Set in 1929, a political boss and his advisor have a parting of the ways when they both fall for the same woman. | |
Release Date: | Sep 21, 1990 |
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Director: | Joel Coen |
Writer: | Joel Coen, Ethan Coen |
Genres: | Drama, Crime, Thriller |
Keywords | street gang, gangster, organized crime, neo-noir, embarrassed, corruption, loyalty, shootout, 1920s, prohibition era, irish-american, drunkenness, clinical, gun, irish mob, angry, violence, gambling debt, betrayal, aggressive, approving |
Production Companies | 20th Century Fox, Circle Films |
Box Office |
Revenue: $5,080,409
Budget: $14,000,000 |
Updates |
Updated: Aug 10, 2025 (Update) Entered: Apr 13, 2024 |
Name | Character |
---|---|
Gabriel Byrne | Tom Reagan |
Marcia Gay Harden | Verna |
John Turturro | Bernie Bernbaum |
Jon Polito | Johnny Caspar |
J.E. Freeman | Eddie Dane |
Albert Finney | Leo |
Mike Starr | Frankie |
Al Mancini | Tic-Tac |
Steve Buscemi | Mink |
Richard Woods | Mayor Dale Levander |
Tom Toner | O'Doole |
Mario Todisco | Clarence 'Drop' Johnson |
Olek Krupa | Tad |
Michael Jeter | Adolph |
Lanny Flaherty | Terry |
Jeanette Kontomitras | Mrs. Caspar |
Louis Charles Mounicou III | Johnny Caspar, Jr. |
John McConnell | Cop - Brian |
Danny Aiello III | Cop - Delahanty |
Helen Jolly | Screaming Lady |
Hilda McLean | Landlady |
Monte Starr | Gunman in Leo's House |
Don Picard | Gunman in Leo's House |
Salvatore H. Tornabene | Rug Daniels |
Kevin Dearie | Street Urchin |
Michael Badalucco | Caspar's Driver |
Charles Ferrara | Caspar's Butler |
Esteban Fernández | Caspar's Cousin |
George Fernández | Caspar's Cousin |
Charles Gunning | Hitman at Verna's |
Dave Drinkx | Hitman #2 |
David Darlow | Lazarre's Messenger |
Robert LaBrosse | Lazarre's Tough |
Carl Rooney | Lazarre's Tough |
Jack Harris | Man with Pipe Bomb |
Jery Hewitt | Son of Erin |
Sam Raimi | Snickering Gunman |
John Schnauder Jr. | Cop with Bullhorn |
Zolly Levin | Rabbi |
Joey Ancona | Boxer |
Bill Raye | Boxer |
William Preston Robertson | Voice (voice) |
Frances McDormand | Mayor's Secretary (uncredited) |
Michael P. Cahill | Casino Patron (uncredited) |
Name | Job |
---|---|
Joel Coen | Screenplay, Director |
Leslie McDonald | Art Direction |
Cydney Cornell | Hairstylist |
Gail Showalter | ADR Editor |
Michael R. Miller | Editor |
Terri Clemens | Production Coordinator |
John S. Lyons | Casting |
Russell Engels | Gaffer |
Lee Dichter | Sound Re-Recording Mixer |
Nancy Haigh | Set Decoration |
Michael Berenbaum | First Assistant Editor |
Earl R. Hurst Sr. | Transportation Captain |
Richard Hornung | Costume Design |
Todd Kasow | Music Editor |
Sonny Burke | Additional Soundtrack |
Marissa Littlefield | Dialogue Editor |
Michael F. Burke | Rigging Gaffer |
Patti Perret | Still Photographer |
Alma Kuttruff | Production Manager |
Thomas Johnston | Script Supervisor |
Graham Place | Line Producer |
Allan Byer | Production Sound Mixer |
Peter Chesney | Special Effects Coordinator |
Tony Grocki | Assistant Editor |
Larry McConkey | Steadicam Operator |
Angelo Di Giacomo | First Assistant Camera |
William 'Fleet' Eakland | Transportation Coordinator |
Jane Brody | Casting |
Katherine James | Makeup Artist |
Douglas Fox | Property Master |
Nic Ratner | ADR Editor |
Barry Sonnenfeld | Camera Operator, Director of Photography |
Dennis Gassner | Production Design |
Donna Isaacson | Casting |
Skip Lievsay | Supervising Sound Editor |
Jery Hewitt | Stunt Coordinator |
Gregory Jacobs | Assistant Director |
Norman Douglass | Stunts |
Roy Farfel | Stunts |
Bill Anagnos | Stunts |
Gary Tacon | Stunts |
Carter Burwell | Original Music Composer |
Ethan Coen | Screenplay |
Name | Title |
---|---|
