Menu
Major Barbara Poster

Major Barbara

1941 | 121m | English

(1622 votes)

TMDb IMDb

Popularity: 3 (history)

Details

Idealistic young Barbara is the daughter of rich weapons manufacturer Andrew Undershaft. She rebels against her estranged father by joining the Salvation Army. Wooed by professor-turned-preacher Adolphus Cusins, Barbara eventually grows disillusioned with her causes and begins to see things from her father's perspective.
Release Date: May 14, 1941
Director: Gabriel Pascal
Writer: George Bernard Shaw
Genres: Comedy
Keywords based on play or musical, estranged father, salvation army, weapons manufacturer
Production Companies Gabriel Pascal Productions
Box Office Revenue: $0
Budget: $0
Updates Updated: Aug 04, 2024
Entered: Apr 20, 2024
Trailers and Extras

No trailers or extras available.

Backdrops

No backdrops available.

International Posters

No images available.

More Like This

No recommended movies found

Full Credits

Name Character
Wendy Hiller Major Barbara Undershaft
Rex Harrison Adolphus Cusins
Robert Morley Andrew Undershaft
Robert Newton Bill Walker
Sybil Thorndike The General
Emlyn Williams Snobby Prince
Marie Lohr Lady Britomart
Penelope Dudley-Ward Sarah Undershaft
Walter Hudd Stephen Undershaft
David Tree Charles Lomax
Deborah Kerr Jenny Hill
Donald Calthrop Peter Shirley
Marie Ault Rummy Mitchens
Cathleen Cordell Mog Habbijam
Torin Thatcher Todger Fairmile
Miles Malleson Morrison
Felix Aylmer James
Stanley Holloway Policeman
S.I. Hsiung Ling
Kathleen Harrison Mrs. Price
Mary Morris A Girl
Charles Victor Bilton (uncredited)
O.B. Clarence Pettigrew (uncredited)
Dane Gordon Cast Member (uncredited)
Edward Rigby Man on Quayside (uncredited)
George Bernard Shaw Himself (in theatrical release print only) (uncredited)
Billy Wells Minor Role (uncredited)
Name Job
George Bernard Shaw Screenplay
Ronald Neame Cinematography
Cecil Beaton Costume Design
Charles Frend Editor
Harold French Assistant Director
William Walton Original Music Composer
David Lean Assistant Director
Gabriel Pascal Director
Vincent Korda Art Direction
Muir Mathieson Music Director
Name Title
Gabriel Pascal Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 5 12 1
2024 5 6 12 3
2024 6 5 13 2
2024 7 6 12 3
2024 8 4 9 2
2024 9 4 8 2
2024 10 4 8 2
2024 11 3 6 2
2024 12 3 4 1
2025 1 4 7 2
2025 2 2 4 1
2025 3 2 4 1
2025 4 1 2 1
2025 5 2 2 1
2025 6 1 1 1
2025 7 0 0 0
2025 8 0 2 0
2025 9 2 3 1
2025 10 2 3 2

Trending Position


No trending metrics available.

Return to Top

Reviews

Geronimo1967
7.0

Gabriel Pascal and (George) Bernard Shaw have reunited for this enjoyably paced, quirky and characterful adaptation of his 1905 play. That creation uses chocolate, this one replaces it with arms as the eponymous, upright and virtuous character - Wendy Hiller - re-evaluates her leading light position ... in the Salvation Army when their General (Dame Sybil Thorndike) agrees to accept two huge donations - one from a recently ennobled brewing magnate, the other from her father "Andrew Undershaft" (Robert Morley) - the aforementioned, billionaire arms dealer. It's oft described as a comedy, this - and there are certainly comedic elements to it, especially from Morley and her academic suitor Rex Harrison ("Adolphus Cusins"), but is largely presented more of a question to us, the audience. It challenges us to assess which is (or might be) the more important influence: religion or money; prosperity or integrity. Are they mutually exclusive? Perhaps it is a rather simplistic choice, but Shaw offers us scenarios ably illustrating the opportunity and hypocrisy that we may appreciate both the emotional and practical quandaries of "Maj. Barbara" as her resistance to her father's mercenary existence is tempered with his argument justifying his wealth, and his power. Morley is super - his delivery potently justifies his position to the point where it seems irrational to doubt it! The staging is a little too fixed. Though there are a few outdoor scenes, the vast majority appears overly hemmed in. The brewery lights flashing on and off; the scenes in their shelter, and at their home - all are just a bit linear. The pretty lively scenes with an on-form Robert Newton (the down-to-earth, working-class pragmatist "Billy") come across as just a bit too stifled - the flow is almost staccato at times. With the likes of Ronald Neame, David Lean, Charles Frend and Vincent Korda helping out behind the camera, it was always going to be a well made film, and indeed it is. A social commentary that pitches avarice against principle - and one that leaves us to decide... Good stuff.

Jun 25, 2022