 
  Popularity: 5 (history)
| Director: | Vincenzo Natali | 
|---|---|
| Writer: | Vincenzo Natali, Antoinette Terry Bryant, Doug Taylor | 
| Staring: | 
| Elsa and Clive, two young rebellious scientists, defy legal and ethical boundaries and forge ahead with a dangerous experiment: splicing together human and animal DNA to create a new organism. Named "Dren", the creature rapidly develops from a deformed female infant into a beautiful but dangerous winged human-chimera, who forges a bond with both of her creators - only to have that bond turn deadly. | |
| Release Date: | Jun 03, 2010 | 
|---|---|
| Director: | Vincenzo Natali | 
| Writer: | Vincenzo Natali, Antoinette Terry Bryant, Doug Taylor | 
| Genres: | Science Fiction, Horror | 
| Keywords | experiment, dna, genetics, gene manipulation, genetic engineering, genetically modified organism | 
| Production Companies | Gaumont, Senator Film, Dark Castle Entertainment, Copperheart Entertainment | 
| Box Office | Revenue: $0 Budget: $26,000,000 | 
| Updates | Updated: Feb 01, 2025 Entered: Apr 13, 2024 | 
| Name | Character | 
|---|---|
| Adrien Brody | Clive | 
| Sarah Polley | Elsa | 
| Delphine Chanéac | Dren | 
| David Hewlett | Barlow | 
| Abigail Chu | Young Dren | 
| Stephanie Baird | Elsa / PD | 
| Brandon McGibbon | Gavin | 
| Amanda Brugel | Melinda Finch | 
| Simona Măicănescu | Joan Chorot | 
| Name | Job | 
|---|---|
| Ian Hunter | Visual Effects Supervisor | 
| Plato Fountidakis | Stunt Coordinator | 
| Marty Dejczak | Location Manager | 
| Tetsuo Nagata | Director of Photography | 
| Janice Ierulli | Dialogue Editor | 
| Cyrille Aufort | Original Music Composer | 
| Vincenzo Natali | Screenplay, Director, Story | 
| Cynthia Amsden | Unit Publicist | 
| Hubert Boorder | Stunt Double | 
| Chris Howard | Thanks, Gaffer | 
| Antoinette Terry Bryant | Screenplay, Story | 
| Todd Cherniawsky | Production Design | 
| Constance Demontoy | Casting | 
| Joshu de Cartier | Art Direction | 
| Doug Taylor | Screenplay | 
| Alex Kavanagh | Costume Design | 
| Marie Nardella | Makeup Department Head | 
| David McCallum | Supervising Sound Editor | 
| Roderick Deogrades | Sound Effects Editor | 
| Rossana DeCampo | Scenic Artist | 
| Garrett Kerr | Sound Effects Editor | 
| Stefan Fraticelli | Foley | 
| Lisa Burling | Script Supervisor | 
| Sam Hudecki | Assistant Art Director | 
| Alain Lalanne | Visual Effects Producer | 
| David Sanger | Visual Effects Producer | 
| Bob Munroe | Visual Effects Supervisor, Second Unit Director | 
| Fabrice Lagayette | Visual Effects Supervisor | 
| Jason Lunn | Leadman | 
| Daniel White | Special Effects Coordinator | 
| Jean-François Bourrel | Visual Effects Producer | 
| Dale Gagne | Visual Effects Producer | 
| Jacques Bled | Visual Effects Producer | 
| Angelo Colavecchia | Camera Operator | 
| Aidan Stanford | Color Timer | 
| Steve Wilkie | Still Photographer | 
| Shie Rozow | Music Editor | 
| David R. Beecroft | Hairstylist | 
| John Sievert | Foley | 
| Michael Griffith | Visual Effects Editor | 
| Christopher M. Meagher | Digital Intermediate | 
| François-Xavier Aubague | Visual Effects Producer | 
| Arnauld Boulard | Visual Effects Producer | 
| Steve Pederson | Sound Re-Recording Mixer | 
| Dino Laurenza | Camera Operator | 
| William Cheng | Set Designer | 
| Brad Sherman | Sound Re-Recording Mixer | 
| Joseph Boccia | Production Manager | 
| Mark Shnuriwsky | Sound Effects Editor | 
| Paul Rapovski | Stunt Coordinator | 
| Leslie Kavanagh | Costume Supervisor | 
| Sue Len Quon | Visual Effects Editor | 
| Dana Howes | Transportation Coordinator | 
| Christina Butterfield | VFX Artist | 
| Michele Conroy | Editor | 
| Jill Purdy | Dialogue Editor | 
| Lou Thomas | Dialogue Editor | 
| James R. Murray | Property Master | 
| Jean-Alexandre Villemer | Sound Recordist | 
| Mark Manchester | Key Grip | 
| Sarah Campbell | Second Assistant Director | 
| John Colavecchia | First Assistant "B" Camera | 
| David Herrington | Second Unit Director of Photography | 
| Jeff DaSilva | Second Assistant Camera | 
| Amanda Wojtaszek | Camera Loader | 
| Desiree Lidon | Electrician | 
| Mario Moreira | Assistant Property Master | 
| Mark Cyre | First Assistant "A" Camera | 
| Andrew Shea | First Assistant Director | 
| Marc Kuitenbrouwer | Construction Coordinator | 
| Julia Valente | Assistant Makeup Artist | 
| Lydia Pensa | Assistant Hairstylist | 
