilles Compositing Artist
Denis Reva Digital Compositor
Michael Timoshenko Digital Compositor
Elin Kothe Matte Painter
Jesse Hovestreijdt Title Designer
Tony Kock Digital Intermediate Producer
Yvonne Kowal Production Accountant
Josie Taalman Production Coordinator
Charlotte Bouman Publicist
Klára Riesz Seamstress
Luc Brefeld Camera Operator
Karin Scholl Hairstylist
Niels Koopman Assistant Editor
Martijn Lofvers Researcher
Iván Steiner Armorer
Jakob van Oosterhout Music Editor
René Riqui Assistant Property Master
Lajos Zdroba Construction Manager
István Szabó Painter
Orosz Tamás Prop Maker
Ulrike Eversmeier Set Dresser
Anja Heinicke Set Dresser
Yasmin Pochert Set Dresser
Patrik Zölei Set Dresser
Anja Hentze Set Painter
Wendy Valentijn Set Painter
Janek Anderwald Swing
Dániel Major Swing
Peter Tambach Best Boy Grip
Floris van der Lee First Assistant Camera
Gina Steiniger Wardrobe Assistant
Munkhzul Purevdorj Wardrobe Assistant
Nico Müller Extras Casting
Anke Thot Makeup & Hair
Robin Overeem ADR Recordist
Forbes Noonan ADR Recordist
Vincent Maloumian Foley Artist
Dimitri Breidenbach Compositing Artist
Gabriel Naveau Compositing Artist
Frank Spies Digital Compositor
Laureline Silan Digital Compositor
Sander Jansen Visual Effects Supervisor
Miga Bär Digital Intermediate Producer
Stephanie Pepperl Assistant Production Coordinator
Marie Christin Wartenberg Production Coordinator
Sarah Depeweg Production Executive
Chris W. Mitchell Story Consultant
Herman Pieëte Sound Re-Recording Mixer, Supervising Sound Editor
Kasper van Wieringen Sound Recordist
Fiú László Armorer
Kate Leys Script Editor
Janine Baumgarten Assistant Property Master
Santa-Yanah Wullems Carpenter
Mark Stolte Construction Manager
József Juhász Painter
György Barta Prop Maker
Robert Wiesner Prop Maker
Torsten Haubold Set Dresser
Werner Knoof Set Dresser
András Honek Set Dresser
Nora Ferl Set Painter
Sanne Terweij Set Painter
Raimond van Soest Storyboard Artist
Kriztián Farkas Swing
Martin Hemzsel Assistant Camera
Tibor Novák Electrician
Gabriella Schwarz Costumer
Carolina Mateos Wardrobe Assistant
Marcel Müller Extras Casting
Carlos Sotolongo ADR Mixer
Markus Glunz ADR Recordist
Céline Bernard Foley Artist
Bianca Steenhagen Foley Artist
Margaux Masson Compositing Artist
Aleksei Sidorenko Digital Compositor
Ivan Lindfors Digital Compositor
Sean Wheelan Visual Effects Producer
Martin Klein Colorist
Brigitta Karádi Assistant Production Coordinator
Fien Carlier Production Assistant
Anja Wedell Production Executive
Des Hamilton Casting
Adam Davidson ADR Recordist
Name Title
Nicki Hattingh Executive Producer
Anne Sheehan Executive Producer
Hugo Grumbar Executive Producer
Violaine Barbaroux Co-Producer
Joel Thibout Executive Producer
Tim Haslam Executive Producer
Uwe Schott Producer
Peter Hiltunen Co-Producer
Sheryl Crown Executive Producer
Antonino Lombardo Co-Producer
Paul Trijbits Co-Producer
Alex Verbaere Associate Producer
Nik Powell Executive Producer
David Claikens Associate Producer
Manuel Chiche Co-Producer
Jean-Baptiste Babin Executive Producer
Els Vandevorst Producer
Simon Perry Co-Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
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2025 8 2 3 2
2025 9 2 3 2
2025 10 2 2 2

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Reviews

Ruuz
5.0

"If you thought Guy Pearce was a scumbag in part 1 just wait 'til you see part 2! If you thought Guy Pearce was a scumbag in part 2 just wait 'til you see part 3! If you thought Guy Pearce was a scumbag in part 3 just wait 'til you see part 4! If you thought--" _Final rating:★★½ - Had a lot that ... appealed to me, didn’t quite work as a whole._

