Popularity: 11 (history)
Director: | Wes Ball |
---|---|
Writer: | T.S. Nowlin, James Dashner |
Staring: |
Thomas leads his group of escaped Gladers on their final and most dangerous mission yet. To save their friends, they must break into the legendary Last City, a WCKD-controlled labyrinth that may turn out to be the deadliest maze of all. Anyone who makes it out alive will get answers to the questions the Gladers have been asking since they first arrived in the maze. | |
Release Date: | Jan 10, 2018 |
---|---|
Director: | Wes Ball |
Writer: | T.S. Nowlin, James Dashner |
Genres: | Adventure, Action, Science Fiction, Thriller |
Keywords | based on novel or book, fight, maze, imprisonment, post-apocalyptic future, terminal illness, sequel, murder, mad scientist, survival, trial, zombie, doctor, battle, vaccine, scientist, killer, desert, labyrinth, combat, illness, cure, zombie apocalypse, runner, universal cure, based on young adult novel |
Production Companies | 20th Century Fox, The Gotham Group, Temple Hill Entertainment, Oddball Entertainment |
Box Office |
Revenue: $288,175,335
Budget: $62,000,000 |
Updates |
Updated: Aug 04, 2025 (Update) Entered: Apr 13, 2024 |
Name | Character |
---|---|
Dylan O'Brien | Thomas |
Kaya Scodelario | Teresa Agnes |
Thomas Brodie-Sangster | Newt |
Ki Hong Lee | Minho |
Dexter Darden | Frypan |
Rosa Salazar | Brenda |
Giancarlo Esposito | Jorge |
Will Poulter | Gally |
Aidan Gillen | Janson |
Patricia Clarkson | Ava Paige |
Barry Pepper | Vince |
Walton Goggins | Lawrence |
Nathalie Emmanuel | Harriet |
Jacob Lofland | Aris Jones |
Katherine McNamara | Sonya |
Dylan Smith | Jasper |
Jake Curran | WCKD Lieutenant |
Dylan Kriek | Co Conductor |
Scot Cooper | Station Chief |
Kazi Maubert | Immune Child |
Bart Fouche | Engineer |
Greg Kriek | Co-Conductor |
Paul du Toit | Berg Pilot |
Liza Scholtz | Nurse |
Shai Lun Choo | Little Girl |
Fiona Ramsay | Board Member |
Paul Hampshire | Soldier |
Nathan Barris | Soldier |
Drikus Volschenk | Team Leader |
Clayton Evertson | WCKD Operator |
Emily Child | Infected Woman |
Dale Jackson | Holding Area Guard |
Armando De Leca | WCKD Guard |
Paul Lazenby | Guard (uncredited) |
Parm Soor | Board Member (uncredited) |
Ryan Higgins | Extra (uncredited) |
Name | Job |
---|---|
Lauren Claret | First Assistant Accountant |
T.S. Nowlin | Screenplay |
John Ottman | Sound Mixer |
Steve Chang | Stunts |
Rhys Williams | Stunts |
Irena Stepić | Assistant Costume Designer |
John Paesano | Original Music Composer |
Davide Anselmi | Production Sound Mixer, Sound Editor |
Johnny Gidcomb | ADR Voice Casting |
Colin Robson | Grip |
Tobias Poppe | Sound Designer |
Dave Lovano | Stunts |
Chang Jung-min | VFX Artist |
Will Ropp | ADR & Dubbing |
James Dashner | Novel |
Sanja Milković Hays | Costume Design |
Dan Zimmerman | Editor |
Daniel T. Dorrance | Production Design |
Andrea Borland | Art Direction |
Michael Diner | Art Direction |
Ross Jenkin | Art Direction |
Grant Van Der Slagt | Art Direction |
Lisa Love | Makeup Department Head |
Nicole Oguchi | Production Supervisor |
Shannon Courte | Art Department Coordinator |
John Dale | Construction Coordinator |
Lisa Godwin | Propmaker |
Julieta Jiménez | Set Designer |
Andrew Lee McConnell | Set Designer |
Gary Young | Sculptor |
Darren Brisker | Sound Mixer |
Nicole Connelly | Special Effects |
