Popularity: 5 (history)
| Director: | Mike Flanagan |
|---|---|
| Writer: | Mike Flanagan, Jeff Howard |
| Staring: |
| In 1967 Los Angeles, a widowed mother and her two daughters add a new stunt to bolster their séance scam business and unwittingly invite authentic evil into their home. When the youngest daughter is overtaken by the merciless spirit, this small family confronts unthinkable fears to save her and send her possessor back to the other side. | |
| Release Date: | Oct 20, 2016 |
|---|---|
| Director: | Mike Flanagan |
| Writer: | Mike Flanagan, Jeff Howard |
| Genres: | Horror |
| Keywords | supernatural, prequel, possession, spirit, aftercreditsstinger, 1960s |
| Production Companies | Universal Pictures, Platinum Dunes, Hasbro, Blumhouse Productions, Allspark Pictures |
| Box Office |
Revenue: $81,700,000
Budget: $9,000,000 |
| Updates |
Updated: Feb 01, 2025 Entered: Apr 13, 2024 |
| Name | Character |
|---|---|
| Annalise Basso | Paulina Zander |
| Elizabeth Reaser | Alice Zander |
| Lulu Wilson | Doris Zander |
| Henry Thomas | Father Tom |
| Parker Mack | Mikey |
| Halle Charlton | Ellie |
| Alexis G. Zall | Betty |
| Doug Jones | Marcus |
| Kate Siegel | Jenny Browning |
| Sam Anderson | Mr. Browning |
| Chelsea Gonzalez | Gloria |
| Lincoln Melcher | Jack |
| Nicholas Keenan | Walter |
| Michael Weaver | Roger Zander |
| Ele Keats | Ellie's Mom |
| Eve Gordon | Joan |
| Nina Mansker | Female Ghoul |
| John Prosky | Doctor Fuller |
| Lin Shaye | Old Paulina Zander |
| Emily Brobst | Demon (uncredited) |
| Name | Job |
|---|---|
| Mike Flanagan | Director, Writer, Editor |
| Jeff Howard | Writer |
| Michael Fimognari | Director of Photography |
| Kate Boyer | Stunt Double |
| Emily Brobst | Stunt Double |
| Zack Duhame | Stunt Double |
| Mark Rayner | Stunt Coordinator |
| Juliana Potter | Stunt Double |
| Alice Rietveld | Stunt Double |
| James Moran | First Assistant Director |
| Todd Tucker | Special Effects Makeup Artist |
| Matt Leonard | Stunts |
| Corrina Roshea Bobb | Stunts |
| Andrew Grush | Original Music Composer |
| Taylor Stewart | Original Music Composer |
| Beatriz Sequeira | Development Producer |
| Terri Taylor | Casting |
| Lynn Falconer | Costume Design |
| Patricio M. Farrell | Production Design |
| Patrina O'Connor | Hair Department Head |
| John Yarbrough | Transportation Coordinator, In Memory Of |
| Hana Rausalova | Costume Supervisor |
| Justin M. Lubin | Still Photographer |
| Benjamin Gieschen | Foley Editor |
| Brian Jeremiah Smith | First Assistant Editor |
| Alberto Gonzalez-Reyna | Art Direction |
| Jonathan Wales | Supervising Sound Editor |
| Staci Witt | Makeup Department Head |
| Carolina Sapina | Key Costumer |
| Jake Humbert | First Assistant "B" Camera |
| David Shipps | Conductor |
| Julie Sessing | Music Supervisor |
| Oleg Kulchytskyi | Sound Re-Recording Mixer |
| Zach Carnes | Title Designer |
| Joshua Adeniji | Sound Effects Editor |
| Scott Edelson | Boom Operator |
| John C. Hartigan | Special Effects Coordinator |
| Christopher Bonis | Sound Effects Editor |
| Sandra J. Santacreu | Studio Teacher |
| Brenda Meyers-Ballard | Set Decoration |
| Brett Pierce | Music Editor |
| Yiotis Panayiotou | Hairstylist |
| Eric D. Anderson | Camera Operator |
| Cooper Donaldson | Gaffer |
| Xander Lott | ADR Editor |
| Trevor Gates | Sound Designer |
| Jan McWilliams | Script Supervisor |
| Jenda Cipperley | Makeup Artist |
| Jamison Scott Goei | Visual Effects Supervisor |
| Phil DeSanti | Additional Second Assistant Director |
| Jennifer Greenberg | Makeup Artist |
| Thomas Valko | Steadicam Operator |
| Name | Title |
|---|---|
| Brad Fuller | Producer |
| Jason Blum | Producer |
| Michael Bay | Producer |
| Andrew Form | Producer |
