Critters
The battle began in another galaxy. It's about to end in the Brown's backyard.
1986 | 86m | English
Popularity: 6 (history)
| Director: | Stephen Herek |
|---|---|
| Writer: | Stephen Herek, Domonic Muir |
| Staring: |
| Carnivorous aliens arrive unannounced at a Kansas family farm; two intergalactic bounty hunters soon follow, determined to blow them off the planet. | |
| Release Date: | Apr 11, 1986 |
|---|---|
| Director: | Stephen Herek |
| Writer: | Stephen Herek, Domonic Muir |
| Genres: | |
| Keywords | sheriff, bounty hunter, barn, toilet, kansas, usa, creature, explosion, alien invasion, exploding house, brother sister , alien fugitive |
| Production Companies | New Line Cinema, Smart Egg Pictures, Sho Films |
| Box Office |
Revenue: $13,167,232
Budget: $2,000,000 |
| Updates |
Updated: Jan 08, 2026 Entered: Apr 13, 2024 |
| Name | Character |
|---|---|
| Dee Wallace | Helen Brown |
| M. Emmet Walsh | Harv |
| Billy Green Bush | Jay Brown |
| Scott Grimes | Brad Brown |
| Nadine Van der Velde | April Brown |
| Don Keith Opper | Charlie McFadden |
| Lin Shaye | Sally |
| Billy Zane | Steve Elliot |
| Ethan Phillips | Jeff Barnes |
| Terrence Mann | Johnny Steele |
| Jeremy Lawrence | Preacher |
| Michael Lee Gogin | Zanti |
| Art Frankel | Ed |
| Douglas Koth | Bowler #1 |
| Montrose Hagins | Organist |
| Roger Hampton | Jake |
| Chuck Lindsley | Pool Player #1 |
| David Stenstrom | Pool Player #2 |
| Adele Malis-Morey | Woman #1 |
| Corey Burton | (critter voices) |
| Name | Job |
|---|---|
| Don Keith Opper | Additional Writing |
| Stephen Herek | Screenplay, Director |
| David Newman | Original Music Composer |
| Steven Lambert | Stunts |
| Gregg Fonseca | Production Design |
| Elisabeth Leustig | Casting |
| Anne H. Ahrens | Set Decoration |
| Larry Bock | Editor |
| Philip Dean Foreman | Art Direction |
| Domonic Muir | Screenplay, Story |
| Bill McIntosh | Stunts |
| Debbie Lynn Ross | Stunts |
| Teresa M. Austin | Makeup Artist, Hairstylist |
| Nedra Hainey | Makeup Artist, Hairstylist |
| Kathy W. Estocin | Key Hair Stylist, Key Makeup Artist |
| John Criswell | Special Effects Makeup Artist |
| Thomas Floutz | Special Effects Makeup Artist |
| John Goodwin | Special Effects Makeup Artist |
| John Naulin | Special Effects Makeup Artist |
| Cary Howe | Special Effects Makeup Artist |
| Julie Mauger | Special Effects Makeup Artist |
| Steve Patino | Special Effects Makeup Artist |
| Frederique Schafer | Special Effects Makeup Artist |
| Gerald Quist | Special Effects Makeup Artist |
| Daryl Kass | Production Manager |
| Perry Husman | Second Assistant Director |
| Whitney R. Hunter | Second Assistant Director |
| George Parra | Third Assistant Director |
| Richard Beggs | Sound Re-Recording Mixer |
| Robert W. Glass Jr. | Sound Re-Recording Mixer |
| Dale Johnston | Supervising Sound Editor |
| Chuck E. Stewart | Special Effects Coordinator, Special Effects Supervisor |
| Michael Cassidy | Stunt Coordinator |
| Vince Deadrick Jr. | Stunts |
| John Nowak | Stunts |
| Denver Mattson | Stunts |
| Packy Smith | Stunts |
| Bobby Porter | Stunts |
| Frank Ceglia | Special Effects |
| Kevin Brennan | Gaffer |
| Tim McGinnis | Best Boy Electric |
| Christopher Tufty | Second Unit Director of Photography |
| Nina Padovano | Key Costumer |
| Hilary Wright | Costume Supervisor |
| Ernest Farino | Title Designer |
| Adrienne Hamalian-Mangine | Script Supervisor |
| Tim Suhrstedt | Director of Photography |
| John Krenz Reinhart Jr. | Construction Coordinator |
| Leon Dudevoir | Assistant Director |
| Bob Esposito | Third Assistant Director |
| Lisa Girolami | Production Coordinator |
| Mark Karen | First Assistant Camera |
| Adrian Licciardi | Second Assistant Camera |
| Marla Darling | Costumer |
| Che Zuro | Costumer |
| Laura Goldsmith | Costumer |
| Bob Field | Electrician |
| Dave Ferrara | Electrician |
| Kevin Galbraith | Electrician |
| Scott Guthrie | Electrician |
| Elwin 'Bub' Greer | Electrician |
| Kenneth J. Jones | Key Grip |
| Shunil Borpujari | Dolly Grip, Best Boy Grip |
| Richard Kuhn | Grip |
| Dave 'Foots' Footman | Grip |
| Michael Haney | Grip |
| Don Summer | Sound Mixer |
| Steve Sollars | Sound Mixer, Boom Operator |
| Timaree McCormick | Property Master |
| Dorree Cooper | Set Dresser |
| Don Diers | Set Dresser |
| Abbee Goldstein | Set Dresser |
| Elizabeth Flaherty | Art Department Coordinator |
| Hilarie Roope | Assistant Editor |
| Len Morganti | Storyboard Artist |
