Popularity: 3 (history)
Director: | Jonathan Mostow |
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Writer: | Jonathan Mostow, Sam Montgomery, David Ayer |
Staring: |
In the midst of World War II, the battle under the sea rages and the Nazis have the upper hand as the Allies are unable to crack their war codes. However, after a wrecked U-boat sends out an SOS signal, the Allies realise this is their chance to seize the 'enigma coding machine'. | |
Release Date: | Apr 20, 2000 |
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Director: | Jonathan Mostow |
Writer: | Jonathan Mostow, Sam Montgomery, David Ayer |
Genres: | Adventure, Action, War |
Keywords | submarine, world war ii, north atlantic, mission, enigma machine, adoring |
Production Companies | Universal Pictures, StudioCanal, The De Laurentiis Company |
Box Office |
Revenue: $127,700,000
Budget: $62,000,000 |
Updates |
Updated: Aug 03, 2025 Entered: Apr 13, 2024 |
Name | Character |
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Matthew McConaughey | Lt. Andrew Tyler |
Bill Paxton | Lt. Cmdr. Mike Dahlgren |
Harvey Keitel | CPO Henry Klough |
Jon Bon Jovi | Lt. Pete Emmett |
David Keith | Maj. Matthew Coonen |
Thomas Kretschmann | Capt. Lt. Gunther Wassner |
Jake Weber | Lt. Hirsch |
Jack Noseworthy | Bill Wentz |
Tom Guiry | Ted Trigger Fitzgerald |
Will Estes | Ronald Rabbit Parker |
Terrence 'T.C.' Carson | Steward Eddie Carson |
Erik Palladino | Seaman Anthony Mazzola |
Dave Power | Seaman Charles 'Tank' Clemens |
Derk Cheetwood | Seaman Herb Griggs |
Matthew Settle | Ens. Keith Larson |
Rebecca Tilney | Mrs. Dahlgren |
Carolyna De Laurentiis | Prudence Dahlgren |
Dina De Laurentiis | Louise Dahlgren |
Burnell Tucker | Adm. Duke |
Rob Allyn | Ensign |
Carsten Voigt | German Chief Hans |
Gunter Würger | Lt. Kohn |
Oliver Stokowski | German E-Chief |
Arnd Klawitter | German Hydrophone Operator |
Kai Maurer | German Planesman |
Robert Lahoda | German Engineer |
Peter Stark | German Lookout |
Erich Redman | German Bosun |
Robin Askwith | British Seaman |
Name | Job |
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Jonathan Mostow | Story, Director |
Wayne Wahrman | Editor |
Augusto Grassi | Costume Supervisor |
Dianne Dreyer | Script Supervisor |
Erin M. Cullen | Roto Supervisor |
Monica Amadori | Pilot |
Kate Dowd | Casting |
Ezio Canesso | Pilot |
Mark Freund | Visual Effects Supervisor |
Michael T. Travers | Key Grip |
Mauro Tamagnini | Hairstylist |
Donald Sylvester | Foley Editor |
Elisabetta De Leonardis | Hairstylist |
Sandy Gendler | Sound Designer |
Richard O. Helmer | Special Effects Supervisor, Visual Effects Supervisor |
Thomas J. Smith | Digital Effects Supervisor |
Angelo Palazzo | Sound Effects Editor |
Sandy DellaMarie | Visual Effects Coordinator |
Jon Johnson | Supervising Sound Editor |
Leontine Snell | Choreographer |
Irene Mifsud-Bonnici | Art Department Coordinator |
Andrea Dallimonti | Boom Operator |
Renato Francola | Makeup Artist |
David Sosalla | Digital Effects Supervisor |
Bruno Colanzi | Key Grip |
Karen Dimmig | Assistant Editor |
Jon Baker | Armorer |
Jamie Dixon | Lead Animator |
Miguel Rivera | Foley Editor |
Claudio Manzi | Assistant Costume Designer |
Michele Perrone | ADR Editor |
Paola Genovese | Hairstylist |
Rick Kline | Sound Re-Recording Mixer |
Frank Fleming | Sound Recordist |
Gregg Landaker | Sound Re-Recording Mixer |
Antonio Gasbarini | Gaffer |
Rexford L. Metz | Second Unit Director of Photography |
Charles Maynes | Sound Effects Editor |
Ivan Sharrock | Production Sound Mixer |
Steve Maslow | Sound Re-Recording Mixer |
Henric Nieminen | Visual Effects Coordinator |
Sam Montgomery | Screenplay |
Götz Weidner | Production Design |
Carol Lewis | Casting |
Marco Trentini | Art Direction |
Cynthia Sleiter | Set Decoration |
Maria Teresa Barbasso | Art Direction |
Allen Hall | Special Effects Coordinator |
Frances Mathias | Hairstylist |
Gordon Antell | First Assistant Editor |
Robert Woodruff | Art Direction |
William Ladd Skinner | Production Design |
Gianmaria Majorana | Camera Operator |
Daniele Massaccesi | Camera Operator |
James B. Crawford | Gaffer |
Tim Gedemer | Sound Designer |
Liberata Zocchi | Assistant Editor |
Darin McCormick-Millett | Visual Effects Producer |
Annick Biltresse | Art Department Coordinator |
Mario Tursi | Still Photographer |
Giancarlo De Leonardis | Hairstylist |
Petra Bach | ADR Editor |
Thad Beier | Visual Effects Supervisor |
Fernando Valento | Construction Coordinator |
Luigi Rocchetti | Key Makeup Artist |
David Dwiggins | Visual Effects Producer |
Donna Berwick | Assistant Costume Designer |
Stefano De Nardis | Assistant Costume Designer |
Maurizio Silvi | Makeup Artist |
Antonio Fraulo | Property Master |
Tommy Dorsett | Visual Effects Editor |
Marc Banich | Special Effects Supervisor |
