Popularity: 3 (history)
| Director: | Woody Allen |
|---|---|
| Writer: | Woody Allen |
| Staring: |
| The story of a young man who arrives in Hollywood during the 1930s hoping to work in the film industry, falls in love, and finds himself swept up in the vibrant café society that defined the spirit of the age. | |
| Release Date: | May 11, 2016 |
|---|---|
| Director: | Woody Allen |
| Writer: | Woody Allen |
| Genres: | Comedy, Drama, Romance |
| Keywords | love triangle, new year's eve, baby, gangster, letter, marriage, love, murder, unrequited love, secretary, hollywood, los angeles, california, older man younger woman relationship, socialite, uncle nephew relationship, neighbor neighbor relationship, 1930s |
| Production Companies | Gravier Productions, Perdido Productions |
| Box Office |
Revenue: $43,763,247
Budget: $30,000,000 |
| Updates |
Updated: Feb 01, 2025 Entered: Apr 13, 2024 |
| Name | Job |
|---|---|
| Patricia Kerrigan DiCerto | Casting |
| Meghan Rafferty | Casting Associate |
| Bruce Winant | ADR Voice Casting |
| Manny Siverio | Stunt Coordinator |
| Scott Burik | Stunts |
| Matthew R. Staley | Stunts |
| Will Arnot | Steadicam Operator, Camera Operator |
| Dann Fink | ADR Voice Casting |
| Nancy Haigh | Set Decoration |
| Sharon Watt | Script Supervisor |
| Suzy Benzinger | Costume Design |
| Christine Fennell | Hair Department Head |
| Doug Huszti | Art Direction |
| Stacey Panepinto | Makeup Department Head |
| Michael E. Goldman | Art Direction |
| Danielle Rigby | First Assistant Director |
| Amy R. Trachtman | Production Coordinator |
| Araceli Leal | Assistant Accountant |
| Elizabeth Klenk | Assistant Location Manager |
| Regina Graves | Set Decoration |
| David Wahnon | Sound Effects Editor |
| Brad Robinson | Second Assistant Director |
| Steve Guilbaud | Production Accountant |
| David Farr | Payroll Accountant |
| Daniel Pollack | Assistant Location Manager |
| Christopher Britton | Location Coordinator |
| Aidan Sleeper | Location Scout |
| Kate Rose Itzkowitz | Assistant Editor |
| Glenfield Payne | Sound Effects Editor |
| Helen Robin | Unit Production Manager |
| Scott Kordish | Production Supervisor |
| Tara Andrus | Assistant Accountant |
| Christie Mullen | Location Manager |
| Tom Sexton | Assistant Location Manager |
| Shavit Rein | Location Scout |
| John Spady | Location Scout |
| Robert Hein | Supervising Sound Editor, Sound Re-Recording Mixer |
| Jay Peck | Foley Artist |
| Allison Howe | Boom Operator |
| Eric Wrolstad | Assistant Location Manager |
| Georg Schmithüsen | Location Scout |
| Sharon Perlman | First Assistant Editor |
| Sylvia Menno | Dialogue Editor |
| Lee Dichter | Sound Re-Recording Mixer |
| David J. Schwartz | Production Sound Mixer |
| Allison Jackson | Utility Sound |
| Matthew Haasch | Foley Editor |
| Shawn Allen | Boom Operator |
| Andrew Cavagnet | Video Assist Operator |
| Ethan Borsuk | First Assistant Camera |
| Maxwell Sloan | Camera Loader |
| Katya Blumenberg | Assistant Art Director |
| Shannon Finnerty | Assistant Set Decoration |
| Joel Weaver | Assistant Property Master |
| Frank Didio | Head Carpenter |
| Warren A. Weberg | Best Boy Grip |
| Jay Fortune | Gaffer |
| Marco Piemontese | Assistant Costume Designer |
| Susan Antonelli | Key Costumer |
| Miwa Ishii | Tailor |
| Therese Ducey | Key Hair Stylist |
| Nick Notte | Second Second Assistant Director |
| Harry J. Leavey | Transportation Co-Captain |
| Bobby Johanson | ADR Mixer |
| Avi Laniado | Sound Engineer |
| Mani Trump | Compositing Supervisor |
| Mina Choe | Digital Compositor |
| Alex Lee | Digital Compositor |
| Beka Venezia | Second Assistant Camera |
| Sabrina Lantos | Still Photographer |
| Peter Dorsey | Assistant Art Director |
| Gerald DeTitta | Leadman |
| Joseph Garzero | Charge Scenic Artist |
| Tony Campenni | Dolly Grip |
| Brian McClean | Best Boy Electric |