| Michael Becker | Still Photographer |
| Tammy Billik | Casting Assistant |
| Robert Zoller | Special Effects Makeup Artist |
| Richard McGuire | Special Effects Makeup Artist |
| Scott Noblitt | Special Effects Makeup Artist |
| Fredrique Gallen | Special Effects Makeup Artist |
| Greg Johnson | Special Effects Makeup Artist |
| Casey Cavanaugh | Special Effects |
| R. Bruce Steinheimer | Special Effects |
| Ray Massara | Special Effects |
| Steve Chiodo | Creature Design |
| Matia Karrell | Assistant Director |
| Linda Graeme | Assistant Director |
| Russell Carpenter | Second Unit Director of Photography |
| Albert Malvaez | Assistant Camera |
| Rick Heebner | Gaffer |
| Paul McIlvaine | Electrician |
| Rik Faigh | Electrician |
| Curtis Bradford | Grip |
| Jan Sears | Grip |
| R.B. Morgan | Property Master |
| Robert S. Mills | Sound Mixer |
| Rebekah Rudd | Script Supervisor |
| Mark Helfrich | Second Unit Director |
| George W. Perkins | Assistant Director |
| Krishna Rao | Assistant Camera |
| Vance Piper | Assistant Camera |
| Don Devine | Assistant Camera |
| Don Burkhardt | Assistant Camera |
| George Neil | Gaffer |
| Cindy Lagerstrom | Grip |
| Isabel Bau Madden | Art Direction |
| Susan Rocco | Script Supervisor |
| Charles Chiodo | Creature Design |
| Name | Title |
|---|---|
| Rupert Harvey | Producer |
| Sara Risher | Associate Producer |
| Robert Shaye | Executive Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 38 | 55 | 22 |
| 2024 | 5 | 48 | 72 | 37 |
| 2024 | 6 | 30 | 46 | 14 |
| 2024 | 7 | 27 | 39 | 18 |
| 2024 | 8 | 23 | 39 | 15 |
| 2024 | 9 | 19 | 37 | 14 |
| 2024 | 10 | 23 | 39 | 17 |
| 2024 | 11 | 19 | 31 | 14 |
| 2024 | 12 | 19 | 26 | 12 |
| 2025 | 1 | 23 | 36 | 16 |
| 2025 | 2 | 15 | 22 | 3 |
| 2025 | 3 | 7 | 21 | 1 |
| 2025 | 4 | 4 | 7 | 1 |
| 2025 | 5 | 3 | 7 | 2 |
| 2025 | 6 | 2 | 4 | 2 |
| 2025 | 7 | 2 | 2 | 1 |
| 2025 | 8 | 2 | 3 | 1 |
| 2025 | 9 | 5 | 6 | 4 |
| 2025 | 10 | 5 | 8 | 4 |
| 2025 | 11 | 5 | 9 | 3 |
| 2025 | 12 | 5 | 9 | 3 |
| 2026 | 1 | 6 | 10 | 3 |
Trending Position
| Year | Month | High | Avg |
|---|---|---|---|
| 2026 | 1 | 789 | 816 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 10 | 711 | 790 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 9 | 631 | 828 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 6 | 662 | 846 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 4 | 560 | 775 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 3 | 919 | 919 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 1 | 489 | 738 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2024 | 12 | 918 | 918 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2024 | 11 | 752 | 752 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2024 | 10 | 783 | 794 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2024 | 9 | 928 | 928 |
It's great when you re-visit a film you enjoyed as a kid and find that as an adult it still totally holds up. Sure _Critters_ almost definitely found its start as nothing more than one of the slew or various _Gremlins_ rip-offs that were being written up at the time, but it's precisely the differenc ... es **from** _Gremlins_ that make _Critters_ any kind of success. The more overt sci-fi elements of the film have become a mainstay in the franchise, and are a big part of what makes this thing worth coming back to. _Final rating:★★★½ - I really liked it. Would strongly recommend you give it your time._
"Critters" is one of those rare movies that comes along that, despite all odds against it, manages to strike just the right chord. A little-monsters mix of scifi, horror, and comedy, the film uses its low budget as part of its charm. It scales the film farely small, that being a family farm that's a ... ttacked by Crites, voracious little eating machines from outer space, rather than a world-spanning threat. This is likely due to the low budget, but it works very well because the lower scale gives the audience a chance to know and identify with the characters, including the Crites themselves. The Crites are more than just Gremlins from space. They have their own language (subtitled, of course) and given that there are only a handful of them gives the filmmakers a chance to give them some character as they interact with each other and the environment (watching one of them try to talk to an ET doll is worth a chuckle). It's not a great film, but it's still a fun way to spend an hour and a half. Just don't expect the same magic from the sequels.
