Popularity: 2 (history)
Director: | Martin Koolhoven |
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Writer: | Martin Koolhoven |
Staring: |
In the menacing inferno of the old North-American West, Liz is a genuine survivor who is hunted by a vengeful preacher for a crime she didn’t commit. | |
Release Date: | Mar 12, 2016 |
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Director: | Martin Koolhoven |
Writer: | Martin Koolhoven |
Genres: | Thriller, Western |
Keywords | suicide, prostitute, rape, gun, obsession, villain, mute, religion, brutality, church, religious fundamentalism, cowboy, misogyny, retribution, reverend, sign languages, abuse |
Production Companies | X Filme Creative Pool, Canal+, Film i Väst, Backup Media, Ciné+, Prime Time, Cine Tirol, Proton Cinema, Illusion Film, N279 Entertainment, New Sparta Films, FilmWave, Embankment Films, The Jokers Films, Paradiso Filmed Entertainment |
Box Office |
Revenue: $0
Budget: $13,000,000 |
Updates |
Updated: Feb 01, 2025 Entered: Apr 13, 2024 |
Name | Job |
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Martin Koolhoven | Director, Writer |
Job ter Burg | Editor |
Rogier Stoffers | Director of Photography |
Ákos Baji | Swing |
Els Laar Van | Tailor |
Mieke de Jong | Script Consultant |
Antoin Cox | Production Sound Mixer |
Franco Ferrini | Story Consultant |
Tom Holkenborg | Original Music Composer |
Ellen Lens | Costume Design |
Zoltán Frank | Set Decoration |
Daniel Timm | Unit Manager |
Heike Wolf-Aury | Set Decoration |
Els Rastelli | Script Supervisor |
Sasi Bejczy | Production Coordinator |
Stephan Barth | Line Producer |
Thomas Fuchs | Location Scout |
Sian Bolland | Production Manager |
Lara Manwaring | Casting |
Jenny Dechene | Seamstress |
Ildikó Makk | Hairstylist |
Maria Juhász | Seamstress |
Katja Schulze | Makeup Artist |
Timea Szendrey Szábo | Seamstress |
Daan Dillo | Key Grip |
Theresa Anna Luther | Set Costumer |
Moritz Heinlin | Property Master |
Robert Eder | Aerial Camera |
Eva Stabo | Seamstress |
Cornelia Arnold | Seamstress |
Jens Döldissen | Special Effects Supervisor |
Christina Budnewski | Tailor |
Floris Vos | Production Design |
Maarten Piersma | Art Direction, Construction Manager |
Lucy Amos | Casting Associate |
Adam Heisler | Unit Manager |
Elan Jones | Casting Associate |
Gábor Csöge | Production Manager |
Dániel Gudmon | Location Manager |
Fabio Stoll | Camera Operator |
Henk Pelger | Tailor |
Linda Mester | Art Department Coordinator |
Marie-Therese Jacobse | Tailor |
Nadin Hollasch | Set Costumer |
Lisa Spengler | Set Costumer |
Lorena Eracle | Makeup Artist |
Tim Janssens | Gaffer |
Nina Düffort | Hairstylist |
Marjon Hoogendoorn | Key Hair Stylist |
Tom Langner | Property Master |
Milou van der Kolff | Production Coordinator |
Todd Van Hulzen | Set Designer |
Niko Post | Line Producer |
Marianne van Hardeveld | Production Manager |
Dennis Simonis | Makeup Artist |
Felix Ryckebusch | Lighting Technician |
Malin Leuchovius | Visual Effects Producer |
Hans van Helden | Visual Effects Supervisor |
Birgit Hofbauer | Costume Supervisor |
Petra Becker | Tailor |
Eszter Petneházy | Seamstress |
Annemarie Gerritsen | Key Makeup Artist |
Philippe Antonello | Still Photographer |
Monique Bredow | Makeup Artist |
Irene Prokopets | Visual Effects Coordinator |
Mattijs Van Doninck | Lighting Technician |
Dóra Papp | Set Costumer |
Lisa Folkens | Art Department Coordinator |
Gabriele Klinke | Tailor |
Gustav Törnroth | Visual Effects Supervisor |
Nadja März | Hairstylist |
Katharina Drescher | Set Costumer |
Dana Guerra | Seamstress |
Leendert van Nimwegen | Makeup Designer |
Ibolya Rudas | Seamstress |
Dörte Dobkowitz | Makeup Artist |
Bálint Seress | Underwater Camera |
Csuka Erzsébet | Tailor |
Freek Huijs | Boom Operator |
