Popularity: 5 (history)
| Director: | Eli Roth |
|---|---|
| Writer: | Joe Carnahan, Brian Garfield, Wendell Mayes |
| Staring: |
| A mild-mannered father is transformed into a killing machine after his family is torn apart by a violent act. | |
| Release Date: | Mar 01, 2018 |
|---|---|
| Director: | Eli Roth |
| Writer: | Joe Carnahan, Brian Garfield, Wendell Mayes |
| Genres: | Action, Drama, Crime, Thriller |
| Keywords | robbery, detective, based on novel or book, gun, kidnapping, police, vigilante, remake, shootout, dark hero, criminal, aggressive, death of wife, father daughter relationship, vigilante justice, provocative |
| Production Companies | Metro-Goldwyn-Mayer, Cave 76 Productions |
| Box Office |
Revenue: $34,017,028
Budget: $30,000,000 |
| Updates |
Updated: Sep 22, 2025 Entered: Apr 13, 2024 |
| Name | Character |
|---|---|
| Bruce Willis | Paul Kersey |
| Vincent D'Onofrio | Frank Kersey |
| Dean Norris | Detective Rains |
| Elisabeth Shue | Lucy Kersey |
| Camila Morrone | Jordan Kersey |
| Beau Knapp | Knox |
| Kimberly Elise | Detective Jackson |
| Len Cariou | Ben |
| Jack Kesy | The Fish |
| Ronnie Gene Blevins | Joe |
| Kirby Bliss Blanton | Bethany |
| Mike Epps | Dr. Chris Salgado |
| Ian Matthews | Ponytail |
| Nathaly Thibault | Funeral Attendant |
| Christopher Tyson | Squeegee Man |
| Melantha Blackthorne | Trauma Patient |
| Dawn Ford | Nurse with ER Attending |
| Moe Jeudy-Lamour | Ray Shawn Core |
| Stephanie Janusauskas | Sophie |
| Jason Cavalier | Officer McCord |
| Naomi Frenette | Knox Girl |
| Luis Oliva | Miguel (Valet) |
| Kenny Wong | Witness |
| Mike Chute | Carjacker #1 |
| Richard Esteras | Pimp |
| Wendy Crewson | Dr. Jill Klavens |
| Stephen McHattie | Chief |
| Sway Calloway | Sway Calloway |
| Gerardo Lo Dico | Detective (uncredited) |
| Heather B. | Heather B. (uncredited) |
| Kaniehtiio Horn | Natasha (as Tiio Horn) |
| Andreas Apergis | Belligerent Dad |
| Warona Setshwaelo | Nurse Carla |
| Name | Job |
|---|---|
| Eli Roth | Director |
| Joe Carnahan | Screenplay |
| Jean Frenette | Stunt Coordinator |
| Rogier Stoffers | Director of Photography |
| Mike Moyer | Gaffer |
| Brit DeLillo | First Assistant Editor |
| Raylin Sabo | Casting Associate |
| Mark Sussman | ADR Voice Casting |
| Mark Goldblatt | Editor |
| Tammy-Lou Pate | Assistant Makeup Artist |
| Adam Mohundro | Boom Operator |
| Scott R. Dixon | Dailies Technician |
| Mark DeSimone | ADR Mixer |
| Bridgett Baron | Payroll Accountant |
| Kelli Victoria Scarangello | Stunts |
| Natalie M. Meyer | Stunt Driver |
| Mary Vernieu | Casting |
| Ludwig Göransson | Original Music Composer |
| Brian Garfield | Novel |
| Marisol Roncali | Casting |
| Paul Kirby | Production Design |
| Mary Jane Fort | Costume Design |
| Richard Bennet | Storyboard |
| Lorette Leblanc | Script Supervisor |
| Sara Bourque | Visual Effects Coordinator |
| Martin Pelletier | Visual Effects Supervisor |
| Caryn Vanko | Set Costumer |
| Caitlin Murphy Miles | Makeup Artist, Key Makeup Artist |
| Radia Slaimi | Set Designer |
| Christopher Glasgow | Steadicam Operator, Camera Operator |
| Michael Franck | Pilot |
| Michelle Côté | Hair Department Head |
| Timothy W. Tiedje | Property Master |
| Steve Pederson | Sound Re-Recording Mixer |
| Gilles Fortier | Rigging Gaffer |
| Hope Slepak | Costume Supervisor |
