 
  Popularity: 4 (history)
| Director: | Hal Hartley | 
|---|---|
| Writer: | Hal Hartley | 
| Staring: | 
| After being thrown away from home, pregnant high school dropout Maria meets Matthew, a highly educated and extremely moody electronics repairman. The two begin an unusual romance built on their sense of mutual admiration and trust. | |
| Release Date: | Sep 09, 1990 | 
|---|---|
| Director: | Hal Hartley | 
| Writer: | Hal Hartley | 
| Genres: | Comedy, Drama, Romance | 
| Keywords | long island, new york, romcom, dark comedy, repairman, unwanted pregnancy, high school drop out | 
| Production Companies | Zenith Entertainment, True Fiction Pictures | 
| Box Office | Revenue: $0 Budget: $700,000 | 
| Updates | Updated: Feb 01, 2025 Entered: Apr 13, 2024 | 
| Name | Character | 
|---|---|
| Adrienne Shelly | Maria Coughlin | 
| Martin Donovan | Matthew Slaughter | 
| Rebecca Nelson | Jean Coughlin (as Merritt Nelson) | 
| John MacKay | Jim Slaughter | 
| Edie Falco | Peg Coughlin | 
| Gary Sauer | Anthony | 
| Matt Malloy | Ed | 
| Suzanne Costollos | Rachel | 
| Jeff Howard | Robert | 
| Karen Sillas | Nurse Paine | 
| Tom Thon | Deli Man | 
| Mark Chandler Bailey | Bruce (as M.C. Bailey) | 
| Hannah Sullivan | Ruark Boss (as Patricia Sullivan) | 
| Marko Hunt | John Coughlin | 
| John McCafferty | Mr. Santiago (as John St. James) | 
| Kathryn Mederos | Factory Woman | 
| Bill Sage | John Bill | 
| Julie Kessler | Biker Mom (as Julie Sukman) | 
| Robby Anderson | Joey Blech | 
| Christopher Cooke | Diner Guy | 
| Bea Delizio | Woman on Couch | 
| Tamu Favorite | Salesgirl | 
| Leo Gosse | Uncle Leo | 
| Elizabeth Gouse | Grace Blech | 
| Mildred Jones | Nurse #2 | 
| Pathena Parish | Factory Girl | 
| Scott Robinson | Bartender | 
| Nena Segal | Aunt Fay | 
| Jean Kay Sifford | Lori | 
| Pamela Stewart | Mrs. Blech | 
| Name | Job | 
|---|---|
| Nick Gomez | Editor | 
| Ted Hope | Line Producer, First Assistant Director | 
| Ingrid Rudefors | Production Coordinator | 
| Phil Neilson | Stunt Coordinator | 
| Hal Hartley | Writer, Director | 
| Michael Spiller | Director of Photography, Camera Operator | 
| Andrea Flesch | Wardrobe Assistant | 
| Wendy Jo Cohen | Props | 
| Julie Fabian | Art Direction | 
| Christopher Harrington | Second Assistant Camera | 
| Michael Fradianni | Electrician | 
| William J. McDevitt | Grip | 
| Judy Chin | Makeup Artist, Hairstylist | 
| Tom Paul | Boom Operator | 
| Linda Harvey | Carpenter | 
| Bob O’Hagan | Carpenter, Art Department Assistant | 
| A. Seymour Ruark | Production Manager | 
| Richard Spector | Second Second Assistant Director | 
| Brian Gutherman | Production Assistant | 
| Phillip Reed | Original Music Composer | 
| Daniel Ouellette | Production Design | 
| Kate Sanford | Assistant Editor, Sound Editor | 
| Sarah Cawley | First Assistant Camera | 
| Richard Breen | Best Boy Electric | 
| Richard Ludwig | Grip | 
| Jeff Pullman | Sound Mixer | 
| Timothy Knight | Props | 
| Eddie Rosenstein | Second Assistant Director | 
| Chris Buck | Still Photographer | 
| Bob Gosse | Location Manager | 
| David Doernberg | Production Assistant | 
| Alan Bruckner | Production Assistant | 
| Claudia Brown | Costume Design | 
| Frank Stubblefield | Gaffer | 
| William J. Taylor | Key Grip | 
| Elizabeth Jenyon | Wardrobe Supervisor | 
| Christopher Woods | Scenic Artist | 
| Reilly Steele | Sound Re-Recording Mixer | 
