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Shakedown

In a city where everyone is for sale... They're the best money can't buy.
1988 | 93m | English

(4293 votes)

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Popularity: 4 (history)

Details

When a local drug dealer shoots a dishonest cop in self-defense, lawyer and renegade undercover cop join forces to clear him. But when their investigation leads them into a maze of greed and corruption, they learn that in a town where everything is for sale, anything can happen.
Release Date: May 06, 1988
Director: James Glickenhaus
Writer: James Glickenhaus, James Borrelli
Genres: Action, Drama, Crime, Thriller
Keywords drug dealer, renegade, cop, lawyer, bad cop
Production Companies Universal Pictures, Shapiro-Glickenhaus Entertainment, Blue Jean Cop
Box Office Revenue: $0
Budget: $6,000,000
Updates Updated: Feb 01, 2025
Entered: Apr 13, 2024
Trailers and Extras

International Posters

Full Credits

Name Character
Peter Weller Roland Dalton
Sam Elliott Richie Marks
Patricia Charbonneau Susan Cantrell
Antonio Fargas Nicky 'N.C.' Carr
Blanche Baker Gail Feinberger
John C. McGinley Sean Phillips
Richard Brooks Michael Jones
Jude Ciccolella Patrick O'Leary
Thomas G. Waites Officer Kelly
Daryl Edwards Dr. Watson
Jos Laniado Ruben
Henry Judd Baker Big Leroy
Ronald Maccone Mastrangelo
Holt McCallany Roadblock Officer
George Loros Officer Varelli
Augusta Dabney Judge Maynard
Shirley Stoler Irma
Paul Bartel Night Court Judge
James Eckhouse Steve Rosen
David Proval Larry
John Finn Bartender
Harold Perrineau Tommie
Anthony Crivello Julio
Tom Mardirosian Cab Driver
Vondie Curtis-Hall Speaker
Rockets Redglare Ira
Matthew T. Gitkin Firefighter (uncredited)
Frank Walden Street Race Fan (uncredited)
Julia McNeal Nancy
Kathryn Rossetter Margaret O'Leary
Karl Taylor TV Watcher
Name Job
James Glickenhaus Writer, Director
Jonathan Elias Original Music Composer
John Lindley Director of Photography
Paul Fried Editor
Donna DeSeta Casting
Charles C. Bennett Production Design
Guido DeCurtis Set Decoration
Peggy Farrell Costume Design
Gerrit van der Meer Production Manager
Randal Goya Sound Editor
Michael Schroeder First Assistant Director
Joel Segal First Assistant Director
Liz Ryan Second Assistant Director
Frank Comito Additional Second Assistant Director
Sally Andrews Second Second Assistant Director
James Borrelli Writer
Joseph Calderaro Set Dresser
Frank DeCurtis On Set Dresser
Arthur Dworin Scenic Artist
David W. Howell Set Dresser
Laura Jean West Set Dresser
Neil L. Kaufman Sound Editor
Dow McKeever Sound Editor
Jack Haigis Sound Effects Editor
Tom Fleischman Sound Re-Recording Mixer
Marko Costanzo Foley Artist
Paul P. Soucek Apprentice Sound Editor
Richard Klompus Cableman
Wayne Edgar Special Effects
Andree Gibbs Stunts
Katherine B. Flusk Stunts
Diamond Farnsworth Stunts
John Alden Stunts
Jeffrey Rollins Production Assistant
Buddy Van Horn Stunts
Patricia Tallman Stunts
Jack Gill Stunt Coordinator
Alan Gibbs Stunt Coordinator
Nicholas J. Giangiulio Stunts
Frank Ferrara Stunts
Danny Aiello III Stunts
Rick Aiello Stunts
Name Title
J. Boyce Harman Jr. Producer
Leonard Shapiro Executive Producer
Alan M. Solomon Executive Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 12 22 7
2024 5 14 20 8
2024 6 14 28 8
2024 7 13 20 7
2024 8 9 14 5
2024 9 7 13 4
2024 10 10 20 4
2024 11 7 15 4
2024 12 7 11 4
2025 1 8 19 4
2025 2 5 8 3
2025 3 4 7 1
2025 4 3 5 1
2025 5 1 5 1
2025 6 1 2 1
2025 7 0 1 0
2025 8 1 1 0
2025 9 1 2 1
2025 10 2 4 1

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Reviews

kevin2019
2.0

"Shakedown" is much too unremarkable for its own good and obviously somebody somewhere must have realised this so in order to effectively remedy such an unwanted situation somebody somewhere has deemed it appropriate that the film ought to be modelled more upon the box office hit "Lethal Weapon" (19 ... 87). So this means we are frequently subjected to an assortment of deliberately eye catching action sequences and stunts. No problem there, you might think. After all, the sequences in question have been incredibly well executed and they do successfully enliven what is a generally unmemorable motion picture experience. However, they are also outrageously laughable and they unquestionably sabotage the more realistic qualities being striven for elsewhere. The film also isn't helped by the fact Peter Weller's and Sam Elliott's characters Roland Dalton and Richie Marks are so completely mismatched they actually look as though they belong in separate films and by bringing them together here leaves us with an unholy mess on our hands.

May 03, 2024