Antony Gray | Dialogue Editor |
Tamás Lindenberger | Armorer |
Florian Engelhardt | First Assistant Director |
Vera Várszegi | Assistant Set Decoration |
Daniel Lange | Construction Manager |
József Gál | Painter |
Zoltán Szabó | Painter |
Tokaji Zoltán | Prop Maker |
Saga Fermin | Set Dresser |
Christian Jess | Set Dresser |
Arnold Gerhát | Set Dresser |
Marc Hammel | Set Dresser |
Katja Larcher | Set Painter |
Ron Van Beusekom | Set Painter |
Purevsuren Ulziisaikhan | Swing |
Sándor Csali | Electrician |
Nora Pinter | Costumer |
Rosemoon Cunningham | Wardrobe Assistant |
Iris Müller | Extras Casting |
Veronika Varjasi | Extras Casting |
Andrea Eusebi | Special Effects Makeup Artist |
Robert Searl | ADR Recordist |
Julien Naudin | Foley Artist |
Alek Goosse | Sound Re-Recording Mixer |
Olivier Gilles | Compositing Artist |
Denis Reva | Digital Compositor |
Michael Timoshenko | Digital Compositor |
Elin Kothe | Matte Painter |
Jesse Hovestreijdt | Title Designer |
Tony Kock | Digital Intermediate Producer |
Yvonne Kowal | Production Accountant |
Josie Taalman | Production Coordinator |
Charlotte Bouman | Publicist |
Klára Riesz | Seamstress |
Luc Brefeld | Camera Operator |
Karin Scholl | Hairstylist |
Niels Koopman | Assistant Editor |
Martijn Lofvers | Researcher |
Iván Steiner | Armorer |
Jakob van Oosterhout | Music Editor |
René Riqui | Assistant Property Master |
Lajos Zdroba | Construction Manager |
István Szabó | Painter |
Orosz Tamás | Prop Maker |
Ulrike Eversmeier | Set Dresser |
Anja Heinicke | Set Dresser |
Yasmin Pochert | Set Dresser |
Patrik Zölei | Set Dresser |
Anja Hentze | Set Painter |
Wendy Valentijn | Set Painter |
Janek Anderwald | Swing |
Dániel Major | Swing |
Peter Tambach | Best Boy Grip |
Floris van der Lee | First Assistant Camera |
Gina Steiniger | Wardrobe Assistant |
Munkhzul Purevdorj | Wardrobe Assistant |
Nico Müller | Extras Casting |
Anke Thot | Makeup & Hair |
Robin Overeem | ADR Recordist |
Forbes Noonan | ADR Recordist |
Vincent Maloumian | Foley Artist |
Dimitri Breidenbach | Compositing Artist |
Gabriel Naveau | Compositing Artist |
Frank Spies | Digital Compositor |
Laureline Silan | Digital Compositor |
Sander Jansen | Visual Effects Supervisor |
Miga Bär | Digital Intermediate Producer |
Stephanie Pepperl | Assistant Production Coordinator |
Marie Christin Wartenberg | Production Coordinator |
Sarah Depeweg | Production Executive |
Chris W. Mitchell | Story Consultant |
Herman Pieëte | Sound Re-Recording Mixer, Supervising Sound Editor |
Kasper van Wieringen | Sound Recordist |
Fiú László | Armorer |
Kate Leys | Script Editor |
Janine Baumgarten | Assistant Property Master |
Santa-Yanah Wullems | Carpenter |
Mark Stolte | Construction Manager |
József Juhász | Painter |
György Barta | Prop Maker |
Robert Wiesner | Prop Maker |
Torsten Haubold | Set Dresser |
Werner Knoof | Set Dresser |
András Honek | Set Dresser |
Nora Ferl | Set Painter |
Sanne Terweij | Set Painter |
Raimond van Soest | Storyboard Artist |
Kriztián Farkas | Swing |
Martin Hemzsel | Assistant Camera |
Tibor Novák | Electrician |
Gabriella Schwarz | Costumer |
Carolina Mateos | Wardrobe Assistant |
Marcel Müller | Extras Casting |
Carlos Sotolongo | ADR Mixer |
Markus Glunz | ADR Recordist |
Céline Bernard | Foley Artist |
Bianca Steenhagen | Foley Artist |
Margaux Masson | Compositing Artist |
Aleksei Sidorenko | Digital Compositor |
Ivan Lindfors | Digital Compositor |
Sean Wheelan | Visual Effects Producer |
Martin Klein | Colorist |
Brigitta Karádi | Assistant Production Coordinator |
Fien Carlier | Production Assistant |
Anja Wedell | Production Executive |
Des Hamilton | Casting |
Adam Davidson | ADR Recordist |
Name | Title |
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Nicki Hattingh | Executive Producer |
