 
  Popularity: 4 (history)
| Director: | James Glickenhaus | 
|---|---|
| Writer: | James Glickenhaus, James Borrelli | 
| Staring: | 
| When a local drug dealer shoots a dishonest cop in self-defense, lawyer and renegade undercover cop join forces to clear him. But when their investigation leads them into a maze of greed and corruption, they learn that in a town where everything is for sale, anything can happen. | |
| Release Date: | May 06, 1988 | 
|---|---|
| Director: | James Glickenhaus | 
| Writer: | James Glickenhaus, James Borrelli | 
| Genres: | Action, Drama, Crime, Thriller | 
| Keywords | drug dealer, renegade, cop, lawyer, bad cop | 
| Production Companies | Universal Pictures, Shapiro-Glickenhaus Entertainment, Blue Jean Cop | 
| Box Office | Revenue: $0 Budget: $6,000,000 | 
| Updates | Updated: Feb 01, 2025 Entered: Apr 13, 2024 | 
| Name | Character | 
|---|---|
| Peter Weller | Roland Dalton | 
| Sam Elliott | Richie Marks | 
| Patricia Charbonneau | Susan Cantrell | 
| Antonio Fargas | Nicky 'N.C.' Carr | 
| Blanche Baker | Gail Feinberger | 
| John C. McGinley | Sean Phillips | 
| Richard Brooks | Michael Jones | 
| Jude Ciccolella | Patrick O'Leary | 
| Thomas G. Waites | Officer Kelly | 
| Daryl Edwards | Dr. Watson | 
| Jos Laniado | Ruben | 
| Henry Judd Baker | Big Leroy | 
| Ronald Maccone | Mastrangelo | 
| Holt McCallany | Roadblock Officer | 
| George Loros | Officer Varelli | 
| Augusta Dabney | Judge Maynard | 
| Shirley Stoler | Irma | 
| Paul Bartel | Night Court Judge | 
| James Eckhouse | Steve Rosen | 
| David Proval | Larry | 
| John Finn | Bartender | 
| Harold Perrineau | Tommie | 
| Anthony Crivello | Julio | 
| Tom Mardirosian | Cab Driver | 
| Vondie Curtis-Hall | Speaker | 
| Rockets Redglare | Ira | 
| Matthew T. Gitkin | Firefighter (uncredited) | 
| Frank Walden | Street Race Fan (uncredited) | 
| Julia McNeal | Nancy | 
| Kathryn Rossetter | Margaret O'Leary | 
| Karl Taylor | TV Watcher | 
| Name | Job | 
|---|---|
| James Glickenhaus | Writer, Director | 
| Jonathan Elias | Original Music Composer | 
| John Lindley | Director of Photography | 
| Paul Fried | Editor | 
| Donna DeSeta | Casting | 
| Charles C. Bennett | Production Design | 
| Guido DeCurtis | Set Decoration | 
| Peggy Farrell | Costume Design | 
| Gerrit van der Meer | Production Manager | 
| Randal Goya | Sound Editor | 
| Michael Schroeder | First Assistant Director | 
| Joel Segal | First Assistant Director | 
| Liz Ryan | Second Assistant Director | 
| Frank Comito | Additional Second Assistant Director | 
| Sally Andrews | Second Second Assistant Director | 
| James Borrelli | Writer | 
| Joseph Calderaro | Set Dresser | 
| Frank DeCurtis | On Set Dresser | 
| Arthur Dworin | Scenic Artist | 
| David W. Howell | Set Dresser | 
| Laura Jean West | Set Dresser | 
| Neil L. Kaufman | Sound Editor | 
| Dow McKeever | Sound Editor | 
| Jack Haigis | Sound Effects Editor | 
| Tom Fleischman | Sound Re-Recording Mixer | 
| Marko Costanzo | Foley Artist | 
| Paul P. Soucek | Apprentice Sound Editor | 
| Richard Klompus | Cableman | 
| Wayne Edgar | Special Effects | 
| Andree Gibbs | Stunts | 
| Katherine B. Flusk | Stunts | 
| Diamond Farnsworth | Stunts | 
| John Alden | Stunts | 
| Jeffrey Rollins | Production Assistant | 
| Buddy Van Horn | Stunts | 
| Patricia Tallman | Stunts | 
| Jack Gill | Stunt Coordinator | 
| Alan Gibbs | Stunt Coordinator | 
| Nicholas J. Giangiulio | Stunts | 
| Frank Ferrara | Stunts | 
| Danny Aiello III | Stunts | 
| Rick Aiello | Stunts | 
| Name | Title | 
|---|---|
| J. Boyce Harman Jr. | Producer | 
| Leonard Shapiro | Executive Producer | 
| Alan M. Solomon | Executive Producer | 
| Organization | Category | Person | 
|---|
Popularity History
| Year | Month | Avg | Max | Min | 
|---|---|---|---|---|
| 2024 | 4 | 12 | 22 | 7 | 
| 2024 | 5 | 14 | 20 | 8 | 
| 2024 | 6 | 14 | 28 | 8 | 
| 2024 | 7 | 13 | 20 | 7 | 
| 2024 | 8 | 9 | 14 | 5 | 
| 2024 | 9 | 7 | 13 | 4 | 
| 2024 | 10 | 10 | 20 | 4 | 
| 2024 | 11 | 7 | 15 | 4 | 
| 2024 | 12 | 7 | 11 | 4 | 
| 2025 | 1 | 8 | 19 | 4 | 
| 2025 | 2 | 5 | 8 | 3 | 
| 2025 | 3 | 4 | 7 | 1 | 
| 2025 | 4 | 3 | 5 | 1 | 
| 2025 | 5 | 1 | 5 | 1 | 
| 2025 | 6 | 1 | 2 | 1 | 
| 2025 | 7 | 0 | 1 | 0 | 
| 2025 | 8 | 1 | 1 | 0 | 
| 2025 | 9 | 1 | 2 | 1 | 
| 2025 | 10 | 2 | 4 | 1 | 
Trending Position
"Shakedown" is much too unremarkable for its own good and obviously somebody somewhere must have realised this so in order to effectively remedy such an unwanted situation somebody somewhere has deemed it appropriate that the film ought to be modelled more upon the box office hit "Lethal Weapon" (19 ... 87). So this means we are frequently subjected to an assortment of deliberately eye catching action sequences and stunts. No problem there, you might think. After all, the sequences in question have been incredibly well executed and they do successfully enliven what is a generally unmemorable motion picture experience. However, they are also outrageously laughable and they unquestionably sabotage the more realistic qualities being striven for elsewhere. The film also isn't helped by the fact Peter Weller's and Sam Elliott's characters Roland Dalton and Richie Marks are so completely mismatched they actually look as though they belong in separate films and by bringing them together here leaves us with an unholy mess on our hands.