Popularity: 3 (history)
| Director: | Aisling Walsh |
|---|---|
| Writer: | Sherry White |
| Staring: |
| Canadian folk artist Maud Lewis falls in love with a fishmonger while working for him as a live-in housekeeper. | |
| Release Date: | Jun 16, 2016 |
|---|---|
| Director: | Aisling Walsh |
| Writer: | Sherry White |
| Genres: | Drama, Romance |
| Keywords | canada, nova scotia, canada, romance, art, disability, woman director, bitter, empathetic, sympathetic |
| Production Companies | Parallel Films, Landscape Entertainment, Screen Door, Solo Productions, Storyscape Entertainment, H Is 4 Productions, Painted House Films, Rink Rat Productions, Small Shack Productions |
| Box Office |
Revenue: $6,170,998
Budget: $0 |
| Updates |
Updated: Feb 01, 2025 Entered: Apr 13, 2024 |
| Name | Character |
|---|---|
| Sally Hawkins | Maud Lewis |
| Ethan Hawke | Everett Lewis |
| Gabrielle Rose | Aunt Ida |
| Billy MacLellan | Frank |
| Zachary Bennett | Charles Dowley |
| Kari Matchett | Sandra |
| David Feehan | Paul |
| Lawrence Barry | Mr. Davis (Shopkeeper) |
| Marthe Bernard | Kay |
| Greg Malone | Mr. Hill |
| Nik Sexton | Steven (CBC Reporter) |
| Brian Marler | Doctor |
| Denise Sinnott | Hospital Nurse |
| Mike Daly | Man at Bar |
| Judy Hancock | Ida's Nurse |
| Lisa Machin | Nurse (uncredited) |
| Erin Mick |
| Name | Job |
|---|---|
| Sherry White | Writer |
| Maura Murphy | Production Manager |
| Jason Knight | Casting |
| Dara Hand | Set Decoration |
| Shelley Cornick | Art Direction |
| Guy Godfree | Director of Photography |
| John Hand | Production Design |
| Mary Pantelidis | Line Producer |
| Owen Power | Art Direction |
| Paul Wade | Head Carpenter |
| Trysha Bakker | Costume Design |
| Michael Timmins | Original Music Composer |
| Greg Copeland | Thanks |
| Barry Newhook | Carpenter |
| Marty Sexton | Construction Coordinator |
| Mark Neary | Boom Operator |
| Heather Rumancik | Electrician |
| Marie J. Sharpe | Assistant Costume Designer |
| Cara Powell | Travel Coordinator |
| Barry King | Picture Car Coordinator |
| Greg Locke | Still Photographer |
| Terry Stone | First Assistant Director |
| Hilary Thomson | Art Department Trainee |
| Duane Chard | Set Dresser |
| Duncan De Young | Still Photographer |
| Thomas Kelly | Best Boy Grip |
| Flora Planchat | Gaffer |
| Noel Harris | Location Manager |
| Christina Steele-Nash | Assistant Production Coordinator |
| Andrew Jerrett | Cast Driver |
| Jason Wells | Location Production Assistant |
| Marco Dölle | Sound Mixer |
| Micah Martin | Key Grip |
| Aaron Elliott | Digital Imaging Technician |
| Alona Power | Assistant Camera |
| Jill Knox-Gosse | Production Accountant |
| Nathan Bulger | Security |
| Amy Edwards | Seamstress |
| Peter Sansome | Location Production Assistant |
| Aisling Walsh | Director |
| Stephen O'Connell | Editor |
| John Buchan | Casting |
| Jana Gillis | Assistant Director Trainee |
| Nigel Markham | Thanks, Camera Operator |
| Ian Vatcher | Camera Operator |
| Mark O'Neill | Assistant Camera |
| Cody Westman | Epk Producer |
| Jeffrey Dodge | Location Production Assistant |
| Alison Butler | Casting Assistant |
| Lesley Clarke | Accounting Clerk Assistant |
| Walter Lawlor | Third Assistant Director |
| Jerry Evans | Painter |
| Name | Title |
|---|---|
| Susan Mullen | Producer |
| Sheldon Rabinowitz | Executive Producer |
| Mary Young Leckie | Producer |
| Heather Haldane | Executive Producer |
| Tyler Mitchell | Executive Producer |
| Edward Riche | Executive Producer |
| Bob Cooper | Producer |
| Mary Sexton | Producer |
| Ross Jacobson | Executive Producer |
| Hussain Amarshi | Executive Producer |
| Johanna Hogan | Executive Producer |
| Alan Moloney | Executive Producer |
| Mark Roberts | Executive Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 20 | 41 | 14 |
| 2024 | 5 | 24 | 40 | 14 |
| 2024 | 6 | 22 | 54 | 11 |
| 2024 | 7 | 18 | 29 | 10 |
| 2024 | 8 | 18 | 34 | 9 |
| 2024 | 9 | 13 | 21 | 8 |
| 2024 | 10 | 18 | 31 | 11 |
| 2024 | 11 | 16 | 34 | 9 |