Anne Sheehan | Executive Producer |
Hugo Grumbar | Executive Producer |
Violaine Barbaroux | Co-Producer |
Joel Thibout | Executive Producer |
Tim Haslam | Executive Producer |
Uwe Schott | Producer |
Peter Hiltunen | Co-Producer |
Sheryl Crown | Executive Producer |
Antonino Lombardo | Co-Producer |
Paul Trijbits | Co-Producer |
Alex Verbaere | Associate Producer |
Nik Powell | Executive Producer |
David Claikens | Associate Producer |
Manuel Chiche | Co-Producer |
Jean-Baptiste Babin | Executive Producer |
Els Vandevorst | Producer |
Simon Perry | Co-Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
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2024 | 4 | 31 | 42 | 22 |
2024 | 5 | 28 | 52 | 19 |
2024 | 6 | 21 | 30 | 16 |
2024 | 7 | 27 | 45 | 16 |
2024 | 8 | 22 | 41 | 13 |
2024 | 9 | 18 | 31 | 12 |
2024 | 10 | 18 | 30 | 11 |
2024 | 11 | 20 | 40 | 13 |
2024 | 12 | 15 | 19 | 11 |
2025 | 1 | 23 | 48 | 13 |
2025 | 2 | 13 | 21 | 3 |
2025 | 3 | 9 | 25 | 2 |
2025 | 4 | 2 | 3 | 1 |
2025 | 5 | 6 | 20 | 2 |
2025 | 6 | 5 | 21 | 2 |
2025 | 7 | 3 | 4 | 2 |
2025 | 8 | 2 | 3 | 2 |
2025 | 9 | 2 | 3 | 2 |
2025 | 10 | 2 | 2 | 2 |
Trending Position
"If you thought Guy Pearce was a scumbag in part 1 just wait 'til you see part 2! If you thought Guy Pearce was a scumbag in part 2 just wait 'til you see part 3! If you thought Guy Pearce was a scumbag in part 3 just wait 'til you see part 4! If you thought--" _Final rating:★★½ - Had a lot that ... appealed to me, didn’t quite work as a whole._
**The trouble that had never let her alone.** A story about America, Hollywood cast, but produced and directed by outsiders. A powerful film. Kind of mix of 'No Country for Old Man' and 'Les Miserables'. The narration divided into four parts. The first episode called Revelation. An introduction l ... ife around Liz, but full of suspense after every unexpected turn in the story. Then in the second episode called Exodus, a young girl, Joanna introduced and following the third knows as Genesis, goes ever further back into Joanna's life, before returning to Liz's in the fourth known as Retribution. Maybe Dakota's best performance being an adult actress. As well as the young actress Emilia Jones. They both had played the same character, but in a different timeline. Interestingly, in real life, they share the same birth day and month as mine. From one of the film poster, I thought it was Michael Sheen. Only realised while watching the film that it was Guy Pearce. From writing to the making, it was a very good film. But the story could make some people uneasy. Because everything that's happened between the people and their relationship, not for soft guys. Yet it is a must see thriller, a must see western. _7/10_
A congregation dressed in black, hymns being sung flatly, an evil preacher, an abortion scene in the first 15 minutes... I should have known from the title that it wasn't the good western that the cover image conveyed. I could not make it through 20 minutes before I had to shut it off. It's a m ... ovie which seems determined to slander the most beautiful message that exists - the message of Jesus Christ. It is also another point of evidence that rated "R" and "MA" movies simply means "movies not worth poisoning your brain with". The actors were great. They played the roles well. But the subject material, the script, and the very idea of it is not worth consuming. **Psalm 10:4-6** **4** The wicked, through the pride of his countenance, will not seek after God: God is not in all his thoughts. **5** His ways are always grievous; Thy judgments are far above out of his sight: As for all his enemies, he puffeth at them. **6** He hath said in his heart, I shall not be moved: For I shall never be in adversity.