| Louis Frederic Denomme | Set Dresser |
| Veronique Meunier | Art Direction |
| David Esparza | Sound Re-Recording Mixer, Sound Designer |
| Cedric Charron | Boom Operator |
| Dane Bjerno | Aerial Camera Technician |
| Patrick Lima | Dolly Grip |
| Michael Monar | Russian Arm Operator |
| Michelle Ramos | Set Costumer |
| Giancarlo Petroni | Dialogue Editor |
| Denis Lavigne | Special Effects Coordinator |
| Wendy Gipp | Visual Effects Producer |
| John P. Nugent | Visual Effects Supervisor |
| Miranda Traczyk | Set Costumer |
| Christophe Giraud | Makeup Artist, Key Makeup Artist |
| Geoffroy Beauchemin | Camera Operator |
| Catherine Gélinas | Key Costumer |
| Kitty Hopper | Script Supervisor |
| Justine Losoya | Makeup Artist, Key Makeup Artist |
| Rosi Gabl | Costume Illustrator |
| Valérie Clément | Visual Effects Producer |
| Bruce A. Strong | Special Effects Supervisor |
| David Dinel | Key Grip |
| Patty Connolly | ADR Voice Casting |
| Georges Samuel | Set Dresser |
| Vincent Burt | 2D Artist |
| Sanaa Sayyed | Casting Associate |
| Laura Darner | Key Costumer |
| Colleen Quinton | Makeup Designer |
| Jerome Zurfluh | Set Dresser |
| Valerie Bordeleau | Ager/Dyer |
| Nathalie Paquette | Script Supervisor |
| Ann Smart | Set Decoration |
| Rocco Stallone | Key Hair Stylist |
| Vincent Gingras-Liberali | Set Designer |
| Claire Alary | Property Master |
| Mandell Winter | Supervising Sound Editor |
| Hans Bjerno | Aerial Director of Photography |
| Shaun Nagorny | Rigging Grip |
| Brent Radford | Armorer |
| Eryne Prine | First Assistant Sound Editor |
| Jennea Dorsey-Gordley | Key Hair Stylist |
| Benoit Robitaille | Set Dresser |
| Andrew Christopoulos | Special Effects Coordinator |
| Louis Craig | Special Effects Supervisor |
| Paul Hughen | Second Unit Director of Photography |
| Kathy Bennett | Tailor |
| Craig Crawford | 2D Supervisor |
| Darwin Go | Visual Effects Supervisor |
| Marco Venditto | Gaffer |
| Addae Shelby | Key Grip |
| Katina Kordonouris | Assistant Costume Designer |
| Wendell Mayes | Screenplay |
| Mark Cotone | First Assistant Director |
| Christopher T. Sadler | Second Assistant Director |
| Fanny Hudon | Second Assistant Director |
| Stéphane Byl | Second Unit First Assistant Director |
| Marvin Williams | Second Unit First Assistant Director |
| E.J. Foerster | Second Unit Director |
| André Duval | Assistant Hairdresser |
| Colette Martel | Assistant Hairdresser |
| Jean Scarabin | Assistant Hairdresser |
| Ghislaine Sant | Assistant Hairdresser |
| Catherine Brunelle | Assistant Makeup Artist |
| Véronique Chaput | Assistant Makeup Artist |
| Sabrina Trudel | Assistant Makeup Artist |
| Alex Verville | Assistant Makeup Artist |
| Xiao Yun Hu | Assistant Makeup Artist |
| Camiel McLean | Assistant Makeup Artist |
| Gerald Quist | Makeup Artist |
| Chanelle Ouellette | Makeup Artist |
| Caroline Aquin | Special Effects Makeup Artist |
| Vague Vartanian | Special Effects Makeup Artist |
| Crystal Bryant | Costume Assistant |
| Steven Corrigan | Costume Assistant |
| Jenny Moss | Costume Assistant |
| Mari-Philippe Comeau | Costumer |
| Hatsephi Kushma | Costumer |
| Jamie Westfall | Costumer |
| Lynda Goode | Dresser |
| Lily Sassone | Wardrobe Assistant |
| Curtis Lindersmith | Digital Intermediate Editor |
| Robert E. Phillips | Digital Intermediate Producer |
