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The Shallows

What was once in the deep is now in the shallows.
2016 | 86m | English

(151697 votes)

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Popularity: 5 (history)

Details

While surfing on a secluded beach, Nancy finds herself in the feeding grounds of a great white shark. Though stranded only 200 yards from shore, survival proves to be the ultimate test of wills, requiring all of her ingenuity, resourcefulness, and fortitude.
Release Date: Jun 24, 2016
Director: Jaume Collet-Serra
Writer: Anthony Jaswinski
Genres: Drama, Horror, Thriller
Keywords mexico, surfer, island, shark attack, coral reef, animal attack, surfing, survival, wounded, creature, young woman, shark, great white shark, trapped, predator turns victim, killer shark, buoy, human prey, animal horror, secluded beach, loss of mother, bloody death, tides, survival skills, survival film, gopro, stranded at sea
Production Companies Columbia Pictures, Ombra Films, Weimaraner Republic Pictures
Box Office Revenue: $119,100,758
Budget: $17,000,000
Updates Updated: Aug 04, 2025
Entered: Apr 13, 2024
Trailers and Extras

Full Credits

Name Character
Blake Lively Nancy Adams
Óscar Jaenada Carlos
Brett Cullen Father
Janelle Bailey Mother
Sedona Legge Chloe Adams
Pablo Calva Carlo's Son
Diego Espejel Intoxicated Man
Ava Dean Young Nancy
Chelsea Moody Young Mom
Angelo Josue Lozano Corzo Surfer 1
José Manuel Trujillo Salas Surfer 2
Name Job
Nevin Seus Music Editor
Craig Clark Rigging Gaffer
Duncan Jones Location Manager
Kelly Richardson Stunt Double
Judd Wild Stunts
Neil Stoddart Stunts
Elissa Cadwell Stunts
Mark Levey Lighting Technician
Ben Parkinson Casting
Anthony Jaswinski Screenplay
Joel Negron Editor
Hugh Bateup Production Design
Nathan Blanco Fouraux Art Direction
Fiona Donovan Supervising Art Director
Sean Genders Makeup Effects
Gail Kane Hairstylist
Carolina Häggström Script Supervisor
Chelsea Staebell Costume Supervisor
Peter Beeh Helicopter Camera
Andrew Conder Steadicam Operator
Vince Valitutti Still Photographer
Ron Coe First Assistant Camera
Christian Kratzert Animation Supervisor
Ronald Grauer Special Effects Supervisor
Emily Pead Visual Effects Coordinator
Paul O'Hara Visual Effects Coordinator
Anwei Chen Visual Effects Coordinator
Lee Maher Visual Effects Coordinator
Johanna Lange Visual Effects Coordinator
Joseph Hart Green Visual Effects Editor
Oliver Eikhoff Visual Effects Editor
Vincent Liebig Visual Effects Editor
Tim Johnson Visual Effects Producer
Noémie Jacques Visual Effects Producer
Carrie Richardson Visual Effects Producer
Allan Magled Visual Effects Supervisor
Nathan McGuinness Visual Effects Supervisor
Scott E. Anderson Visual Effects Supervisor
Gregory D. Liegey Visual Effects Supervisor
José Manuel Weil Visual Effects Supervisor
Polly McKinnon ADR & Dubbing, Dialogue Editor
Sarah Monat Foley
Willard Overstreet Foley
Brandon Jones Sound Designer
J.M. Davey Sound Effects Editor
Chris Diebold Sound Effects Editor
Chris Terhune Sound Effects Editor
Tateum Kohut Sound Re-Recording Mixer
Barry Goch Digital Intermediate
Alex Portin Digital Intermediate
David Nelson Visual Effects Supervisor
Simon Christidis Underwater Camera, Underwater Director of Photography
Louise Coulston Makeup Artist
Cora Montalban Makeup Artist
Brad Howard Construction Coordinator
Di Bennett Art Department Coordinator
Rod Ortega Hair Department Head
Ben Wyatt Boom Operator
Jonas Bergholm 3D Artist
Philip Trieu 3D Artist
Mick O'Brien Chief Lighting Technician
Mal Booth Dolly Grip
Todd Carmody Dolly Grip
Simon Cooke Dolly Grip
Peter Fragoudakis Electrician
Sam McKinnon Electrician
Jack Moffatt Electrician
Chris Child First Assistant Camera
Benn Hyde Key Grip
David Thomson Rigging Grip
Glenn Ruehland Stunt Coordinator
Gulliver Page Stunts
Mark V. Phillips Assistant Editor
Kevin Stermer First Assistant Editor
Michael Bate Armorer
Mark Harrold Pilot
Steve Danton First Assistant Director
Julian Wall First Assistant Director
Isabella Nichols Stunt Double
Portia Large Stunt Double
Jaume Collet-Serra Director
Marco Beltrami Original Music Composer
Flavio Martínez Labiano Director of Photography
Marc Spicer Additional Photography
P.K. Hooker Sound Effects Editor
Tami Lane Makeup Department Head
Kym Barrett Costume Design
Katie Brock Animal Wrangler
Name Title
Jaume Collet-Serra Executive Producer
Douglas C. Merrifield Executive Producer
Lynn Harris Producer
Matti Leshem Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 39 57 30
2024 5 37 55 23
2024 6 38 76 25
2024 7 42 74 23
2024 8 34 68 18
2024 9 21 28 16
2024 10 34 64 16
2024 11 32 66 18
2024 12 30 50 22
2025 1 33 46 25
2025 2 21 46 5
2025 3 8 35 2
2025 4 5 8 4
2025 5 5 7 3
2025 6 4 6 2
2025 7 4 6 3
2025 8 4 6 3
2025 9 4 7 3
2025 10 4 5 3

