Popularity: 2 (history)
Director: | Paul Verhoeven |
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Writer: | David Birke, Philippe Djian, Harold Manning |
Staring: |
When Michèle, the CEO of a gaming software company, is attacked in her home by an unknown assailant, she refuses to let it alter her precisely ordered life. She manages crises involving family, all the while becoming engaged in a game of cat and mouse with her stalker. | |
Release Date: | May 25, 2016 |
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Director: | Paul Verhoeven |
Writer: | David Birke, Philippe Djian, Harold Manning |
Genres: | Drama, Thriller |
Keywords | france, video game, rape, assault, death of father, car accident, birth, divorced woman, death of mother, christmas lights, giving birth, rape and revenge, christmas, intruder, pepper spray |
Production Companies | France 2 Cinéma, Entre Chien et Loup, SBS Productions, Twenty Twenty Vision Filmproduktion, Proximus |
Box Office |
Revenue: $2,341,534
Budget: $9,804,690 |
Updates |
Updated: May 25, 2025 Entered: May 25, 2025 |
Name | Job |
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Laurent Ott | Production Design, Art Direction |
Nicolas Rey | Visual Effects Supervisor |
Kevin Chneiweiss | Producer's Assistant |
Valérie Trajanovski | Extras Casting |
Benoît Biral | Foley Mixer |
David Birke | Screenplay |
Paul Verhoeven | Director |
Stéphane Fontaine | Director of Photography |
Constance Demontoy | Casting |
Anne Dudley | Original Music Composer |
Loris Camacho | Assistant Production Manager |
Elise Lahouassa | Third Assistant Director, Casting Assistant |
Karine Petite | Unit Manager |
Morgane Le Gallic | Post Production Supervisor |
Carole Reinhard | Location Scout, Assistant Director |
Morand Coline | Third Assistant Director |
Martin Hampel | Line Producer |
Dali Mansour | Third Assistant Director |
Manon Messiant | Assistant Production Manager |
Thibault Ruslet | Post Production Assistant |
Alessandro Checcacci | Sound Re-Recording Mixer |
Delphine Capossela | Costumer |
Thi-Loan Nguyen | Makeup Artist |
Fabien Perniceni | Second Assistant Camera |
Sarah Borch-Jacobsen | Producer's Assistant |
Philippe van Leer | Foley Artist |
Philippe Djian | Novel |
Job ter Burg | Editor |
Bénédicte Darblay | Script Supervisor |
Nathalie Raoul | Costume Design |
Harold Manning | Adaptation |
Abraham Goldblat | Post Production Supervisor |
Costia Dufour | Assistant Production Manager |
Sebastian Schelenz | Production Director |
Cecile Vatelot | Set Decoration |
Hugo Fié | Third Assistant Director |
Anne Caramagnol | Makeup Artist |
Quentin Janssen | Second Assistant Director |
Sarah Blanc | Production Coordinator |
Sophie Farsat | Key Makeup Artist |
Brieuc Vanderswalm | First Assistant Director |
Katia Boutin | Dialogue Editor, ADR Supervisor |
Sophie Denize | Visual Effects Producer |
Morgane Annic-Nony | Sound Design Assistant |
Guillaume Couturier | Sound Engineer |
Clément Wintz | Special Effects |
Jonathan Acbard | Boom Operator |
Jan Gagnaire | Grip |
Damien Luquet | Boom Operator |
Niels Koopman | Assistant Editor |
Louis Bart | Assistant Sound Editor |
Hugues Namur | Visual Effects Supervisor |
Adrien Overlot | Production Accountant |
Guy Ferrandis | Still Photographer |
Jean-Paul Mugel | Sound Mixer |
Emmanuel Lanzi | Stunt Coordinator |
Camille Cariou | Post Production Assistant |
Damien Lazzerini | Sound Re-Recording Mixer |
Alexis Robin | First Assistant Camera |
Gwennolé Le Borgne | Sound Editor |
Simon Descamps | Visual Effects Coordinator |
Xavier Cholet | Gaffer |
Oury Milshtein | Production Manager |
Alexis Place | Supervising Sound Editor |
Elise Luguern | Music Supervisor |
Cyril Holtz | Sound Re-Recording Mixer |
Danae Delbos | Location Scout |
Antonin Gendre | Key Grip |
Elise Camurat | Script Supervisor |
Marc Jouveneau | Visual Effects Supervisor |
Name | Title |
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Saïd Ben Saïd | Producer |