| Teresa Beach | Costume Coordinator |
| Luana Busetti | Key Costumer |
| Mahendra Parmar | Tailor |
| Ed Wilson | Key Hair Stylist |
| Kristy Davenport | Set Medic |
| Joseph Cato | Art Department Production Assistant |
| Michael Rivera | ADR Recordist |
| Richard Friedlander | Visual Effects Producer |
| Yunsik Noh | Compositing Lead |
| Christina Shin | Digital Compositor |
| Brian Morvant | Stunts |
| Sally Potters | Assistant Production Coordinator |
| Simone D'Arcangelo | Digital Imaging Technician |
| Glenn Lloyd | Art Department Coordinator |
| Perry Grebin | Graphic Designer |
| Tommy Allen | Property Master |
| William M. Weberg | Key Grip |
| Bernard X. Brongniart | Key Rigging Grip |
| Thomas Dolan | Rigging Gaffer |
| Susan J. Wright | Costume Supervisor |
| Jennifer Fadel | Tailor |
| Lorena Torres | Tailor |
| Nicole Wodowski | Key Makeup Artist |
| James Leavey | Transportation Captain |
| Anthony Raffaele | Colorist |
| Tricia Schultz | ADR Coordinator |
| Glenn Allen | Visual Effects Producer |
| Gozde Basak Geckinli | Digital Compositor |
| June Han | Digital Compositor |
| Damian Achilles | Stunts |
| Josiah Nolan | Stunts |
| Matt Hirt | Music |
| Woody Allen | Writer, Director |
| Vittorio Storaro | Director of Photography |
| Santo Loquasto | Production Design |
| Alisa Lepselter | Editor |
| Eran Dinur | Visual Effects Supervisor |
| Juliet Taylor | Casting |
| Ron Petagna Sr. | Construction Coordinator |
| Nicholas Mongelli Jr. | Key Construction Grip |
| Name | Title |
|---|---|
| Stephen Tenenbaum | Producer |
| Edward Walson | Producer |
| Helen Robin | Co-Producer |
| Ron Chez | Executive Producer |
| Adam B. Stern | Executive Producer |
| Marc I. Stern | Executive Producer |
| Letty Aronson | Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 25 | 40 | 15 |
| 2024 | 5 | 27 | 49 | 17 |
| 2024 | 6 | 23 | 50 | 10 |
| 2024 | 7 | 21 | 37 | 12 |
| 2024 | 8 | 24 | 52 | 11 |
| 2024 | 9 | 11 | 22 | 6 |
| 2024 | 10 | 19 | 41 | 9 |
| 2024 | 11 | 13 | 27 | 6 |
| 2024 | 12 | 14 | 20 | 9 |
| 2025 | 1 | 16 | 33 | 10 |
| 2025 | 2 | 10 | 16 | 3 |
| 2025 | 3 | 5 | 13 | 1 |
| 2025 | 4 | 4 | 10 | 1 |
| 2025 | 5 | 3 | 11 | 1 |
| 2025 | 6 | 2 | 6 | 1 |
| 2025 | 7 | 1 | 2 | 1 |
| 2025 | 8 | 2 | 3 | 1 |
| 2025 | 9 | 3 | 5 | 1 |
| 2025 | 10 | 2 | 3 | 1 |
Trending Position
**A boy from the east, a girl from the west and their life choice over romance.** If you are a film fanatic or a film critic, then the year never comes to end without watching a film by Woody Allen. He's just a Takashi Miike of the Hollywood, but the thing is he always delivers. He had created hi ... s own style of screen presentation like in the line of Wes Anderson and very few others. Uniqueness define his works and so this another romance twisted tale where the first half of the film sets in Los Angeles and the next half in the New York. A young Jewish American wants to try his luck in the Hollywood seeks help from his uncle who's a popular an busiest agent in the film industry. He falls in love with his uncle's personal assistant, but she reveals she already has a boyfriend who's away now. After some twists in the tale, it becomes a romance-triangle. Who gets who and how it all ends brings the curtain to the film. Like usual Woody Allen's background narration had an important role in the storytelling and all those romance troubles were quite nicely told. It opened so well, developed at its best in the middle, but it did not end on a high. I did not like the conclusion, or the last 10-15 minutes. But thankfully it avoided giving out the usual stuff and the end credits rolled up before clearing the situation in the story. That's one of the way to finish it off, which is obviously not clever like lots of films does that same trick. Whatever, still the film is worth a watch, because of the decent story and great performances, and obviously for Woody Allen. _6/10_