Mark Silverman | Co-Producer |
Ben Barenholtz | Executive Producer |
Ethan Coen | Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 23 | 30 | 18 |
2024 | 5 | 28 | 37 | 18 |
2024 | 6 | 24 | 38 | 13 |
2024 | 7 | 28 | 45 | 15 |
2024 | 8 | 19 | 30 | 12 |
2024 | 9 | 16 | 24 | 11 |
2024 | 10 | 20 | 36 | 11 |
2024 | 11 | 22 | 51 | 13 |
2024 | 12 | 19 | 34 | 13 |
2025 | 1 | 20 | 42 | 13 |
2025 | 2 | 13 | 21 | 4 |
2025 | 3 | 6 | 18 | 2 |
2025 | 4 | 4 | 9 | 2 |
2025 | 5 | 3 | 10 | 2 |
2025 | 6 | 3 | 6 | 2 |
2025 | 7 | 3 | 4 | 2 |
2025 | 8 | 3 | 4 | 2 |
2025 | 9 | 5 | 7 | 4 |
Trending Position
Year | Month | High | Avg |
---|---|---|---|
2025 | 7 | 628 | 823 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 6 | 922 | 922 |
Year | Month | High | Avg |
---|---|---|---|
2024 | 12 | 981 | 981 |
The answer my friend is a hat blowing in the wind. The Coen brothers craft a loving homage to gangster pictures of yore with splendid results. Essentially the plot has Gabriel Byrne as a good - bad guy caught between two rival gangster factions. It's a standard story line that is still providing ... cinematic water for many a film maker these days, but shot through the Coen prism, with literary astuteness holding court, it's a genre piece of considerable class. A picture in fact that gets better and better with further viewings. When the Coen's are on form they have the skills to make a grade "A" thriller and blend it with a sort of dry irony. It's like they bite the hand that feeds whilst praising said genre influences to the rafters, but it works as damn fine entertainment. On a narrative level Miller's Crossing molds the byzantine with the labyrinthine, keeping the complexities just on the right side of the street from that of art for arts sake. Visually the film is superb, the hard working sweat of the city dovetails impudently with the mother nature beauty of Miller's Crossing the place, a place home to misery, a witness to the dark side of man. All the while Byrne, Albert Finney, John Turturro and Jon Polito bring an array of characterisations to the party, each one his own man but each craftily proving the folly of man. Marcia Gay Harden, in one of her first mainstream roles, slinks about making the two main boys sweaty, and wonderful she is as well. While Carter Burwell provides a musical score that has a smug (in a good way) self awareness about it. Style over substance? Yes, on formative viewings it is. But go back, look again, see and sample what is not being said. Pulpers and noirers will I'm sure get the gist. 8/10
Gabriel Byrne is "Reagan", the enforcer for the pretty ruthless mob kingpin "Leo" (Albert Finney). He is caught in the middle of a battle between his boss and the man who would take his place "Caspar" (John Polito) over the antics of a rogue bookie "Bernie" (the scene-stealing John Turturro) who als ... o happens to be the brother of "Verna" (Marcia Gay Harden) - the girlfriend of Leo, oh - and the mistress of "Reagan" too. "Reagan" tries to be a bit of an honest broker between them all, but when his efforts fail, he is cast aside by his former boss and left to fend for himself... On the face of it, this is just a run-of-the-mill gangster film. People are killed and the vicious circle of revenge continues. Quite cleverly, though, the Coen brothers have done quite a bit to present more complex characters and to give the plot a little more quirkiness - and that makes this an interesting two hours to watch. Finney's accent is a bit hit or miss, and I'm afraid Byrne just isn't a strong enough actor to carry his substantial part so well - he is no Edward G. Robinson or George Raft, but this is still a superior delve into the murky world of organised crime that does bear watching.