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The Duel Poster

The Duel

Vengeance cannot be denied.
2016 | 110m | English

(12582 votes)

TMDb IMDb

Popularity: 6 (history)

Director: Kieran Darcy-Smith
Writer: Matt Cook
Staring:
Details

A Texas Ranger investigates a series of unexplained deaths in a town called Helena.
Release Date: Jun 24, 2016
Director: Kieran Darcy-Smith
Writer: Matt Cook
Genres: Drama, Western
Keywords murder
Production Companies 26 Films, Mandeville Films, Media House Capital, Atomic Entertainment, Bron Capital Partners, Lionsgate Premiere, Mississippix Studios, Crystal Wealth
Box Office Revenue: $20,672
Budget: $10,000,000
Updates Updated: Feb 01, 2025
Entered: Apr 13, 2024
Trailers and Extras

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Full Credits

Name Character
Woody Harrelson Abraham Brant
Liam Hemsworth David Kingston
Alice Braga Marisol
Emory Cohen Isaac
Felicity Price Naomi
José Zúñiga General Calderon
William Sadler Governor Ross
Raphael Sbarge Dr. Morris
Giles Matthey John
Christopher James Baker Monte
Christopher Berry Dale
Benedict Samuel George
David Born Hoot
Lawrence Turner Silas
Jason Carter William
John McConnell Saul
Jimmy Lee Jr. Jesse Kingston
Kimberly Daugherty Maria
Doug Van Liew Jedediah
Josh Whites Clem
Kerry Cahill Philomena
Heather Le Roy Esther
Hector Machado Mexican Man
Kelly Bellini Young Mexican Woman
Gloria Sandoval Old Mexican Woman
Marlin Richardson Harland
Ashton Evers Young David Kingston
Jeremy Sande Charlie
Matthew Frias Young Mexican Boy
Caleb J. Thaggard Nigel
Chester Rushing Winston
Danny Cabrera Young Mexican Man
Michael Watson Ranger
Sue-Lynn Ansari Saloon Woman (uncredited)
Greg Dees Townsfolk (uncredited)
Douglas M. Griffin Sergeant (uncredited)
Mallorie Lindsey Saloon Woman (uncredited)
Johnny McPhail Outlaw 1 (uncredited)
Indiana O'Loughlin Mt. Hermon Girl (uncredited)
Sue Rock Outlaw Woman (uncredited)
Alaine Tyler Townsfolk (uncredited)
Alana Whites Townsgirl (uncredited)
Name Job
Kieran Darcy-Smith Director
Anne McCarthy Casting
Toby Corbett Production Design
David Barber Supervising Sound Editor
Tony Randel Additional Editor
Kelly Bellini Stunt Double
Matt Cook Writer
Kellie Roy Casting
Terry Anderson Costume Design
Craig Eastman Music
Tracy Adams Editor
Blake Hjares Editor
Jules O'Loughlin Director of Photography, Camera Operator
Douglas Slocum Editor
Douglas Cumming Art Direction
Edith Dupré LeBlanc Production Supervisor
Bob Shapiro Unit Production Manager
Jessica Alejandra Ochoa Set Designer
Morgan Robbins Casting Associate
Katie Calhoon Location Scout
Brian Hilburn Location Manager, Still Photographer
Sarah Dignan Production Coordinator
Christopher Kulikowski Post Production Supervisor
Melinda Taksen Script Supervisor
Annie Holstein Art Department Coordinator
Curtis Laseter Construction Coordinator
Andrew Wert Property Master
Melanie Hocking Key Costumer
Zoë Luella Corbett Set Costumer
Mark Griffith Digital Intermediate
Jason Pelham Digital Intermediate
Matt Sweat First Assistant Editor
Cody Smith Animal Coordinator
Michael Kelly Gaffer
Bela Trutz Camera Operator
Glenn E. Moran Rigging Gaffer
Jeremy Webre Dolly Grip
Duane Cooper Key Grip
Chandler Ferriss Lighting Technician
Beth Redick Visual Effects Producer
Rick Redick Visual Effects Supervisor
Michael Kreple ADR Editor
Sean Gray Sound Effects Editor
Kenneth Skoglund Sound Effects Editor
Steve Urban Sound Effects Editor
Micah Loken Dialogue Editor
Voni Hinkle Hair Department Head
Haley Hinkle Hairstylist
Tommie Strawther Hairstylist
Lisa Layman Key Makeup Artist
Mia Goff Makeup Artist
Sandy Jo Johnston Makeup Artist
Jonathan Thornton Makeup Effects
Kenneth Armstrong Title Designer
Gonzalo 'Bino' Espinoza Foley
Name Title
David Hoberman Producer
Patrick Murray Co-Executive Producer
Natalie Marciano Executive Producer
Adam Rosenfelt Producer
Maureen Meulen Producer
Matt Cook Executive Producer
Kristoffel Meulen Associate Producer
Brian Pitt Executive Producer
Aaron L. Gilbert Executive Producer
Todd Lieberman Producer
Jason Cloth Executive Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 15 30 8
2024 5 18 43 10
2024 6 14 31 8
2024 7 17 32 8
2024 8 17 44 9
2024 9 9 13 6
2024 10 15 31 7
2024 11 13 27 6
2024 12 11 22 7
2025 1 12 23 8
2025 2 8 13 3
2025 3 5 10 1
2025 4 2 5 1
2025 5 1 5 1
2025 6 1 2 1
2025 7 1 2 1
2025 8 2 3 1
2025 9 4 5 2
2025 10 4 6 3