| 2024 | 12 | 16 | 46 | 10 |
| 2025 | 1 | 13 | 21 | 8 |
| 2025 | 2 | 12 | 17 | 4 |
| 2025 | 3 | 6 | 20 | 1 |
| 2025 | 4 | 2 | 2 | 1 |
| 2025 | 5 | 2 | 2 | 1 |
| 2025 | 6 | 1 | 2 | 1 |
| 2025 | 7 | 1 | 2 | 1 |
| 2025 | 8 | 1 | 2 | 1 |
| 2025 | 9 | 5 | 7 | 2 |
| 2025 | 10 | 3 | 5 | 2 |
Trending Position
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 8 | 773 | 773 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 3 | 541 | 706 |
**On the edge of society, colours from brush strokes shined!** What is this film! Totally unheard! It's here now, so I watched it like I do for any film. But was not expecting anything. That was my advantage. It's a biopic, about an artist, not a famous one like medieval European painters. But a ... well known in her native. So now the world to know about her through this flick. That's what I love about films. Sometimes it's not about the famous people, but somewhere in a small place who quietly succeeded that inspires millions if they learn about that. So the films and books do that job well. An Irish-Canadian co production. I think it has a real shot at the Oscars. Definitely for Sally Hawkins. In my opinion, she has already won that award, despite there are other good performances in this year. But if they snub this film, then as I consider like usual, the Oscars is pointless. Coming to the title, it should have been 'Maud'. Because nobody uses that word in the film. Anyway, 'Mudie' makes a good sound to pronounce, similar to Charlie, instead of Charles (Chaplin). For now, this is an under-noticed film. As always, one of the reasons is, it's not an American or a British film. Then not made by a commercially well known filmmaker and cast. But this film never meant for commercial gain. It just tells the truth. A true story of an artist who lived not only on the edge of the society, humanity as well. Because when I saw this film, I could not tell the tale from what period. My guess was the late 19th century, then surprised as the story progressed to learn the real timeline. That tells she lived a life of at least a century ago of her time. > -xX] Some people don't like it if you are different. [Xx- Not a story of a high society woman. This kind of people can be found in every corner of the earth. They are somewhat discarded in the society for being different. But they too wants a normal life like everybody else. In such instance, this story happens. Maud is an orphan living with her aunt, after her brother ditched her. With no social skills, her future is not so bright. But it all changes one day when she decides to become a live-in maid to a grumpy fish seller. Initially, they find it not workable, then as the time goes by, they find each other. Following that, recognition of her paintings in the local community and spreading across, she sees some success in an unexpected path. But that's not the end of the tale. Seems happily ever after is so distant to them. A twist brings another unexpected derive in the narration. The heart rendering side of the story. From there how the remaining film would shape up before the conclusion were told. Seems everything was perfect for this film. Nice casting. I think that's the best thing happened for this. Both Sally and Ethan were amazing. Like Sally, Ethan too deserves an Oscars for his so perfect supporting role. As for the director, I think it will remain one of her best work, despite she could do good films like this in the future. This is one of the great films about the artists. Very inspiring, as well as a tearjerker, if you are a soft hearted. Low cost film, but well shot. I loved the locations. Then the dialogues. So simple and convincing. This is this year's 'Mr. Turner'. A must see film for grown ups. It got nominated for several categories in the Canadian top film awards and expected to win most of them. I hope in the coming days, it gets its due, I mean the wide recognition. Highly recommended by my side! One of my favourite biopics! _9/10_