Resident Evil: Afterlife
Experience a new dimension of evil
2010 | 97m | English
Popularity: 0.4 (history)
| Director: | Paul W. S. Anderson |
|---|---|
| Writer: | Paul W. S. Anderson |
| Staring: |
| In a world ravaged by a virus infection, turning its victims into the Undead, Alice continues on her journey to find survivors and lead them to safety. Her deadly battle with the Umbrella Corporation reaches new heights, but Alice gets some unexpected help from an old friend. A new lead that promises a safe haven from the Undead takes them to Los Angeles, but when they arrive the city is overrun by thousands of Undead - and Alice and her comrades are about to step into a deadly trap. | |
| Release Date: | Sep 09, 2010 |
|---|---|
| Director: | Paul W. S. Anderson |
| Writer: | Paul W. S. Anderson |
| Genres: | Adventure, Action, Science Fiction, Horror |
| Keywords | post-apocalyptic future, dystopia, undead, biohazard, evil corporation, zombie, based on video game, duringcreditsstinger |
| Production Companies | Constantin Film, Screen Gems, Davis Films/Impact Pictures |
| Box Office |
Revenue: $300,228,084
Budget: $60,000,000 |
| Updates |
Updated: Aug 11, 2025 Entered: May 05, 2024 |
| Name | Character |
|---|---|
| Milla Jovovich | Alice |
| Wentworth Miller | Chris Redfield |
| Ali Larter | Claire Redfield |
| Kim Coates | Bennett |
| Kacey Barnfield | Crystal |
| Shawn Roberts | Albert Wesker |
| Sergio Peris-Mencheta | Angel |
| Boris Kodjoe | Luther West |
| Spencer Locke | K-Mart |
| Sienna Guillory | Jill Valentine |
| Norman Yeung | Kim Yong |
| Ray Olubowale | Axeman |
| Christopher Kano | Sniper |
| Tatsuya Goke | Sniper |
| Fulvio Cecere | Wendell |
| Nobuya Shimamoto | Technician #1 |
| Denis Akiyama | Captain Hotaka |
| Kenta William Tomeoki | Technician #2 |
| Peter Kosaka | Duty Officer |
| Shin Kawai | Umbrella Sergeant |
| Mika Nakashima | J Pop Girl |
| Takato Yamashita | Business Man |
| Hiromi Okuyama | Kogel Girl Undead |
| Iain Glen | Dr. Isaacs (archive footage) |
| Bill Blair | Featured Zombie (uncredited) |
| Emmanuel Buriez | Zombie (uncredited) |
| Martin Crewes | Chad Kaplan (uncredited) |
| Jamie Ferenczi | Survivor (uncredited) |
| Stefen Hayes | Yuri Loginova (uncredited) |
| Brian Jansen | Zombie (uncredited) |
| Azmyth Kaminski | Zombie (uncredited) |
| Devon Richards | Zombie (uncredited) |
| Jay Yoo | Japanese soldier (uncredited) |
| Name | Job |
|---|---|
| Danny Lima | Stunts |
| Paul W. S. Anderson | Writer, Director |
| Arvinder Greywal | Production Design |
| Denise Cronenberg | Costume Design |
| Carolyn A. Loucks | Set Decoration |
| Melissa Girotti | Production Coordinator |
| David Franco | Second Unit Director of Photography |
| Ian Hunter | Visual Effects Supervisor |
| Wojciech Zielinski | Visual Effects Supervisor |
| Ben Howdeshell | First Assistant Editor |
| Dawn M. Stoliar | First Assistant Editor |
| Mary Ann Stevens | Stunts |
| Karen Leach | Stunts |
| Vanessa King | Stunts |
| Taryn Ash | Stunts |
| Angelica Lisk-Hann | Stunts |
| Stephannie Hawkins | Stunts |
| Joanne Leach | Stunts |
| Liise Keeling | Stunts |
| Niven Howie | Editor |
| Glen MacPherson | Director of Photography |
| Robin D. Cook | Casting |
| Azalia Snail | Costume Design |
| Jo-Ann MacNeil | Makeup Effects, Key Makeup Artist |
| Vincent Sullivan | Hair Department Head |
| Carol Hartwick | Key Hair Stylist |
| Brandt Gordon | Art Direction |
| Christina Smith | Makeup Artist |
| Nadia Guglieri | Script Supervisor |
| Dug Rotstein | Script Supervisor |
| Charles Taylor | Armorer |
| Arthur Rowsell | Assistant Costume Designer |
| Renee Fontana | Assistant Costume Designer |
| Collingwood Brown | Art Department Coordinator |
| Ronald Gilbert | Production Manager |
| Gregor Hutchison | Post Production Supervisor |
| William Cheng | Set Designer |
| Tucker Doherty | Set Designer |
| Vladislav Fedorov | Set Designer |
| Sorin Popescu | Set Designer |
| James Blacker | Location Scout |
| Jonathan Matthews | Location Manager |
| Tracey Savein | Location Scout |
| Kevin Banks | Music Editor |
| Brian Kobo | Production Coordinator |
| Dave Tommasini | Pilot |
| Jim Holmes | Best Boy Grip |
| Michael Carella | Camera Operator |
| Keith Murphy | Camera Operator |
| Roger Finlay | Camera Operator |
| Perry Hoffman | Camera Operator |