Jun 23, 2021
Rangan
7.0

**The trouble that had never let her alone.** A story about America, Hollywood cast, but produced and directed by outsiders. A powerful film. Kind of mix of 'No Country for Old Man' and 'Les Miserables'. The narration divided into four parts. The first episode called Revelation. An introduction l ... ife around Liz, but full of suspense after every unexpected turn in the story. Then in the second episode called Exodus, a young girl, Joanna introduced and following the third knows as Genesis, goes ever further back into Joanna's life, before returning to Liz's in the fourth known as Retribution. Maybe Dakota's best performance being an adult actress. As well as the young actress Emilia Jones. They both had played the same character, but in a different timeline. Interestingly, in real life, they share the same birth day and month as mine. From one of the film poster, I thought it was Michael Sheen. Only realised while watching the film that it was Guy Pearce. From writing to the making, it was a very good film. But the story could make some people uneasy. Because everything that's happened between the people and their relationship, not for soft guys. Yet it is a must see thriller, a must see western. _7/10_

May 16, 2024
my_skeleton_fell_off
2.0

A congregation dressed in black, hymns being sung flatly, an evil preacher, an abortion scene in the first 15 minutes... I should have known from the title that it wasn't the good western that the cover image conveyed. I could not make it through 20 minutes before I had to shut it off. It's a m ... ovie which seems determined to slander the most beautiful message that exists - the message of Jesus Christ. It is also another point of evidence that rated "R" and "MA" movies simply means "movies not worth poisoning your brain with". The actors were great. They played the roles well. But the subject material, the script, and the very idea of it is not worth consuming. **Psalm 10:4-6** **4** The wicked, through the pride of his countenance, will not seek after God: God is not in all his thoughts. **5** His ways are always grievous; Thy judgments are far above out of his sight: As for all his enemies, he puffeth at them. **6** He hath said in his heart, I shall not be moved: For I shall never be in adversity.

Sep 30, 2021
AstroNoud
8.0

An extremely grim and unsettling horror-Western with an interestingly structured plot, ‘Brimstone’ can be found either disgusting or superb; I'll go with the latter. 8/10 ...

Feb 26, 2022
FilipeManuelNeto
7.0

**A good Western, despite its weaknesses.** Many decades ago, Italian Western films were a huge success and guaranteed the careers of several actors, such as Clint Eastwood, and directors like Sergio Leone. This film, however, is neither Italian nor American: despite being spoken in English and f ... eaturing North American actors, it is a film directed by the Dutch (Martin Koolhoven and his team), shot in Spain and where Hungarians and Austrians also collaborated. Out of this Babel of nationalities, however, emerged a good Western film. The plot is the strongest point of this film, which wonderfully works the epic style and a tension that grows, chapter by chapter (was I the only one to see in this chapter organization and non-linear narrative some influence by Tarantino?). I won't reveal too much about the plot, but I think I won't spoil anyone's enjoyment if I say that everything revolves around a young woman who tries to escape from a crazed Protestant pastor who is determined to kill her, no matter the place or the circumstances. The film builds an absolutely detestable and maniacal villain, and gives the female character the gifts and strength to defeat him, and to captivate us with sympathy. The film is not perfect, there are logic flaws, continuity flaws and absurd situations. But the film nevertheless entertains the audience very well. Guy Pearce stands out the most, giving life to a captivating and execrable villain. The actor is excellent and gives us the best work of his career so far. Dakota Fanning holds the central female character and handles the task at hand well, but I felt several times that she doesn't have a challenging task. Kit Harrington can complain even more, since he saw his character killed early and didn't have time to show talent, despite the film being almost two and a half hours long. Regarding the length, I am of the opinion that it would have been better with about thirty minutes less, and that this denotes a certain sloppiness in the editing and in the selection of the scenes that should have been in the final cut. The film is impactful, it is quite violent, realistic and not suitable for teenagers, impressionable people and animal lovers (as far as I know, no one was hurt in the filming, but there are several intense scenes that include animals). The sets and costumes were very well-designed, despite the fact that the film works in a certain temporal limbo in which it is very difficult to have a sense of the time in which everything happens (somewhere between 1880 and 1910?). The scenarios are also very good, and the soundtrack was very well conceived.

Nov 28, 2022
GenerationofSwine
10.0

Yeah, another Western, had to wait for the wife to not be home so I could dive into a genre she hates. Anyway, it's odd how sex and nudity seem out of place in westerns given that in real life prostitution thrived. Historically a lot of what this film is about could be true. But... it doesn't fee ... l like it should be in a Western. Racism and violence, yeah, those can make it in and feel right. Prostitution, certainly... but in a not seen sort of way. But I don't know, it's a lot of John Wayne and Jimmy Stewart with Clint Eastwood bringing up the rear that sort of defines the genre for people my age. That being said... it's dark. But it's done right, and it's well acted, and it plays on the emotions something fierce, it's well acted, it's moody. In other words it's an insanely well done movie, despite that fact that it deals with subject matter that you don't expect coming into a western. Insanely well done.

Jan 10, 2023