| Trevor Macy | Executive Producer |
| Brian Goldner | Producer |
| Couper Samuelson | Executive Producer |
| Victor Ho | Executive Producer |
| Stephen Davis | Producer |
| Jeanette Volturno | Executive Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 34 | 42 | 27 |
| 2024 | 5 | 38 | 51 | 28 |
| 2024 | 6 | 39 | 71 | 26 |
| 2024 | 7 | 41 | 69 | 26 |
| 2024 | 8 | 35 | 71 | 19 |
| 2024 | 9 | 26 | 38 | 19 |
| 2024 | 10 | 34 | 63 | 19 |
| 2024 | 11 | 34 | 76 | 18 |
| 2024 | 12 | 38 | 61 | 21 |
| 2025 | 1 | 29 | 38 | 20 |
| 2025 | 2 | 24 | 58 | 5 |
| 2025 | 3 | 8 | 25 | 1 |
| 2025 | 4 | 5 | 8 | 3 |
| 2025 | 5 | 4 | 10 | 2 |
| 2025 | 6 | 3 | 5 | 2 |
| 2025 | 7 | 3 | 4 | 2 |
| 2025 | 8 | 3 | 4 | 2 |
| 2025 | 9 | 4 | 5 | 2 |
| 2025 | 10 | 3 | 6 | 2 |
Trending Position
| Year | Month | High | Avg |
|---|---|---|---|
| 2024 | 11 | 548 | 548 |
_YesYes: UnOriginal of Evil_ is a **much**, much better film than its predecessor, Ouija. But, seeing as the first _Ouija_ was far and away the worst film of 2014, that's not much of an achievement. _Final rating:★★ - Had some things that appeal to me, but a poor finished product._ ...
**So this is where it all began!** It is a decent horror film, but surely better than the first. The previous part was an usual teen themed horror where everything started as a playful. But this one was a prequel and it focused on the origins. A single mother with two daughters is making money he ... lping the people who want to contact their beloved dead ones. The things changes when her little daughter started to communicate the spirits of her own. The chaos unleashes, the house becomes haunted and the family begins to fall apart. Keeping it simple is what worked out well for the film, despite thematically borrowed from others, scenes were kind of familiar and characters intentionally developed. Particularly the priest role was the most overused in any horror film. Followed by the twist. That turning point was good, but not a new. Nice performances and well shot film. Ouija is a fine concept for a horror theme and with this film's somewhat success, I hope the next one would only get better. So it is worth a watch, if you're not anticipating a something special. _6/10_
I really enjoyed the beginning of the film. The film though lasts 90 minutes and till 60 minutes seems like we are still in the beginning. The movie ends too fast, all the action takes part in the last 15 minutes so they wrap it up very poorly and not enjoyable. The horror scenes look more funny rat ... her than scary and that makes it even worse. Really disappointed with the end, cause it had very great potentials.
Wheeeeeja! A sequel that's a prequel that's actually better than what preceded it! Ouija: Origin of Evil is an above average chiller that's a fine scary ride for those not expecting boundary pushing. Standard rules apply here, widowed mum and two daughters who dabble in the con of seance profi ... teering get more than they bargained for when they introduce a Ouija board to proceedings. Director Mike Flanagan knows how to construct a good honest scare piece (see Oculus and Hush), and so it proves here. The atmosphere is constantly set at impending dread, the tension slow built until pic goes into overdrive. Unfortunately so many horror films of the decade are reliant on the demon formula to fill out their respective tales, so much so it has become jaded and utterly unsurprising. This hurts this picture and it runs away with itself, rendering the big final quarter - complete with emotional baggage - as something of a let down; though the final shot has goosebump value for sure. Hadrcore horror buffs will find irritants and emptiness, but for those who dip in and out of the genre should find a quick chill to fill a fright gap. 6/10