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Bastille Day Poster

Bastille Day

With law comes disorder
2016 | 92m | English

(53795 votes)

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Popularity: 4 (history)

Details

Michael Mason is an American pickpocket living in Paris who finds himself hunted by the CIA when he steals a bag that contains more than just a wallet. Sean Briar, the field agent on the case, soon realises that Michael is just a pawn in a much bigger game and is also his best asset to uncover a large-scale conspiracy.
Release Date: Apr 22, 2016
Director: James Watkins
Writer: Andrew Baldwin, James Watkins
Genres: Action
Keywords france, bomb, central intelligence agency (cia), bank, intelligence agency, terrorism, counter intelligence, french police
Production Companies Canal+, TF1 Films Production, StudioCanal, Vendôme Pictures, Anonymous Content, Anton Capital Entertainment
Box Office Revenue: $14,397,593
Budget: $20,000,000
Updates Updated: Aug 10, 2025 (Update)
Entered: Apr 13, 2024
Trailers and Extras

Full Credits

Name Character
Idris Elba Sean Briar
Richard Madden Michael Mason
Charlotte Le Bon Zoe Naville
Kelly Reilly Karen Dacre
José Garcia Victor Gamieux
Anatol Yusef Tom Luddy
Ériq Ebouaney Baba
Alex Fondja Ange
Arieh Worthalter Jean
Thierry Godard Rafi Bertrand
Vincent Londez Yannick Bertrand
Stéphane Caillard Beatrice
Mohamed Makhtoumi Christophe
Théo Costa-Marini Xavier
Jérôme Gaspard Yves
Ismaël Sy Savané Serge
Ines Boughanmi French Journalist (uncredited)
Jorge Leon Rioter (uncredited)
Valeria Ragonese Protester (uncredited)
Tuğba Tırpan French Protestor (uncredited)
Karl Farrer Journalist (uncredited)
Name Job
Jean-Christophe Magnaud Special Effects Coordinator
Patrick Malone Digital Intermediate
Alex Heffes Original Music Composer
Tim Maurice-Jones Director of Photography
Jon Harris Editor
Julie Harkin Casting
Michaël Laguens Casting
Joe Howard Art Direction
Vicki Stevenson Art Direction
Eric Viellerobe Art Direction
Paul Spriggs Supervising Art Director
Paul Kirby Production Design
David Morison Set Decoration
Kate Good Set Decoration
Tony Browne Armorer
Liam Byrne Armorer
Caroline Bowker Script Supervisor
Lizzie Pritchard Script Supervisor
Aurélia Fourcaut Script Supervisor
Graham Sutton Music Editor
Jérôme Lateur Music Supervisor
Bartholomew Cariss Assistant Costume Designer
Claire Chanat Costume Supervisor
Magali Bonnot Set Costumer
Bruce Lignerat Set Costumer
Oliver Loncraine Camera Operator
Frédéric Vial Camera Operator
Hugues Espinasse Second Unit Cinematographer
Thierry Baucheron Gaffer
Pat Sweeney Gaffer
Manuel Gaspar Gaffer
James Swanson Helicopter Camera
Peter Wignall Steadicam Operator
Laurie Sparham Still Photographer
Denis Garnier Additional Camera
Jenny King Visual Effects Coordinator
Tim Caplan Visual Effects Producer
Simon Hughes Visual Effects Supervisor
Edd Gamlin Visual Effects Editor
Philippe Hubin Special Effects Supervisor
Mark Meddings Special Effects Supervisor
Ben Barker Supervising Sound Editor, Sound Designer
Brendan Nicholson Sound Re-Recording Mixer
Adam Scrivener Sound Re-Recording Mixer
Oliver Benson Assistant Art Director
Augustin Collet Assistant Art Director
Richard Hardy Assistant Art Director
Pierre Tormo Construction Coordinator
Paul Job Hairstylist
Linda Schwach Hairstylist
Véronique Boslé Hairstylist
Daniel Phillips Hair Designer, Makeup Department Head, Makeup Designer
Malwina Suwinska Makeup Artist
Clare Ramsey Makeup Artist
Marie-christine Carpentier Makeup Artist
Avril Carpentier Makeup Artist
Jonathan Collard Digital Intermediate
Rob Farris Digital Intermediate
Gemma McKeon Digital Intermediate
Guy Speranza Costume Design
Ben Wilson Lighting Technician
Fred Brown Rigging Gaffer
Andrew Baldwin Writer
Jessica Forde Still Photographer
Paul Jones Standby Carpenter
Ben Wright Stunts
George Kirby Stunts
James Watkins Writer, Director
Levan Doran Stunts
Name Title
Philippe Rousselet Producer
Bard Dorros Producer
Fabrice Gianfermi Executive Producer
Steve Golin Executive Producer
Ron Halpern Executive Producer
David Kanter Producer
Raphaël Benoliel Co-Producer
Michael Dreyer Executive Producer
Guy Stodel Executive Producer
Olivier Courson Executive Producer
Dan MacRae Executive Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 25 37 16
2024 5 26 34 19
2024 6 28 64 16
2024 7 29 50 17
2024 8 27 60 16
2024 9 17 24 12
2024 10 27 57 12
2024 11 26 56 16
2024 12 24 45 14
2025 1 25 35 16
2025 2 19 45 3
2025 3 7 20 2
2025 4 4 11 2
2025 5 6 12 3
2025 6 5 13 3
2025 7 5 5 3
2025 8 4 5 3