| Mitch Paulson | Digital Colorist |
| Tom Burnett | Best Boy Electric |
| Timothy Jipping | Best Boy Grip |
| Isabelle Lecompte | Camera Operator |
| Alfonso Maiorana | Camera Operator |
| Sean Sweeney | Data Management Technician |
| Yannick Champagne | Digital Imaging Technician |
| John Waterman | Digital Imaging Technician |
| Anthony Schrader | Dolly Grip |
| Francois Alarie | Electrician |
| Jonathan Barbeau | Electrician |
| David Olff | Electrician |
| Ryan Spacone | Electrician |
| Gary Pachany | First Assistant "A" Camera |
| Carla Clarke | First Assistant "A" Camera |
| John Rex Woodward | First Assistant Camera, First Assistant "A" Camera |
| Dave June | First Assistant "B" Camera |
| Eric Morin | First Assistant "B" Camera |
| Kathryn Moss | First Assistant "C" Camera |
| Patrick Beaulac | Focus Puller |
| Seth Oberle | Generator Operator |
| Joost Clerinx | Grip |
| Martin Landry | Grip |
| Dustan Lewis McBain | Grip |
| Gonzalo Barba | Grip |
| Kyle Kirby | Grip |
| Spencer M. Rohan | Grip |
| Tom Shimandle | Grip |
| Frederic Moreau | Lighting Technician |
| Jean-Nicolas Barron | Lighting Technician |
| Michael Anderson | Lighting Technician |
| Chris McAlister | Lighting Technician |
| Bradley Ian Smith | Lighting Technician |
| Sean Smith | Lighting Technician |
| David F. Wolff | Lighting Technician |
| Zach Zeidman | Lighting Technician |
| Roch Boucher | Second Assistant "A" Camera |
| Amandine Schelle | Second Assistant "A" Camera |
| Eric Hingst | Second Assistant "A" Camera |
| Joshua Ramos | Second Assistant "B" Camera |
| Joel Bernstein | Second Assistant "B" Camera |
| Nic René | Second Assistant "B" Camera |
| Herman Asph | Second Assistant "C" Camera |
| Jean-Simon DesRochers | Video Assist Operator |
| Julien Idrac | Video Assist Operator |
| Takashi Seida | Still Photographer |
| Jeremiah Ferrell | Main Title Designer |
| Véronique Arcouette | Assistant Property Master |
| Jason Negron | Assistant Property Master |
| Daniel Auclair | Greensman |
| Peirce Schmidt | Leadman |
| Robert Gau | Painter |
| Vincent Brabant | On Set Props |
| Caroline Davignon | Props |
| Patrice Jacques | Propmaker |
| Eric Gosselin | Set Dresser |
| Richard Bennett | Storyboard Artist |
| Sean Richard Budde | Swing |
| Alexander Hahn | Swing |
| Olney Atwell | Animation |
| Aaron Hasson | ADR Mixer |
| Howard London | ADR Mixer |
| Jason Oliver | ADR Mixer |
| Aziz Acar | Dialogue Editor |
| Melissa Kennelly | Foley Artist |
| Vince Nicastro | Foley Artist |
| Shawn Kennelly | Foley Mixer |
| Frankie Fiore | Sound Assistant |
| Antoine Viot | Sound Assistant |
| Louis Marion | Sound Mixer |
| David Obermeyer | Sound Mixer |
| Dimitri Médard | Sound Mixer |
| Nick Ray Harris | Utility Sound |
| Kelsey Zeigler | Utility Sound |
| Patrick Jordaens | CG Artist |
| Jean-Francois Morissette | CG Artist |
| Mostafa Badran | CG Artist |
| Rachel Bouchard | CG Artist |
| Joseph Dubé-Arsenault | CG Artist |
| Gabriel Giguère | CG Artist |
| Étienne Jubinville | CG Artist |
| Vincent L'Heureux | CG Artist |
| Kevin Landry | CG Artist |
| Christophe Robert | CG Artist |
| Luc Julien | Compositing Supervisor |
| Ntana Key | Digital Colorist |
| Jason Astley | Digital Compositor |
| Simon Han | Digital Compositor |
| Francis Larouche | Digital Compositor |
| Simon Lehembre | Digital Compositor |