François Touwaide | Co-Producer |
Thanassis Karathanos | Co-Producer |
Kateryna Merkt | Co-Producer |
Michel Merkt | Producer |
Sébastien Delloye | Co-Producer |
Diana Elbaum | Co-Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
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2024 | 4 | 22 | 39 | 14 |
2024 | 5 | 25 | 34 | 19 |
2024 | 6 | 26 | 79 | 12 |
2024 | 7 | 21 | 37 | 10 |
2024 | 8 | 23 | 46 | 12 |
2024 | 9 | 14 | 27 | 7 |
2024 | 10 | 22 | 41 | 8 |
2024 | 11 | 15 | 25 | 8 |
2024 | 12 | 16 | 32 | 12 |
2025 | 1 | 16 | 30 | 10 |
2025 | 2 | 10 | 19 | 3 |
2025 | 3 | 5 | 15 | 1 |
2025 | 4 | 1 | 2 | 1 |
2025 | 5 | 2 | 3 | 1 |
2025 | 6 | 2 | 4 | 1 |
2025 | 7 | 1 | 2 | 1 |
2025 | 8 | 2 | 3 | 1 |
2025 | 9 | 3 | 6 | 1 |
2025 | 10 | 2 | 2 | 2 |
Trending Position
Year | Month | High | Avg |
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2025 | 10 | 302 | 550 |
Year | Month | High | Avg |
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2025 | 5 | 197 | 468 |
**Sometimes the crime decides its own fate.** I had no thought before the watch, but while watching it, I felt it was overrated. That's for a moment, once I finished watching it, realised it's a better film. I mean I changed my stance, after over and over thinking about the film. So its the patie ... nce you need, wait till the film to end to decide how much you liked it. It was too long, but every space was filled up with the best parts. It took time to understand the characters, and with multiple angle events in one woman's life. Isabelle Huppert was amazing. Despite so many characters in the film, she ruled it. One of her best films I have seen. The film focused on the boss of a video game designing firm. It opens with as she's been sexually assaulted in her home by an intruder. Followed by one of her employees morphed her face to an animated character as a sexual explicit material for the game they are working in. So she begins her investigation to find both the culprit who might be the same person. This is where the suspense comes into play to develop interest in us. Besides, facing family troubles takes some extra development. Subsequently, all the mysteries will be solved and to know how it ends, you should watch it. > "Michele to her cat: You did not have to claw his eyes out, but scratch him at least." It is official French submission to the 89th American Academy Awards. But as per the latest news bulletin, this film is out of the Oscars race, despite made into the Golden Globes. From the director of the original 'Total Recall' and his first French film. Based on the book named 'Oh...'. But I felt it was developed from a small part of 'The Little Death'. Basically, there's an understanding being it is the story of the adults, despite the sexual violences and that's how this story was built. So you must compromise on a few things that is shown in it if you really want to enjoy it. I did not like it all the sudden, though looking back all the film events and joining them together made me see the film was decent. Especially that final line said by a woman who was evacuating her house makes whole thing sense. Maybe that's the real twist in the tale. Initially I did not think to write a review, but surely it deserved one from me, so I wrote this short and quick. This is the film for the grown ups, but not for all the grown ups. So I hope it will meet your expectation if you decide to try, but according to me definitely it is worth. _7/10_
Ass-wiping-piece-of-crap-movie glamorizing rape, violence, mutilation, stalking... It is not doing any good for anybody! NO woman (with brains) would ever find this movie sexy! The first and the last 10 minutes was the only thing realistic in this movie.... YUCK! The director and the whole movie tea ... m should be ashamed to encourage violence against women! There are some sick twisted fucks out there, who is totally going to misunderstand this movie...