Popularity: 4 (history)
Director: | James Watkins |
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Writer: | Andrew Baldwin, James Watkins |
Staring: |
Michael Mason is an American pickpocket living in Paris who finds himself hunted by the CIA when he steals a bag that contains more than just a wallet. Sean Briar, the field agent on the case, soon realises that Michael is just a pawn in a much bigger game and is also his best asset to uncover a large-scale conspiracy. | |
Release Date: | Apr 22, 2016 |
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Director: | James Watkins |
Writer: | Andrew Baldwin, James Watkins |
Genres: | Action |
Keywords | france, bomb, central intelligence agency (cia), bank, intelligence agency, terrorism, counter intelligence, french police |
Production Companies | Canal+, TF1 Films Production, StudioCanal, Vendôme Pictures, Anonymous Content, Anton Capital Entertainment |
Box Office |
Revenue: $14,397,593
Budget: $20,000,000 |
Updates |
Updated: Aug 10, 2025 (Update) Entered: Apr 13, 2024 |
Name | Character |
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Idris Elba | Sean Briar |
Richard Madden | Michael Mason |
Charlotte Le Bon | Zoe Naville |
Kelly Reilly | Karen Dacre |
José Garcia | Victor Gamieux |
Anatol Yusef | Tom Luddy |
Ériq Ebouaney | Baba |
Alex Fondja | Ange |
Arieh Worthalter | Jean |
Thierry Godard | Rafi Bertrand |
Vincent Londez | Yannick Bertrand |
Stéphane Caillard | Beatrice |
Mohamed Makhtoumi | Christophe |
Théo Costa-Marini | Xavier |
Jérôme Gaspard | Yves |
Ismaël Sy Savané | Serge |
Ines Boughanmi | French Journalist (uncredited) |
Jorge Leon | Rioter (uncredited) |
Valeria Ragonese | Protester (uncredited) |
Tuğba Tırpan | French Protestor (uncredited) |
Karl Farrer | Journalist (uncredited) |
Name | Job |
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Jean-Christophe Magnaud | Special Effects Coordinator |
Patrick Malone | Digital Intermediate |
Alex Heffes | Original Music Composer |
Tim Maurice-Jones | Director of Photography |
Jon Harris | Editor |
Julie Harkin | Casting |
Michaël Laguens | Casting |
Joe Howard | Art Direction |
Vicki Stevenson | Art Direction |
Eric Viellerobe | Art Direction |
Paul Spriggs | Supervising Art Director |
Paul Kirby | Production Design |
David Morison | Set Decoration |
Kate Good | Set Decoration |
Tony Browne | Armorer |
Liam Byrne | Armorer |
Caroline Bowker | Script Supervisor |
Lizzie Pritchard | Script Supervisor |
Aurélia Fourcaut | Script Supervisor |
Graham Sutton | Music Editor |
Jérôme Lateur | Music Supervisor |
Bartholomew Cariss | Assistant Costume Designer |
Claire Chanat | Costume Supervisor |
Magali Bonnot | Set Costumer |
Bruce Lignerat | Set Costumer |
Oliver Loncraine | Camera Operator |
Frédéric Vial | Camera Operator |
Hugues Espinasse | Second Unit Cinematographer |
Thierry Baucheron | Gaffer |
Pat Sweeney | Gaffer |
Manuel Gaspar | Gaffer |
James Swanson | Helicopter Camera |
Peter Wignall | Steadicam Operator |
Laurie Sparham | Still Photographer |
Denis Garnier | Additional Camera |
Jenny King | Visual Effects Coordinator |
Tim Caplan | Visual Effects Producer |
Simon Hughes | Visual Effects Supervisor |
Edd Gamlin | Visual Effects Editor |
Philippe Hubin | Special Effects Supervisor |
Mark Meddings | Special Effects Supervisor |
Ben Barker | Supervising Sound Editor, Sound Designer |
Brendan Nicholson | Sound Re-Recording Mixer |
Adam Scrivener | Sound Re-Recording Mixer |
Oliver Benson | Assistant Art Director |
Augustin Collet | Assistant Art Director |
Richard Hardy | Assistant Art Director |
Pierre Tormo | Construction Coordinator |
Paul Job | Hairstylist |
Linda Schwach | Hairstylist |
Véronique Boslé | Hairstylist |
Daniel Phillips | Hair Designer, Makeup Department Head, Makeup Designer |
Malwina Suwinska | Makeup Artist |
Clare Ramsey | Makeup Artist |
Marie-christine Carpentier | Makeup Artist |
Avril Carpentier | Makeup Artist |
Jonathan Collard | Digital Intermediate |
Rob Farris | Digital Intermediate |
Gemma McKeon | Digital Intermediate |
Guy Speranza | Costume Design |
Ben Wilson | Lighting Technician |
Fred Brown | Rigging Gaffer |
Andrew Baldwin | Writer |
Jessica Forde | Still Photographer |
Paul Jones | Standby Carpenter |
Ben Wright | Stunts |
George Kirby | Stunts |
James Watkins | Writer, Director |
Levan Doran | Stunts |
Name | Title |
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Philippe Rousselet | Producer |
Bard Dorros | Producer |
Fabrice Gianfermi | Executive Producer |
Steve Golin | Executive Producer |
Ron Halpern | Executive Producer |
David Kanter | Producer |
Raphaël Benoliel | Co-Producer |
Michael Dreyer | Executive Producer |