| Jean-François Massé | Digital Compositor |
| Philippe Pelletier | Digital Compositor |
| Pierre-Hugues Vachon | Digital Compositor |
| Evander Major | Digital Compositor |
| Travis Pinsonnault | Digital Compositor |
| Christina Maier | Digital Compositor |
| Etienne Poulin St-Laurent | Matchmove Supervisor |
| Jeff Panek | Matte Painter |
| Samuel Blouin | Rotoscoping Artist |
| Didier Coup-Fabiano | Rotoscoping Artist |
| Patrick Gagnon | Rotoscoping Artist |
| Maxime Laroche | Rotoscoping Artist |
| Opale Vezina | Rotoscoping Artist |
| Jean-Alexandre Dufour | Rotoscoping Artist |
| Fergus Jack-Hinton | VFX Artist |
| Martin Grassl | VFX Artist |
| Céline Zapater | VFX Editor |
| Joseph Grossberg | Visual Effects Compositor |
| Samuel Montminy-Brodeur | Visual Effects Production Assistant |
| Jeremy Beadell | Visual Effects Production Manager |
| Joe Hall | Visual Effects Technical Director |
| Maria C. Roxas | Production Supervisor |
| Loïc Bernard | Unit Production Manager |
| Carrie Holt de Lama | Unit Production Manager |
| Anne-Marie Roberge | Unit Production Manager |
| Charlene Hodge | First Assistant Accountant |
| Mayda Renizzi-Holt | First Assistant Accountant |
| Helen Stergiou | First Assistant Accountant |
| Guy Aumond | Production Accountant |
| Marie-Elaine Bailly | Production Coordinator |
| Heather Sharpe | Production Coordinator |
| Eva Quintero | Production Secretary |
| Rob Bergen | Production Secretary |
| Kevin Aumond | Second Assistant Accountant |
| Shawn Aumond | Second Assistant Accountant |
| Cynthia Young | Second Assistant Accountant |
| Cynthia Appleby | Set Production Assistant |
| Lori Byars | Set Production Assistant |
| Puelo Deir | Unit Publicist |
| Charles Tiedje | Armorer |
| Chris McClure | Stunts |
| Name | Title |
|---|---|
| Stephen J. Eads | Associate Producer |
| Robert Birnbaum | Producer |
| Irene Litinsky | Supervising Producer |
| Roger Birnbaum | Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 132 | 320 | 76 |
| 2024 | 5 | 348 | 473 | 291 |
| 2024 | 6 | 212 | 367 | 71 |
| 2024 | 7 | 70 | 135 | 37 |
| 2024 | 8 | 49 | 97 | 30 |
| 2024 | 9 | 29 | 54 | 17 |
| 2024 | 10 | 30 | 54 | 19 |
| 2024 | 11 | 32 | 61 | 22 |
| 2024 | 12 | 32 | 46 | 23 |
| 2025 | 1 | 34 | 67 | 23 |
| 2025 | 2 | 23 | 33 | 4 |
| 2025 | 3 | 8 | 31 | 2 |
| 2025 | 4 | 4 | 6 | 3 |
| 2025 | 5 | 17 | 83 | 3 |
| 2025 | 6 | 14 | 62 | 3 |
| 2025 | 7 | 3 | 5 | 3 |
| 2025 | 8 | 4 | 6 | 3 |
| 2025 | 9 | 4 | 7 | 3 |
| 2025 | 10 | 5 | 7 | 3 |
Trending Position
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 10 | 238 | 606 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 9 | 200 | 560 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 8 | 826 | 914 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 7 | 637 | 637 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 6 | 591 | 791 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 5 | 745 | 829 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 4 | 815 | 854 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 3 | 699 | 709 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 1 | 829 | 880 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2024 | 12 | 957 | 957 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2024 | 10 | 915 | 935 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2024 | 8 | 515 | 685 |