Blair Clark | Visual Effects Supervisor |
Seth Kenlon | Visual Effects |
Scott Puckett | Visual Effects Producer |
Shane Daniels | Stunts |
Patrick Phan | Stunts |
Julia Rekaikyna | Stunts |
Glenn Suter | Stunt Coordinator |
Scott Kozak | Rigging Grip |
Sean Oxenbury | Rigging Gaffer |
Armand Santos | Best Boy Electric |
Dean Schwingboth | Grip |
Beth Day | Casting Associate |
Liz Ludwitzke | Casting Associate |
Jessica Lythgoe-Green | Costume Supervisor |
Nava R. Sadan | Costume Supervisor |
Logan Breit | Visual Effects Editor |
Wendy Nomiyama | Assistant Editor |
Ron Irvine | Transportation Captain |
David Holm | Transportation Coordinator |
Carrie O'Bray | Transportation Captain |
Morgan Brady | Production Coordinator |
Suze Dunbar | Script Supervisor |
Joecy Shepherd | Script Supervisor |
Julieann Snow | Production Accountant |
Patrick O'Connor | Art Direction |
Catherine Palmer | Art Direction |
Hugo Santiago | Art Direction |
Moray McGregor | Standby Art Director |
Christophe Dalberg | Supervising Art Director |
Gaby Beyers | Art Department Coordinator |
Jerry Staar | Assistant Property Master |
Darren Christian | Concept Artist |
Frederick Mpuuga | Concept Artist |
Michel Smit | Concept Artist |
Darek Zabrocki | Concept Artist |
Raj Rihal | Conceptual Design |
Stevo Bedford | Conceptual Illustrator |
Gordon Russell | Construction Foreman |
Garreth Carikas | Graphic Designer |
Thomas Dorman | Graphic Designer |
Rohan Lyal | Head Greensman |
Carla Jackson | Head Greensman |
Dean Eilertson | Property Master |
Kerry van Lillenveld | Property Master |
Brett Hirson | Set Designer |
Siobhan Roome | Set Designer |
Lauren Sevior | Set Dresser |
Mark Risk | Storyboard Artist |
Ronald Hersey | Aerial Director of Photography |
Niall Fraser | Best Boy Electric |
Samantha Davids | Camera Loader |
Peter Belcher | Camera Operator |
Danie du Toit | Camera Operator |
Alessandro Brambilla | Steadicam Operator |
Adi Visser | Steadicam Operator |
Josh Bleibtreu | Second Unit Director of Photography |
Keith Johnston | Dolly Grip |
Adrian van As | Dolly Grip |
dron | Drone Cinematographer |
Jed Harris | Electrician |
Moses Makateng | Electrician |
Alfred Mxathule | Electrician |
Vincent Ngcobo | Electrician |
Athi Pokolo | Electrician |
Berndt Wiese | First Assistant Camera |
Daniel Bombell | First Assistant "A" Camera |
Evan Maclachlan | First Assistant "A" Camera |
E.J. Misisco | First Assistant "B" Camera |
Adrian Boerlage | First Assistant Camera |
Oliver Wilter | Gaffer |
J.P. Ridgway | Key Grip |
Mark Forster | Key Grip |
Nick Phillips | Libra Head Technician |
Keith Saayman | Libra Head Technician |
Negoita Mihai | Libra Head Technician |
Marcel Klopper | Libra Head Technician |
David McIntosh | Rigging Grip |
Dan Sigobongo | Rigging Grip |
J.P. van der Merwe | Extras Casting |
Michelle Karavoussanos | Assistant Costume Designer |
Summer Dietz | Assistant Costume Designer |
Michanne Kirsten | Costume Assistant |
Debra Trevino | Costume Assistant |
Abigail Metcalfe | Costume Supervisor |
Tamsyn Lee Wilson | Ager/Dyer |
Natasha Gale | Costumer |
Laurel Morgan | Costumer |
Nawaal Hendriks | Costumer |
Sean Haley | Key Costumer |
Wendy L. Schilling | Key Costumer |
Isabel Bloor | Key Costumer |
Hetta Burger | Wardrobe Supervisor |
Michael Rostker | 3D Editor |
Ben Cox | Assistant Editor |
Greg Hollander | Assistant Editor |