Guy Stodel | Executive Producer |
Olivier Courson | Executive Producer |
Dan MacRae | Executive Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 25 | 37 | 16 |
2024 | 5 | 26 | 34 | 19 |
2024 | 6 | 28 | 64 | 16 |
2024 | 7 | 29 | 50 | 17 |
2024 | 8 | 27 | 60 | 16 |
2024 | 9 | 17 | 24 | 12 |
2024 | 10 | 27 | 57 | 12 |
2024 | 11 | 26 | 56 | 16 |
2024 | 12 | 24 | 45 | 14 |
2025 | 1 | 25 | 35 | 16 |
2025 | 2 | 19 | 45 | 3 |
2025 | 3 | 7 | 20 | 2 |
2025 | 4 | 4 | 11 | 2 |
2025 | 5 | 6 | 12 | 3 |
2025 | 6 | 5 | 13 | 3 |
2025 | 7 | 5 | 5 | 3 |
2025 | 8 | 4 | 5 | 3 |
Trending Position
Year | Month | High | Avg |
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2025 | 8 | 513 | 513 |
Year | Month | High | Avg |
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2025 | 7 | 975 | 978 |
Year | Month | High | Avg |
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2025 | 5 | 612 | 612 |
Year | Month | High | Avg |
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2025 | 3 | 903 | 903 |
Year | Month | High | Avg |
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2025 | 1 | 828 | 900 |
Year | Month | High | Avg |
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2024 | 9 | 692 | 692 |
**One wrong move made a small time thief a target.** The first thing is this film came at the worst time in the history of France. If it was set in elsewhere in the world would have had less issue, but the Paris terror attack and this theme had lots of similarity. I mean it was nothing to do with ... the incident, but the contents are very impactful. Which also might be the reason for the film not doing well. I did not enjoy much this film, for me it was the story that turned me off. It was sympathetic to terrorists in the first half, so I completely hated that part, and then the last 30 or so minutes it got better. I mean not awesome or like that, but just good. Directed by 'Eden Lake' famed director. Another very familiar story, but altered like it was for the first time in a film. So most of the parts are predictable, but one twist during the beginning of the third act made it look good. Amazing pace, it just keeps getting bigger and bigger going forward. But as we know, those developments were so clichéd. All the actors were okay, and it has some decent stunts as well. I think it is a good timepass film and nothing else.. _6/10_
Well this just goes to show that you can put two hot blokes in the same film, set it in Paris, add some car chases and pyrotechnics - and still end up with a dud. Richard Madden (and his terrible attempt at a Nevada accent) is "Mason" an accomplished pickpocket who manages to get himself embroiled i ... n a bombing. Spotted by CCTV, he is soon the quarry of the CIA's "Briar" (Idris Elba) before the latter realises that he is not their protagonist and that it is best the pair unite to thwart the real terrorists who are using a campaign of civil unrest to mask their real criminal intentions. James Watkins actually manages to keep the pace of this moving along quite well, but the story is far too thin and there is precisely no chemistry on screen between the gents, or between anyone and "Zoe" (Charlotte le Bon) who is also mixed up in all this mayhem. Eye candy can really help a film, and to a certain extent it does here but otherwise this is a standard made for television thriller that is light on just about everything. The condescending tones of the CIA in their dealings with their French counterparts was rather irritating too - no wonder Americans are not always overly welcome in Europe! If this was either man pitching to be the next Daniel Craig, then I'd not give up the day job.
Pretty good, for what it is. <em>'Bastille Day'</em>, or <em>'The Take'</em> for us in my neck of the woods, is a sound action thriller that suitably entertains. Idris Elba has played this sorta role many a time but there's no doubting how strongly he performs in such films. He and co-star Richar ... d Madden are sporting distracting (at least to someone who knows them more for their native tongue) accents, but are a solid pairing... their (admittedly somewhat minimal) buddy cop-esque banter isn't the best, though. Elba also appears in the end credits singing... not to great effect, I gotta say. Don't get me wrong I know that guy <a href="https://www.youtube.com/watch?v=2Qa5gB1tWK4" rel="nofollow">can very much do music</a>, it's just that <a href="https://www.youtube.com/watch?v=0WShPOyXyW4" rel="nofollow">this song</a> is, erm, not his strongest work, let's just say that. It's largely predictable, though it does things in a manner that kept me interested and enjoying what I was setting eyes on. So it gets a pass from yours truly.