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Year Month High Avg
2025 10 928 928
Year Month High Avg
2025 9 942 942
Year Month High Avg
2025 8 642 860
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2025 7 286 707
Year Month High Avg
2025 6 770 872
Year Month High Avg
2025 5 547 842
Year Month High Avg
2025 4 961 961
Year Month High Avg
2025 3 564 798
Year Month High Avg
2025 2 498 662
Year Month High Avg
2025 1 303 741
Year Month High Avg
2024 12 645 761
Year Month High Avg
2024 8 987 987

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Reviews

The Movie Waffler
N/A

All you should need to make a good movie is a girl and a shark, but Serra fails to deliver the basics, instead fashioning a movie that too often resembles a female oriented riff on an '80s Old Spice commercial. The Shallows is a damp squib. Read the full review at http://www.themoviewaffler.com/2 ... 016/07/new-release-review-shallows.html

Jun 23, 2021
Simon Foster
N/A

"Jaume Collet-Serra’s woman-vs-wild thriller is beautiful, bigscreen Hollywood nonsense that manoeuvres/manipulates the viewer into the kind of submissive state only the finest summer crowd-pleasers can achieve..." Read the full review here: http://screen-space.squarespace.com/reviews/2016/8/19/t ... he-shallows.html

Jun 23, 2021
Rangan
7.0

**Very close to the shore, yet too far and dangerous to attempt.** I'm sure you have seen shark attack films like 'Jaws', 'Deep Blue Sea' et cetera, and yep this another one to add to that collection. But this was something very neatly done, I mean for the most of the parts. Looked so real, so I ... thought it might end up top among its similar theme. In the end, I was little disappointed, because of the shark. The portrayal of shark was very natural, until the last half an hour. Then it becomes the common film gimmick when the animal was obsessed to kill its target at any cost. I am a huge animal fan, but I have never seen a live shark in my life and that does not mean I don't know anything about them. Thanks to the nature television networks and what I saw in this film was very disappointing if you love wild animals. I am not supporting the shark here, I'm just talking about its behaviour. It was not right, other than that, I definitely enjoyed the film. In fact, except the final few minutes, since the shark got pumped up, I had no issue and the best shark attack film. But the final battle ruined overall favour I'm going to give to it, what I thought this film deserved. Great location, and Blake Lively was unbelievably awesome. In the initial part, she was very sexy, but once the narration shifted its focus on surfing and later shark attack, everything changed. The entire film was edgy, I think very nicely written screenplay. It was a limited cast film and nearly the whole film takes place very close to the shore. A good start, neatly maintained mid part, but a below par conclusion, that's what I think about the film. Slightly missed to be a great film in the line of '127 Hours'. In fact, this looks like a sea version of that film. But I still recommend it, because it's worth. _6.5/10_