David Farrugia | Lighting Technician |
Lance Julian | Marine Coordinator |
Keith Bilderbeck | Sound Designer |
Vittorio Torrieri | Tailor |
Shawn Broes | Visual Effects Editor |
Val Kuklowsky | Supervising ADR Editor |
Jerry Trent | Foley |
Lubo Hristov | Visual Effects Art Director |
Vincenzo Mastrantonio | Makeup Artist |
Aldo Chessari | Underwater Camera |
Robert Troy | Dialogue Editor |
Cheryl Starbuck | Script Supervisor |
Sara Lewis | Casting Associate |
Peter Donen | Visual Effects Supervisor |
Donald Banks | Boom Operator |
David Ayer | Screenplay |
Richard Marvin | Original Music Composer |
Oliver Wood | Director of Photography |
Robert Gould | Set Decoration |
April Ferry | Costume Design |
Vincenzo Carpineta | Camera Operator |
Fabio Zamarion | Camera Operator |
Dana Kristen Vahle | Aerial Coordinator |
Edward Steidele | Foley |
Pat Romano | Stunts |
Mark Norby | Stunt Double |
Gail Stevens | Casting |
Stefano Domenighini | Stunts |
Tracey Wilson | Storyboard Artist |
Name | Title |
---|---|
Martha De Laurentiis | Producer |
Dino De Laurentiis | Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 34 | 48 | 26 |
2024 | 5 | 34 | 54 | 19 |
2024 | 6 | 33 | 67 | 18 |
2024 | 7 | 27 | 39 | 18 |
2024 | 8 | 28 | 46 | 15 |
2024 | 9 | 18 | 25 | 14 |
2024 | 10 | 22 | 34 | 12 |
2024 | 11 | 21 | 32 | 12 |
2024 | 12 | 22 | 61 | 14 |
2025 | 1 | 22 | 37 | 14 |
2025 | 2 | 16 | 23 | 3 |
2025 | 3 | 6 | 19 | 1 |
2025 | 4 | 4 | 6 | 2 |
2025 | 5 | 3 | 6 | 2 |
2025 | 6 | 3 | 5 | 2 |
2025 | 7 | 2 | 3 | 1 |
2025 | 8 | 2 | 3 | 2 |
2025 | 9 | 4 | 5 | 3 |
2025 | 10 | 4 | 4 | 3 |
Trending Position
Year | Month | High | Avg |
---|---|---|---|
2025 | 9 | 811 | 872 |
Year | Month | High | Avg |
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2025 | 8 | 728 | 836 |
Year | Month | High | Avg |
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2025 | 7 | 939 | 939 |
Year | Month | High | Avg |
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2025 | 5 | 351 | 616 |
Year | Month | High | Avg |
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2025 | 3 | 176 | 222 |
Year | Month | High | Avg |
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2025 | 2 | 761 | 918 |
Year | Month | High | Avg |
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2025 | 1 | 704 | 821 |
Can you forgive the film makers their sins? Once in a while there comes a time when a film lover has their patience snapped, that we can't surely accept in this instance that poetic license is OK as an excuse purely for Hollywood to make a piece of entertainment. U-571 pretty much rips up the his ... tory books for its own ends, something that would see even the film makers themselves bow their heads during the years that followed. However... As a drama - cum - thriller, Jonathan Mostow's film is top end. There's some iffy acting in the support slots, but the production is still excellently put together. Suspense down below in the submarine is high anxiety, the tactics of war in the Atlantic superbly written, while the finale face off is edge of the seat gripping. It's these things that has let U-571 gain decent ratings on the main internet movie sites. Taken as a piece of Hollywood guff, it's a rocking war movie, one that also sounds absolutely tremendous through home cinema systems. As long as you accept it as guff - regardless of your nationality, then there is a great time to be had. But just as with films like Braveheart, do familiarise yourselves with the facts afterwards. 6/10
I usually enjoy submarine movies. Loads of action and precious little romance to clutter up the thing. On that front, this delivers quite well as Matthew McConaughey ("Tyler") and Bill Paxton ("Dahlgren") lead a daring mission to capture the enigma coding machine from an U-Boat. Thanks to a broken d ... own Nazi sub in the middle of the ocean, the initial part of the operation goes surprisingly smoothly, but just at the moment of triumph, well - the rudder comes off. They must now make the best use they can of their captured ship and try to make it home in one piece with their prize. This isn't going to be easy. The torpedo tubes don't work. the thing is held together with chewing gum and willpower and the enemy know that they are out there. If you ignore the fact that this has very little to do with the history of the actual device, well, at least until the few captions at the end - this is quite a passable adventure with plenty of action, some not so great CGI and a competent acting ensemble to do the gung ho, ye ha stuff adequately enough. It can, at times, be effectively claustrophobic and does illustrate just how precarious life could be stuck in an airless tube 600 feet under the surface - especially when some guy on top is dropping depth charges. It's watchable, but equally forgettable.