| Carly Brenner | Camera Trainee |
| Julia Seidman | Camera Trainee |
| Jeff Hicks | Camera Trainee |
| Dan Grease White | Camera Trainee |
| Vern Nobles | Aerial Director of Photography |
| Igor Meglic | Second Unit Director of Photography |
| Ron Renzetti | Dolly Grip |
| John Colavecchia | First Assistant Camera |
| Mark Cyre | First Assistant Camera |
| Colin Akoon | First Assistant Camera |
| Marcel Janisse | First Assistant Camera |
| Brian White | First Assistant Camera |
| Michael Galbraith | Gaffer |
| Gary Deneault | Gaffer |
| Robert Johnson | Key Grip |
| Michael E. Matteson | Key Grip |
| Tom Starnes | Rigging Gaffer |
| Jim Krauter | Rigging Grip |
| Benjamin Smith | Second Assistant Camera |
| Michael Carr | Second Assistant Camera |
| Brian Cassar | Second Assistant Camera |
| Amanda Wojtaszek | Second Assistant Camera |
| Patrick King | Dolly Grip |
| Rafy | Still Photographer |
| Brent Robinson | Underwater Camera |
| Sondra Treilhard | Assistant Hairstylist |
| Burton J. LeBlanc | Assistant Makeup Artist |
| Cliona Furey | Hairstylist |
| Sandra Wheatle | Makeup Artist |
| Graham Chivers | Prosthetic Makeup Artist |
| Jason Detheridge | Prosthetic Makeup Artist |
| Chris Devitt | Prosthetic Makeup Artist |
| Kyle Glencross | Prosthetic Makeup Artist |
| Iantha Goldberg | Prosthetic Makeup Artist |
| Shane Zander | Prosthetic Makeup Artist |
| Patrick Baxter | Makeup Effects |
| Kelly Kavanagh | Makeup Effects |
| Neil Morrill | Makeup Effects |
| Kelly O'Leary | Makeup Effects |
| Rocky Faulkner | Makeup Effects |
| Richard Redlefsen | Makeup Effects |
| Travis MacKay | ADR Mixer |
| Wade Barnett | ADR Recordist |
| Adam Horley | ADR Recordist |
| Andy Schlegel | ADR Recordist |
| Alan Zielonko | Boom Operator |
| Jill Purdy | Dialogue Editor |
| Steve F.B. Smith | Dolby Consultant |
| Rose Gregoris | First Assistant Sound Editor |
| Steve Baine | Foley Artist |
| Peter Persaud | Foley Recordist |
| Sean Paul Armstrong | Boom Operator |
| John J. Thomson | Sound |
| Coll Anderson | Sound Designer |
| Alex Bullick | Sound Effects Editor |
| Thomas Hayek | Sound Recordist |
| Andrew Stirk | Sound Re-Recording Mixer |
| Andrew Tay | Sound Re-Recording Mixer |
| Mark Zsifkovits | Sound Re-Recording Mixer |
| Stephen Barden | Supervising Sound Editor |
| Hanung Lee | Animation |
| Frankie Stellato | Animation |
| Mehta Apul | Animation |
| Peter Dydo | Animation |
| Gavin Soares | Animation |
| Emrah Gonulkirmaz | Animation |
| Daniel Rhein | CG Artist |
| Gabriel Beauvais | CG Artist |
| Craig Calvert | CG Supervisor |
| Dominic Remane | CG Supervisor |
| Louis Katz | CG Supervisor |
| Robert Greb | Compositing Supervisor |
| Ovidiu Cinazan | Compositor |
| Kaitlyn Lovatt | Compositor |
| Prasenjit Mukherjee | Compositor |
| Chris Ryan | Compositor |
| Kamal Kumar Tiwari | Compositor |
| Mrityunjay Singh | Compositor |
| Mahapatro Kalpana | Concept Artist |
| Mark Fordham | Concept Artist |
| Sébastien Moreau | Digital Effects Supervisor |
| Engin Arslan | Lighting Artist |
| Allan Henderson | Lighting Artist |
| Brian Dignadice | Lighting Artist |
| Mathew Borrett | Matte Painter |
| Ken McCuen | Matte Painter |
| Ravindra Tamhankar | Matte Painter |
| Peter Toufidis | Matte Painter |
| Milan Schere | Matte Painter |
| Tracey McLean | Matte Painter |
| Stéphan Brisson | Matte Painter |
| Marilyne Fleury | Matte Painter |
| Éric Hamel | Matte Painter |
| Ludovic Iochem | Matte Painter |
| Moika Sabourin | Matte Painter |
| Frederic St-Arnaud | Matte Painter |
| Robin Tremblay | Matte Painter |
| Joell Xin Zhow | Matte Painter |
| Kevin Labanowich | Senior Animator |
| Mathieu Raynault | Visual Effects Art Director |
| Becca Donohoe | Visual Effects Coordinator |
| Leann Harvey | Visual Effects Coordinator |
| Benjamin Mossman | Visual Effects Coordinator |
| Julien Tremblay | Visual Effects Coordinator |
| Sarah Barber | Visual Effects Coordinator |
| Josiane O'Rourke | Visual Effects Coordinator |
| Mike Barber | Visual Effects Editor |
| Florian Vera | Visual Effects Editor |
| Eric J. Robertson | Visual Effects Producer |
| Tavia Charlton | Visual Effects Producer |
| Geneviève Morin | Visual Effects Production Assistant |
| Gabriel Roy | Visual Effects Production Assistant |
| Lee Ann Simard | Visual Effects Production Assistant |
