 
  Popularity: 3 (history)
| Director: | Gabriel Pascal | 
|---|---|
| Writer: | George Bernard Shaw | 
| Staring: | 
| Idealistic young Barbara is the daughter of rich weapons manufacturer Andrew Undershaft. She rebels against her estranged father by joining the Salvation Army. Wooed by professor-turned-preacher Adolphus Cusins, Barbara eventually grows disillusioned with her causes and begins to see things from her father's perspective. | |
| Release Date: | May 14, 1941 | 
|---|---|
| Director: | Gabriel Pascal | 
| Writer: | George Bernard Shaw | 
| Genres: | Comedy | 
| Keywords | based on play or musical, estranged father, salvation army, weapons manufacturer | 
| Production Companies | Gabriel Pascal Productions | 
| Box Office | Revenue: $0 Budget: $0 | 
| Updates | Updated: Aug 04, 2024 Entered: Apr 20, 2024 | 
| Name | Character | 
|---|---|
| Wendy Hiller | Major Barbara Undershaft | 
| Rex Harrison | Adolphus Cusins | 
| Robert Morley | Andrew Undershaft | 
| Robert Newton | Bill Walker | 
| Sybil Thorndike | The General | 
| Emlyn Williams | Snobby Prince | 
| Marie Lohr | Lady Britomart | 
| Penelope Dudley-Ward | Sarah Undershaft | 
| Walter Hudd | Stephen Undershaft | 
| David Tree | Charles Lomax | 
| Deborah Kerr | Jenny Hill | 
| Donald Calthrop | Peter Shirley | 
| Marie Ault | Rummy Mitchens | 
| Cathleen Cordell | Mog Habbijam | 
| Torin Thatcher | Todger Fairmile | 
| Miles Malleson | Morrison | 
| Felix Aylmer | James | 
| Stanley Holloway | Policeman | 
| S.I. Hsiung | Ling | 
| Kathleen Harrison | Mrs. Price | 
| Mary Morris | A Girl | 
| Charles Victor | Bilton (uncredited) | 
| O.B. Clarence | Pettigrew (uncredited) | 
| Dane Gordon | Cast Member (uncredited) | 
| Edward Rigby | Man on Quayside (uncredited) | 
| George Bernard Shaw | Himself (in theatrical release print only) (uncredited) | 
| Billy Wells | Minor Role (uncredited) | 
| Name | Job | 
|---|---|
| George Bernard Shaw | Screenplay | 
| Ronald Neame | Cinematography | 
| Cecil Beaton | Costume Design | 
| Charles Frend | Editor | 
| Harold French | Assistant Director | 
| William Walton | Original Music Composer | 
| David Lean | Assistant Director | 
| Gabriel Pascal | Director | 
| Vincent Korda | Art Direction | 
| Muir Mathieson | Music Director | 
| Name | Title | 
|---|---|
| Gabriel Pascal | Producer | 
| Organization | Category | Person | 
|---|
Popularity History
| Year | Month | Avg | Max | Min | 
|---|---|---|---|---|
| 2024 | 4 | 5 | 12 | 1 | 
| 2024 | 5 | 6 | 12 | 3 | 
| 2024 | 6 | 5 | 13 | 2 | 
| 2024 | 7 | 6 | 12 | 3 | 
| 2024 | 8 | 4 | 9 | 2 | 
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| 2024 | 11 | 3 | 6 | 2 | 
| 2024 | 12 | 3 | 4 | 1 | 
| 2025 | 1 | 4 | 7 | 2 | 
| 2025 | 2 | 2 | 4 | 1 | 
| 2025 | 3 | 2 | 4 | 1 | 
| 2025 | 4 | 1 | 2 | 1 | 
| 2025 | 5 | 2 | 2 | 1 | 
| 2025 | 6 | 1 | 1 | 1 | 
| 2025 | 7 | 0 | 0 | 0 | 
| 2025 | 8 | 0 | 2 | 0 | 
| 2025 | 9 | 2 | 3 | 1 | 
| 2025 | 10 | 2 | 3 | 2 | 
Trending Position
Gabriel Pascal and (George) Bernard Shaw have reunited for this enjoyably paced, quirky and characterful adaptation of his 1905 play. That creation uses chocolate, this one replaces it with arms as the eponymous, upright and virtuous character - Wendy Hiller - re-evaluates her leading light position ... in the Salvation Army when their General (Dame Sybil Thorndike) agrees to accept two huge donations - one from a recently ennobled brewing magnate, the other from her father "Andrew Undershaft" (Robert Morley) - the aforementioned, billionaire arms dealer. It's oft described as a comedy, this - and there are certainly comedic elements to it, especially from Morley and her academic suitor Rex Harrison ("Adolphus Cusins"), but is largely presented more of a question to us, the audience. It challenges us to assess which is (or might be) the more important influence: religion or money; prosperity or integrity. Are they mutually exclusive? Perhaps it is a rather simplistic choice, but Shaw offers us scenarios ably illustrating the opportunity and hypocrisy that we may appreciate both the emotional and practical quandaries of "Maj. Barbara" as her resistance to her father's mercenary existence is tempered with his argument justifying his wealth, and his power. Morley is super - his delivery potently justifies his position to the point where it seems irrational to doubt it! The staging is a little too fixed. Though there are a few outdoor scenes, the vast majority appears overly hemmed in. The brewery lights flashing on and off; the scenes in their shelter, and at their home - all are just a bit linear. The pretty lively scenes with an on-form Robert Newton (the down-to-earth, working-class pragmatist "Billy") come across as just a bit too stifled - the flow is almost staccato at times. With the likes of Ronald Neame, David Lean, Charles Frend and Vincent Korda helping out behind the camera, it was always going to be a well made film, and indeed it is. A social commentary that pitches avarice against principle - and one that leaves us to decide... Good stuff.