An extremely grim and unsettling horror-Western with an interestingly structured plot, ‘Brimstone’ can be found either disgusting or superb; I'll go with the latter. 8/10 ...
**A good Western, despite its weaknesses.** Many decades ago, Italian Western films were a huge success and guaranteed the careers of several actors, such as Clint Eastwood, and directors like Sergio Leone. This film, however, is neither Italian nor American: despite being spoken in English and f ... eaturing North American actors, it is a film directed by the Dutch (Martin Koolhoven and his team), shot in Spain and where Hungarians and Austrians also collaborated. Out of this Babel of nationalities, however, emerged a good Western film. The plot is the strongest point of this film, which wonderfully works the epic style and a tension that grows, chapter by chapter (was I the only one to see in this chapter organization and non-linear narrative some influence by Tarantino?). I won't reveal too much about the plot, but I think I won't spoil anyone's enjoyment if I say that everything revolves around a young woman who tries to escape from a crazed Protestant pastor who is determined to kill her, no matter the place or the circumstances. The film builds an absolutely detestable and maniacal villain, and gives the female character the gifts and strength to defeat him, and to captivate us with sympathy. The film is not perfect, there are logic flaws, continuity flaws and absurd situations. But the film nevertheless entertains the audience very well. Guy Pearce stands out the most, giving life to a captivating and execrable villain. The actor is excellent and gives us the best work of his career so far. Dakota Fanning holds the central female character and handles the task at hand well, but I felt several times that she doesn't have a challenging task. Kit Harrington can complain even more, since he saw his character killed early and didn't have time to show talent, despite the film being almost two and a half hours long. Regarding the length, I am of the opinion that it would have been better with about thirty minutes less, and that this denotes a certain sloppiness in the editing and in the selection of the scenes that should have been in the final cut. The film is impactful, it is quite violent, realistic and not suitable for teenagers, impressionable people and animal lovers (as far as I know, no one was hurt in the filming, but there are several intense scenes that include animals). The sets and costumes were very well-designed, despite the fact that the film works in a certain temporal limbo in which it is very difficult to have a sense of the time in which everything happens (somewhere between 1880 and 1910?). The scenarios are also very good, and the soundtrack was very well conceived.
Yeah, another Western, had to wait for the wife to not be home so I could dive into a genre she hates. Anyway, it's odd how sex and nudity seem out of place in westerns given that in real life prostitution thrived. Historically a lot of what this film is about could be true. But... it doesn't fee ... l like it should be in a Western. Racism and violence, yeah, those can make it in and feel right. Prostitution, certainly... but in a not seen sort of way. But I don't know, it's a lot of John Wayne and Jimmy Stewart with Clint Eastwood bringing up the rear that sort of defines the genre for people my age. That being said... it's dark. But it's done right, and it's well acted, and it plays on the emotions something fierce, it's well acted, it's moody. In other words it's an insanely well done movie, despite that fact that it deals with subject matter that you don't expect coming into a western. Insanely well done.