Alex Oreman | Digital Intermediate |
Michael Van Fleet | Digital Intermediate |
Noel Albornoz | Digital Intermediate Editor |
P.J. Burch | First Assistant Editor |
Jeff Carson | Music Editor |
Charles Martin Inouye | Music Editor |
Paul Jasper | Animal Coordinator |
Rob Fournier | Armorer |
Kim Robinson | Continuity |
Reinier Smit | Script Supervisor |
Kelsey Wheeler | Pilot |
Vinca Cox | Script Supervisor |
Beth Li | Title Designer |
Michael Umble | Unit Publicist |
Derek Casari | ADR Engineer |
David Betancourt | ADR Mixer |
Garret Farrell | ADR Mixer |
Kristin Catuogno | ADR Recordist |
Gavin Coford | Boom Operator |
Bruce K. Malala | Boom Operator |
Helen Luttrell | Dialogue Editor |
John T. Cucci | Foley Artist |
Dan O'Connell | Foley Artist |
Roberto Dominguez Alegria | Foley Mixer |
James Ashwill | Foley Mixer |
John Guentner | Foley Mixer |
Lee Gilmore | Sound Designer |
Ai-Ling Lee | Supervising Sound Editor, Sound Re-Recording Mixer, Sound Designer |
Chris Diebold | Sound Effects Editor |
Chris Terhune | Sound Effects Editor |
Tim Gomillion | Sound Recordist |
Susan Dawes | Supervising Dialogue Editor |
Andrew Butterfield | Animation |
Stanislav Dovliashewicz | Animation |
Jazmin Evans | Animation |
Alessandro Saponi | CG Supervisor |
Einar Martinsen | Matte Painter |
John Walters | Matte Painter |
Ryan Cronin | Senior Animator |
Vincent Désilets | Senior Animator |
Niall Lenihan | Software Engineer |
Sam Ashford-Rowe | Visual Effects Coordinator |
Marc Faladeau | Visual Effects Coordinator |
Amanda Newby | Visual Effects Coordinator |
Sky Stone | Visual Effects Coordinator |
Katherine Terzieva | Visual Effects Coordinator |
Jennifer Ramos | Visual Effects Coordinator |
Jeffrey J. Marks | Visual Effects Producer |
Andrew Eick | Visual Effects Producer |
Martin Wiseman | Visual Effects Producer |
Matt Sloan | Visual Effects Supervisor |
R. Christopher White | Visual Effects Supervisor |
Mike F. Hedayati | Visual Effects Supervisor |
Rachel Hannah Cohen | Visual Effects Production Manager |
Vasilis Antipas | Visual Effects Technical Director |
Oliver Ferguson | Visual Effects Technical Director |
Jerry Graham | Animation |
Ronan Binding | Animation |
William Booker | Second Unit First Assistant Director |
Nadia Brand | Second Assistant Director |
Benjamin Cairns | Third Assistant Director |
Cameron Hadlow | Third Assistant Director |
David Klohn | Second Assistant Director |
Vincent Lascoumes | First Assistant Director |
Leroy Titus | Second Second Assistant Director |
Megan Truter | Second Second Assistant Director |
Tamara Allen | Production Supervisor |
James Powers | Unit Production Manager |
Nicola Unsworth | Unit Production Manager |
Tom Brown | Music Arranger |
James Chung | Concept Artist |
Holly Sedillos | Vocals |
Wes Ball | Director |
Denise Chamian | Casting |
Paul Lazenby | Stunts |
Gyula Pados | Director of Photography |
Daniel Macarin | Visual Effects Supervisor |
Phillip Leonhardt | Visual Effects Supervisor |
Name | Title |
---|---|
Wyck Godfrey | Producer |
Lee Stollman | Producer |
Wes Ball | Producer |
Lorenzo di Bonaventura | Executive Producer |
Ellen Goldsmith-Vein | Producer |
Marty Bowen | Producer |
Joe Hartwick Jr. | Producer |
Organization | Category | Person |
---|
Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 88 | 120 | 72 |
2024 | 5 | 73 | 99 | 56 |
2024 | 6 | 65 | 120 | 49 |