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Reviews

Rangan
4.0

**When revenge's not an agenda, but an opportunity knocks!** Lately I have been watching lots of blacklisted screenplay films. Some of them were really good, but most of them were not. This is one of those, and I'm not convinced. The story wise, it was decent, until the secret was revealed. After ... that part, it's become completely uninterested. Because that twist was not par with any decent western film. In fact, it was same as what we had seen in those that sets in the modern day themes, but here it was in the second half of the 1800s. So the story was the bad thing for this, but the actors were good. I liked the Liam Hemsworth. Woody Harrelson was not bad either, but his negative kind of role pushes us away from liking him and so the Alice Braga. It opened well, but did not develop and end well. If you are looking for a good western with the story, this is not for you. You should not try this just for the performances, because I don't think it is worth that much. Definitely, I won't recommend it on that ground, but there's always people for all kinds of films, so I won't surprise if you say it is a better film than what I said. _4/10_

May 16, 2024
Wuchak
3.0

_**“Are you an assassin?” “I’m a Texas Ranger.” “You’re neither.”**_ In 1888, a government agent (Liam Hemsworth) is sent to investigate a town in east Texas and its mystic leader (Woody Harrelson) as to why people from south of the border wind up missing there. Alice Braga (Marisol) and Felicity ... Price (Naomi) appear on the female front, both striking in different ways. “The Duel” (2016) is a well-made atmospheric Western with Hemsworth stalwart as the protagonist and Harrelson superb in the Kurtz-like role. As with “The Long Riders” (1980), it shows that a quality Western can be made in the East. “Long Riders” was shot in Georgia while this one was filmed in Mississippi, about 220 miles east of the Texas border. It’s reminiscent of “The Proposition” (2005) with the story being transferred from northeastern Australia to southeastern United States. Unlike “Apocalypse Now” there’s zero build-up of suspense as the ‘Kurtz’ character is fully revealed right out of the gate, not to mention the proceedings just aren’t that compelling. They’re rather tedious actually. Worse, you get the LIEberal narrative shoved down your throat that people of color are “oppressed” in America by racist white Christians and only the government can save them. Yeah, that’s why immigrants of all ethnicities from all over the world have been constantly pouring into the USA by the millions since its founding, legally and illegally. The scriptwriter needs to open up an honest history book. The movie runs 1 hour, 50 minutes, and was shot in Greenwood, Mississippi, GRADE: C-/D+

Dec 10, 2021
tmdb28039023
1.0

The Duel is the kind of movie that brings a knife to a gunfight. This is a western, mind you; we’re expecting a showdown at high noon your in standard frontier town with a wide Main Street, a saloon, and a room over the saloon occupied by a sexy hooker. Instead, we get a "Helena duel" (two, actually ... ), wherein "You shall pour out each other's blood and we will cover it with dust. Whomever bleeds the dirt red the most today, his deeds shall not be forgotten." Yeah, I don’t get it, either. As far as I can discern, this film is an allegorical indictment of the Minuteman Civil Defense Corps; never mind that that group was dissolved six years before The Duel’s release (though the Minuteman Project, a comparatively less Ku Klux Klany organization, remains active to this day). The problem is that the filmmakers can’t make up their minds on how they want to go about making their point. On the one hand we have the xenophobic, tyrannical, snake-handling preacher/mayor of the town of Mount Hermon — a border town; if nothing else, they got that part right —, Abraham Brant (Woody Harrelson), and on the other, a Hunting the Most Dangerous Game-type plot. Either of those two premises provides enough separation between the allegory and its intended target for the conceit to work; I would have stuck with the former, if only because the latter had been done to death even in 2016 — also, they had, on paper, the perfect actor for the power-mad evil preacher; unfortunately, Harrelson unusually phones his performance in. This role requires a Large Ham, like Guy Pearce in Brimstone, but Harrelson’s dial never even comes close to 11. To unnecessarily complicate matters further, there’s David Kingston (Liam Hemsworth), an undercover Texas Ranger sent to investigate the Mexican corpses turning up in a strainer downriver from Mount Hermon. The notion of an undercover Texas Ranger is already pretty stupid, but the filmmakers manage to make it even dumber. Kingston and his wife Marisol (Alice Braga) pose as a traveling couple just passing through. So far so good, sort of. The wheels start to come off when, out of the clear blue sky, Brant offers Kingston the vacant sheriff job. Kingston accepts the gig because "it's the ideal cover until I can figure out what's going on here." In-universe, it is ideal — too ideal, perhaps; never for a moment does Kingston find it the least bit suspicious that Brant would give the second most important position in town to the first random stranger that literally rides into Mount Hermon, regardless of whether or not he’s qualified for the job (as a Texas Ranger, Kingston is certainly qualified, but Brant doesn’t know that... or does he?). Now, if it’s the ideal cover, why not make that the actual cover, instead of the cover to the cover? First of all, who ever heard of a cop going undercover as a cop? And second, why didn’t the filmmakers simply have Kingston pose as the new sheriff? Why do in three steps what you can do in just one? PS. I’d be remiss if I didn’t mention a Wikipedia article (albeit one that looks more unreliable than usual) according to which there was such a thing as a Helena duel; moreover, "Helena was once known as the self-proclaimed "toughest town on earth" in the mid-19th century." Leave it to the makers of The Duel to set their movie in the next town over; this is like making a film about the eruption of Mount Vesuvius in AD 79 called The Last Days of the City Adjacent to Pompeii.

Sep 07, 2022