May 16, 2024
in_the_crease
6.0

As a shark fanatic (thanks, Jaws), I was excited to see The Shallows. When I first saw the trailer, I thought the concept--more 127 Hours than Jaws--was interesting: A single person, alone on a rock, trapped a mere 100 or so yards offshore, in shark-infested waters. Most shark movies follow the J ... aws formula to a T: Shark attacks a bather, someone in position of authority decides something must be done and the beaches should be closed, someone of higher authority thwarts that attempt, more people die, our hero finally has to confront the monster. But The Shallows produced a new and fresh take on the same old fish tale. The first half of the movie is similar to Open Water, relying on tension and little fanfare. Then, the shark explodes onto the screen for a few moments, and the movie suddenly becomes a high octane thriller. Basically, though the shark is the main antagonist of this story, all the scenes with the shark in them are much less interesting. I was more engaged with Blake Lively and that damn seagull. She was likable, and I bought into the survival story and was really rooting for her. There were moments, when The Shallows relied on suspense, that the film become Hitchcockian in tone. We know the shark is out there, but we can't see him. The second we do, the suspense dies instantly. Parts of the movie were small and intimate, much like an independent film. And those were the strengths. But it almost feels as if the director wanted to do a mash up of a simple suspenseful stalking movie, combined with elements of a survival movie. And again, all that worked for me. But the sensationalism of the shark stuff was over the top in my opinion. It gave the movie an uneven feel. It was, at times, both a suspenseful stalker type movie with survivalism thrown in, and, then, seemingly out of nowhere, it became an over-the-top summer blockbuster type movie. It gives it the look of a movie where director and producer didn't see eye to eye. It really seems like the shark action sequences were forced into the movie. They just didn't fit the overall tone. That's this movie's biggest downfall. Yes, the shark has to be there, yes he has to be dangerous. But the way it is presented through the film needs to fit the overall tone of the movie. At one point, the shark eats three people in the course of-- what?--an hour or so? So what was set up, was a small movie. An intimate movie. Something closer to The Blair Witch Project or Open Water, but what we got in the end, was something closer to Friday the 13th. This movie could have been so much more, by being so much less. Excess is not always best. In all fairness, The Shallows could have been much worse too. The things that did work, worked well--well enough that with some inventive direction, could have carried the film by themselves. But alas, the over the top violence and sensationalism trumped suspense and creative storytelling, which downgrades The Shallows from something special and unique, to just a "good" movie. The locations were beautiful, and seeing them in 4K HD on a huge screen was quite impressive.

Jun 23, 2021
AndryX7
8.0

**An exceptional movie involving a hungry shark** Plot is simple yet so catchy and interesting. After a few minutes you will start to care about the main protagonist, so much that you will cross your fingers hoping for the best. Everything (or almost everything) is going to feel realistic, and ... there is not anything wrong with the main antagonist ... it is totally well made. Great performance by Blake Lively (Nancy Adams) too. I will also mention the impressive landscapes because they literally left me speechless. I would have appreciated a more detailed background story but I will not complain as this movie was a really great experience. Watch it, especially if you are into suspense and sharks! _(8 stars out of 10)_

Jun 23, 2021
mooney240
7.0

**Overall : Blake Lively takes a shallow premise and elevates a basic shark movie to the next level with her excellent performance.** I was skeptical that an entire movie set on a buoy could be any good, but I was wrong! The Shallows is a sensational shark movie! The whole film fell on Blake Live ... ly's shoulders to carry it all with her acting, and she delivered. The tension, bravery, fear, and struggle show through Lively's portrayal of Nancy with crystal clarity. As a shark movie fan, this one has depth 😉.

Sep 03, 2022
Geronimo1967
6.0

There's quite a bit of menace from the photography and at least the shark looks real as it terrorises the stranded "Nancy" (Blake Lively) in a small inlet a matter of a few hundred yards from the shore. Naturally, she's left all of her stuff on the beach so is completely incommunicado after a passin ... g Great White decides it wants a snack. Luckily there are a few big rocks and even a chunky metal reef marker for her to shelter on as she prays that someone will come to her aide. Someone, that is, with sense enough to wonder what she is doing stuck on a rock and not just to get into the water, blithely and finally. Though I'm not sure just how physically possible the denouement is, I did really like those few seconds and to be fair, Lively does manage to convey a decent degree of desperation as the tenacious shark gets more and more peckish, angry and innovative. Can she survive? Well on that front the jeopardy level is precisely zero and the whole film is easily half an hour too long, but there are still some squeaky moments and it's worth a watch, if only to remind us just how vulnerable and out of our depth mankind is in a nature where our technology doesn't count.

Jan 11, 2025