2024 | 7 | 95 | 138 | 65 |
2024 | 8 | 85 | 157 | 44 |
2024 | 9 | 56 | 68 | 41 |
2024 | 10 | 95 | 138 | 49 |
2024 | 11 | 69 | 150 | 50 |
2024 | 12 | 62 | 104 | 45 |
2025 | 1 | 54 | 67 | 40 |
2025 | 2 | 47 | 61 | 10 |
2025 | 3 | 20 | 62 | 3 |
2025 | 4 | 13 | 21 | 9 |
2025 | 5 | 8 | 11 | 6 |
2025 | 6 | 9 | 12 | 6 |
2025 | 7 | 8 | 10 | 6 |
2025 | 8 | 9 | 11 | 7 |
Trending Position
Year | Month | High | Avg |
---|---|---|---|
2025 | 8 | 251 | 727 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 7 | 233 | 639 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 6 | 263 | 623 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 5 | 229 | 615 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 4 | 519 | 814 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 3 | 265 | 664 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 2 | 448 | 780 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 1 | 248 | 725 |
Year | Month | High | Avg |
---|---|---|---|
2024 | 12 | 528 | 832 |
Year | Month | High | Avg |
---|---|---|---|
2024 | 11 | 221 | 726 |
Year | Month | High | Avg |
---|---|---|---|
2024 | 10 | 554 | 754 |
Year | Month | High | Avg |
---|---|---|---|
2024 | 9 | 706 | 877 |
Year | Month | High | Avg |
---|---|---|---|
2024 | 8 | 619 | 813 |
Good movie! ...
Thank you very much for not splitting this movie into two parts. As a member of _The Death Cure's_ audience I do genuinely appreciate that. I am less appreciative however of the movie itself. It doesn't at all pay off the confusion I suffered at the hands of the franchise. My opinion on the _Maze ... Runner_ series has been mixed, but I feel certain that this one is the worst, and not only that, but it kind of retroactively made me appreciate the first two less. _Final rating:★★ - Had some things that appeal to me, but a poor finished product._
With the main characters already introduced in the first two movies, The Death Cure skips over character reintroductions and dives straight into the action from the very first scene. While this fast-paced start keeps the energy high, it feels like a missed opportunity for the director to focus more ... on story growth and deepening character attachments in the opening act. That said, character buildup throughout the movie is an improvement over The Scorch Trials. There are several emotional scenes that add weight to the story and allow viewers to connect with the characters on a deeper level. The production quality remains on par with the previous films, featuring impressive cinematography and solid visuals that capture the scale and intensity of the narrative. The film is packed with action sequences, which deliver plenty of excitement but ultimately lack depth. While the stakes are clear, the story misses an opportunity to create a more engaging conflict that keeps viewers on edge and conflicted about the central themes, such as the cure and its implications. The finale, while emotional, feels somewhat underwhelming. It hints at resolution but lacks the sense of closure expected from the conclusion of a trilogy. Despite its strong visuals and emotional moments, the film falls short of fully delivering on the promise of its story. The Death Cure delivers thrilling action and improved character moments but struggles to provide the narrative depth and satisfying closure that could have elevated the trilogy's conclusion.