"Willis and his director faced an uphill battle to make their lead character anything less than reprehensible; if that’s their only achievement, it’s a significant if questionable one..." Read the full review here: http://screen-space.squarespace.com/reviews/2018/3/6/death-wish.html ...
When Hollywood starts regurgitating old Charles Bronson Films that we’re ico in their day. Then cast the washed-up Bruce Willis , you gotta know that Hollywood is totally bereft of any original ideas. I mean what producer actually signed off on this piece of Shite? It is an insult to any movi ... egoer and should be liable for incurred costs on wasting a patrons valuable time and money. Simply Abysmal.
"It's not as good as the original" he said, shocking absolutely no one. It's alright though. I don't think that I'll watch this Bruce Willis version ever again, but I actually didn't hate my experience here. _Final rating:★★½ - Had a lot that appealed to me, didn’t quite work as a whole._ ...
Robert “Bronzi” Kovacs Played in a Movie called Death Kiss, he looks like Charles Bronson not a bad actor, he'd been better that Bruce, or possibly the two could have been in the remake. ...
An entertaining (full of) action film. I enjoyed <em>'Death Wish'</em>, plain and simply. The action is satisfying, with it featuring some neat death scenes. The plot, meanwhile, is one that has heart to it. Bruce Willis is suitably fun in the titular role and is joined by the terrific Dean Norri ... s. Camila Morrone is the pick of the rest of the cast. It's nothing deserving of any awards of course, but that's OK as this is a production well worth a watch - in my opinion at least. Not seen the original yet, will aim to check it (and its many sequels) out some time.
I have spent a LOT of time here rallying against remakes and my absolute hatred for them. And trust me, that hatred is nearly absolute. But, the fiance wanted to see this. And I read the reviews here, and I read the critic's reviews...and noticed that the critics all hated it on the basis of "NRA ... Propaganda" In other words they hated it because...politics. And I am really not a fan of that unless it's blatantly political. But, then I noticed that the audience reviews were largely the EXACT opposite of the critics reviews (with the odd absolute remake hater like me and the everything is political crowd). So, why was that...had to see it. And since ALL the Death Wist movies seemed to be exactly the same, might as well. Eli Roth...that name should say it all. It was graphic and gory and not in the boring Saw way, but in the fun ultra-violent entertainment way. And, really, I won't complain about that at all. It's one of the kind of movies I like for the sake of popcorn munching entertainment. And that is what you get here, pure entertainment with NO POLITICS, despite what the "everything is political crowd" says. It is JUST a super gory and graphic crime movie and nothing more, nothing propagandist about it. It's really just violence and gore for the sake of entertainment,. The bottom line is, this is a remake that actually entertains. And since that is the primary purpose to sit down and watch a movie, if it meats that purpose, I recommend it and give it 10 of 10 stars. So watch it...unless you have a weak stomach...because it will entertain you and it is a lot of fun.