| Jane Conway | Animal Wrangler | 
| Steve Copley | Foley Recordist | 
| Michel Monier | Dolby Consultant | 
| Brandon Prodger | ADR Recordist | 
| Chris Wallace | Digital Intermediate Colorist | 
| Peter Armstrong | Digital Intermediate Producer | 
| John Buchan | Casting | 
| Jason Knight | Casting | 
| Laurent Kossayan | Supervising Sound Editor | 
| David Rose | Sound Designer | 
| Pierre Buffin | Visual Effects Supervisor | 
| Christopher Cordell | Stunt Double | 
| Name | Title | 
|---|---|
| Franck Chorot | Producer | 
| Guillermo del Toro | Producer | 
| Steven Hoban | Producer | 
| Organization | Category | Person | 
|---|
Popularity History
| Year | Month | Avg | Max | Min | 
|---|---|---|---|---|
| 2024 | 4 | 35 | 41 | 29 | 
| 2024 | 5 | 35 | 58 | 19 | 
| 2024 | 6 | 34 | 49 | 22 | 
| 2024 | 7 | 36 | 64 | 19 | 
| 2024 | 8 | 53 | 82 | 30 | 
| 2024 | 9 | 36 | 51 | 28 | 
| 2024 | 10 | 40 | 68 | 26 | 
| 2024 | 11 | 45 | 75 | 17 | 
| 2024 | 12 | 39 | 67 | 22 | 
| 2025 | 1 | 31 | 46 | 21 | 
| 2025 | 2 | 20 | 32 | 5 | 
| 2025 | 3 | 10 | 36 | 1 | 
| 2025 | 4 | 4 | 7 | 2 | 
| 2025 | 5 | 4 | 7 | 2 | 
| 2025 | 6 | 4 | 7 | 3 | 
| 2025 | 7 | 3 | 4 | 2 | 
| 2025 | 8 | 3 | 5 | 2 | 
| 2025 | 9 | 4 | 6 | 3 | 
| 2025 | 10 | 4 | 6 | 3 | 
Trending Position
| Year | Month | High | Avg | 
|---|---|---|---|
| 2025 | 10 | 776 | 831 | 
| Year | Month | High | Avg | 
|---|---|---|---|
| 2025 | 7 | 567 | 604 | 
| Year | Month | High | Avg | 
|---|---|---|---|
| 2025 | 6 | 544 | 714 | 
| Year | Month | High | Avg | 
|---|---|---|---|
| 2025 | 5 | 528 | 784 | 
| Year | Month | High | Avg | 
|---|---|---|---|
| 2025 | 3 | 647 | 670 | 
The FX is OK and the uneasiness and thrill is always there but the script is stereotypical, weak and full of holes. ...
Brundledren! Splice is a tricky picture to evaluate, for its ideas are superb. One could argue that it brings a new petri dish full of meddling scientists facing the consequences of their actions, while conversely it justifiably feels like a Cronenberg knock-off. Psychological discord is in ab ... undance, with its slants on skew-whiff parenting giving the pic a dark fascination, and as unpleasant as the male fantasy angle is, it does hold a morbid interest factor. Yet come the final third the makers let things run away from them, the bonkers dangers of tampering with science giving way to daft schlock, even managing to be distasteful in the process - while the finale is a weak attempt at a "TBC" cliff hanger. Lead cast members are turning in good perfs. Adrien Brody and Sarah Polley as the meddling science couple hold court well, and Delphine Chaneac as the Chimera splicer of the piece really nails all the various emotional strands required for a tricky role. Director Vincenzo Natali has shown with Cube and Cypher he has something to offer the horror/sci-fi splinters of film, but this is a mixed bag. A film of great ideas let down by overheating the plot for shock values, while the levity inserted into the play is misguided and damaging for dramatic worth. 6/10
"Clive" (Adrien Brody) and "Elsa" (Sarah Polley) are a couple of genetic engineers charged by David Hewlett's "Barlow" with discovering an important gene that could lead to huge advances in medical science. Using a mix of human and animal DNA that have varying degrees of success before the evolution ... of a creature "Dren" (Delphine Chanéac) that develops more human attributes - as well as a tail with a stinger and the ability to grow wings. As we progress through this frankly rather disturbing story, we discover that "Elsa" quite literally has skin in the game as they must both seek to protect their creation from not just their employers but from her increasingly violent and lustful tendencies. I was quite interested in the underlying premise but the execution here is really poor. I never did really get why Brody was ever successful in the first place and here there is no chemistry between him and Polley; the storyline which could have been challenging and thought-provoking instead borders on the absurdly far-fetched and the ending couldn't really come quick enough as we really do struggle to reach any sort of a satisfactory conclusion - either from a personal or a scientific perspective. It does highlight the dangers of unfettered scientific experimentation but sadly in no more an entertaining fashion that we have seen many times before - more enjoyably - from Hammer Studios!