| Mike Borrett | Visual Effects Production Manager |
| Eric Robinson | Visual Effects Production Manager |
| Tom Turnbull | Visual Effects Supervisor |
| Lara Johnston | Assistant Editor |
| Harry Muller | Color Timer |
| Chris Wallace | Digital Intermediate Colorist |
| Motassem Younes | Digital Intermediate Editor |
| Peter Armstrong | Digital Intermediate Producer |
| Lee Hughes | Digital Intermediate |
| Rick Forsayeth | Stunt Coordinator |
| Dana Howes | Transportation Coordinator |
| Leslie Sebert | Makeup Department Head |
| Suzanne M. Smith | Casting |
| Al Vrkljan | Armorer |
| Dennis Berardi | Visual Effects Supervisor |
| Justin Smith | Visual Effects Production Assistant |
| Kenji Sato | Stunts |
| Paul Jones | Makeup Effects Designer |
| tomandandy | Original Music Composer |
| Name | Title |
|---|---|
| Paul W. S. Anderson | Producer |
| Jeremy Bolt | Producer |
| Don Carmody | Producer |
| Bernd Eichinger | Producer |
| Samuel Hadida | Producer |
| Hiroyuki Kobayashi | Producer |
| Victor Hadida | Executive Producer |
| Robert Kulzer | Producer |
| Martin Moszkowicz | Executive Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
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| 2024 | 4 | 2 | 3 | 1 |
| 2024 | 5 | 2 | 2 | 1 |
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| 2024 | 11 | 2 | 3 | 1 |
| 2024 | 12 | 1 | 4 | 1 |
| 2025 | 1 | 1 | 2 | 1 |
| 2025 | 2 | 1 | 1 | 0 |
| 2025 | 3 | 1 | 27 | 0 |
| 2025 | 4 | 0 | 0 | 0 |
| 2025 | 5 | 0 | 0 | 0 |
| 2025 | 6 | 0 | 0 | 0 |
| 2025 | 7 | 0 | 0 | 0 |
| 2025 | 8 | 0 | 0 | 0 |
| 2025 | 9 | 0 | 0 | 0 |
| 2025 | 10 | 0 | 0 | 0 |
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| 2025 | 10 | 428 | 721 |
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| 2025 | 1 | 380 | 667 |
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| 2024 | 12 | 713 | 870 |
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| 2024 | 11 | 324 | 653 |
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| 2024 | 10 | 600 | 861 |
| Year | Month | High | Avg |
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| 2024 | 8 | 737 | 894 |
As bad as the rest of the saga. Tons of action and FX with brainless script and plenty of bad actors. ...
Second time seeing this one, basically feel the same way, not terribly impressive effort, some spotty visual effects, a few silly fun moments however the finale looked like a poor Matrix copycat. But found some parts entertaining enough, just nothing all that memorable. **2.5/5** ...
Still in the process of bringing the umbrella company down. Alice finds out about a safe haven from her rescuers. ...
Resident Evil: Afterlife (2010) is a movie built entirely around its 3D experience, and that is both its strength and its downfall. The story takes a slightly better direction than the previous sequels, benefiting from W.S. Anderson’s return as director, but it still lacks depth. The movie leans ful ... ly into action and spectacle, with a focus on flashy sequences rather than strong storytelling. Watching it in 3D, the visuals and effects shine, giving a level of immersion that helps mask the flaws, but in 2D, it loses much of its impact and starts to feel more like a video game cutscene than a cinematic experience. The cinematography and editing are more controlled than in the last two films, making the action at least watchable without feeling overly chaotic. Slow motion is used heavily, almost excessively, but in the 3D format, it works as intended. The film’s standout moment is the chained hammer attack, which delivers one of the most memorable uses of 3D, making it a rare scene that actually evokes a reaction. While the direction is better, the script remains simplistic, offering just enough to move the story along without any real depth. Milla Jovovich once again carries the film, keeping it entertaining with her presence and well-executed action sequences. The supporting cast is there, but nothing particularly stands out. The soundtrack keeps the industrial rock vibe going, fitting well with the movie’s style. Overall, Afterlife is all about the 3D spectacle. If watched in its intended format, it is an enjoyable action-packed ride. In 2D, however, the flaws are much harder to ignore, making it a much weaker film when stripped of its biggest selling point.