| Adrienne Tien | Script Supervisor | 
| Sarah Vogel | Assistant Production Coordinator | 
| Laurel Bridges | Production Assistant | 
| Heather McGowan | Production Assistant | 
| Name | Title | 
|---|---|
| Hal Hartley | Producer | 
| Jerome Brownstein | Executive Producer | 
| Bruce Weiss | Producer | 
| Organization | Category | Person | 
|---|
Popularity History
| Year | Month | Avg | Max | Min | 
|---|---|---|---|---|
| 2024 | 4 | 12 | 21 | 6 | 
| 2024 | 5 | 16 | 31 | 8 | 
| 2024 | 6 | 11 | 20 | 7 | 
| 2024 | 7 | 11 | 21 | 6 | 
| 2024 | 8 | 10 | 21 | 6 | 
| 2024 | 9 | 7 | 12 | 4 | 
| 2024 | 10 | 9 | 19 | 6 | 
| 2024 | 11 | 9 | 21 | 5 | 
| 2024 | 12 | 9 | 20 | 6 | 
| 2025 | 1 | 10 | 18 | 6 | 
| 2025 | 2 | 7 | 11 | 3 | 
| 2025 | 3 | 5 | 9 | 1 | 
| 2025 | 4 | 2 | 4 | 1 | 
| 2025 | 5 | 2 | 4 | 1 | 
| 2025 | 6 | 1 | 2 | 1 | 
| 2025 | 7 | 0 | 1 | 0 | 
| 2025 | 8 | 1 | 1 | 0 | 
| 2025 | 9 | 3 | 4 | 1 | 
| 2025 | 10 | 3 | 4 | 2 | 
Trending Position
**A great film that deserves to be reviewed and revisited today.** I've said many times that a movie always needs a good story, and this movie is an example of that. The strength of the plot, the way in which it captures our attention and curiosity, the way in which the characters were created, d ... eveloped, and are able to win our sympathy, everything is combined with an excellent work by the actors and direction. This film seems to me a little forgotten nowadays, but it deserves a review for its enormous quality. In fact, the whole story revolves around trust in others and in ourselves. Maria, a young teenager who seems determined to stand out in an extravagant way, has just become pregnant with a boyfriend who really doesn't like her and only cares about his personal priorities. Abandoned by him, she causes her father's death unintentionally, after a hard fight, and ends up taking refuge in friendship with the problematic Matthew, another teenager, very mature and formal for his age, owner of an above-average culture, which has already had several problems with the law for not conforming to the world around them, where the average reigns and TV exerts an excessive influence on people. Somehow, they come to understand each other and see the good in each other. The film is not a comedy, not for me. There is something dramatic about the film and the way things unfold, with the two central characters having to go through a cathartic process in order to become better and finally be able to love and be loved. The issue of family fragmentation and breakdown is also very present throughout the film, where we see failed marriages, defeated by the lack of love and understanding, the monotony of the days and the inconstancy of feelings. Hal Hartley's direction does an excellent job with little (I don't know, but I got the feeling that the film had a very limited budget). The cinematography is good, and the sets are extraordinarily believable. However, these are just details when you look at the extraordinary work of the actors. Martin Donovan, known to all of us, is in excellent form here and leaves a remarkable record of his talent. Next to him is the young and talented Adrienne Shelly, who was stolen from us too soon and too brutally, as we know. The actress is charismatic and manages to give us the greatest film of her career. Giving them strength, we have good participation from Rebecca Nelson and John MacKay.