Popularity: 3 (history)
| Director: | Mimi Leder |
|---|---|
| Writer: | Daniel Stiepleman |
| Staring: |
| Young lawyer Ruth Bader Ginsburg teams with her husband Marty to bring a groundbreaking case before the U.S. Court of Appeals and overturn a century of sex discrimination. | |
| Release Date: | Dec 25, 2018 |
|---|---|
| Director: | Mimi Leder |
| Writer: | Daniel Stiepleman |
| Genres: | Drama, History |
| Keywords | 1970s, biography, supreme court, based on true story, lawyer, justice, harvard law school, woman director, 1960s, courtroom drama, supreme court justice, inspirational, instructive |
| Production Companies | Participant, Alibaba Pictures Group, Robert Cort Productions |
| Box Office |
Revenue: $38,755,968
Budget: $20,000,000 |
| Updates |
Updated: Feb 01, 2025 Entered: Apr 13, 2024 |
| Name | Character |
|---|---|
| Felicity Jones | Ruth Bader Ginsburg |
| Armie Hammer | Martin D. Ginsburg |
| Justin Theroux | Mel Wulf |
| Sam Waterston | Erwin Griswold |
| Kathy Bates | Dorothy Kenyon |
| Cailee Spaeny | Jane C. Ginsburg |
| Callum Shoniker | James Steven Ginsburg |
| Jack Reynor | James H. Bozarth |
| Stephen Root | Professor Brown |
| Ronald Guttman | Professor Gerald Gunther |
| Chris Mulkey | Charles Moritz |
| Gary Werntz | Judge William Edward Doyle |
| Francis X. McCarthy | Judge Fred Daugherty |
| Ben Carlson | Judge William Judson Halloway Jr. |
| Ruth Bader Ginsburg | Self |
| Amanda MacDonald | Stern Mother |
| Karl Graboshas | Emergency Room Doctor |
| Angela Galuppo | Emily Hicks |
| Joe Cobden | Jim |
| Dawn Ford | Nurse 1 |
| Michael Dickson | Second Professor |
| Holly Gauthier-Frankel | Millicent |
| Jeff Lillico | Fitzpatrick |
| Arthur Holden | Wyland Leadbetter |
| Gabrielle Graham | Parker |
| Wendy Crewson | Harriet Griswold |
| John Ralston | Tom Miller |
| Name | Job |
|---|---|
| Mimi Leder | Director |
| Mychael Danna | Original Music Composer |
| Nathalie Paquette | Script Supervisor |
| Naomi Joy Todd | Dialect Coach |
| Melissa H. Morgan | Production Supervisor |
| Jean Scarabin | Hairstylist |
| Mélanie Simard | Unit Manager |
| Adrian Knight | Location Manager |
| Luc Therrien | Special Effects |
| Alain Bisson Doyal | Key Grip |
| André Laforest | Driver |
| Camille Parent | Art Direction |
| Paola Ridolfi | Art Direction |
| Michelle Côté | Hair Department Head |
| Michael Grady | Director of Photography |
| Daniel Stiepleman | Screenplay |
| Betsy Danbury | Line Producer |
| Jean Camden | Sound Mixer |
| Damien Berger | Boom Operator |
| Ghislaine Sant | Hairstylist |
| Niccole Osborn | Post Production Supervisor |
| Nelson Coates | Production Design |
| Victoria Thomas | Casting |
| Isis Mussenden | Costume Design |
| Michelle Tesoro | Editor |
| Kesha | Music |
| Name | Title |
|---|---|
| Erin F. Larsen | Associate Producer |
| Karen Loop | Executive Producer |
| Daniel Stiepleman | Executive Producer |
| Robert W. Cort | Producer |
| Betsy Danbury | Executive Producer |
| Jonathan King | Producer |
| Jeff Skoll | Executive Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 23 | 34 | 16 |
| 2024 | 5 | 26 | 36 | 18 |
| 2024 | 6 | 22 | 30 | 15 |
| 2024 | 7 | 29 | 45 | 15 |
| 2024 | 8 | 21 | 36 | 14 |
| 2024 | 9 | 15 | 23 | 11 |
| 2024 | 10 | 19 | 28 | 11 |
| 2024 | 11 | 19 | 37 | 11 |
| 2024 | 12 | 17 | 23 | 12 |
| 2025 | 1 | 16 | 29 | 11 |
| 2025 | 2 | 13 | 17 | 3 |
| 2025 | 3 | 9 | 30 | 1 |
| 2025 | 4 | 2 | 2 | 1 |
| 2025 | 5 | 2 | 2 | 1 |
| 2025 | 6 | 2 | 3 | 1 |
| 2025 | 7 | 2 | 7 | 1 |
| 2025 | 8 | 2 | 3 | 1 |
| 2025 | 9 | 2 | 2 | 1 |
| 2025 | 10 | 2 | 4 | 1 |
Trending Position
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 5 | 298 | 461 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 3 | 645 | 813 |
Well, it's so inaccurate that you can tell from the start that it is going for statement over biopic. And it almost seems like it should be titled "The Unstoppable RBG" as she comes across as right all the time, faultless, stronger, smarter and more capable than anyone to the point where she can ... argue a case, preform brain surgery, and create the rocket that got us to the moon, in a single night without breaking a sweat. She's more perfect here than Mary Poppins and it makes the film sort of unbelievable. Ginsburg is human, I'm sure she had to struggle to over come more than just the evil White Male patriarchy, but even that she effortlessly dismantles. Halfway through the movie you expect her to wear a cape and fly away, just to prove she can out super Superman as well. In a Biopic you kind of expect to get to know the character, to see their ups and downs. Instead, however, what you get is a golden god with history rewritten to add a healthy polish.
A great opportunity to assess the remarkable achievements of Ruth Bader Ginsberg - but one that misses more than it hits. Felicity Jones and Armie Hammer just don't have the gravitas to pull this off - they deliver none of the feistiness, grit and determination that must have featured substantially ... in her struggle for equality and success within her profession. It isn't anywhere near as bad as a traditional TV movie, but it blurs the lines between autobiography and fiction in a way that serves to diminish the overall story and that's a real shame. I'd have loved to see Katharine Hepburn play her!