"Critters" is one of those rare movies that comes along that, despite all odds against it, manages to strike just the right chord. A little-monsters mix of scifi, horror, and comedy, the film uses its low budget as part of its charm. It scales the film farely small, that being a family farm that's a ... ttacked by Crites, voracious little eating machines from outer space, rather than a world-spanning threat. This is likely due to the low budget, but it works very well because the lower scale gives the audience a chance to know and identify with the characters, including the Crites themselves. The Crites are more than just Gremlins from space. They have their own language (subtitled, of course) and given that there are only a handful of them gives the filmmakers a chance to give them some character as they interact with each other and the environment (watching one of them try to talk to an ET doll is worth a chuckle). It's not a great film, but it's still a fun way to spend an hour and a half. Just don't expect the same magic from the sequels.
Good watch, could watch again and do recommend. This is a good one to jump into the way back machine for, and I'm waiting on a reboot to happen. (Actually...."The Tomorrow War" is sort of on the same track) The critters themselves are (in a horrible way) cute and vicious looking, the acting i ... s decent, the story is good, and I'm a big fan of the shape shifting hunters sent to kill them. When it comes down to it, the movie is a lot of fun and worth giving a watch.
**_Entertaining popcorn flick from the mid-80s is both cartoonish and horrifying_** Small, furry extraterrestrials harass a farm town in America while two bounty hunters try to capture them. "Critters" (1986) takes the basic premise of 50’s alien-invasion flicks, like “The Blob” or “War of the ... Worlds,” but meshes it with the tone and furry creatures of “Gremlims” from two years prior. The Kansas farmhouse and small town setting recalls teen Clark Kent’s situation in “Superman” (1978). The movie expertly walks the balance beam between fun & amusing and deadly serious creature feature. The vibe is similar to "Neon Maniacs" from the same year, but this is superior, as well as superior to “Gremlims.” Dee Wallace is a highlight as the wife/mother, never looking better, while Nadine Van der Velde is worth a mention as the brunette daughter. On the other side of the gender spectrum, a young Billy Zane shows up as the latter’s beau while Terrence Mann has a memorable dual role, not to mention impressively wrote the catchy song for the soundtrack, “Power of the Night.” I like how this isn’t a typical alien-visitation flick. The addition of the galactic bounty hunters adds an interesting new dimension, a concept that would be ripped off the next year by “The Hidden.” It runs 1 hour, 26 minutes, and was shot in Valencia, Santa Clarita, which is a 45-minutes drive northwest of downtown Los Angeles. GRADE: B+/A-
<em>'Critters'</em> is <em>'Gremlins'</em>-esque fun overall, though it isn't supremely enjoyable all the way through; I felt some pacing issues. The titular aliens do look the part though, even all these years later. The practical effects are nice, that house explosion is particularly great. Sco ... tt Grimes is the actor that stood out most to me whilst watching. I do like how the kid is written, usually in these sorta films they tend to be only annoyingly bratty but here there are a couple of moments where you can see Brad's good; e.g. with Charlie, or with his mum. A nice touch, I thought. It is a movie that I'd say lacks consistent thrill, but all in all it's one I'll still be considering as passable. Hopefully the sequels are more critter-centric than human-centric though, that's the only way I reckon a franchise like this could avoid bad follow-ups.