Trending Position


Year Month High Avg
2025 8 513 513
Year Month High Avg
2025 7 975 978
Year Month High Avg
2025 5 612 612
Year Month High Avg
2025 3 903 903
Year Month High Avg
2025 1 828 900
Year Month High Avg
2024 9 692 692

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Reviews

Rangan
6.0

**One wrong move made a small time thief a target.** The first thing is this film came at the worst time in the history of France. If it was set in elsewhere in the world would have had less issue, but the Paris terror attack and this theme had lots of similarity. I mean it was nothing to do with ... the incident, but the contents are very impactful. Which also might be the reason for the film not doing well. I did not enjoy much this film, for me it was the story that turned me off. It was sympathetic to terrorists in the first half, so I completely hated that part, and then the last 30 or so minutes it got better. I mean not awesome or like that, but just good. Directed by 'Eden Lake' famed director. Another very familiar story, but altered like it was for the first time in a film. So most of the parts are predictable, but one twist during the beginning of the third act made it look good. Amazing pace, it just keeps getting bigger and bigger going forward. But as we know, those developments were so clichéd. All the actors were okay, and it has some decent stunts as well. I think it is a good timepass film and nothing else.. _6/10_

May 16, 2024
Geronimo1967
N/A

Well this just goes to show that you can put two hot blokes in the same film, set it in Paris, add some car chases and pyrotechnics - and still end up with a dud. Richard Madden (and his terrible attempt at a Nevada accent) is "Mason" an accomplished pickpocket who manages to get himself embroiled i ... n a bombing. Spotted by CCTV, he is soon the quarry of the CIA's "Briar" (Idris Elba) before the latter realises that he is not their protagonist and that it is best the pair unite to thwart the real terrorists who are using a campaign of civil unrest to mask their real criminal intentions. James Watkins actually manages to keep the pace of this moving along quite well, but the story is far too thin and there is precisely no chemistry on screen between the gents, or between anyone and "Zoe" (Charlotte le Bon) who is also mixed up in all this mayhem. Eye candy can really help a film, and to a certain extent it does here but otherwise this is a standard made for television thriller that is light on just about everything. The condescending tones of the CIA in their dealings with their French counterparts was rather irritating too - no wonder Americans are not always overly welcome in Europe! If this was either man pitching to be the next Daniel Craig, then I'd not give up the day job.

Nov 17, 2022
r96sk
7.0

Pretty good, for what it is. <em>'Bastille Day'</em>, or <em>'The Take'</em> for us in my neck of the woods, is a sound action thriller that suitably entertains. Idris Elba has played this sorta role many a time but there's no doubting how strongly he performs in such films. He and co-star Richar ... d Madden are sporting distracting (at least to someone who knows them more for their native tongue) accents, but are a solid pairing... their (admittedly somewhat minimal) buddy cop-esque banter isn't the best, though. Elba also appears in the end credits singing... not to great effect, I gotta say. Don't get me wrong I know that guy <a href="https://www.youtube.com/watch?v=2Qa5gB1tWK4" rel="nofollow">can very much do music</a>, it's just that <a href="https://www.youtube.com/watch?v=0WShPOyXyW4" rel="nofollow">this song</a> is, erm, not his strongest work, let's just say that. It's largely predictable, though it does things in a manner that kept me interested and enjoying what I was setting eyes on. So it gets a pass from yours truly.

Jan 05, 2024